This is not directly connecting with the latest posts--I apologize. It might also be out in "left field" or in my case "right field" as I tend to be much more intuitive/right-brained rather than rational/left-brained.
A: Alfalfa fields in Rhineland yield as of yet undreamed of
Q: Where are these alfalfa fields?
A: Near tracks well worn.
Q: Another clue, please?
A: Nope, that is enough for now!!
-led me to think about alfalfa which led me to muse about "alpha" "α"
-alfalfa could be interpreted as "alpha alpha" or infinity: ∞ something without any limit
-put two infinity symbols together and get "Rose of four petals" http://upload.wikimedia.org/wikipedia/commons/c/cf/Topological_Rose.png
-which looks like alfalfa or a four leaf clover: http://www.alphabeticallistofflowers.org/uploads/allimg/120427/1040561247-0.jpg
-musing about "tracks well worn" made me think of the corpus callosum, the axons that connect the 2 hemispheres of the brain together.
-interestingly enough, professional musicians may have bigger ones: "Using in-vivo magnetic resonance morphometry it was investigated whether the midsagittal area of the corpus callosum (CC) would differ between 30 professional musicians and 30 age-, sex- and handedness-matched controls. Our analyses revealed that the anterior half of the CC was significantly larger in musicians. This difference was due to the larger anterior CC in the subgroup of musicians who had begun musical training before the age of 7. Since anatomic studies have provided evidence for a positive correlation between midsagittal callosal size and the number of fibers crossing through the CC, these data indicate a difference in interhemispheric communication and possibly in hemispheric (a)symmetry of sensorimotor areas. Our results are also compatible with plastic changes of components of the CC during a maturation period within the first decade of human life, similar to those observed in animal studies." From Increased corpus callosum size in musicians.
Schlaug G, Jäncke L, Huang Y, Staiger JF, Steinmetz H.
Department of Neurology, Heinrich-Heine University, Düsseldorf, Germany
-the pituitary gland resides right under the "tracks well worn"
-excerpt from 4/15/2000 re: the pituitary gland:
: (L) What? Well, it's a curious word because it is composed of two words or even three: mer kaba or mer ka ba. If we think of it as three part word, we have the Egyptian Ka, which is like the astral body, and the Ba which is similar to the Ka. I guess you could think of them as the astral body and the genetic body. Then there is the Ab which is the sort of principle element of the life in man - like the part that is of God or the soul. The Ab was represented as a red stone. It was the part of the man that expressed desire, lust, courage, wisdom, feeling, sense and intelligence. So, all of them together sort of expresses an abstract creative principle Kaaba is Arabic for cube, and it is the square stone building in which the Black Stone is housed in Mecca. It was supposed to have been built by Ishmael and Abraham. So with Mer, Ka, Ab, and Ba, we have a cube made up of the principle parts of the etheric self, and housing a stone. Soul stone? Mother stone?
A: By god, she's got it!
Q: (L) Okay, we've got the soul or mother stone. Or the mother of all stones. Now that we have a definition, what was it?
A: The Matriarch Stone.
Q: (L) Is the Matriarch Stone the one in Mecca?
A: Symbolism reigns supreme here.
Q: (T) Is this also the Philosopher's Stone?
A: "Stone" to those you perceive as ancients symbolized communication from "a higher source."
Q: (L) What is it about a stone that made the ancients associate it with communication?
A: Radio waves.
Q: (L) How did radio waves interact with the stone? Were they recorded by the stone; transmitted by the stone?
Q: (T) Crystals are stones. Crystals are used for radio transmissions.
Q: (L) And it was said before that Stonehenge was a giant transmitter and receiver. The original purpose of Stonehenge was to receive communication and to send communication. It wasn't all that Druid HooDoo stuff that people talk about nowadays. It was a machine, so to speak. (Johan) Could it be that people who come in contact with a stone in one place, and then they go to another place and come in contact with another stone, transfer something from one stone to another?
A: Well, one strengthens their abilities due to awareness channel grooving.
Q: (L) What gets strengthened from contact with the stones?
A: Your abilities.
Q: (L) When they are talking about this Mother Stone, are they talking about something similar to the Atlantean crystals that gathered, dispersed and/or transduced energy?
A: It is more symbolic. But you are on the right track.
Q: (L) So, in talking about Merkabah, we are not talking about spinning tetrahedrons that enable you to ascend or generate some kind of "astral vehicle." They are saying that visualizing yourself inside of one of these enables you to ascend, or something.
A: If you do that, it may help, though.
Q: (L) It may help what?
A: We are going around in circles here. You should use your own abilities to complete the answers to some of these. But, then again, it is one form of "spinning," is it not?[/b]
Q: (T) Everything we have been doing here is all about gaining knowledge and increasing frequency in order to transit from 3rd to 4th density. In ancient times, they would have had to do the same things. But, there may not have been as many experiences available. In order to get experiences, they may have had to travel. So, by going to the stones, they might have increased their frequencies to transit from 3rd to 4th density.
(L) Or they used them as a direct machine or device to do it. Archaeologists say that the people who erected the megaliths were barbarians. They are defined as barbarians because they didn't build cities, they didn't have the wheel, they didn't have organized agriculture, and they left no written records. Those are the defined elements of civilization. Yet, this group of people, whoever they were, did things that we cannot duplicate today, and they did it all over the globe. The groups who came along after them who DID have all the hallmarks of what we call civilization, also could not erect these gargantuan stones.
I thought about this for a long time. Archaeologists say they must have erected them as monuments to their gods, or heroes or whatever. Some of them think they were calendars to tell them when to plant the corn. Well, I think that is stretching it a bit. If you can't cross off the days on the wall and look outside and see that it is time to plant the corn, you're in pretty sad shape. You hardly need to haul stones as big as buildings across hills and valleys to set them up in special places to tell you to do that!
The psychology of the human being cannot have changed all that much over the many thousands of years from then to now, and it is true that people do not do anything without a powerful motivation; what I call the "payoff." What could be the payoff to haul these things around on greased logs as they are depicted? To create a monument or to bury their kings? To get naked and dance in the moonlight?
(A) Like they had a lot of time to do this while struggling to live the barbarian existence, too!
(L) Yeah. They are supposed to be howling savages who must constantly hunt to get food, yet they are spending all their time, occupying all their strongest men, to push rocks around! Meanwhile, according to the archaeologists and paleontologists, these folks only live to about 40 years at max!
(T) They got a lot of mileage out of those 40 years!
(L) Exactly! But, we are supposed to be thinking about the things they didn't have: cities, wheels, agriculture, and writing.
(F) Maybe they didn't need it.
(L) And why would that be? Because the stones did it all!
T) Maybe they were 4th density STO beings who planted all those stones all over the place.
(L) Well, if you think about a group of people who are setting up these massive stones like they were pieces of styrofoam. The stones collect energy and information. They then transduce the energy or amplify it. These people know things about movement, dances or spinning or something, that enables them to behave in concert with the stones so that they all become part of a grand machine that does things! All of the legends talk about stylized dances and the oldest things about Stonehenge say that it was the Temple of Apollo and that Apollo danced there all night at certain periods of time. Every 19 years, I believe. When you think about that, and the other places Apollo appeared, the inversions and redactions of the legends, and we come to these magical stones that produce things. Then we come to the head of Bran the Blessed which supposedly produced endless supplies of bread and fish or whatever else was desired. Bran's head was the giver of all good things. But more than that, it was an oracle. It could speak. And here we have the idea of a similar function for Stonehenge: both an oracle as well as a giver of blessings and bounty. Anything you wanted or needed it provided for you. If you wanted to go somewhere, it transported you as in the legends of the flying carpets. It was magic transportation. All of these things are associated, when you track them back far enough, with a stone. The stones did everything.
(Johan) And it is funny that stones come up. What I have been doing for the past 10 or 15 years is running around the globe collecting stones. I've been to some of the most ancient places on earth, and I go from one to the other. And from each one, I've collected stones. Plus, Apollo: on Crete, there was an oracle of Apollo on Tara...
(L) And there was Tara in Ireland...
(Johan) I wouldn't be surprised if Tara meant stone too! How is all this connected?
(L) Exactly. This is what I have always thought about these megaliths. They DID things. All of the things we think are the "signs" of civilization were done by the stones. Maybe Terry is right; these people were at some level of density where they could make this work. At some point, something happened, the ability was lost, and then people had to build cities, engage in agriculture, invent the wheel, and develop writing - because they could no longer do it the "easy" way.
(Johan) In talking about stones, would the mother of all stones be the navel of the earth; is that the same as Ayers rock? It's the largest stone on earth and they call it the navel of the earth.
(L) Does Ayers rock have anything to do with this?
A: No. Stones were once utilized to provide for all needs, as the energies transmitted connected directly with the pituitary gland to connect spiritual realities with the material realms of 3rd and 4th densities. So you see, the "stone" was viewed as Matriarchal indeed!
Q: (L) Were the beings involved in this type of activity 3rd density, 4th density or bi-density?
A: Originally 4th when home was in other locators.
Q: (L) Could it be said that the pituitary gland itself is the body's own "mother stone?"
A: If you prefer. We suggest a new path now.
And from 2/22/1995
A) Which part of a human extends into 4th density?
A: That which is effected by pituitary gland.
Q: (L) And what is that?
Q: (A) Are there some particular DNA sequences that facilitate transmission between densities?
A: Addition of strands.
Q: (L) How do you get added strands?
A: You don't get, you receive.
Q: (L) Where are they received from?
A: Interaction with upcoming wave, if vibration is aligned.
Q: (L) How do you know if this is happening?
A: Psychophysiological changes manifest.
From Feb 23 2002 Session reminded me of "Handl"
Q: (M) That's the second time they said that. (R) Yeah, okay, so in essence, that means what we are doing now is assembling the orchestra before the concert, and tuning the instruments. (L) Have you ever sat in the concert hall when they were getting ready, warming up? (J) It's chaos. (L) It is. (R) But after awhile it starts getting tuned. But that's what this is all about - the whole Cassiopaean Communication. Were not playing yet. We're just tuning. (L) Yeah. (JN) So if our level of consciousness creates the barriers of where this wave can go and how it behaves, can we... (R) No, No. No. Excuse me for interrupting. Our level of consciousness doesn't create the barriers, it's only aware of those barriers. It can see, okay, what are the barriers: "oh these are the barriers. I can see, okay. So here's what I get to play." But if your awareness grows, then you get to see an array of barriers. "Okay I want to play with this bigger one. I can play with the smaller ones if I want to, but I have the awareness to see other barriers that are more extensive." (L) I think that the concept that we have a hard time grasping is that - going with the analogy - the musical selection is made, more or less. We at some level - us in the future - have chosen what instrument to play, what part to play. And so, the options that we really have now are: how well we play, how loud we play, how in tune we play with others; can we practice, can we stay in tune, can we do any numbers of these things? And even if we find ourselves sitting next to some jerk who can't carry a tune, and whose instrument is all screwed up, can we still continue to play true? Because even though the rest of the orchestra, being heard from a distance, may sound quite melodic, because we are sitting next to this guy who can't play, it is possible for us to be distracted - pulled off track - and then to distract the guy on the other side of us, leading to general chaos. (R) It's about focus. (L) Yeah. I'm getting tired. (A) I have still a question, because all the discussion around this computer modeling, whether it can be helpful or should be developed, or can lead to something; and all these spirals and barriers; they are all about, it's a standard, there are no events, there are no detectors yet. My idea was that it is the detectors which make events which make the wave collapse. Until now, in all our simulations, there is no collapse and no jumps. And yet we speak about consciousness, while there is this other concept that it is consciousness that makes the wave collapse. Okay. So I see a contradiction and I don't know how to get out of this contradiction. There is no collapse, and yet there was some encouragement that what we have relates to...
A: The music is on the page long before it is played.
Q: (R) So, when the orchestra starts playing you have the musical notes, the timing instructions. Right. So it's the same music. You can play over and over again. But the difference is how well the orchestra plays and how well it is tuned. Okay, so one implication can be that...
A: The FRE is the notes on the page. It is the selection. The "playing" constitutes "events." Frequency resonant envelope: FRE.
Q: (R) So when you're starting out, you have a small orchestra, you play simple notes. (L) Kinda like 1st density. (R) Exactly. As you get better at playing you get the bigger orchestra, you get more instruments, you have to be more careful about having them in tune because otherwise... (L) And you get more notes. (R) And you get more notes. But the playing constitutes events. It's one thing to have an orchestra, it's another to have it tuned. (L) Alright, let's think about this FRE idea and this application of it and then take it back to Violette's original questions about it. FRE is emanated and maintained in concert with the environment and others... (R) Well, it is also bonded to the perception through awareness, right? (L) Okay. [V reads back from the notes] "Your awareness maintains a frequency emanation in concert with your environment. When there are fluctuations in bonding of another, the fluctuations create discontinuities." (R) So a discontinuity would be a quantum jump, for example, yes or no?
Q: (R) But this requires that you have an orchestra that is well tuned. Because if you don't have it well tuned, it's not resonating so it doesn't matter if the... (V) So the orchestra's not going to make the music in 4th density. (R) Exactly. So you have the concert hall, the audience is there, you have the notes, but the orchestra is not in tune, so you get bad music. If the orchestra is not in tune, which is why it is important to...
A: Sing "Goodnight Ladies," Yes?
My point feels like it's at the beginning stages but, perhaps, one facet of the c's meaning with their cryptic reference to the alfalfa fields is something to do with 1. the pituitary gland (crystal palace? mother stone?), 2. getting additional dna strands when the magnetic field changes with a change in the spin or gravity of the earth as 3. the wave arrives and 4. tuning our internal orchestra so one can play on a 4th grade level if that is one's destiny
A: ... Magnetic power grid physics . EM utilization. Crystals, and the like. Seeking paths to the interior? The "Poles" know best
I'm ready for greener pasture although it's not a bad earth day today...