Music making is one of my hobbies, though I'm more of a sound engineer than a composer - always enjoyed making weird/beautiful/silly/surprising sounds with computers, but wasn't really happy with anything I made until the last few years.. It's pretty simple stuff, not objective art or anything fancy, but this album 'Breath Bird' from 2019 is far and away my favourite... the album I put the most of "me" into.. It's instrumental, not about anything, but more just music to evoke a mood - In this case the mood of a fresh breeze blowing in from over the sea, playful birds going about their business in the jungle.
I attached a few tracks here, or the whole thing is streamable from bandcamp if you want to hear more: breath bird, by eryngi
I used to be into spectacle, big bombastic sound, fast and loud and weird, but as I get older I gravitate more towards simpler and gentler things.. Not sure if I'll ever make more electronic music - haven't done any in over a year now. I feel like that time has passed. And making music with a computer, it's all very locked-in, everything's aligned to a grid and running in perfect time. It doesn't *have* to be, but you have to go to a lot of effort to step outside that feeling (something I tried to do a lot with Breath Bird, with partial success I think, though it's still very obviously computery... it's a combination of programmed notes, somewhat inept live performance on keyboard, and pseudo-algorithmically generated parts)... I learnt classical guitar as a kid and would quite like to take that up again.. Anyway, thanks for reading/listening :)
I attached a few tracks here, or the whole thing is streamable from bandcamp if you want to hear more: breath bird, by eryngi
I used to be into spectacle, big bombastic sound, fast and loud and weird, but as I get older I gravitate more towards simpler and gentler things.. Not sure if I'll ever make more electronic music - haven't done any in over a year now. I feel like that time has passed. And making music with a computer, it's all very locked-in, everything's aligned to a grid and running in perfect time. It doesn't *have* to be, but you have to go to a lot of effort to step outside that feeling (something I tried to do a lot with Breath Bird, with partial success I think, though it's still very obviously computery... it's a combination of programmed notes, somewhat inept live performance on keyboard, and pseudo-algorithmically generated parts)... I learnt classical guitar as a kid and would quite like to take that up again.. Anyway, thanks for reading/listening :)