eleusis
Jedi Master
to the moderators or anyone living near auch,
hello, i’m new on the forum but have read all the material for some four + years now. i’m a long time resident of brooklyn and love going to coney island at night walking through the throngs of people having fun and looking up at the neon lights of the Wonder Wheel. my interests are gaining more knowledge about my emerging energetic abilities and studying paintings by Da Vinci and Poussin.
i know that the team is extremely busy, but if someone gets the chance, they may want to take another look at the “walls” of auch cathedral. i was recently rereading laura’s article “the companions devoted to liberty - auch cathedral” when i looked up some photos of the cathedral on the net. i noticed that the walls or stonework have images and scenes imbedded within them much like the renaissance and master paintings i’m studying. in the various paintings i work with there are usually more obvious foreground symbols that need interpretation first before more subtle figures and scenes begin to reveal themselves. in the case of auch, the stained glass windows and woodcarvings are the more obvious symbols, while the walls and stonework around the windows contain more subtle extensive information and tableaus.
the techniques and effects of poussin’s and da vinci’s paintings in particular are incredibly advanced. the paintings of both these artists are multi-dimensional. when i say multidimensional i mean that somehow the paintings were painted in layers with each layer containing a particular scene or figure. the layers are then superimposed over each other and when one gets adept enough at viewing a painting like the Mona Lisa it is viewed more like a movie. the effect that these paintings create is sort of like in the harry potter movies where all the paintings have moving characters. i’ve only achieved this level of viewing twice and both times it was with the Mona Lisa.
here’s a couple of tips that work for me if someone wants to go over and take another look at auch. when i start i place myself in a meditatitve/intuitive state which isn’t a sort of dissolve into nothingness state but rather a shift to the right or feminine side of the brain. i make no preconceived notions or assumptions about what i will see so that the images and not my imagination will reveal themselves naturally. next, i basically feel my way around the painting while my intution separates each layer by similarity of shades, colors, scenes and figures. sometimes its difficult to isolate a particular face or scene in one’s mind because other layers intrude. once my mind/intuition selects a singular image i try to hold it for several seconds in order to get mental and spatial recognition. the process can be difficult as scenes are layered over scenes and sometimes a face has ten other faces contained within it. hope this information is useful to you.
much love
hello, i’m new on the forum but have read all the material for some four + years now. i’m a long time resident of brooklyn and love going to coney island at night walking through the throngs of people having fun and looking up at the neon lights of the Wonder Wheel. my interests are gaining more knowledge about my emerging energetic abilities and studying paintings by Da Vinci and Poussin.
i know that the team is extremely busy, but if someone gets the chance, they may want to take another look at the “walls” of auch cathedral. i was recently rereading laura’s article “the companions devoted to liberty - auch cathedral” when i looked up some photos of the cathedral on the net. i noticed that the walls or stonework have images and scenes imbedded within them much like the renaissance and master paintings i’m studying. in the various paintings i work with there are usually more obvious foreground symbols that need interpretation first before more subtle figures and scenes begin to reveal themselves. in the case of auch, the stained glass windows and woodcarvings are the more obvious symbols, while the walls and stonework around the windows contain more subtle extensive information and tableaus.
the techniques and effects of poussin’s and da vinci’s paintings in particular are incredibly advanced. the paintings of both these artists are multi-dimensional. when i say multidimensional i mean that somehow the paintings were painted in layers with each layer containing a particular scene or figure. the layers are then superimposed over each other and when one gets adept enough at viewing a painting like the Mona Lisa it is viewed more like a movie. the effect that these paintings create is sort of like in the harry potter movies where all the paintings have moving characters. i’ve only achieved this level of viewing twice and both times it was with the Mona Lisa.
here’s a couple of tips that work for me if someone wants to go over and take another look at auch. when i start i place myself in a meditatitve/intuitive state which isn’t a sort of dissolve into nothingness state but rather a shift to the right or feminine side of the brain. i make no preconceived notions or assumptions about what i will see so that the images and not my imagination will reveal themselves naturally. next, i basically feel my way around the painting while my intution separates each layer by similarity of shades, colors, scenes and figures. sometimes its difficult to isolate a particular face or scene in one’s mind because other layers intrude. once my mind/intuition selects a singular image i try to hold it for several seconds in order to get mental and spatial recognition. the process can be difficult as scenes are layered over scenes and sometimes a face has ten other faces contained within it. hope this information is useful to you.
much love
