Regarding Black Goddesses, Tom Lethbridge writes in "GogMagog: The Buried Gods", about the great mother goddess, Magog:
This then connects to the great white horse of Uffington and Lady Godiva:
Then, he goes on to speculate about the meaning of the Black Faced woman, black painted women, and the related rituals.
Had Lethbridge been aware of cometary disasters, the literature exposed by Clube and Napier, etc, he might have put a different spin on this; that it was not to "save the moon" so much as it was to save the Earth itself from the darkness of the dust and destruction of comets...
Lethbridge goes into some detail, but it does seem that the Black Madonna is a survival of the worship of Ma-Gog.
And, there is this from the Cs:
See also this thread: http://www.cassiopaea.org/forum/index.php?topic=9338
and this one:
http://www.cassiopaea.org/forum/index.php?topic=8657.0
for some additional clues.
... At one time there was nothing at Wandlebury but a smallish goddess and a peculiar horse. ... she was probably Epona, or whatever Epona was called in Britain at that time. Her title was Ma-Gog. ...
Epona was a Gaulish horse goddess, said by tradition to have been fathered by a mortal man on a mare goddess. ... The addition of the Moon symbol turned here into a much greater figure. Epona is probably the Greek goddess "hippa", the mother of Apollo, the sun god, and daughter of Pallas and the winged horse. The winged horse is a symbol frequently found on pre-Roman British coins. [...]
...some change had come over the religious or political situation in this part of England to cause the construction of additional figures on a grander scale. [...]
There appear to have been three immigrations. ... The second wave is sometimes spoken of as the Marnian Charioteers..... a Celtic mixture coming from Gaul, who by intermarriage with the earlier Bronze and Iron Age people living in the district before them, produced the great Celtic tribe of the Iceni. They were a tribe in which rule descended through the female line. ...
A generation before Caesar's conquest of Gaul, a third immigration began into Britain. This was a Belgic, that is, half Celtic and half German people.... Caesar describes them as the most warlike of the Gauls. ...
Wandlebury itself ... appears to have been made during the second immigration by the Marnian people. .... It is only a guess that they were the makers of the Horse Goddess. This seems all the more probable when we regard them as being Iceni. I take this name to have been something like Eachanaidh or Equidios, and to have meant "The Horse People."
With the Belgic invasion the area seems to have been occupied by the Catuvellauni, who may have been related to the Chatti from beyond the Rhine. ... Belgic farmers pressed back the Iceni further into East Anglia. The tribal boundary in this direction was probably the river Lark. ...
Gervase of Tilbury mentions the Wandali, or Vandals, in connection with Wandlebury and says that the place took its name from them. ...
The pressure of the Belgic tribes seems to have forced numbers of the older peoples to move far north into Scotland and overseas into Ireland. It is clear that this must have taken place, for the Belgic peoples came to occupy nearly the whole of southern Britain from Dorset to Cambridgeshire and large areas elsewhere. ...
It seemed reasonable to me to look for some settlement of Iceni elsewhere and I have little doubt that they are Ptolemy's Epidii of Kintyre. These are Horse people too. Their modern descendants call themselves Mac Eacherns, Mac Eachans, or MacEachrans. They claim to have been the great horse people and even that they are descended from a Horse Lord (or Lady?). ....
Two miles from Kilberry on the road to Tarbert ... in the west of Scotland, is a seat of the Cailleach... The Cailleach was one of the most important deities in the west of Scotland. Cailleach is not her name, of course, you must not mention that, it just means "old woman" and has sometimes become rather derogatory. It can be a witch. Nevertheless, the Cailleach was a goddess. Amongst other things she controlled the winds, seas, and seasons; she kept a beautiful maiden (Spring or the New Moon?) in a cave in Glencoe, who ran away with Diarmid, the Gaelic Adonis. Numerous rounded hills are named after the Cailleach. They are her breasts. She is the Great Earth Mother in her "old woman" phase. She is Black Annis of Leicestershire, with her dark face and horrid teeth; but I think she is also the Gruagach, the Fair-Haired One, who is the same goddess in her middle-life phase. ...
Two hundred yards from the Cailleach's seat is "Slochd na Chapuill", the hollow of the Mare, and just beyond this is "Glac na h'Imuilte", the hollow of the Struggle. ... Here in the hollow of the struggle, tradition tells of a most peculiar fight. Although it is now spoken of as a Clan battle, nobody knows what clans fought. One of the "clans" brought a wise woman, a Cailleach, to help them win. The struggle consisted in one side trying to pull the Cailleach off her horse and the other side trying to keep her on it.
Now, this is most important, for it is clearly an account of an ancient ritual ceremony. The Cailleach is the Earth Mother and a woman riding nude on a horse was widely believed to be a great bringer of Fertility. ... The Cailleach with her horse is the Celtic Artemis, or Diana if you like. She has a dark face in her phase as an old woman and, according to Pliny, the women of Britain used to blacken their nude bodies before attending some of Diana's Festivals. Black Dianas are known. They are the moon in her dark phase. ...
This then connects to the great white horse of Uffington and Lady Godiva:
Tom Lethbridge said:The horses... three ancient ones, Bratton, Uffington and Tysoe... Dr. Margaret Murray has drawn our attention to the story of Lady Godiva and the probable connection between her white horse and the White Horse of Uffington. ...Uffa of Uffington is not derived from some unknown Anglo-Saxon landowner, but related to the Greek Ippos, a horse. Ippos itself is clearly related to the name of the north Gaulish horse goddess, Epona...
Lady Godiva was just taking the place of the goddess at some ritual procession at Coventry in honour of Epona
It was Gog-diva (not Godiva), the holy lady Gog. In other words the rider represented Ma Gog. ...
These ritual processions of nude women on white horses, riding out to confer benefits on the people, are closely related to the Kintyre tradition. There the struggle with the demon of darkness was actually portrayed in mimic conflict. Godiva at Coventry was veiled in her hair; at Southam she was painted black. The ceremony would have ended in an unveiling, when the New Moon was then revealed. At Banbury she had bells on her toes to scare off the demon. Demons hate noise. That is what the bells are for. ...
Then, he goes on to speculate about the meaning of the Black Faced woman, black painted women, and the related rituals.
Tom Lethbridge said:{The ritual's performance} was regarded as necessary to ensure the continual progress of the seasons, which had to be carried out in face of the opposition of the Powers of Darkness. ...
In its simplest form, before the sun, as the male god, became of greater importance to the rulers of the land than the moon, the Great Earth Goddess, something had to be done to help the moon past the clutches of the Demon of Darkness, winter and scarcity.
Had Lethbridge been aware of cometary disasters, the literature exposed by Clube and Napier, etc, he might have put a different spin on this; that it was not to "save the moon" so much as it was to save the Earth itself from the darkness of the dust and destruction of comets...
Tom Lethbridge said:That is why Godiva is veiled or blackened. At first she represented the old moon and then, after a struggle such as the traditional one at Kintyre, she reappeared as a new moon. ...
A woman painted black, or veiled (Veiled Isis?) in some way, used to ride in procession up that hill and was then revealed by the priests, after being washed or otherwise uncovered in some sacred grove or precinct on the top. ...
No invention in different localities could surely have produced such similar conceptions as Kali in India and the Cailleach and Black Annis in Britain. ...
The Celts of Britain always claimed that they were related to the Greeks and Trojans. A study of their gods certainly seems to show that this was true. What was the Wooden Horse of Troy but one of Magog's ceremonial figures? ...
Kali (meaning "black") or Kali Ma (black mother). Hindu, wife of Siva. She is black with matted hair, three red eyes, one in the middle of her forehead, red palms to her hands and projecting teeth. Girdled with snakes and necklaces of human skulls, she is the goddess of death and destruction in which capacity she carried a sacred pickaxe for digging graves. ... She is also, however, the goddess of fruitfulness, being identified with Maha-devi, Durga, Parvati and others. She appears to be the dark phase of the moon....
The Cailleach has a blue-black face, one eye in the middle of her forehead and projecting teeth. The Gruagach is supposedly "the Fair Haired One", but is also a destroyer. The Cailleach carries a hammer and thunderbolts. ... She can turn herself into a standing stone. ... She is the dark of the moon and the Great Earth Mother. Like Kali in many particulars and even name, she was goddess both of destruction and fruitfulness. ...
Black Annis, Black Anni, or Cat Anna of Leicestershire. She had a blue face, was one-eyed and had projecting teeth. A goddess of destruction, she frequented a cave in the Dane Hills. The name of the hills may be derived from Danu, the Irish goddess, or from Diana. From the branches of an oak tree, Black Annis used to drop on the heads of passers-by and destroy them. Like the Cailleach, whom she resembles in other ways, she is therefore linked with trees and in particular with the oak, which was sacred among the Gauls of Galatia to the Goddess of Heaven. Later, with the change from the rule of women to that of men, the oak became sacred to Zeus. Black Annis can hardly be separated from the Cailleach. She also appears to be Danu, or Anu. ...
Ma-Gog .. The Earth Mother and Moon Goddess ... in all three phases.
Lethbridge goes into some detail, but it does seem that the Black Madonna is a survival of the worship of Ma-Gog.
And, there is this from the Cs:
Q: The legend was that the god, Phoebus Apollo, danced at Stonehenge every nineteen years. What does this relate to ?
A: Symbolic. Tides, moon eclipses, that sort of thing. Think of Wiccans entubed on the information superhighway!
See also this thread: http://www.cassiopaea.org/forum/index.php?topic=9338
and this one:
http://www.cassiopaea.org/forum/index.php?topic=8657.0
for some additional clues.