BlueKiwi, thanks, it was that exact quote which lately had me thinking about this stuff.. I haven't had time to go through C's sessions for quotes, but figured I'd post the questions I thought of so far here, for brainstorming..
Many of these have probably been answered, or can be gleaned, from sessions already.. Lots of it has been talked about many times before.. Some of it is discussed in various other places online too, you know, all the 432hz healing sound type sites and stuff like that (the 432 thing is interesting though!)...... So dunno how interesting it'll be...but it's what I've been thinking about...maybe there's some more detail we can ask the C's for some time, if we can figure out good questions.. or we can ask ourselves and figure it all out!!! BTW I know hardly anything about physics or mathematics, and not even music theory.. I'm coming at this as a sound engineer (not a real engineer but, e.g. recording & mixing rock bands, electronic music, stuff like that..)
-- Here are my very rough notes --
The C's talked about stone pestles with musical qualities being used for healing. How could we go about rediscovering this ancient sound healing? Would it be advisable to do so? Is anybody on the planet using this or similar methods today?
Is the healing linked to the Stonehenge style info transceiving also mentioned by the C's? Is it linked to levitation of monoliths which the C's said was done by sound wave focusing? Was it the same people doing both? Is it part of the same principle?
How did this healing work? What kind of healing are we talking about? - Direct healing of specific conditions? If so, is it similar to Lethbridge's pendulum dowsing with the different frequencies he found for different words and concepts? i.e., is there a specific combination of frequencies that can be used to cure specific conditions? Or is it more general than that, e.g. the sounds cause the body to reconstruct itself according to its own pattern? (Is this related to what the C's said about Stonehenge being used to directly receive knowledge through the crown chakra - but instead of knowledge being transceived down into your mind, the knowledge of the appropriate bits of the information field was brought down directly into the cells of your body, or something like that? Or is that basically the same thing...)
Do different people need different frequencies for it to work for them, based on their own frequency or body/mind/soul configuration? Could it be potentially dangerous / injurious? (My guess is, yes, if creating the wrong sounds without knowledge, or for nefarious purposes)
How did the ancients learn about this? A 4D source? Experimentation? Did they figure it out from watching "cymatics" - patterns created by say, sand, on stone, when affected by the human voice....or something like that? (Is it possible to figure it out from that?)
What is important - The specific frequency? The relationship between frequencies? Both? How important is amplitude - more needed for more power I guess - so was it very very loud when they levitated megaliths? How did they focus the sound? How did they move the stones once they were floating - push along and manouvre with hands? Direct motion via sound?
Is the sound envelope important (attack/decay/sustain/release) - eg, a sound with a fast attack like a bell or a plucked string, vs a slow attack like running a wet finger around the rim of a wine glass, or a violin..
Tones played in sequence, or combined (or both - they said both)? For a sequence of tones, how does the timing work? Should they overlap, so the different frequencies are interacting with each other? Or would each tone stop before the next begins? (or a combination of the two).. Is the rhythm or speed important?
If acoustic sounds are "best", does that mean electronic/synthetic sounds can potentially have the same effect, only not as powerful? Could electronic sounds be used to model/find the right sounds, if we knew how to identify what is effective, before creating acoustic "instruments" to make them for real?
What kind of sounds/instruments/materials are best? Stone/crystal? Metal? Human voice? Plucked string, struck bell, bowed string, blown flute? Giant metal tuning forks? How pure were the tones they used (i.e., 100% pure would be a perfect sine wave), and how much does the purity of the tone affect the result? ie, is there room for error/noise in the sound, where it will still be somewhat effective?
Could these sounds be played by anyone, if they had the right "instrument" and sequence of sounds? Or does it require the knowledge or holding a certain intention or belief, for it to work? If higher density information can be carried on the human voice (like C's said about Laura's voice), can it also be carried on an instrumental sound?
Can it work anywhere, or must it be at grid points (or whatever, windows, EM nodes)? Is it the same for both levitation and healing? What else can be done with sound? Stone shaping? Portal opening? Density transit? Manifesting of objects/apports? (Maruts and their dancing?)... TDARM?
Is it possible to create light with sound, by some sort of resonance?
(Related to synthetic sounds) - Is the physical/spatial presence/topography/quality of the sound generator important? e.g. the difference between striking a bell, and playing back a recording of striking that bell.. if you played the recording back on equipment which was able to close-to-exactly reproduce the sound, would it have the same effect as the real bell?
Are the frequencies audible to the human ear?
Can you levitate things other than rocks? e.g. humans.. Must it be something with appropriate acoustic or resonating (or electromagnetic, or whatever) properties?
How can it be focused/aimed? e.g. if you were levitating a rock, and a person walked into the field of focus, would they be levitated too? When they were hitting those pestles for healing purposes, how wide is the area of effect - would it be healing just the person hitting the pestle? Anyone nearby? Does the effect end as soon as the sound ends? Or can things be "charged" by the use of sound, and the effect will linger?
Side notes: "Tonal", same word Castaneda used for, basically, our everyday reality.. Tonal also = tonic = something which restores health. "Rill" implies erosion of the material when the weight of the water (or, information) becomes too much for the material to keep resisting it.. According to
this page, the name Rhyl means "light"
PS at the very start of this video below, you can see somebody making cymatic patterns in sand, with their voice.. Just thought it was cool to see, I've only ever seen it with electronics...I want to try! Need a big rock and some dirt or something...
A search on Yandex turned up these links…
