Balancing Hemispheres With Mozart

Buddy

The Living Force
I wanted to thank Corto for this post. I didn't know anyone besides me held that same idea!

[anybody got a somersaulting smiley? :)]


According to the conventional understanding:

The Classical Period
(1750-1820CE)

The years of the Classical Period saw many changes in the world. The French Revolution and the Napoleonic Wars changed the face of Europe. During the Classical period it became more and more possible for the public to enjoy and participate in leisure activities. Thus, in the music world, the patronage system of the Baroque began to die out and was replaced by the first public concerts where people paid to attend.

Instead of the sudden changes in style and trills of Baroque music, the music of the Classical period tended to be simple, balanced, and non-emotional. Music had straightforward titles like "Symphony No. 1" instead of flowery descriptive titles. Known as absolute music, classical works were written for their own sake, not for dancing or any other special occasion. It was performed in the recital or concert hall.

Epitomized by the works of Joseph Haydn and Wolfgang Amadeus Mozart, the classical symphony is renowned for its rigid structure, harmonic relationships, orchestration, and balance.
Source: _http://www.hypermusic.ca/hist/classical.html

Here's another one for the 'balanced' category although it might have enough associations to the average person to be too distracting to use with the EE:

Eine Kleine Nachtmusik, K.525 (Allegro)
(A Little Night Music) is arguably one a Mozart's most balanced pieces of music. Its reasons for composition are unknown, though there may be no reasons at all. What is known is that it is a great piece of music that almost everyone exposed to television and radio has heard.
http://www.youtube.com/watch?v=Qb_jQBgzU-I&feature=related


As an aside but still very interesting to me:
I can't find the reference now, but I had read that once the brain gets into the groove with this one...

Mozart's Piano Concerto No. 21 (Andante)
http://www.youtube.com/watch?v=df-eLzao63I

...it's hard to tell a lie with a straight face! Especially if you look into the eyes at the time. :)

mozart21.png
 
Bud, I also use this as well, although I listen to Bach more often than Mozart. Lyndon Larouche is a big proponent of classical music for this reason- reading his material is where I originally heard about it and started researching into it. There is a lot of information out there on brain balancing and classical music, especially as it is applicable to the prefrontal cortex.
 
Alfred Tomatis used Mozart's music in his work – the Tomatis Method.

Here's a brief description of the Tomatis Method and its benefits. The links haven't survived my copy and paste. The article, with links, can be found at _http://www.learningdoorway.com/alfred-tomatis.html

Alfred Tomatis, Mozart, and the Electronic Ear

Thanks to Alfred Tomatis's revolutionary understanding of sound, thousands of lives have been transformed around the world.

In Lake Oswego, Oregon, a little boy is lying prone on a cheerful rug while playing quietly with toys splayed out around him. Oblivious to the earphones piping Mozart into his brain, the child’s tranquility is remarkable for a four-year-old suffering from severe autism.

Prior to his first 30-hour session with the earphones, his grandmother was unable to take him out in public—even to the grocery store—due to incessant screaming. Now he calmly follows her from aisle to aisle. “The change is astounding,” she marvels.

In Paris, France, a 19-year-old man named Paul Madaule hated himself.

A childhood marked by academic failure was finally behind him, but the disparaging voices of his mother and teachers still echoed in his head. “You’re stupid and lazy,” they had told him over and over, and now he firmly believed them. His future stretched out before him, murky and dank, limited in possibilities.

And then a chance meeting with an eccentric French doctor changed everything.

Madaule went to this man’s clinic and began to undergo an unusual therapy that involved listening to music through a headset. As he did so, the light in his brain finally switched on.

Today he is a successful college graduate, scientist, and author as well as the founder of the Listening Centre, which draws patients from around the world to its clinics in Toronto and Montreal, Canada.

In the south of France, the young abbot was frantic.

Newly appointed as head of a Benedictine monastery in France, he could not understand what was happening to the monks in his charge. Listless and depressed, they were requiring more and more sleep, while their weakened immune systems overwhelmed them with assorted illnesses.

A bevy of medical specialists examined them, but the prescribed medicines and changes in diet did nothing to cure their malady. Finally, a specialist from Paris was invited to investigate.

He immediately ordered the abbot to reinstate the monks’ prior regimen: chanting eight hours a day. (The young abbot had abolished the practice in an effort to modernize the monastery and make it more efficient.) Within weeks, the monks had regained their health and energy and reestablished their normal schedule of intense labor balanced by small amounts of food and sleep.

Who was this Frenchman, and how could mere “sound” transform the lives of so many people?

Alfred Tomatis, born in France in 1920, was the son of an opera singer. Immersed in the world of music, he focused his study of medicine on problems of the ear, nose and throat. His first patients, not surprisingly, were opera singers whose hearing and voices were failing them.

Tomatis discovered that the singers’ misuse of their own voices was making them go deaf; in addition, he noted, their voices were unable to produce the sounds they could not hear.

Spurred by the desire to help, Tomatis invented a machine he called the “Electronic Ear,” which alternately amplified high and low frequency sounds.

In effect, the machine exercised the “flabby” muscles of the ear. The singers’ hearing, along with their precious voices, was soon restored.

Tomatis next observed that “hearing” and “listening” differed markedly from each other.

Hearing, he reasoned, was simply the physical ability to passively perceive sound. Listening, however, was an active skill that required the ability to process information by tuning into certain sounds while filtering others out.

If an individual lacked the ability to listen, Tomatis noted, learning was greatly impaired.

While researching this phenomenon, Tomatis observed that people who perceive sounds first through the right ear learn much more easily than those who perceive sounds first through the left ear. This was because the right ear connects directly to the left side of the brain, which is the site that processes language. The left ear, on the other hand, connects to the right side of the brain.

In order to interpret sounds entering the left ear, the brain must first send them through the corpus callosum, which retards the transfer of information and makes it less reliable. In fact, some of the higher frequencies, which are crucial to the brain’s ability to interpret language, disappear altogether.

Tomatis learned that the Electronic Ear could actually rewire the brain, changing it from left or mixed dominance to right dominance.

The results were astonishing.

Not only did speech, concentration and attention improve, but also personal motivation, social interaction, and physical grace.

And the key to this process was music.

In what has now become known as the Mozart Effect, Tomatis discovered that certain types of classical music—especially that of Mozart and Gregorian chants—were particularly effective in rebalancing the brain.

The efficacy of such discoveries can be seen in Paul Madaule, in a little boy who is no longer severely autistic, in a monastery full of healthy and energetic monks, and in thousands of people around the world who have been touched by Alfred Tomatis and the healing power of sound.

For more information about Alfred Tomatis, read The Conscious Ear: My Life of Transformation Through Listening, a fascinating autobiographical account of Tomatis' life and discoveries.

You can also learn more at his website:

Alfred Tomatis

To learn more about Paul Madaule, read When Listening Comes Alive: A Guide to Effective Learning and Communication. This book is an inspiring account of how Alfred Tomatis transformed Madaule's life, plus a clear explanation of the principles behind his remarkable transformation.

To learn more about Madaule's clinic, go to: Listening Centre

The Riddle of the Mozart Effect said:
Modern scientists agree that many different kinds of music can be therapeutic. Some people respond well to reggae or jazz. Others are uplifted -- indeed healed-after listening to Gregorian chant, or heavy metal. But researchers lately have learned that the work of one composer in particular -- Wolfgang Amadeus Mozart -- mysteriously rises above all other forms of music in its power to heal the human body. This special ability of Mozart's music to heal is called the Mozart Effect. Scientists are not only beginning to understand that some forms of music are more healing than others, with Mozart's at the top, but they're also starting to understand why.

The rest of this article can be found at _http://findarticles.com/p/articles/mi_m0NAH/is_n1_v27/ai_20152688/

Personally I find that Mozart is best when listened to attentively, and for this I prefer his six violin concertos. However, I'm listening to his Divertimento in B flat, K287, on headphones, while I'm writing this post :D

Tomatis thought that the high frequencies of the violin, combined with the rhythmic patterns of the melodies and the ebb and flow of the sounds, stimulated the ear and the brain. He listened to one of these concertos every day, and ascribed to this practice his mental alertness.

I grew up with classical music, and as a teenager my favourite was Beethoven's symphonies, played LOUD! Over the years I have gradually listened to less classical music, but since I began disciplined EE practice, I have found myself drawn more and more to Mozart, Beethoven, Handel and J S Bach. I put that down to the restorative powers of EE :)
 
I was encouraged to read Tomatis work by a music teacher who works with children (I could not read hers because it was an italian translation). She also told me about the "Mozart effect" in education. She also told me that some researchers think Mozart's music is special maybe because he started very young, and that he kept in him some uncorrupted (?) sensitivity to music.
 
It is also said that Mozart was able to hear the completed work in his mind, and to change things in his mind until it was how he wanted it. If you do a google search for 'Mozart original manuscript' you will see many pictures of the manuscripts. On those photos that google turned up I could see no corrections on the original manuscripts in Mozart's own hand, which bears out that assertion. But maybe I've not seen enough and there are pages with corrections :/ and of course it's possible that Mozart worked out his musical ideas elsewhere, in a sketchbook, and what are taken for original manuscripts are not the very first draft. But the idea is interesting nevertheless and recalls the case of Nikola Tesla who it is said had the ability to construct his machines in his mind, and to leave them running and come back to them a year later to check how mechanical parts had performed, all in his mind. Saved him a fortune on prototypes!
 
Bud said:
The Classical Period
(1750-1820CE)

Instead of the sudden changes in style and trills of Baroque music, the music of the Classical period tended to be simple, balanced, and non-emotional.

True, but it is nice to get goose bumps every now and then whilst listening music ;)
It is my observation that baroque music has great ability to stimulate emotional center. Sometimes it has almost cathartic effect - at least on me.

These are my favorite heroic arias of the period, trills and frills included

http://www.youtube.com/watch?v=A8t_WySo414

http://www.youtube.com/watch?v=Ndke7ZOwFY4&feature=related


and this is another one "unbalanced" favorite of mine, great harpsichord piece changing from violent to very gentle in a split second

http://www.youtube.com/watch?v=8vrtDj5DYsw


as far as "balancing hemispheres " goes I found these pieces have most beneficial effect on me

http://www.youtube.com/watch?v=S6yuR8efotI

http://www.youtube.com/watch?v=A0mbJ8jLXto&feature=related

http://www.youtube.com/watch?v=bjAm_XEodAY

http://www.youtube.com/watch?v=Ap8lh0Wogzk
 
Corto said:
Bud said:
The Classical Period
(1750-1820CE)

Instead of the sudden changes in style and trills of Baroque music, the music of the Classical period tended to be simple, balanced, and non-emotional.

True, but it is nice to get goose bumps every now and then whilst listening music ;)
It is my observation that baroque music has great ability to stimulate emotional center. Sometimes it has almost cathartic effect - at least on me.

Oh, indeed! My thing is that the pieces described as "of the Classical period" possess a balance and beauty that somehow allows my appreciation and emotions to rise uninfluenced by the baroque style. The enjoyment is one of peace, calmness, harmony and beauty.

The baroque style is useful for the other times when I'm wanting to really let go and experience the benefits of catharsis.

That "Bach - Cello Suite No.1 i-Prelude" has been a long time favorite. It does something to me on such a deep level that brings chills and a tear or two with every listen. I wish I could adequately describe the experience and/or that everyone could experience the same thing!

Thanks for sharing those links!

As an aside, I used to dream of being an orchestra conductor that somehow performed impromptu concerts that had never been experienced before. Weird. Somehow it seemed possible in dreamland, though. :)


Edit: Thanks to everyone for the interesting replies!
 
Bud said:
The baroque style is useful for the other times when I'm wanting to really let go and experience the benefits of catharsis.

For catharsis I enjoy Peteris Vasks and Górecki. But they can be a bit heavy and not really suited for every day (Tigersoap might disagree here).

Endymion said:
I grew up with classical music, and as a teenager my favourite was Beethoven's symphonies, played LOUD! Over the years I have gradually listened to less classical music, but since I began disciplined EE practice, I have found myself drawn more and more to Mozart, Beethoven, Handel and J S Bach. I put that down to the restorative powers of EE

I too have been brought up with classical music (and jazz), my father being a big classical music fan. In my teenage years, I started listening to rock, punk, hardcore and metal but I also noticed that ever since starting EE last year, I've been experiencing a 'craving' for classical music (with a touch of jazz)! This is now what I mostly listen to. My 4 year old really enjoys it too (for some reason she cannot stand jazz and the second she hear a few notes she goes 'Not jazz again!!').

I think that one of my favourites is Bach's Jesu bleibet meine Freude (http://www.youtube.com/watch?v=3Mn1ibFdXDU), which almost immediately brings tears to my eyes. It does not make me sad or think about anything, it's just so beautiful I cannot help it.
 

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