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Approaching Infinity

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From a post I made a while ago, with a few additions:

1966 van Seters - The Hyksos
1974 Thompson - The Historicity of the Patriarchal Narratives
1975 van Seters - Abraham in History and Tradition
1983 van Seters - In Search of History
1987 Thompson - The Origin Tradition of Ancient Israel
1988 Garbini - History and Ideology in Ancient Israel
1991 Lemche - Canaanites and Their Land
1992 van Seters - Prologue to History
1992 Redford - Egypt, Canaan and Israel in Ancient Times
1996 Whitelam - The Invention of Ancient Israel
1998 Lemche - The Israelites in History and Tradition
1998 Davies - Scribes and Schools
1998 Lemche - Prelude to Israel's Past
1999 Thompson - The Mythic Past
2000 Hjelm - The Samaritans and Early Judaism
2001 Finkelstein and Silberman - The Bible Unearthed
2004 Lemche - A Historical Dictionary of Ancient Israel
2004 Hjelm - Jerusalem's Rise to Sovereignty
2005 Thompson - The Messiah Myth
2006 Garbini - Myth and History in the Bible
2007 Davies - Origins of Biblical Israel
2007 Liverani - Israel's History and the History of Israel
2008 Davies - Memories of Ancient Israel
2008 Lemche - The Old Testament Between Theology and History
2008 Davies - On the Origins of Judaism

"New Search" for "Israel's" origins
1985 Lemche - Early Israel
1986 Ahlstrom - Who Were the Israelites?
1987 Coote and Whitelam - The Emergence of Early Israel
1988 Finkelstein - The Archaeology of Israelite Settlement
1988 Lemche - Ancient Israel
1990 Coote - Early Israel
1992 Thompson - The Early History of the Israelite People
1993 Ahlstrom - The History of Ancient Palestine
1992 Davies - In Search of Ancient Israel (This one is something of a summary of all the above works)

And some related works:

1982 Clube and Napier - The Cosmic Serpent
1990 Clube and Napier - The Cosmic Winter
1997 Prior - The Bible and Colonialism
1997 Schwartz - The Curse of Cain
 
Thanks for the list, it's a good idea to put all this stuff together. I have read most of the list above and then some, and I think we ought to add Victor Clube's "The Cosmic Serpent" to the list because of his most interesting ideas about the origins of religions. There are a lot of scholarly papers to read besides; there is one, in particular, sent to me by a reader that I wanted to post here because it is so darn interesting when related to Victor Clube's ideas. But, unfortunately, it is a PDF that is composed mainly of images because of the many instances of uses of Hebrew and other ancient language characters so I couldn't do a copy paste or a complete text conversion. Anyway, you can have a look at it ORIGIN AND SIGNIFICANCE OF THE MÂGÉN DAWID - A Comparative Study in the Ancient Religions of Jerusalem and Mecca By Hildegard Lewy.

Basically, Lewy establishes the fact that the origins of both Judaism and Islam were the worship of Saturn/Satan and the "Star of David" is the ancient Mesopotamian symbol of the planet Saturn. She begins her discussion as follows:

Much as innumerable mosques throughout the Near East are character­ized by the surmounting lunar crescent, most modern synagogues are identi­fied as such by the six-pointed star which is usually referred to as the Mâgên Dâwîd, "the shield of David." The original signification of this symbol, which has been the subject of a great deal of speculation,1) is somewhat elucidated by its occurrence on two Old Assyrian seal impressions found on the cunei­form tablets A0.87582) and A0.8781, etc.3) in the possession of the Louvre Museum. On the seal impression of the former case tablet, the Mâgên Dâwîd appears in front of a divine personage who carries in his two hands a ceremonial object bearing a close resemblance to a Menôrâ. The conjoint occurrence on an Old Assyrian seal of these two emblems which are usually considered so characteristic of the Jewish faith makes it clear that neither of them had its origin in the religion of Jahweh ; for, as is well known, there is no evidence that this religion was ever practiced in Assyria in the Old Assyrian period.

Even though the many foreign characters in the paper make it almost impossible to convert to text, we tried anyway and I think there is enough in the following big chunks of text of the paper that, even with the text conversion glitches, a general idea of what she is saying can be gotten.

The seal picture found on the tablet A0.8781, etc., provides some posi­tive information about the Mâgên Dâwîd. For there it is closely associated with two emblems the signification of which is well known, namely the lunar crescent and the solar disc. The connection of our six-pointed star with these two symbols of planetary deities, the Moon-god Sin and the Sun-god šamaš, suggests at first sight that it was itself the representation of a planetary god, a conclusion which is all the more plausible since five, six, seven, and eight-pointed stars were used elsewhere in the ancient Near East to repre­sent the planetary gods. As examples we mention the eight-pointed star which the stone tablet B. M. 910004) ascribes, on the relief on its obverse, to the goddess Ištar, the divine impersonator of the planet Venus, and another eight-pointed star representing, according to an explanatory legend on the reverse of the tablet AO. 6448,5) the god Nabû-Mercury. Since thus the emblems of four of the seven planetary gods are well determined by cunei­form sources, the Mâgên Dâwîd can represent only one of the three planets whose symbols remain to be identified, namely the so-called superior planets Jupiter, Mars, and Saturn.

As tradition connects the six-pointed star with David as well as with Solomon,7) the decision as to which of these three planets it symbolizes de­pends to a large extent upon the question as to which, if any, of the three superior planets played a rôle in the religion of these two kings. An indica­tion to the effect that Jahweh was not the only divine being revered by David and Solomon is contained in the statement I Kings 3. 2 that the practice of offering sacrifices on high places (a practice which, according to I Kings 3. 4, was adhered to by Solomon) was not in agreement with the religion of Jahweh. It is easy to realize that the non-Jahwistic cult here alluded to was one of the planetary religions ; for, as we pointed out elsewhere in greater detail, the worshippers of the heavenly bodies believed that the summits of hills or mountains — or, in the absence of any natural elevations, the uppermost platform of the temple towers — were the appropriate place for approaching a stellar deity, these places being nearer to the heavenly habitation of the astral gods than is the inhabited plain. The inference that it was a planetary deity whom Solomon worshipped on Gibeon and other high places is well in line with the story which, immediately following the afore-cited passage of the Book of Kings, relates how his famous wisdom was bestowed upon him in his sleep on the top of Mt. Gibeon. For, as was likewise shown in our afore-cited paper, the conception of a king being, in a dream revelation, endowed by his god with knowledge and understanding far superior to that of the ordinary mortal is traceable elsewhere only in connection with princes who were avowed worshippers of the heavenly bodies.

An indication as to the identity of the planet which thus appears to have played an important rôle in Solomon's religion comes from the name of his eldest brother, 'Amnôn. For, as was pointed out by J. Lewy, this name is. derived from the root' ********* by the addition of the suffix **** whence we are entitled to render it by "He who belongs to the Stable One." As Saturn was the planet whom the peoples of the ancient Near East de­signated as "The Stable One" (Akkadian Kaimânu, Sumerian SAG.UŠ),11) we come to the conclusion that it was this stellar deity to whom David dedicated his first-born son.

We can even surmise the reason why he did so : In the belief of the ancient Semites, a ruler who set out to conquer a certain city or country had to win the favour of that region's tutelary deity in order that he might be chosen to rule over it by its divine patron's grace.12) This concept was a logical consequence of the ideas about divine power current in the ancient Near East. For the protective deity of a famous city (or country) being supposed to be far more powerful than even the mightiest' king on earth, it was unthinkable that a human being should be in a position' to conquer a city or region against its patron-god's will. {...}

In view of this evidence there remains hardly any doubt that, by naming his eldest son 'Amnôn, "He who belongs to Saturn,"21 David paid tribute to the tutelary god of Jerusalem. Since, according to 2 Sam. 3. 2, 'Amnôn was born at Hebron long before David undertook his campaign to conquer Jerusalem, it is obvious that he dedicated his first-born son to the planet Saturn in order that this deity might choose him and his descendants to rule over his holy city. This conclusion is all the more justified since 'Amnôn was not the only one among David's sons whose name expressed their father's veneration of the planet Saturn. For once it is realized that in his quality as creator and protector of Jerusalem this deity was named šalim or Šâlôm, it is manifest that also David's third son, Ab-Šâlôm, whose name has the meaning "The Father is šalim," bore a name placing him under the protection of the divine lord of Jerusalem. The same is obviously true of Solomon whose name means "He who belongs to Šalim." We thus realize that David was fully aware of the condition attaching to the conquest and the possession of Jerusalem : Henceforth an important place in the pantheon of the royal family was due to Šalim, the divine patron of the capital city.

By observing, in the manner described above, the ritual practices customary among the worshippers of the heavenly bodies, David's son and successor Solomon proved that he accepted and appreciated the patronage of this planetary deity. Hence the question arises as to the extent to which he attempted to impose the worship of Šalim upon his subjects. This question is best answered by determining whether the Solomonic Temple as conceived by David and Solomon was primarily dedicated to Jahweh or to Šalim; for, in the opinion of the ancient Semites, a sanctuary built in honor of a certain deity was a powerful means of propagating this deity's cult. {...}

At least some of the legends and traditions contained in this ancient Sumerian Ninurta Epic recur in the extant fragments of Sanchuniathon's History of Phoenicia.36

Here's a bit about Sanchuniathon:

Wikipedia said:
Sanchuniathon is the purported Phoenician author of three lost works originally in the Phoenician language, surviving only in partial paraphrase and summary of a Greek translation by Philo of Byblos, according to the Christian bishop Eusebius of Caesarea. These few fragments comprise the most extended literary source concerning Phoenician religion in either Greek or Latin: Phoenician sources, along with all of Phoenician literature, were lost with the parchment they were habitually written on. ...

All our knowledge of Sanchuniathon and his work comes from Eusebius's Praeparatio, (I.chs ix-x)[1] which contains some information about him along with the only surviving excerpts from his writing, as summarized and quoted from his supposed translator, Philo of Byblos.

Eusebius also quotes the neo-Platonist writer Porphyry as stating that Sanchuniathon of Berytus (Beirut) wrote the truest history about the Jews because he obtained records from "Hierombalus" ("Jerubbaal"?) priest of the god Ieuo (Yahweh), that Sanchuniathon dedicated his history to Abibalus king of Berytus , and that it was approved by the king and other investigators, the date of this writing being before the Trojan war[2] approaching close to the time of Moses, "when Semiramis was queen of the Assyrians."[3] Thus Sanchuniathon is placed firmly in the mythic context of the pre-Homeric heroic age, an antiquity from which no other Greek or Phoenician writings are known to have survived to the time of Philo. Curiously, however, he is made to refer disparagingly to Hesiod at one point, who lived in Greece ca. 700 BC.

The supposed Sanchuniathon claimed to have based his work on "collections of secret writings of the Ammouneis[4] discovered in the shrines", sacred lore deciphered from mystic inscriptions on the pillars which stood in the Phoenician temples, lore which exposed the truth—later covered up by invented allegories and myths—that the gods were originally human beings who came to be worshipped after their deaths and that the Phoenicians had taken what were originally names of their kings and applied them to elements of the cosmos (compare euhemerism) as well as also worshipping forces of nature and the sun, moon, and stars. Eusebius' intent in mentioning Sanchuniathon is to discredit pagan religion based on such foundations.

Have a look at the Wikipedia article for more details, but caveat lector! _http://en.wikipedia.org/wiki/Sanchuniathon

Meanwhile, back to Lewy:

This source of comparatively late origin names a deity' **** or ***** as one of the major gods worshipped by the Phoenic­ians.37 That this was an astral deity follows from the statement of our text that Kronos-Elos was revered as the "star of Kronos."38 As in the terminology of the Greeks the "star of Kronos" is the planet Saturn, there remains little doubt that for the Phoenicians dealt with by Sanchuniathon this planet was El, the god par excellence.

The Phoenician deity Saturn, much as his Babylonian counterpart, was believed to be the son of the earth referred to by Philo as Ge.39 He, too, was involved in a terrible fight,40 after the victorious outcome of which he "surrounded his abode by a wall and founded as the first city Byblos in Phoenicia."41 Thus it is learned that in Byblos, much as in Nippur, Saturn's worshippers believed that their city had been founded by their god as the world's first city and that this settlement was built around a Saturn-sanctu­ary surrounded by a wall.

In further agreement with the Babylonian legend the Greek version relates42) that the city newly founded was given by Saturn to a goddess whose name Baaltis has, no doubt, the meaning "Lady (of Byblos)." On the other hand, Sanchuniathon's account contains one important piece of information about the god Saturn of which there is no trace in any Babylonian source: If, in consequence of a war, pestilence, or other public calamity, Saturn's congregation was threatened with catastrophe, it was customary that the ruler of the respective community sacrificed his most beloved child to that planet.43)

This custom, in turn, is explained by the legend that Saturn himself sacrificed his son on an altar when pestilence threatened his congregation.44) In fact, child-sacrifices appear to have been so typical a trait of the cult of the planet Saturn that still in the Middle Ages this star was known as the "children-devouring planet."

In the last place, our investigation into the cult of the planet Saturn must make use of mediaeval Arabic sources, not only because they contain legendary reminiscences of the pre-Islamic Arabian religions but also be­cause they describe the worship of the planetary deities as practiced in the Near East until the Turks, more intolerant than their predecessors, ex­tinguished the last remnants of the ancient Semitic religions.

Ad-Dimišgî, who devotes a full chapter of his Cosmography to the religious practices of the star-worshippers, relates that a temple of Saturn "was built in the form of a hexagon, black (being the color) of the stone work and the curtains."46) Whereas, to judge by the ancient Saturn-temples at Lagaš as well as else­where, the reference to the hexagon form must be due to a confusion,47) the predominance of the color black is well in line with the information provided by cuneiform sources; for there, no less than in mediaeval works on astrology, Saturn is frequently called the "black" or "dark" planet.43) Yet a remark of al-Mascûdî46) suggests that not necessarily the whole temple was built of black stone; for when this author relates that, in the opinion of the worshippers of the stars, the Kaaba at Mecca used to be a shrine of Saturn he implies that the presence of one sacred black stone such as the famous Hagar al-aswad characterized the sanctuary as a temple of Saturn. The correctness of al-Mascûdî's information is proved, at least indirectly, by the name of the idol which, according to the unanimous testimony of our Islamic sources, was worshipped in the Kacba in the pre-Mohammedan period. It was called Hubal 50) a name which, derived from the root **** has the meaning "He who violently deprives the mother of her children."

The manner in which the divine lord of Mecca was assumed to take children from their mothers is illustrated by the well-known legend told about Mohammed's grandfather, Abd al-Muttalib. He is reported to have vowed to sacrifice one of his sons to Hubal if he would be blessed with ten sons.52) For thus it is clear that the god worshipped in the Kaaba was wont to accept, or perhaps to demand, child-sacrifices from his worshippers. Since, as we have seen above,53) such sacrifices were considered a trait most characteristic of the planet Saturn, there remains no doubt that the tradition according to which the Kaaba was a sanctuary of Saturn is more trustworthy than is generally assumed.

{...}

In applying to the pre-Israelite cult of Jerusalem and the Solomonic Temple the information thus gathered about the worship of the planet Sa­turn, we begin by calling attention to two significant external features of the sanctuary on Mt. Morîiâ. In I Ki. 6.20 it is related that the Holy of Holies measured 20 cubits in length, in width, and in height. Hence it had the same characteristic form of a cube which, to judge by its name "Cube", the Kacba at Mecca must originally have had.56) A further detail is revealed by the verse Cant. I. 5, where a young country belle is said to have exclaimed : "I am black, but comely, oh ye daughters of Jerusalem; as the tents of Kedar, as the curtains of Solomon." In the passage quoted above, p. 339, from ad-Dimišgî's Cosmography, black curtains are, in fact, listed as one of the traits typical of the temples of Saturn. It is perhaps not a mere co­incidence that the Kaaba, today much as in the early centuries of Islam, is covered by a carpet of black cloth.
{...}

Far more important from the point of view of the present discussion are the traditions dealing with the wells and water courses within the temple area proper. In the Jerusalem Talmud we read the following legend :62)

When David was digging the canals for the sanctuary, he dug fifteen-hundred cubits deep but did not reach the nether waters (tehôm) . Finally he hit a rock which he wanted to remove, even though the rock warned him not to do so because it was covering up the abyss. When, in spite of this warning, David lifted the rock, the tehôm rose and threatened to flood the earth. There­upon it was decided to inscribe the Name of the Lord upon the stone and to throw it into the flood waters. Immediately the flood subsided, but the waters sank to so great a depth that the earth was now menaced by a drought.


The beginning of this legend vividly recalls a passage in Aššûr-nâsir­apli's Annals, where, describing the preparations for the construction of the Ninurta-temple at Kalhu, the Assyrian king expresses himself as follows :

"I dug down to the level of the water, to a depth of one hundred and twenty layers of brick63) I penetrated. The temple of Ninurta, my Lord, I founded in its midst."64)

The reason why both David and Aššûr-nâsir-arpli dug down to the level of the nether water is somewhat illuminated by the fact that in the interior of the Kaaba at Mecca, there is a well across the opening of which was placed, in the pre-Islamic period, the statue of the god Hubal.05) That still in the Islamic period this well, though usually dry, was in communica­tion with the subsoil water follows from al-Bîrûnî's remark that at the time of the Arafa-pilgrimage, it used to be full of water so that the pilgrims could quench their thirst.G7)

It is significant that in Mecca and, to all appear­ances, also in the Ninurta-temple at Kalhu, the well communicating with the subsoil water was within the shrine itself and not, as was usual in ancient Oriental sanctuaries, in the court yard.08) For this peculiarity suggests that a special relation was assumed to have existed between the deity inhabiting the shrine and the subsoil waters called by the Hebrews tehôm. The nature of this relation is elucidated by the aforementioned fact that the statue of Hubal was placed upon the opening of the well; for this indicates that the deity's own body was thought to prevent the nether waters from rising and flooding the earth. Now there is evidence to show that this same belief had once been current in Jerusalem.

In the afore-cited Talmudic legend, it was a stone, usually referred to in Jewish literature as Eben šetîiâ, which retained the tehôm within its bounds. Now according to other passages found in the post-biblical sour­ces, the Solomonic Temple was built in such a way that the Eben šetîiâ was in the center of the Holy of Holiest, and upon it stood the Ark of the Covenant, Jahweh's earthly throne.71)

Thus it is evident that, much as in the Kaaba Hubal stood over the well connecting his sanctuary with the nether waters, so in the Jerusalemite Temple Jahweh throned above the opening by way of which the waters of the tehôm. were assumed to have flooded the earth. However, before Jahweh assumed the task of holding in check the destructive nether waters, another deity appears to have played this rôle in Jerusalem : the god embodied by the Eben šetîiâ.

That divine honors were actually rendered to this stone even by the Jews becomes particularly clear from the well-known remark in the Itinera­rium Hierosolymit. of the Pilgrim of Bordeaux regarding the "lapis pertusus, ad quern veniunt Judaei singulis annis et unguent eum et lamentant se cum gemitu "72)

Further evidence to the same effect is supplied by the fact that, even as to the sacred stones of the pagan Arabs,73) sacrificial blood was applied to the Eben šetîiâ and incense was burnt on it. 75) It is equal­ly significant that, in spite of the important part which, to judge by the post-biblical traditions, the stone appears to have played in the ritual of the Solomonic Temple, no mention of it is made in the biblical books recounting the construction of this sanctuary. Manifestly, the biblical writers considered the Eben šetîiâ so grossly a piece of heathendom that they refused to take notice of it.

Now it is a well-known fact that among the Semites, and particularly among the ancient inhabitants of the Arabian peninsula, stones frequently received divine honors.77) The real character of this stone-cult is easily ex­plained if it is remembered that it was practiced by the same populations among which the worship of the heavenly bodies, and particularly of the seven planets, had its origin.78)

The connection between the religion of the stars and the veneration of stones is elucidated by a passage in Sanchun­iathon-Philo-Byblios' work, where it is said that meteorites, being considered "stars fallen from the air," played a prominent rôle in the cult of the Phoenic­ians.

It is of particular importance to note that the meteorite referred to by the Phoenician author was set up and worshipped at "Tyre, the sacred island."79) For the name of this sacred meteorite of Tyre can be inferred from the treaty concluded by Aššûr-ah-iddina with Baal, king of Tyre. As usual in documents of this character, the treaty ends with an enumeration of the deities whom each of the two contracting parties entreated to punish the violator of the terms agreed upon. Now the first among the deities invoked by the king of Tyre is called Ba-a-a-ti. ilani meš, a name in which Lang­don recognized the West Semitic Bêt-êl 82) well known from the Bible and from West Semitic theophoric proper names. 83) That this Tyrian god Bêt-êl actually is the sacred meteorite mentioned by Sanchuniathon-Philo ­Byblios is suggested by a further remark in these authors' work where ****** in general are defined as "inspirited stones" ******

In order to understand the full implication of this definition, we call atten­tion to the belief held by the ancient star-worshippers about the nature of their deities. Since, as will be shown elsewhere, these ideas remained basically unchanged from the period attested by the cuneiform sources until the Middle Ages, we recapitulate, for the sake of convenience, the pertinent in­formation provided by aš-ahrastânî (Haarbrücker, op. cit., II, pp. 66 f.) and ad-Dimišgî (op. cit., p. 47) :

The planetary gods were thought to be spiritual in character but each of them had its particular abode or body. These haiâkil or abdân of the planetary deities are the seven moving stars visible in the sky, and the rûh, or spirit, of each of them is to its haikal in the relation of the human soul to the human body. As the Arabic term haikal, "temple", "sanctuary" conveys much the same idea as the HebrewBêt-êl or the Akkadian bit ili, we realize that the meteorites worshipped by the ancient Semites were conceived as divine beings of exactly the same nature as the planets: they, too, consisted of a visible abode, a bit or haikal, inspirited and inhabited by a rûh, or soul.

These inferences are of particular interest for the subject here dis­cussed because the most famous of the sacred stones of the Arabs, the Hagar al-aswad in the Kaaba at Mecca, actually is a meteorite.86)

As, on the other hand, this Black Stone was revered in a sanctuary dedicated to the cult of the "Black Planet" Saturn,86) we comprehend that a black meteorite, or a black stone resembling a meteorite, was thought to be a piece of the "Black Planet", which means a part of the body of a great god which, there­fore, deserved the same veneration as the planet itself.87)

Thus it is apparent that the well connecting the temple with the nether waters could be sealed off either by the statue of the deity or by the black meteorite; in each case it was the god's body that was assumed to prevent the subsoil water from flooding the earth.

Still, the question might be raised why in some instances a black stone and in others an image of the god fulfilled this function. The answer to this question can be inferred from the afore-cited mediaeval treatises exposing the views of the star-worshippers with regard to their deities: In their belief, man can turn in prayer and supplication only to a being visible to his eyes.

Here, it is very important to have read Victor Clube's discussion on the planetary deities in order to understand not only the "abode" of the gods, but WHY the ancients declared that their gods had "appeared to their eyes."

Lewy, of course, is unaware of this cometary information.

Back to Lewy:

Since each planet has shorter or longer periods of invisibility, the worshippers found it necessary to create images and statues of their gods to which they could address their prayers at any given moment.S8)

However, if in the form of a black meteorite a piece of the deity's astral body was visible to the congregation at all times, the setting up in the temple of an anthropomorphic idol was obviously unneces­sary.

It would, therefore, appear that, when the image of Hubal was placed over the well inside the Kacba, the "Black Stone" was tempo­rarily hidden from the congregation's eyes. Tradition actually confirms this inference. It is a well-known fact that in the years of Mohammed's early manhood the Kaaba was rebuilt.89) Judging by the procedure followed in the reconstruction of the Saturn-temple at Kalhu,99) one should expect that this reconstruction, too, was preceded by a search for the well connect­ing the shrine with the nether waters. Our sources actually know about such a search ; for it is reported that Abd al-Muttalib, Mohammed's grandfather in whose house the future prophet grew up, perceived a dream in which the long-forgotten location of the well Zemzem was revealed to him.91) The story continues to relate that Abd al-Muttalib, digging at the spot he had seen in his dream, actually found the well and in it the sacred Black Stone,92) which was subsequently placed by Mohammed in its present position.

The resemblance of this story with the Talmudic legend of David's find­ing the Eben šetîiâ when digging the well in preparation of the construction of the temple is too striking to be due to a mere coincidence. Since, further­more, our source reports that the Black Stone "ferma si bien l'ouverture du puits de Zemzem,"93) it is manifest that there had been a time when the Hagar al-aswad sealed off the well Zemzem in the manner the Eben šetîiâ closed the well underneath the Holy of Holies in the Solomonic Temple.

Eventually, however, possibly in consequence of one of the natural catastrophes so frequent in Mecca, the site of the well, and with it the Black Stone, was lost.94) It then became necessary to construct a statue to take the place of the stone as a visible symbol of the god.

In turn, when the stone was recovered by Abd al-Muttalib, the statue had served its purpose and could be removed. It was, therefore, no break with the ancient religion of Mecca when Mohammed disposed of the statue after he himself had set up the Hagar al-aswad in a place where it was accessible to the eyes and the lips of the worshippers.

To return now to the Eben šetîiâ in the Temple at Jerusalem, our sources leave no doubt that, rightly or wrongly, it was regarded as being of cosmic origin. For we repeatedly find references such as this one : "God threw a stone in the tehôm, and upon it the world was founded."95) We have, therefore, no reason to doubt that the Eben šetîiâ played in Jerusalem the rôle which the Hagar al-aswad played in Mecca.

On the basis of these inferences we are now in a position to supply at least an outline of that portion of the Ninurta Epic which is missing in the extant cuneiform version, namely that dealing with the manner in which Ninurta turned in his favor the battle against the flood :96) He appears to have won his victory by throwing a piece of his own body into the raging waters which were thus forced to recede.

Again, without having read Victor Clube's "The Cosmic Serpent," these clues cannot be fully appreciated!!!

As was mentioned above (p. 336), Ninurta's victory forced the flood waters back to such a depth that a period of drought threatened mankind with another catastrophe.

In short, "Star Worship" and worship of meteorites, and the legends that were built around same, were related to the appearance of a Giant Comet in the sky, it's terrorization of the Planet Earth and its inhabitants for a very long time, and probably a final, dramatic break up of the comet and many pieces showering down on earth causing floods followed by droughts and famines and pestilence.

It will be noted that this detail of the Nippurian epic has an exact parallel in the afore-cited Talmudic legend (above, p. 344) where it is related that, when David threw into the rising flood the stone inscribed with the Holy Name, the waters subsided so rapidly that now the earth was menaced by a drought. It is further in harmony with the tradi­tions from other towns holy to Saturn when the post-biblical Jewish sources relate that Jerusalem was the first city to be created and that it was built around the Holy of Holies in the center of which was placed the Eben šetîiâ .97) That in Jerusalem, much as in Nippur, Byblos,98) and Mecca,99) the city's patron god was thought to be the founder follows with particular clarity from the name Jerusalem which, as was mentioned above, has the meaning "Creation of Šalim."

As our previous discussion has shown that the legends surrounding the Solomonic Temple and its divine founder are basically identical with those told in other centers of Saturn-cult, the question arises as to whether we find in Jerusalemite tradition any trace of the child sacrifices which, while wanting in the material from Nippur, appear to have played a part in the cults of Byblos and Mecca. In this respect we recall, of course, the well- known story of Gen. 22 relating how Abraham was called upon to offer his favorite son, Isaac, as a sacrifice to God. If it could be shown that the location where this sacrifice was to take place was Mt. Morîiâ, the site holy to šalim where the Eben šetîiâ blocked the passage of the flood waters, it would be clear that it was šalim to whom the sacrifice was due. To be sure, the post-biblical Jewish writers took it for granted that the Solomonic Temple was erected on the spot where Isaac was to be slaughtered.

{...}

If thus the scene of the story related in Gen. 22 was laid on the top of Mt. Morîiâ, which means, as we have seen, on a site holy to šalim, the planet Saturn, it is clear that there, no less than in other centers of his cult, the Black Planet was assumed to demand child-sacrifices from his wor­shippers. {...}

As our previous discussion has revealed that the Solomonic Temple was built on a site where, in the form of the Eben šetîiâ, a part of Saturn's astral body was present and visible, and where human sacrifices were offered to that deity, and that, furthermore, the sanctuary exhibited external features typical of the temples of Saturn, we are now in a position to answer the question asked in the beginning of this chapter: It was in honor of Šalim, the planet Saturn, that David and Solomon built the temple on Mt. Morîiâ, and it was, therefore, the worship of this god which these two princes attempted to propagate among their subjects. If this is so, it is further ma­nifest that the six-pointed star-symbol usually named for either David or Solomon was the emblem of their favorite deity, the planet Saturn.

The results reached in the preceding chapter raise the question as to how the symbol of the planetary god Saturn eventually came to characterize the religion of Jahweh. In other words, we must try to analyze the ideas which made it possible for the Jews to assimilate the ancient astral religion of Jerusalem so completely to their own doctrine that every distinction between the two was obliterated. The answer to this question is suggested by a hymn to Ninurta108) which makes it clear that the religion of that deity belonged to those ancient Oriental cults which were capable of absorb­ing the worship of any given phenomenon in nature as well as in the sky {...}

Hence the Jews who, after the conquest of Jerusalem by David, established themselves in Saturn's holy city had no difficulty in incorporating their national {tribal} god into the cult practiced in their new capital : Much as the author of our hymn VAT 9739 saw (according to 1. 24) in Marduk, the Babylon­ian national god, Ninurta's neck, they could interpret Jahweh as a certain part of the body of šulmânu, the Jerusalemite counterpart of Ninurta.117)

The idea that the minor deities were part of the supreme god's body and thus executors of his will carries with it the belief in a universal supreme god.

Or, it carries with it the idea that a giant comet - the Supreme God - broke up into many pieces...

For if, in our Ninurta Hymn VAT 9739, Marduk, the divine lord of Babylon, Enlil and Ninlil, the patrons of Nippur, Sin, the tutelary god of Ur, Harrân in Mesopotamia, and Têmâ in Arabia, šamaš, the protector of Sippar and Larsa in Babylonia and of Heliopolis-Bacala-bakka and other cities in Syria were thought to carry out Ninurta's decisions, it is clear that the latter was the supreme ruler of all these localities and thus the universal supreme god.

That this was actually the idea current in ancient Jerusalem follows from Deut. 32. 8. f., where we read:

"When the Most High (êl eliôn)118) assigned the nations (lit. `caused the nations to be hereditary possessions'), when He separated the children of man, establishing realms of the nations according to the number of deities (thus according to the Septuagint which, reading **** instead of *****, translates ******** "according to the number of angels", then verily his people came to be Jahweh's share ".

Here it is taken for granted that the supreme god, El eliôn, assigned the various nations to "angels", or lower deities, one of whom was Jahweh, the national god of the Jews. {...}

Whereas some modern commentators date this subordination of Jahweh to êl eliôn to the early post-Exilic period,119) Nyberg maintains that it reflects the Jews' way of reasoning at the time of their immigration into Pa­lestine.120) Yet, the idea expressed in our passage must have been current in Israel until, under Saul, David, and Solomon, the Jewish state became, for the first time, a powerful political unit; for the small and politically unimportant nation of which Saul became the first king could not fail to conclude that the national deities of its more powerful neighbors were might­ier than their own national god. This conclusion was all the more imperative because, throughout the ancient Near East, it was assumed that, when a nation gained the ascendency over the civilized world, its national god had assumed the rule over the other deities.

{...}

It was pointed out above (pp. 349 f.) that, up to the time when the Black Stone was recovered by Mohammed's grandfather, Abd al-Muttalib, a statue of the planet Saturn had served in its place as the visible symbol of the planetary god to whom the Kaaba was dedicated. The recovery of the Stone manifestly confronted the community with the problem of restor­ing the ritual of the Kaaba as it had been practiced in times of old, prior to the disappearance of the Black Stone and the setting up of the statue.

Now a faulty or incomplete ritual could not, in the belief of the ancient Semites, provide the congregation with the moral guidance it needed to live up to the requirements of its religion; its perusal was, therefore, bound to arouse the wrath of the deity which, in turn, meant punishment and catastrophe for the worshippers. Hence it is not surprising that the problem as to the proper ritual of the Kaaba deeply concerned a family as profoundly religious and devoted to the god of Mecca as was that of Abd al-Muttalib.128)

It should also be noted that at the time of the "creation" of Islam (or restoration of the ancient Star Worship), there is much evidence that the Earth was, yet again, being threatened by cometary bodies. This would be a powerful motivator to "re-discover the old religion and rituals" so as to perform them again and hopefully, get rid of the threat in the sky.

Cuneiform literature offers an example vividly illustrating the predicament of the pious worshipper of a planetary deity who wished to reconstruct a sanctuary the ritual of which had been lost for centuries. In his inscrip­tion YBC. 2182,129) Nabû-na'id, the king of Babylon, describes how, upon the Moon-god's command, he planned to restore the office of an entu-priestess at Ur and the sanctuary in which the ritual connected with this office used to be celebrated in days of old. Yet since centuries this ritual had become obsolete; hence the king ordered a search to be made for ancient documents containing at least an indication as to how the priestess and her sacred residence were to be equipped. After a quest extending over at least eight years,130) the necessary information was secured from documents excavated at Ur. In the meantime, however, the king chose still another way of recov­ering the details of the forgotten ritual of the Moon-cult: he proceeded to Harrân and Têmâ, which means to two other centers of Moon-worship where he could hope to obtain from the local priesthood pertinent traditions and materials not available in Babylonia.

That Nabû-na'id was not the only star-worshipper who attempted to recover the lost ritual of a holy city by consulting the priesthood of towns where the same cult was practiced is evidenced by the colophon of the cuneiform text AO. 6451.132) After characterizing the text as a summary of the sacred rites to be performed in the Main Temple at Uruk and of the functions of the various classes of higher and lower priests, the colophon mentions that the original tablets containing these instructions were "carried off as booty from Uruk" by Nabû-aplu-usur, the king of the Sealand. The text then continues : "Kidin-Ani, a man from Uruk, the mašmaš-priest of Anu and Antu [i. e., of the two principal deities revered at Uruk], the descendant of Ekur-zakir, the urigallu-priest of the Main Temple, has inspected these tablets in the country of Elam, and has copied them under the reign of the kings Seleucos and Antiochus, and has brought them to Uruk." We thus learn that the ritual of the chief sanctuary of Uruk had been lost when Nabû-aplu-user, the first king of the Neo-Babylonian Dynasty, ransacked the temple library.133) As it was well known that Susa, the capital of Elam, was the residence of an Ištar-goddess of much the same nature as the divine lady of Uruk,134) a priest from the latter town pro­ceeded to Susa and there copied the tablets recording the ritual common to the two sanctuaries.

Whereas in the case of Mohammed and his Meccan contemporaries a search for ancient records and documents buried in the foundations of the temple was probably not as promising as it was in a Babylonian house of worship,135) the method of recovering the lost ritual by consulting the priesthood of a city revering a god identical in character with the divine patron of the Kacba was as accessible to them as it had been, in centuries past, to the people of Ur and Uruk. Such a city was, of course, Jerusalem, and the Jewish authorities for traditions were the appropriate persons to be consulted about the ritual of their holy city.

That the close relationship existing between the cults of Mecca and Jerusalem was well known to the early Muslims follows from several indications contained in our sources. We mention in the first place the belief according to which, on the Day of Judgment, the Black Stone of Mecca will come in a bridal procession to join the Salira, the rock of Jerusalem, on which the Most High will be seated.130) Even though, as is well known, the Mohammedans mistook the huge Sabra for the Eben šetîiâ (ii,137) this tradition makes it clear that they were fully aware of the identity of the functions of the sacred stones of Mecca and Jerusalem.

It is equally pertinent to recall that, before designat­ing, in the second year after the Flight, the Kaaba as the qibla for all the Muslims, Mohammed ordered his followers to turn their faces in prayer toward the sacred rock of Jerusalem.138) The significance of this command becomes apparent if it is kept in mind that the qibla is an outgrowth of the belief of the star-worshippers (cf. above, p. 349) that man can address his prayers only to a being visible to his eyes. For this belief makes it obvious that, when praying to an astral deity, the worshipper turned his eyes either to the heavenly body itself or, in its absence, to the stone or statue represent­ing it on earth.130)

If, however, he was not present in the town where a sacred stone, assumed to be part of the deity's astral body, was visible to the congregation, he still turned his eyes in the direction of this sanctuary, it being supposed that, having visited and inspected the deity's body on the occasion of the annual pilgrimage, he could visualize it and thus address his prayer to it even from a distant point or locality.

We therefore come to the conclusion that Mohammed urged his followers to turn in prayer to the sacred stone of Jerusalem because he knew full well that this stone represented his god.

It is in the same sense that we must interpret the action of Abd al-Malik, Mohammed's ninth successor (A. D. 685-705 A. H. 65-86), who ordered his subjects to replace the pilgrimage to Mecca by a pilgrimage to Jerusalem.140) For only the knowledge that the sacred stone of Jerusalem represented the same god as the Black Stone of Mecca could inspire him to say with regard to the Salira: "And this Rock shall be unto you in the place of the Kaaba."

We thus recognize the manner in which Mohammed intended to restore the cult of Mecca in its original form: He took over from Jewish tradition, both biblical and extra-biblical, whatever, in his view, pertained to the old, genuine religion of Jerusalem which he knew to be identical with that of Mecca.

We further realize why the Mohammedans attach such particular importance to biblical personages such as Abraham, David and Solomon whom, as we mentioned before, they like to represent as perfect Muslims. As in their opinion a Muslim is a person who professes his unlimited sub­mission to the god of Mecca and of Jerusalem — no matter whether this deity be called šalim, êl eliôn, or Allah — they were fully justified in regarding as their own coreligionists those famous characters whom Jewish sources link most intimately with the cult of Jerusalem.

I left out a lot of interesting details, but the main gist of the discussion is here.
 
Thank you very much for theses priceless materials. Reading the excepts above allows establishing connections between misunderstood stories.
While reading it occurs to me that a geometrical link may be established between the cube and the six-point-star if we consider the shadow of a cube on a plane.
Maybe it is irrelevant within this discussion but I thought that maybe at a certain level or at a certain point in history it could be possible that maybe one could consider it not totally a coincidence. Or maybe it is very likely a coincidence :
_http://img265.imageshack.us/my.php?image=cubedk1.jpg
cubedk1.jpg

(actually the cubes draws two tetraedres simplified into triangles) <--edit

Anyway, the historical material related to the development of Islam (now I wonder if a hidden meaning is not related to Shalim as for Solomon and Jerusalem) and my actual feeling is that Muhammad developed this religion as a restoration of a legendary old religion, a mission assigned to him by abdelmouttalib (grand father) which could explain also the numerous travels in his youth and his alleged encounters of Jewish priestry and other monastery people in the middle-east. It may also explain why Islam gives the impression to have shifted from a feminine and lunar religion as a trial to a solar a masculine definite one.
 
mkrnhr said:
While reading it occurs to me that a geometrical link may be established between the cube and the six-point-star if we consider the shadow of a cube on a plane.
Maybe it is irrelevant within this discussion but I thought that maybe at a certain level or at a certain point in history it could be possible that maybe one could consider it not totally a coincidence. Or maybe it is very likely a coincidence :

That's just math and geometry and not relevant to the ideas, beliefs and development of same, IMO.

When one puts the material above together with Finkelstein's determination that there never was a temple of Solomon nor a King David as promoted by the biblical texts, you come to the realization that the stories were probably much older, related to some other king and kingdom that existed elsewhere, and just the names of local heroes had been attached to "personalize" the stories for the tribal believers in Jahweh. I would suggest that the "theme" of stones could be both from encounters with cometary bodies as well as stemming from cultures where stones played a significant role, such as the European megalith culture.

Since we suspect from the work of Iman Wilkens in "Where Troy Once Stood" that the original "Egypt" was in France, and many place names were carried to the Middle East at some point by refugees from some terrible cataclysm, it is altogether possible, as van Seters suggests, though maybe not exactly as he suspects, that the origins of many of the ancient legends that were "modernized" and "historicized" to create the Bible, were Hellenic and stolen from the Northern peoples.

Untangling these threads and tracing origins is difficult, at best, impossible at worst.

It does make me chuckle, though, to think about all the so-called "occultists" who are so busy with their "Seal of Solomon" thinking it is some deep and mysterious magickal sigil when, it is little more than the survival of a memory of cometary impact and the resulting troubles on the planet explained in a mythical way long after the events took place.

Another "Motel of the Mysteries."
 
Also worth adding to the list, osit, are these two books:

Greenburg, Gary. 101 Myths of the Bible: How Ancient Scribes Invented Biblical History.

Phillips, Graham. The Moses Legacy: The Evidence of History.
 
Well, well the universe does provide. :) I was signing on the forum today, intending to search the topic of the "Old Testament," for some good critical texts and voila: here it is. Thanks to Approaching Infinity, Laura, et al for addressing this topic. I am in an Old Testament seminar and while the class text presents many reasons to to be suspicious, it doesn't really follow through on any of them so I really appreciate this list. If I were only able to read one or two of these books, does anyone feel any particular one is the most definitive? Thanks.
 
Black Swan said:
Well, well the universe does provide. :) I was signing on the forum today, intending to search the topic of the "Old Testament," for some good critical texts and voila: here it is. Thanks to Approaching Infinity, Laura, et al for addressing this topic. I am in an Old Testament seminar and while the class text presents many reasons to to be suspicious, it doesn't really follow through on any of them so I really appreciate this list. If I were only able to read one or two of these books, does anyone feel any particular one is the most definitive? Thanks.

I'd recommend Thompson's Mythic Past, Lemche's Prelude to Israel's Past, and/or Finkelstein and Silberman's Bible Unearthed.
 
I would suggest that the "theme" of stones could be both from encounters with cometary bodies as well as stemming from cultures where stones played a significant role, such as the European megalith culture.
Maybe another possibility is that a mastery of stones has been transformed into a fear from stones because of the comets. Knowledge has been buried because of the cataclysm and both the souvenir of the mastery of stones with the cometary impacts imprinted the idea that these heavenly stones were magic. However, identifying these magical stones with gods and spirits with personalities may be facilitated also by a direct interaction with some manifestation of 4D beings or at least their 3D representatives. Is that possible?
(It's ok for the drawing)
 
That article is very interesting. Clube's book is definitely the "key" to understanding these dynamics. Ninurta/El/Marduk/Saturn all seem to be names for a comet that probably was seen to destroy an "older" comet (its "father"). Very interesting that a fragment probably broke off, destroyed by the "father", thus giving a theological reason for child sacrifice. Factor in Douglas Reed's analysis, and this all makes it VERY interesting.
 
Approaching Infinity said:
That article is very interesting. Clube's book is definitely the "key" to understanding these dynamics. Ninurta/El/Marduk/Saturn all seem to be names for a comet that probably was seen to destroy an "older" comet (its "father"). Very interesting that a fragment probably broke off, destroyed by the "father", thus giving a theological reason for child sacrifice. Factor in Douglas Reed's analysis, and this all makes it VERY interesting.

Hi AI, i am quiet late here but would like to know which analysis of Douglas Reed you meant: "The controversy of Zion" or anything other?

And thank you, Laura, for the PDF link.
 
anka said:
Approaching Infinity said:
That article is very interesting. Clube's book is definitely the "key" to understanding these dynamics. Ninurta/El/Marduk/Saturn all seem to be names for a comet that probably was seen to destroy an "older" comet (its "father"). Very interesting that a fragment probably broke off, destroyed by the "father", thus giving a theological reason for child sacrifice. Factor in Douglas Reed's analysis, and this all makes it VERY interesting.

Hi AI, i am quiet late here but would like to know which analysis of Douglas Reed you meant: "The controversy of Zion" or anything other?

Yes, I was referring to Controversy of Zion.
 

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