The Voynich manuscript

shijing

The Living Force
I haven't seen anything about the Voynich manuscript for awhile, but there is some recent news here that has started making the rounds recently:

UA Experts Determine Age of Book 'Nobody Can Read'

While enthusiasts across the world pored over the Voynich manuscript, one of the most mysterious writings ever found – penned by an unknown author in a language no one understands – a research team at the UA solved one of its biggest mysteries: When was the book made?

University of Arizona researchers have cracked one of the puzzles surrounding what has been called "the world's most mysterious manuscript" – the Voynich manuscript, a book filled with drawings and writings nobody has been able to make sense of to this day.

Using radiocarbon dating, a team led by Greg Hodgins in the UA's department of physics has found the manuscript's parchment pages date back to the early 15th century, making the book a century older than scholars had previously thought.

This tome makes the "DaVinci Code" look downright lackluster: Rows of text scrawled on visibly aged parchment, flowing around intricately drawn illustrations depicting plants, astronomical charts and human figures bathing in – perhaps – the fountain of youth. At first glance, the "Voynich manuscript" appears to be not unlike any other antique work of writing and drawing.

An alien language

But a second, closer look reveals that nothing here is what it seems. Alien characters, some resembling Latin letters, others unlike anything used in any known language, are arranged into what appear to be words and sentences, except they don't resemble anything written – or read – by human beings.

Hodgins, an assistant research scientist and assistant professor in the UA's department of physics with a joint appointment at the UA's School of Anthropology, is fascinated with the manuscript.

"Is it a code, a cipher of some kind? People are doing statistical analysis of letter use and word use – the tools that have been used for code breaking. But they still haven't figured it out."

A chemist and archaeological scientist by training, Hodgins works for the NSF Arizona Accelerator Mass Spectrometry, or AMS, Laboratory, which is shared between physics and geosciences. His team was able to nail down the time when the Voynich manuscript was made.

Currently owned by the Beinecke Rare Book and Manuscript Library of Yale University, the manuscript was discovered in the Villa Mondragone near Rome in 1912 by antique book dealer Wilfrid Voynich while sifting through a chest of books offered for sale by the Society of Jesus. Voynich dedicated the remainder of his life to unveiling the mystery of the book's origin and deciphering its meanings. He died 18 years later, without having wrestled any its secrets from the book.

Fast-forward to 2009: In the basement underneath the UA's Physics and Atmospheric Sciences building, Hodgins and a crew of scientists, engineers and technicians stare at a computer monitor displaying graphs and lines. The humming sound of machinery fills the room and provides a backdrop drone for the rhythmic hissing of vacuum pumps.

Stainless steel pipes, alternating with heavy-bodied vacuum chambers, run along the walls.

This is the heart of the NSF-Arizona AMS Laboratory: an accelerator mass spectrometer capable of sniffing out traces of carbon-14 atoms that are present in samples, giving scientists clues about the age of those samples.

Radiocarbon dating: looking back in time

Carbon-14 is a rare form of carbon, a so-called radioisotope, that occurs naturally in the Earth's environment. In the natural environment, there is only one carbon-14 atom per trillion non-radioactive or "stable" carbon isotopes, mostly carbon-12, but with small amounts of carbon-13. Carbon-14 is found in the atmosphere within carbon dioxide gas.

Plants produce their tissues by taking up carbon dioxide from the atmosphere, and so accumulate carbon-14 during life. Animals in turn accumulate carbon-14 in their tissues by eating plants, or eating other organisms that consume plants.

When a plant or animal dies, the level of carbon-14 in it remains drops at a predictable rate, and so can be used to calculate the amount of time that has passed since death.

What is true of plants and animals is also true of products made from them. Because the parchment pages of the Voynich Manuscript were made from animal skin, they can be radiocarbon-dated.

Pointing to the front end of the mass spectrometer, Hodgins explains the principle behind it. A tiny sample of carbon extracted from the manuscript is introduced into the "ion source" of the mass spectrometer.

"This causes the atoms in the sample to be ionized," he explained, "meaning they now have an electric charge and can be propelled by electric and magnetic fields."

Ejected from the ion source, the carbon ions are formed into a beam that races through the instrument at a fraction of the speed of light. Focusing the beam with magnetic lenses and filters, the mass spectrometer then splits it up into several beams, each containing only one isotope species of a certain mass.

"Carbon-14 is heavier than the other carbon isotopes," Hodgins said. "This way, we can single out this isotope and determine how much of it is present in the sample. From that, we calculate its age."

Dissecting a century-old book

To obtain the sample from the manuscript, Hodgins traveled to Yale University, where conservators had previously identified pages that had not been rebound or repaired and were the best to sample.

"I sat down with the Voynich manuscript on a desk in front of me, and delicately dissected a piece of parchment from the edge of a page with a scalpel," Hodgins says.

He cut four samples from four pages, each measuring about 1 by 6 millimeters (ca. 1/16 by 1 inch) and brought them back to the laboratory in Tucson, where they were thoroughly cleaned.

"Because we were sampling from the page margins, we expected there are a lot of finger oils adsorbed over time," Hodgins explains. "Plus, if the book was re-bound at any point, the sampling spots on these pages may actually not have been on the edge but on the spine, meaning they may have had adhesives on them."

"The modern methods we use to date the material are so sensitive that traces of modern contamination would be enough to throw things off."

Next, the sample was combusted, stripping the material of any unwanted compounds and leaving behind only its carbon content as a small dusting of graphite at the bottom of the vial.

"In radiocarbon dating, there is this whole system of many people working at it," he said. "It takes many skills to produce a date. From start to finish, there is archaeological expertise; there is biochemical and chemical expertise; we need physicists, engineers and statisticians. It's one of the joys of working in this place that we all work together toward this common goal."

The UA's team was able to push back the presumed age of the Voynich manuscript by 100 years, a discovery that killed some of the previously held hypotheses about its origins and history.

Elsewhere, experts analyzed the inks and paints that makes up the manuscript's strange writings and images.

"It would be great if we could directly radiocarbon date the inks, but it is actually really difficult to do. First, they are on a surface only in trace amounts" Hodgins said. "The carbon content is usually extremely low. Moreover, sampling ink free of carbon from the parchment on which it sits is currently beyond our abilities. Finally, some inks are not carbon based, but are derived from ground minerals. They're inorganic, so they don't contain any carbon."

"It was found that the colors are consistent with the Renaissance palette – the colors that were available at the time. But it doesn't really tell us one way or the other, there is nothing suspicious there."

While Hodgins is quick to point out that anything beyond the dating aspect is outside his expertise, he admits he is just as fascinated with the book as everybody else who has tried to unveil its history and meaning.

"The text shows strange characteristics like repetitive word use or the exchange of one letter in a sequence," he says. "Oddities like that make it really hard to understand the meaning."

"There are types of ciphers that embed meaning within gibberish. So it is possible that most of it does mean nothing. There is an old cipher method where you have a sheet of paper with strategically placed holes in it. And when those holes are laid on top of the writing, you read the letters in those holes."

"Who knows what's being written about in this manuscript, but it appears to be dealing with a range of topics that might relate to alchemy. Secrecy is sometimes associated with alchemy, and so it would be consistent with that tradition if the knowledge contained in the book was encoded. What we have are the drawings. Just look at those drawings: Are they botanical? Are they marine organisms? Are they astrological? Nobody knows."

"I find this manuscript is absolutely fascinating as a window into a very interesting mind. Piecing these things together was fantastic. It's a great puzzle that no one has cracked, and who doesn't love a puzzle?"

Here's what the Cs had to say about it:

March 18 said:
Q: (L) [...] Let me ask a couple of quick questions for my kid. She wants to know the source of the Voynich Manuscript.
A: Disinformation.

Q: (L) Who put it together?
A: Various sources.

Q: (L) Why?
A: Monetary gain.

Q: (L) So, somebody just faked up an ancient manuscript to sell it for big bucks?
A: Yes.
 
Recently, on Discovery Channel (USA) this same topic was discussed and one of the orators/speakers pointed out a peculiar illustration of a townwall that did exist back then in the 1400, I think, they called it swallowtail wall turrets, or something like that, which only existed in the Milan region of Norther Italy, at that time, later on the design became more common, so they speculated that the manuscript originated there, since the astronomical cost of the parchments used for it would indicate that it was made by a very wealthy-author-for the lack of a better term and the Milan region at that time was very wealthy.
All that was aired on Discovery, so please don't blame me for repeating it if it is inaccurate.
 
What is Voynich Manuskript

Hi everyone today I found this http://voynichcentral.com/gallery/
mystery book.
Questions:

What is it? Who wrote it? When?

Where did it come from? What language?

What does it mean?


More research about in English: http://www.isi.edu/natural-language/people/voynich.pdf

and German : http://www.matrixseite.de/Texte/Jonathan_Dilas_Das_Voynich_Manuskript-Essay.pdf

Voynich Zodiac

Voynich-ZodiacB-800x600.jpg
 
After reading Fomenko, Voynich being a fraud makes more sense. There was a lot of that going on back then.
 
I've moved this thread out of New Age COINTELPRO. Doesn't really belong there.

Anyway, Ark points out that the guy who did the recent testing wrote:
http://uanews.org/node/37825

"It would be great if we could directly radiocarbon date the inks, but it is actually really difficult to do. First, they are on a surface only in trace amounts" Hodgins said. "The carbon content is usually extremely low. Moreover, sampling ink free of carbon from the parchment on which it sits is currently beyond our abilities. Finally, some inks are not carbon based, but are derived from ground minerals. They're inorganic, so they don't contain any carbon."

"It was found that the colors are consistent with the Renaissance palette – the colors that were available at the time. But it doesn't really tell us one way or the other, there is nothing suspicious there."

So, it's not all that secure a dating.
 
Laura said:
Anyway, Ark points out that the guy who did the recent testing wrote:
http://uanews.org/node/37825

"It would be great if we could directly radiocarbon date the inks, but it is actually really difficult to do. First, they are on a surface only in trace amounts" Hodgins said. "The carbon content is usually extremely low. Moreover, sampling ink free of carbon from the parchment on which it sits is currently beyond our abilities. Finally, some inks are not carbon based, but are derived from ground minerals. They're inorganic, so they don't contain any carbon."

"It was found that the colors are consistent with the Renaissance palette – the colors that were available at the time. But it doesn't really tell us one way or the other, there is nothing suspicious there."

So, it's not all that secure a dating.

That's a good point -- the document could have been faked at the time it was carbon-dated to (assuming that date was accurate), but since the ink is not really datable, it could have been faked at a later time using parchment which was considerably older in order to make it look more authentic. It's kind of amazing how much time and effort has been put into this manuscript -- it reminds me a bit of the Shroud of Turin in that respect. I originally heard about it via Dan Burisch (who was one of Project Camelot's star "witnesses" for awhile), who claimed to have deciphered it -- if anyone else ever came across that, there's a kind of amusing write-up on it here:

_http://www.ciphermysteries.com/2008/04/21/dan-burisch-the-voynich-manuscript
 
Thanks for the posts; picked up this book for $2.00 a few years ago and it resembled something from some far off Star Trek civilization; on the very bottom of my pile now. Apparently all the tools of the cryptographer's bible have been applied and probable a few super computers; zilch – the old parchment makes sense and the ink rationalization.

C's said:
Q: (L) Why?
A: Monetary gain.

Makes for good logic in light of the evidence – people could spend a lifetime trying to figure this book out, whereas it is looking rather like an exercise in futility.
 
Hey Guys, i was just curious as to know if the C's had commented on anything about this voynich manuscript? there is alot of speculation going on out there but I've Heard Dan Burisch talk about it claiming that the document was telepathically "uploaded" to the guy who created this document and it explains possible future timelines and other nasty things through the text and geometry in the artwork? anyone ?
 
Here's what the Cs had to say about it:

Quote from: March 18, 1995

Q: (L) [...] Let me ask a couple of quick questions for my kid. She wants to know the source of the Voynich Manuscript.
A: Disinformation.

Q: (L) Who put it together?
A: Various sources.

Q: (L) Why?
A: Monetary gain.

Q: (L) So, somebody just faked up an ancient manuscript to sell it for big bucks?
A: Yes.

http://cassiopaea.org/forum/index.php/topic,21852.msg231722.html#msg231722
 
Thanks for the information guys much appreciated, i had a suspect feeling about the whole deal, also a bit weiry of this dan burisch fellow, seems like a typical disinfo agent. What started me on this little search I had a Pretty Strange occurance happen, a week or so ago a thought came into mind to find out a little bit more of this manuscript, it was the first time i ever heard about it & never come across it before, so i got home from work yesterday afternoon and tried to remind myself on what the name of the manuscript was, then what came up on the TV instantly on thinking about it was an advertisement on discovery channel about the voynich document, kinda blew me away just how coincidental the whole thing was, so i went online to search for it, then for some strange reason i lost complete interest in wanting to read about it. and came back on to cassiopaea ! i guess my feelings were correct "dont read its disinfo"
 
The latest about this puzzling manuscript: it's from the New World, more specifically from Mexico, according to new research published in issue # 100 of HerbalGram, a publication of the American Botanical Council.

Press release here:
_http://cms.herbalgram.org/press/2014/Voynich_Manuscript.html?ts=1390235085&signature=9e854689daaa1e7326f6366262fddba5&ts=1390323186&signature=8dfd9b8d79a85fe527f83f99f58bdce7

American Botanical Council Publishes Revolutionary Analysis Unlocking Mysteries of 500-Year-Old Manuscript

Authors Propose Unique New World Origins of Obscure Voynich Manuscript in HerbalGram 


(AUSTIN, Texas, Jan. 20, 2014) In the 100th issue of its quarterly, peer-reviewed journal, HerbalGram, the nonprofit American Botanical Council published a feature that may change the course of research on an approximately 500-year-old, illuminated text known as the Voynich Manuscript. Written in a curious language that is yet un-deciphered, the enigma of the Voynich has puzzled scholars and mystery enthusiasts since its 1912 discovery by Polish book collector Wilfrid M. Voynich.

<snip>

Dr. Tucker — botanist, emeritus professor, and co-director of the Claude E. Phillips Herbarium at Delaware State University — and Mr. Talbert, a retired information technologist formerly employed by the US Department of Defense and NASA, decided to look first at the botanical illustrations in the Voynich Manuscript and compare them to the world’s geographic plant distribution at the time of the manuscript’s first recorded appearance (ca. 1576-1612). The similarities between a plant illustrated in the Voynich Manuscript and the soap plant depicted in the 1552 Codex Cruz-Badianus of Mexico — considered the first medical text written in the New World — propelled the authors down a path leading to the identification of 37 plants, 6 animals, and 1 mineral in the manuscript from the Americas — specifically, from post-Conquest Nueva España (New Spain) and the surrounding regions.

In identifying the plants, animals, and minerals, the authors of the HerbalGram article found more compelling evidence to support their theory. They write, “A search of the surviving codices and manuscripts from Nueva España in the 16th century reveals the calligraphy of the Voynich Ms. to be similar to the Codex Osuna (1563-1566, Mexico City). Loan-words for the plant and animal names have been identified from Classical Nahuatl, Spanish, Taino, and Mixtec” — references to some of the native languages of Mexico prior to the Spanish Conquest. The majority of the text, the authors propose, is an extinct dialect, keeping much of the Voynich Manuscript’s secrets intact…for now.

[...continued]
[bold mine]

Similar news items based on this press release here:

_http://www.naturalproductsinsider.com/news/2014/01/american-botanical-council-publishes-new-analysis.aspx
_http://www.prnewswire.com/news-releases/american-botanical-council-publishes-revolutionary-analysis-unlocking-mysteries-of-500-year-old-manuscript-241140041.html

The article in full here:

_http://cms.herbalgram.org/herbalgram/issue100/hg100-feat-voynich.html?ts=1390375250&signature=1db374ba0618142526eef1edfb44aeb2&ts=1390408263&signature=249a39c4129b52bcc83c678c9c13a6a6

Same as a PDF file here:

_http://cms.herbalgram.org/herbalgram/issue100/HG100-voynich-online.pdf

Website covering all known features about the voynich manuscript here:

_http://www.voynich.nu/index.html
 
Same story from a different source now on SotT:

http://www.sott.net/article/273366-Mexican-plants-could-break-code-on-Voynich-manuscript
 
Here is another press release on the Voynich manuscript. This one is about the work of Stephen Bax, who is a Professor of Applied Linguistics at the University of Bedfordshire. Bax thinks the language is perhaps "Near Eastern or Asiatic", and that he has decoded a few words of it. This might not seem to fit well with the other recent discovery that the plants illustrated in the manuscript are Mexican, but on the other hand don't the written scripts from Easter Island also look Eastern or Asiatic?

_http://www.beds.ac.uk/news/2014/february/600-year-old-mystery-manuscript-decoded-by-university-of-bedfordshire-professor
Professor Bax however has begun to unlock the mystery meanings of the Voynich manuscript using his wide knowledge of mediaeval manuscripts and his familiarity with Semitic languages such as Arabic. Using careful linguistic analysis he is working on the script letter by letter.

“I hit on the idea of identifying proper names in the text, following historic approaches which successfully deciphered Egyptian hieroglyphs and other mystery scripts, and I then used those names to work out part of the script,” explained Professor Bax, who is to give his inaugural lecture as a professor at the University later this month.

“The manuscript has a lot of illustrations of stars and plants. I was able to identify some of these, with their names, by looking at mediaeval herbal manuscripts in Arabic and other languages, and I then made a start on a decoding, with some exciting results.”

Among the words he has identified is the term for Taurus, alongside a picture of seven stars which seem to be the Pleiades, and also the word KANTAIRON alongside a picture of the plant Centaury, a known mediaeval herb, as well as a number of other plants.

Although Professor Bax’s decoding is still only partial, it has generated a lot of excitement in the world of codebreaking and linguistics because it could prove a crucial breakthrough for an eventual full decipherment.

“My aim in reporting on my findings at this stage is to encourage other linguists to work with me to decode the whole script using the same approach, though it still won’t be easy. That way we can finally understand what the mysterious authors were trying to tell us,” he added.

“But already my research shows conclusively that the manuscript is not a hoax, as some have claimed, and is probably a treatise on nature, perhaps in a Near Eastern or Asian language.”
 
I came across this article recently, perhaps it'll be helpful to you guys. My apologies if it restates material you've already covered.

Basically, the article suggests that the Voynich Manuscript is written in a lost Aztec language, Nahuatl.

http://www.dailymail.co.uk/sciencetech/article-2551512/Has-Voynich-manuscript-DECODED-Mysterious-15th-century-text-written-lost-Aztec-language.html
 
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