An interesting Powerpuff Girls episode

Why do I think this episode resonates with many things discussed here?

1) It starts with the Powerpuff Girls (STO) fighting villains (STS)
2) When they get tired of fighting the villains, a gnome (also STS) comes up promising to defeat the evil in exchange for their powers. It reminds me of the Fall of humanity and how the lizzies convinced humanity to go STS in exchange for purported advantages.
3)The Powerpuff Girls accept the trade. As if turned ignorant to the consequences, the girls, as everyone else, happen to like the new world where the gnome is the supreme and only leader.
4) Only by intervention of the scientist who raises them girls, they realize the evil reality and fight back against the gnome. It seems to me an allusion to the STO who come trying to share knowledge with us.
5) Even without their powers, they turn out winning. That reminds me of a work recommended by the C's, The Wizard of Oz, in which Dorothy defeats the Witch without any power, by just throwing water at her accidently.
6) When the world comes back to normal, everyone suddenly realizes what they had been victim of. And praise the three girls as gods, title they refuse. This act reminds me of how the STO reject veneration.
7) All previous weaker villains (other STS beings) come back, and the girls seem to perceive that it is commendable some of existence of STS, as it is it what brings the universe more creative creation and diversity (the very reason why STS exists)
 
6) When the world comes back to normal, everyone suddenly realizes what they had been victim of. And praise the three girls as gods, title they refuse. This act reminds me of how the STO reject veneration.

Yes, there are many animated series that base their plots practically on reality, some promoting internal liberation; others encouraging the embrace of the most primitive thoughts such as violence, power, and control over others.

There are characters whose powers describe esoteric knowledge, the integration of shadows, the cult of self-gratification in all its forms. There are comics about psychopathic Marvel heroes who spend more time destroying themselves and humanity than actually saving it. There is an increase in Japanese series where the protagonists are children, subjected to endless forms of bloody death that remind me of the first revealing Cass sessions, where they specifically mentioned the procedures they were subjected to by STS beings as food. They also promote child prostitution, the acceptance of underage children as sexual partners, which is very modern today, etc.

As we gain more knowledge about this school and its specific themes, we will be able to see how "creatively" STS is expressed throughout this entertainment industry. Yes, it's interesting to see how there are people who are somehow connected to their own source of STS information. Any development of this type of entertainment material entails research depending on the type of theme being recreated, and it's evident that, at least for me, they have undoubtedly read RA material as well as any other source of disinformation about abduction cases, where there is a whole range of creative sources from "older brothers" to draw from. In fact, it's quite repetitive.

So far, the comics are the ones that have impressed me the most, because of how they encourage psychopathy and evil at high levels. It doesn't surprise me that a majority of young people with Peter Pan syndrome and various emotional problems are attracted to this type of material. There are animated TV series that are shown "lightly" for children but with adult nuances, and their comic book sequels are more bloody and sexual, like "The Thundercats" in many others.

This is the characteristic representation of STS at its highest peak, where even though it already has power, all the control, all the materialism, and great access to cosmic knowledge, it still... always wants more, causing only more and more destruction, keeping people within an illusion of its own for its own sustenance. The representation of "the destruction of all that is beautiful" or its "fight" against the natural flow of STO and existence in general.

In short, there is enough representation of STS creativity and its raison d'être in whatever you watch for its respective programming, self-destruction, and alignment to its vibrational frequency.
 

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