What were Slavic and Norse mythology gods and beings?

[Novus ordo seclorum]

I read all transcripts but could not find anything about it, or I simply missed that.

I am really interested in this two mythologies, as they probably share same roots and have some similarity.

 

[Advaita]

I'd like to know that too. There is however one mentioning of "Thor's pantheon" in the transcripts:

Q: (L) All right, last week, when we shut down for the night
we had asked a question about the movie ID4, Independence
Day, and we were told to ask further questions about this, so
that gives us a clue that there might be something significant
there. Does anybody remember what the question was that I
asked? (T) Is there any significance to the ID4 movie?
A: Sure.
Q: (L) What was the primary intention of the makers of this
movie? The primary message that they attempted to convey?
A: Infuse thinking patterns with [planchette swirled a few
times here] concept of aliens.
Q: (L) They intended to infuse thinking patterns with concept
of aliens... was there any particular slant on aliens, per se, that
was seen as desirable in the making of this movie?
A: Slant?
Q: (L) Slant, in other words, did they wish to present them
inaccurately to confuse people, to present them as something
to be feared and fought against, or to make them appear so
completely erroneous, so that when actual aliens do appear,
that they will not be perceived as negative?
A: Infuse.
Q: (L) Infuse. Just the concept, the concept of aliens in
general. OK...
A: Part of a larger project.
Q: (L) And what is this project?
A: Called "Project Awaken."
Q: (L) And who is behind, or in charge of, this project?
A: Many.
Q: (L) Who are the primary group, groups or individuals? I'm
sure you're not going to give us individuals, but just the
grouping.
A: Thor's Pantheum.
Q: (L) And what is Thor's Pantheum?
A: Sub-select trainees for transfer of enlightenment frequency
graduation.
Q: (L) What is enlightenment frequency graduation?
A: Think!
Q: (L) Enlightenment frequency graduation... so, sub-select
trainees...
A: Self explanatory.
Q: (L) Well, is this group STS or STO?
A: Both.
Q: (L) OK... (T) Are they working at cross purposes?
A: No.
Q: (T) They're working together? Bipartisan?
A: No.
Q: (J) Are they aware of each other? Working on this?
A: Yes.
Q: (J) Are they screwing each other up? (L) No, that's going
in the wrong direction...
A: There is more to all of this than you could dream.
Q: (T) There's more to all of this...were you referring to... (T)
Who are they? Thor's Pantheum. And they're sub-select
trainees...That's the group behind this movie; OK...
A: An army of Aryan psychic projectors.
Q: (T) Well, that explains a lot more than Thor's Pantheum of
sub- select trainees! An army of psychic projectors. (L) And
what do they project?
A: Themselves... Right in to one's head.
Q: (T) Into one's head... this is better than 'Must See TV!' (L)
Project right into one's head... is anybody subject to this
projecting?
A: Yes.
Q: (L) And, when they project themselves right into
someone's head, what does that someone perceive?
A: Inspiration.
Q: (L) Inspiration to what, or to do what?
A: Yes.
Q: (L) Yes? To do what, to do something?
A: And...
Q: (L) To do something, and to understand or perceive
something, is that it?
A: Yes.
Q: (J) To believe something? (L) Yes. So, how many are in
this army?
A: 1.6 million.
Q: (L) When they're doing this projecting into someone's
head, where are they projecting from?
A: Mostly subterranean.
Q: (L) Subterranean, so these are the people of the tunnels,
the underground bases and all that sort of thing. Are they 3rd
or 4th density beings?
A: Both.
Q: (T) Let me back up to a question here. If they can do all
this projecting on their own, what was the point of the movie?
A: No, you misunderstand... This is an intense activity,
directed towards influencing the high level creative forces.
Q: (T) Projected against? Because this movie, if you've been
following the reviews and the people talking about it, this
movie has had more repeat business than any movie in years
and years and years and years. People have seen it ten and
twenty times! (L) Was there something subliminal in the
movie? That opened something? (J) That's a good question!
A: Sure.
Q: (L) And was this subliminal activity with the movie
designed to create an opening for this further...
A: Not for you, but for others.
Q: (L) Why? Do you mean me, personally, or us as a group?
(T) Well the movie didn't affect me.
A: Group.
Q: (L) What made us immune?
A: You already have the knowledge.
Q: (T) The movie wasn't meant for us; we already know. The
movie was meant for all of those who don't understand.
A: Say hello to Gene Roddenberry.
Q: (L) Is Gene Roddenberry present?
A: No.
Q: (L) In other words, say hello to him because he was doing
that sort of thing a long time ago?
A: Yes.
Q: (L) Is Gene Roddenberry one of these people from Thor's
Pantheon...
A: No.
Q: (L) Why did you bring up Gene Roddenberry? (J)
Because he was doing it in Star Trek?
A: Yes.
Q: (T) He was doing a whole different thing with Star Trek...
(L) Well, lets not get too far off track, hang on, hang on...
A: It's not the exact "Slant," it's "the concept, stupid."
Q: (T) Well ,they don't have to get insulting here! (L) They
weren't. Ok...
A: "Its the economy, stupid."
Q: (J) We knew that!! (T) I was just teasing. Mirth!! Mirth!
(L) Hold everything. When you say influencing high level
creative forces, do you mean as in gathering, what would you
call it, gravity waves...
A: No.
Q: (L) What are these high level creative forces that are
needing to be influenced, or desirable of being influenced?
A: Those in the creative arts.
Q: (L) So in other words, I see, this group is using their
projecting ability to influence those in the creative arts to do
creative things that will therefore influence the people on the
planet. Is that it?
A: Yes.
Q: (L) And, these individuals are in the underground tunnels,
and you say that they are both STS and STO.
A: We did not specify "tunnels," you did.
Q: (T) They said... how did they put that? Subterranean... (J)
Mostly subterranean.(T) ... Underground. In other words,
underground, as in resistance fighters type underground,
underground as in ...
A: No.
Q: (T) Not fighters, but the idea that they are part of the
underground movement? (L) Subterranean as in literally under
the ground?
A: Yes.
Q: (L) OK, but not tunnels, then what?
A: We did not say "no tunnels" either.
Q: (L) Are these individuals living... I know we said the
tunnels...
A: The point is: what happens when you assume?
Q: (L) We won't assume. Are there any specific things about
this movie other than the general import of opening to the idea
of aliens...
A: No.
Q: (L) So there's no specific thing that we can pin down in
this movie, and say that this might be an accurate
representation of anything? It was just entertainment for that
purpose?
A: Enough about the movie, already!
Q: (T) But they were the ones who brought it up! (L) Well,
yes, but maybe they want us to get on to the subject of this
'Thor's Pantheon' thing? (T) Well, I want to make sure that
we're not missing something... (T) So, we're looking at some
Aryan psychic projectors who are trying to stimulate people
in a positive way, a la Gene Roddenberry... (L) Now, that's
an assumption. Can we say that they are stimulating people in
a positive way?
A: Maybe.
Q: (J) Can we say that they are stimulating people in a
negative way?
A: Maybe.
Q: (L) So, there's probably a little of both. And you say that
we are immune to it because we already have knowledge.
Now, when you say we have knowledge, do you mean just
knowledge in particular about aliens and alien realities and
alien potentials and so forth?
A: Yes.

 

[Laura]

Short answer: Comets. Read Victor Clube's "The Cosmic Serpent".

 

[Zee Ley]

(Please move elsewhere if it's completely out of topic)

This excerpts from Plato dialog Ion as I think fits in the Thors Pantheum concept.

I perceive, Ion; and I will proceed to explain to you what I imagine to be the reason of this. The gift which you possess of speaking excellently about Homer is not an art, but, as I was just saying, an inspiration; there is a divinity moving you, like that contained in the stone which Euripides calls a magnet, but which is commonly known as the stone of Heraclea. This stone not only attracts iron rings, but also imparts to them a similar power of attracting other rings; and sometimes you may see a number of pieces of iron and rings suspended from one another so as to form quite a long chain: and all of them derive their power of suspension from the original stone. In like manner the Muse first of all inspires men herself; and from these inspired persons a chain of other persons is suspended, who take the inspiration. For all good poets, epic as well as lyric, compose their beautiful poems not by art, but because they are inspired and possessed. And as the Corybantian revellers when they dance are not in their right mind, so the lyric poets are not in their right mind when they are composing their beautiful strains: but when falling under the power of music and metre they are inspired and possessed; like Bacchic maidens who draw milk and honey from the rivers when they are under the influence of Dionysus but not when they are in their right mind. And the soul of the lyric poet does the same, as they themselves say; for they tell us that they bring songs from honeyed fountains, culling them out of the gardens and dells of the Muses; they, like the bees, winging their way from flower to flower. And this is true. For the poet is a light and winged and holy thing, and there is no invention in him until he has been inspired and is out of his senses, and the mind is no longer in him: when he has not attained to this state, he is powerless and is unable to utter his oracles.

Many are the noble words in which poets speak concerning the actions of men; but like yourself when speaking about Homer, they do not speak of them by any rules of art: they are simply inspired to utter that to which the Muse impels them, and that only; and when inspired, one of them will make dithyrambs, another hymns of praise, another choral strains, another epic or iambic verses- and he who is good at one is not good any other kind of verse: for not by art does the poet sing, but by power divine. Had he learned by rules of art, he would have known how to speak not of one theme only, but of all; and therefore God takes away the minds of poets, and uses them as his ministers, as he also uses diviners and holy prophets, in order that we who hear them may know them to be speaking not of themselves who utter these priceless words in a state of unconsciousness, but that God himself is the speaker, and that through them he is conversing with us. And Tynnichus the Chalcidian affords a striking instance of what I am saying: he wrote nothing that any one would care to remember but the famous paean which; in every one's mouth, one of the finest poems ever written, simply an invention of the Muses, as he himself says. For in this way, the God would seem to indicate to us and not allow us to doubt that these beautiful poems are not human, or the work of man, but divine and the work of God; and that the poets are only the interpreters of the Gods by whom they are severally possessed. Was not this the lesson which the God intended to teach when by the mouth of the worst of poets he sang the best of songs?

Do you know that the spectator is the last of the rings which, as I am saying, receive the power of the original magnet from one another? The rhapsode like yourself and the actor are intermediate links, and the poet himself is the first of them. Through all these the God sways the souls of men in any direction which he pleases, and makes one man hang down from another. Thus there is a vast chain of dancers and masters and undermasters of choruses, who are suspended, as if from the stone, at the side of the rings which hang down from the Muse. And every poet has some Muse from whom he is suspended, and by whom he is said to be possessed, which is nearly the same thing; for he is taken hold of. And from these first rings, which are the poets, depend others, some deriving their inspiration from Orpheus, others from Musaeus; but the greater number are possessed and held by Homer. Of whom, Ion, you are one, and are possessed by Homer; and when any one repeats the words of another poet you go to sleep, and know not what to say; but when any one recites a strain of Homer you wake up in a moment, and your soul leaps within you, and you have plenty to say; for not by art or knowledge about Homer do you say what you say, but by divine inspiration and by possession; just as the Corybantian revellers too have a quick perception of that strain only which is appropriated to the God by whom they are possessed, and have plenty of dances and words for that, but take no heed of any other. And you, Ion, when the name of Homer is mentioned have plenty to say, and have nothing to say of others. You ask, "Why is this?" The answer is that you praise Homer not by art but by divine inspiration.

 

[Novus ordo seclorum]

Short answer: Comets. Read Victor Clube's "The Cosmic Serpent".

I understand. So that means they were simply personifications of comets that were given "god like" persona?

 

[Laura]

Short answer: Comets. Read Victor Clube's "The Cosmic Serpent".

I understand. So that means they were simply personifications of comets that were given "god like" persona?

More or less. Also read Baiilie's "The Celtic Gods" and "Exodus to Arthur." I discuss the matter extensively in the soon to be released book.