Re: Lady in the water - \
foofighter said:
Similarly, when you are watching Signs, and get all upset about the tacky story, the crop circle disinfo, and the idiotic notion that the circles are used for navigation, you can choose to view is as simply a bad movie. Lots'a bollocks. Or, you can upon seeing that go "hang on a minute, that is so obviously wrong that there's probably something fishy going on". Maybe the "crop circles are navigational markers" are "signs" that you can "read"? And for people who don't see them they'd tell their friends "Oh that Signs movie, it's just another alien-conspiracy-horror-drama flick, don't bother". And maybe that was the whole point of them being there.
Perhaps there is a Hollywood agenda where millions of dollars are spent on producing and promoting a film that generates the word of mouth buzz; "Oh that Signs movie, it's just another alien-conspiracy-horror-drama flick, don't bother".
Or, perhaps you are correct. I should probably watch Signs again, in light of your observations.
I just found the plot line of aliens with the technology to reach earth, a planet covered with water and frequent rain, and said aliens being extremely vulnerable to same... yet wandering about with no protective covering, and incapable of breaking into a tumble down old farmhouse... so off putting that I failed to grasp the possibility that there might be more too it than that. I approached the film as entertainment. Was it really made to transfer deeper meaning to the "elect"?
I also did not lose sight of the fact that Signs was a big film release with lots of promotion. The take away message for those who didn't detect some deeper meaning was that evil aliens make those darned crop circles. "Don't waste your time on them".
Cui bono? I don't know, but that doesn't strike me as an alchemically STO end result, if in fact the
authentic circles are made by the Cs... and possibly filled with important symbols for the collective subconscious of humanity, or at least the ones among us who might be able to make some difference, eh?
It is interesting that Shyamalan has used water as a focal point in some of his films. With that in mind, a viewing of all of his movies, again, in the sequence that they were released might be productive.
Having considered the water work of Dr Emoto, Viktor Schauberger and more recently, Dr Rustum Roy, and some clues given by the Cs, not to forget Gurdjieff's octaves and elements as explicated by Ouspensky, there is much more to this simple molecule that I would like to know. Is Shyamalan trying to take us there? Or is he just making movies; some good, some maybe not so good?