Michael Moore's speech at protest in Madison reminescent of V's message

Skyfarmr

Jedi Master
Michael Moore made a impromptu appearance at the protest in Madison, WI on Saturday and gave a powerful speech that went way beyond maintaining collective bargaining rights of public employees. While local news stations just made quick mention of his speech, Democracy Now captured his whole speech. For those who are interested in what he had to say:
http://www.democracynow.org/2011/3/7/michael_moore_joins_wisconsin_labor_protests

In MainStream media, a selected snippet of her testimony to US CFR, Hillary Clinton, would have listeners believe she was complimenting Aljazeera English for its accurate news and growing veiwership not just aroung the world but also in - gasp! - the US. The rest of her testimony reveals her real interest in Aljazeera's expanding base of viewers and talks about it as if we are at war and she were the general presenting strategies.

Clinton's complete testimony to the Council of Foreign Relations, as well as Amy Goodman's interview with Robert McChesney, co-founder of Free Press (www.freepress.net) can be accessed here:
http://www.democracynow.org/2011/3/7/as_public_broadcasting_and_community_media

This issue will come as no surprise to veterans of SOTT, but substantiates the trend of the truth being set free and TPTB's continued scheming to keep it imprisoned.
I guess Hillary's take on this as being a "war" IS accurate.
 
Skyfarmr said:
Michael Moore made a impromptu appearance at the protest in Madison, WI on Saturday and gave a powerful speech that went way beyond maintaining collective bargaining rights of public employees. While local news stations just made quick mention of his speech, Democracy Now captured his whole speech. For those who are interested in what he had to say:
http://www.democracynow.org/2011/3/7/michael_moore_joins_wisconsin_labor_protests

I was sort of rushed to post this yesterday and wanted to include a quote from Moore's speech that seem pertinent to the title of this post:

This quote is from about mid-speech:
The nation—the nation is not broke, my friends. There’s lots of money to go around. Lots! Lots! It’s just that those in charge have diverted that wealth into a deep well that sits on their well-guarded estates. They know—they know that they have committed crimes to make this happen. And they know—and they know that someday you may want to see some of that money that used to be yours. So they have bought and paid for hundreds of politicians across the country to do their bidding for them. But just in case that doesn’t work, they’ve got their gated communities. They’ve got their luxury jet that’s always fully fueled, the engines running, waiting for that day, waiting for that day that they hope never comes.[sounds like wishful thinking...]

To help prevent that day when people, the people, demand their country back, the wealthy have done two very smart things:

Number one, they control the message. By owning the media, they have expertly convinced many Americans of few means to buy their version of the American Dream and vote for their politicians. Their version of the Dream says that you, too, might be rich some day. This is America, where anything can happen if you just apply yourself. They have conveniently provided you with believable examples to show you how a poor boy can become a rich man, ...—how the child of a single mother in Hawaii can become president of the United States, and how a guy with a high school education can become a successful filmmaker. Don’t fall for it! They will play these stories for you over and over and over again, all day long, so that the last thing you’ll want to do is upset the apple cart, because, yes, you—you too—might be rich/president/Oscar winner some day. The message, though, is clear: keep your head down, keep your nose to the grindstone, don’t rock the boat, be sure to vote for the party that protects the rich man that you might be some day.[promoting wishful thinking]

In addition to Moore's message there is the cutting of federal and state funding of public broadcasting....the sinister plot thickens. While public broadcasting is not as cutting edge as this site, it has always offered a forum for debate, allowing listeners to call in and state their opinions, often opinions of dissent contrary to the news spinners and the most probable reason it is under attack through budget cuts. Public broadcasting, supported through their pledge drives from its listeners/viewers, have noticed the contributions decreasing due to the economic conditions. Cutting the funding may force some "creative" solutions such as selling commercial spots, soliciting for corporate donations, which then means they'll inch closer to the arena of corporate sponsored programming. Part of the masterful plan to silence voices, which is exactly what busting the unions accomplishes, as well.

However, silencing voices is only part of the plan it seems, as can be heard in Goodman's interview with MacChesney http://www.democracynow.org/2011/3/7/as_public_broadcasting_and_community_media
(Edited the interview for brevity sake with no intention of skewing message by doing so.)

Testifying before the Senate Foreign Relations Committee last Wednesday, she[Hillary Clinton] said the Arabic news network Al Jazeera is gaining more prominence in the U.S. because it offers "real news" and is far more effective both in the U.S. and abroad.

SECRETARY OF STATE HILLARY CLINTON: Viewership of Al Jazeera is going up in the United States because it’s real news. You may not agree with it, but you feel like you’re getting real news around the clock instead of a million commercials and, you know, arguments between talking heads and the kind of stuff that we do on our news, which, you know, is not particularly informative to us, let alone foreigners....

AMY GOODMAN: To discuss the cuts in public broadcasting and Hillary Clinton’s calls for funding of state media to be broadcast abroad, we’re joined by Robert McChesney in Madison. Bob McChesney is the author of several books on media and politics. His most recent is The Death and Life of American Journalism: The Media Revolution that Will Begin the World Again. Professor McChesney is also co-founder of Free Press, a national media reform organization.

Welcome to Democracy Now!, Bob McChesney. Talk about Hillary Clinton’s statements before the Senate Foreign Relations Committee.

ROBERT McCHESNEY: Well, I think Hillary Clinton, over the past decade, has been probably one of the most perceptive critics of American news media, going back to her work on the effect of advertising to children and the effect of commercialism on children in the first part of the decade. And this is another example of it. I think she understands the asininity of American corporate television news, how uninformed and misinformed it leaves the American people and how worthless it is, in the final analysis. And probably going abroad and seeing the problems of U.S. foreign policy and looking at Al Jazeera and other media and seeing what the people of the world are responding to only underlines the importance of this media critique she’s developing.

AMY GOODMAN: But Bob, if you could talk about her analysis, the description is Al Jazeera is offering real news; what the U.S. media is offering is not. But the prescription to pour millions into, well, state media broadcasting abroad?

ROBERT McCHESNEY: No, that’s bogus. That’s the wrong solution to a proper prescription. You know, currently the United States spends roughly twice as much money bankrolling international broadcasting—Voice of America and the various Radio Martís and things like that—than it does paying for domestic public broadcasting and community broadcasting, roughly twice as much—$750 million, roughly, last year. And the idea of raising that and putting more propaganda out to sort of enhance the view of the United States vis-à-vis other nations of the world is entirely the wrong way to go....

[Hillary Clinton testifying before the Senate Foreign Relations Committee.]

AMY GOODMAN: Professor Bob McChesney, ... can you talk about the distinction between state media, like Voice of America, and public broadcasting?

ROBERT McCHESNEY: Well, yeah. The United States has had a strange relationship to publicly funded broadcasting historically. We spent much more, huge amounts of money, since 1945 to subsidize Voice of America, which is an English-language and actually multiple-language service around the world. And I think Hillary Clinton is right: it was, by the standards of American journalism, at the high end of broadcast journalism for much of the Cold War period. But it was not permitted to be broadcast in the United States. So we’re—the United States taxpayers were funding a world-class public broadcasting system, but they weren’t allowed to hear it. We were forced to listen to the commercial guys and a much less-well-funded public broadcasting system that emerged in the late 1960s. And, you know, this has always been a contradiction, a conflict of America, that—and we thought we don’t subsidize journalism, but we do. And the tension plays out right now because around the world people have access to quality information. And Hillary Clinton, I think, is accurate, that Al Jazeera is a very credible news source that is far more relevant to the people of the world, including this country oftentimes, than what passes for journalism either in our Voice of America but especially in our corporate news media.

And the way out of this, though, I think, as I’ve said before, is that we need to really have a huge subsidy for competing community and public broadcasting in the United States and then make that available to the world, show the world our best journalism, a journalism that is as critical of the United States government as it is of other governments, that has one standard of evidence, one standard of judgment, not a double standard. Nothing could be a more powerful statement to the people of the world that we’re committed to democracy than approaching it in that manner, rather than saying we have one message for the domestic audience, and we have another message for the world, and never the twain shall meet.

AMY GOODMAN: Talk about the Smith-Mundt Act after World War II, Bob McChesney, that addressed the issue of propaganda, the difference between public media at home and Voice of America, and explicitly state propaganda abroad. I mean, isn’t it true the [Smith]-Mundt Act made it illegal for the Voice of America to be broadcast at home, because it was considered propaganda?

ROBERT McCHESNEY: Yeah, and the main reason for that was that conservatives and some liberals feared the idea of having government broadcasting propaganda to the Americans. They had no qualms about government broadcasting propaganda abroad.:O But there was also a commercial factor. The big commercial networks in this country wanted a monopoly over Americans’ minds, and they didn’t want the American people to see what Europeans were able to see, which is that if you had a well-funded public service, the commercial guys really weren’t that necessary.



Y'know, I've never heard of Voice of America http://www.voanews.com/english/news/ before this news article was televised. Anyone else?,...
in the US, that is?

Whether this information inspires you to protest, write, philosophize, debate or to do nothing but watch is personal for each of us. what I hope does get across is the importance of supporting our non-corporate media sources, including SOTT!
To borrow a phrase from the flag-waving patriots...
Freedom (of speech) ain't Free.
DONATE!
 
I wanted to add an update on Michael Moore and some info on his latest film.

Michael Moore's 'Where to Invade Next' explores socialism (Video trailer)

Filmmaker Michael Moore in intensive care unit
http://www.nydailynews.com/entertainment/gossip/filmmaker-michael-moore-intensive-care-unit-article-1.2521863

Filmmaker Michael Moore, in intensive care with pneumonia, asked fans Friday to help get the word out about his latest film, “Where to Invade Next.”

“I'm now worried about my film's release,” he wrote on Facebook Friday. “I can't fly, I have to recover, and in one week (February 12th) this great movie I've put so much of my life into is going to open in theaters -- with little or no assistance from me.

So, would it be OK to enlist your help in a sort of quickly cobbled-together "army" of grassroots foot soldiers, wherein you could pitch in where you live (and on social media) to let people know about my movie?” he continued. “I could post some ideas tomorrow of things you and your friends could do.”

Moore says the grueling schedule to promote the film led to him becoming ill.

"Let's just say things didn't look good Sunday night,” he posted on Facebook. “But thanks to a combination of good doctors, decent hospital food and 2nd term Obamacare, I'm doing much better.”

“Between bustin’ it 4 my movie opening next wk, plus in&out of Flint, plus Election work, I find myself today in an ICU w/pneumonia” he tweeted Thursday.

Moore made “Bowling for Columbine,” “Roger & Me” and “Fahrenheit 9/11.”

He remains a political force with his latest focusing on what America can learn from other countries as he "invades" the countries to see what they have to offer.

Moore realizes his request is unorthodox, but says that after working so hard on this film, he very much wants it to succeed.


I'm writing this to all of you today (Thurs) from the Intensive Care Unit at a hospital in New York City. Unfortunately, I've come down with pneumonia. Between running all over the place lately promoting my new movie (WHERE TO INVADE NEXT), plus going to Flint to help the people of my hometown, plus jumping in to support Senator Sanders, plus doing a dozen other things -- well, I read somewhere you can't burn it at both ends, and if u do, it's best not to do so in the winter nor anywhere near a place full of toxic water!

The truth is, I've actually been in the ICU since Sunday night. Let's just say things didn't look good Sunday night. But thanks to a combination of good doctors, decent hospital food and 2nd-term Obamacare, I'm doing much better the last couple of days -- so much so that I'm being discharged later today. I'm to return home and rest for the coming days. All appearances for the rest of this week have been canceled.

Needless to say, in addition to being a bummer health-wise (and I'm trying out a new thing this week by putting that, my health, first), this is a huge loss to my efforts in leading up to the release of my new movie next Friday. I was supposed to be in LA tonight (Thurs) to be on Conan, and tomorrow night I was making my return after two years to the Bill Maher show on HBO (and thank you, Erin Brockovich, for going on in my place to talk about the situation in Flint!).

Since I mentioned my predicament earlier today on Twitter and Facebook (or perhaps you heard about it in the media
http://detne.ws/1T1Dtjs), many of you have sent me very nice well wishes (thank you!) and have asked if there's anything you could do to help me. Actually, there is.

I have to be honest, with my absence this week (and probably into next), I'm now worried about my film's release. I can't fly, I have to recover, and in one week (February 12th) this great movie I've put so much of my life into is going to open in theaters -- with little or no assistance from me. So, would it be OK to enlist your help in a sort of quickly cobbled-together "army" of grassroots foot soldiers, wherein you could pitch in where you live (and on socila media) to let people know about my movie? I could post some ideas tomorrow of things you and your friends could do. Things like:
-- share the trailer with others (https://youtube.com/watch?v=r4JJvfrkH3M);
-- send around the movie's poster (see below);
-- show or place the 30-second ad wherever you can (https://m.youtube.com/watch?v=7wbH9Bjbyww);
-- forward reviews of the film to friends and family (http://www.salon.com/…/michael_moores_gutsy_new_film_our_m…/).

I know this seems a bit unorthodox, and I've never seen a request like this made before by a director (then again, I could just be on the wrong drugs), but this is the age of social media and we're all trying lots of new ways to do things, aren't we? So why not just appoint each of you as the local PR person for WHERE TO INVADE NEXT, seeing how I can't make it there in person? This will take a HUGE burden off me and give the movie a chance to be seen by millions.

My other problem is that the distributor hired to release the film is a new start-up company still in formation (the company doesn't even have a name yet). So their plan all along was essentially to have me do most of the work by running back and forth across the country doing interviews and screenings. Naturally, I loved this plan, but none of us stopped to think what would happen if... I got pneumonia! So, they're doing their best now (these are the brave people who worked on the release of the Edward Snowden documentary, "Citizen Four"). If a few thousand of you suddenly became champions and spokespeople for the film, then maybe I/we can pull this off. I would be forever in your debt.

I do need to get some sleep, so I'll sign off for now. Check back with me tomorrow (Friday) for further updates and ideas. Thanks for offering to help. Stay warm, drink plenty of fluids, and let's get back to our nightly walks!

Best,
Michael
 
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