Thank you for your follow-up to my question. I am aware that some of Jose Tarres' group were not happy when Patrice Chaplin published her book City of Secrets. On one level it reads as an amazing love story but on another level it is clearly an unsanctioned expose. However, she must have been forgiven to some extent as she was subsequently given the help of a member of the Grail group to carry out the strenuous pilgrimage of initiation, as described in her fascinating book The Portal, by following set numbers on a Venus square in what she later discovered was a journey covering the 'Way of the Great Bear' (Ursus Major), which makes me think here of Queen Sobekneferu and the ancient Egyptians devotion to that particular constellation.
As I said before, the 'Lady of Light' apparition (a light generated hologram perhaps?) that was witnessed in Girona reminds me of the Arthurian 'Lady of the Lake' legend, a spectral figure which emerges from the water to present the fabled sword Excalibur to King Arthur, thus bestowing upon him the divine right to rule as the true king. In another episode from the Arthurian legends she is also responsible for raising the noble knight Lancelot after the death of his father. This makes me wonder whether the Grail has the capacity to project such an image, perhaps through human intervention via consciousness, and, if so, was this why it may have become associated with the mother goddess of antiquity and was therefore called the Mother Stone?
You mention about the first step being to have a certain gift or genetic marker to act as a receiver so as to experience the Grail. Well, I understand that Patrice Chaplin is highly psychic individual, so she may well have had such a gift or inherited genetic marker. This makes me think about what the C's have said about people of the bloodline. Although Patrice Chaplin is from England, most indigenous English people are not in fact Anglo-Saxons as you might expect but are instead predominately of Celtic stock, which links therefore with what the C's said here about the Celts:
As I said before, the 'Lady of Light' apparition (a light generated hologram perhaps?) that was witnessed in Girona reminds me of the Arthurian 'Lady of the Lake' legend, a spectral figure which emerges from the water to present the fabled sword Excalibur to King Arthur, thus bestowing upon him the divine right to rule as the true king. In another episode from the Arthurian legends she is also responsible for raising the noble knight Lancelot after the death of his father. This makes me wonder whether the Grail has the capacity to project such an image, perhaps through human intervention via consciousness, and, if so, was this why it may have become associated with the mother goddess of antiquity and was therefore called the Mother Stone?
You mention about the first step being to have a certain gift or genetic marker to act as a receiver so as to experience the Grail. Well, I understand that Patrice Chaplin is highly psychic individual, so she may well have had such a gift or inherited genetic marker. This makes me think about what the C's have said about people of the bloodline. Although Patrice Chaplin is from England, most indigenous English people are not in fact Anglo-Saxons as you might expect but are instead predominately of Celtic stock, which links therefore with what the C's said here about the Celts:
Apart from the Medieval Grail stories that emanated from France, there is one other famous Grail story that was written by a German soldier who had fought alongside the Knights Templar as a crusader in the Holy Land and who claimed that the Templars did in fact possess the Grail. That person was Wolfram von Eschenbach who wrote the Grail poem Parzival, that was the most popular vernacular verse narrative in Medieval Germany.
At the beginning of Parzival, Wolfram boldly asserts that Chrétien’s version of the Grail story is wrong, whilst his own is accurate because it is based on privileged information. Wolfram makes it clear in his poem that the Grail is not merely an object of gratuitous mystification and fantasy but a means of concealing something of immense consequence. In the poem he constantly reiterates the urgency of secrecy in relation to the Grail. Thus, he states in the poem:
“For no man can ever win the Grail unless he is known to Heaven and he called by the name to the Grail. And the Grail is unknown save to those who have been called by name … to the Grail’s company.”
This something of immense importance reminds me of what the C' said in this excerpt from the incomplete transcript from the session dated 6 June 1998:
At the beginning of Parzival, Wolfram boldly asserts that Chrétien’s version of the Grail story is wrong, whilst his own is accurate because it is based on privileged information. Wolfram makes it clear in his poem that the Grail is not merely an object of gratuitous mystification and fantasy but a means of concealing something of immense consequence. In the poem he constantly reiterates the urgency of secrecy in relation to the Grail. Thus, he states in the poem:
“For no man can ever win the Grail unless he is known to Heaven and he called by the name to the Grail. And the Grail is unknown save to those who have been called by name … to the Grail’s company.”
This something of immense importance reminds me of what the C' said in this excerpt from the incomplete transcript from the session dated 6 June 1998:
The poem's influence would echo right down to the 20th Century and to the Nazis in particular who, under the auspices of the SS leader Heinrich Himmler, used the legend to try and locate the Grail in wartime occupied southern France. The German composer Richard Wagner’s* renowned opera “Parsifal” mentions that the Holy Grail was kept in “the marvellous castle of Montsalvat in the Pyrenees”. This led Himmler to visit castles in the area, including that of Quermanco, north of Girona. Interestingly, the castle Montsalvat is described by Wolfram as having a circular chapel like those of the Templars.
*Richard Wagner had a great interest in the Grail stories, particularly Wolfram's Parzival and visited Rennes-le-Chateau before composing Parsifal, which was his last opera.
In French, Parzival is Perceval, a name that may well be connected with the mythical hero Perseus (who in the classical myth slew the Gorgon Medusa and chopped off her head - which most likely is an allegory for the Grail) and by extension to the Perseid family to which the Pharaoh Akhenaten and his daughter Princess Meritaten (Kore) would seem to have belonged. It may well be that the Percy family, to whom Laura is descended, derives from the same genetic root as well. We also know that Akhenaten had possessed both the Ark of the Covenant and the Grail until these artefacts were stolen from him by his wife Nefertiti and handed over to Abraham/Moses.
I mention all of this because Wolfram spoke of a Grail family in his tale, one which appears to have had a very special role as regards the Grail, being charged with the responsibility of protecting and maintaining it. Moreover, Parzival, unbeknownst to him, was a member of that family since the character of Herzeloyde, Parzival's mother, was a descendant of the Grail family. She subsequently guides Parzival on his quest to take his fated place as next in the lineage of Grail Kings. Curiously, in Wolfram's tale, the Grail family also includes a group of Grail Knights called Templars, who are commanded by the Grail King. If the Knights Templar did find the Grail in the Holy Land, as many suspect, could their quest have been driven by shared familial ties, since the original Templar Knights who founded the order all seem to have been interrelated? Did they all belong to Wolfram's Grail family perhaps and shared a special lineage, one which had a special genetic marker? if so, did this genetic marker derive from the Perseid bloodline passed on through Meritaten/Hagar/Kore and her son Ishmael (see below)?
The Grail Family*Richard Wagner had a great interest in the Grail stories, particularly Wolfram's Parzival and visited Rennes-le-Chateau before composing Parsifal, which was his last opera.
In French, Parzival is Perceval, a name that may well be connected with the mythical hero Perseus (who in the classical myth slew the Gorgon Medusa and chopped off her head - which most likely is an allegory for the Grail) and by extension to the Perseid family to which the Pharaoh Akhenaten and his daughter Princess Meritaten (Kore) would seem to have belonged. It may well be that the Percy family, to whom Laura is descended, derives from the same genetic root as well. We also know that Akhenaten had possessed both the Ark of the Covenant and the Grail until these artefacts were stolen from him by his wife Nefertiti and handed over to Abraham/Moses.
I mention all of this because Wolfram spoke of a Grail family in his tale, one which appears to have had a very special role as regards the Grail, being charged with the responsibility of protecting and maintaining it. Moreover, Parzival, unbeknownst to him, was a member of that family since the character of Herzeloyde, Parzival's mother, was a descendant of the Grail family. She subsequently guides Parzival on his quest to take his fated place as next in the lineage of Grail Kings. Curiously, in Wolfram's tale, the Grail family also includes a group of Grail Knights called Templars, who are commanded by the Grail King. If the Knights Templar did find the Grail in the Holy Land, as many suspect, could their quest have been driven by shared familial ties, since the original Templar Knights who founded the order all seem to have been interrelated? Did they all belong to Wolfram's Grail family perhaps and shared a special lineage, one which had a special genetic marker? if so, did this genetic marker derive from the Perseid bloodline passed on through Meritaten/Hagar/Kore and her son Ishmael (see below)?
Another extraordinary attribute that the Grail exhibits according to Wolfram is that of sentience (Artificial Intelligence or AI). It seems to have the power to call individuals into its service – and specifically to call them in an active sense according to Wolfram:
“Hear now how those called to the Grail are made known. On the stone, around the edge, appear letters inscribed, giving the name and lineage of each one, maid or boy, who is to take the blessed journey. No one needs to rub out the inscription, for once he had read the name, it fades away before his eyes. All those grown to maturity came there as children. Blessed is the mother who bore a child destined to do service there. Poor and rich alike rejoice if their child is summoned to join the company. They are brought there from many lands. From sinful shame they are more protected than others, and receive good reward in Heaven. When life dies for them here they are given perfection there.”
The appearance of letters around the edge of the stone seems to suggest perhaps a projection quality as with a modern computer or TV screen. Wolfram's description also brings to mind for me the function of the ‘Book of Life’ in the Apocalypse or Book of Revelations, which the C’s said was in fact a computer.
If Wolfram had actually seen the Grail stone (the Mother Stone) whilst a guest of the Templars, did he actually see it manifest such letters in the way he describes in the poem? If the Grail can project letters as Wolfram claims, could it go further and project holographic images like the Lady of Light witnessed by hundreds of people at Girona in the mid-1950's?
But coming back to the Grail family or bloodline, this reminds me that the C's told us that Grail was the means by which a group of Kantekkians escaped to Earth before their planet exploded over 79,000 years ago. We don't know how many were in this group and where they landed up (although we know those transported here by the Greys ended up in the Caucuses from where they spread out). We don't even know if they arrived in the same timeframe as the other Kantekkians since their teleportation could have involved time travel - think here of the 'Egyptian Boat of a Million Years', steered by the green head of the god Osiris, which the C's said was a time machine:
If Wolfram had actually seen the Grail stone (the Mother Stone) whilst a guest of the Templars, did he actually see it manifest such letters in the way he describes in the poem? If the Grail can project letters as Wolfram claims, could it go further and project holographic images like the Lady of Light witnessed by hundreds of people at Girona in the mid-1950's?
But coming back to the Grail family or bloodline, this reminds me that the C's told us that Grail was the means by which a group of Kantekkians escaped to Earth before their planet exploded over 79,000 years ago. We don't know how many were in this group and where they landed up (although we know those transported here by the Greys ended up in the Caucuses from where they spread out). We don't even know if they arrived in the same timeframe as the other Kantekkians since their teleportation could have involved time travel - think here of the 'Egyptian Boat of a Million Years', steered by the green head of the god Osiris, which the C's said was a time machine:
So, was this group the origin of Wolfram's Grail family and have their descendants, including the Perseid line, been charged with protecting the Grail and its secrets ever since?
If Princess Meritaten was Kore/Hagar, it is interesting to note that according to Scottish and Irish legend (both Celtic peoples), she journeyed to Britain and eventually ended her long flight from Egypt in Ireland, where she is supposed to have died. However, she was survived by her son by Abraham/Moses, who is called Ishmael in the Bible. He is supposed to have been the father of the Arab nation. However, if Meritaten/Hagar was also the Greek mythical character of Helle who supposedly fell off the Golden Ram into the Hellespont where she drowned, then Ishmael may well be the character of Phrixus, her twin brother, who would escape to Colchis, which would seem to have been located in Britain (perhaps today the ancient town of Colchester in Essex not far from Cambridge/Troy) after their stepmother (Nefertiti) planned to kill them, which mirrors what the C's said about Nefertiti who was also the biblical Sarah and the figure of Helen of Troy too:
Q: (L) Going back to this person - the last living member of the Perseid family - who was handed over by Abraham in his Jacob persona to someone else, who was this person handed over to and why?
If Princess Meritaten was Kore/Hagar, it is interesting to note that according to Scottish and Irish legend (both Celtic peoples), she journeyed to Britain and eventually ended her long flight from Egypt in Ireland, where she is supposed to have died. However, she was survived by her son by Abraham/Moses, who is called Ishmael in the Bible. He is supposed to have been the father of the Arab nation. However, if Meritaten/Hagar was also the Greek mythical character of Helle who supposedly fell off the Golden Ram into the Hellespont where she drowned, then Ishmael may well be the character of Phrixus, her twin brother, who would escape to Colchis, which would seem to have been located in Britain (perhaps today the ancient town of Colchester in Essex not far from Cambridge/Troy) after their stepmother (Nefertiti) planned to kill them, which mirrors what the C's said about Nefertiti who was also the biblical Sarah and the figure of Helen of Troy too:
Q: (L) Going back to this person - the last living member of the Perseid family - who was handed over by Abraham in his Jacob persona to someone else, who was this person handed over to and why?
A: For protection from the fury of "Helen."
Q: (L) So, there is a reflection of that in the story of Hagar the Egyptian. Who was she handed over to?
A: The "Dragon Slayers."
Perhaps Meritaten's journey to Britain, including what is today Scotland, answers Laura's "Scottish Question" and how a group of Celts (the Tuatha de Danann or the Dragon Slayers) arrived in Britain over 2,700 years ago just appearing on the landscape in a land that was then under the control of the non-Celtic Picts:
Session 24 September 1995:
Q: (L) I am curious about what I call the "Scottish Question." Why is it that every time I start a paper trail on any issue of conspiracy, there always seems to be a link to Scotland and Scots?
A: "Celtic," what does it mean?
Q: (L) Well, the word "kilt" comes from "Celtic," but no one seems to know where they originated... they just sort of appeared on the landscape, so to speak.
A: Exactly!
Q: (L) Are you going to tell us?
A: No, not just as of yet.
Q: (L) So, there is some interesting connection! (RC) Does it mean "warrior race?"
A: If you prefer! We have close affiliation with the "Northern Peoples." Why? Because we were in regular, direct contact with them on Kantek, before they were "lifted" to Earth by Orion STS.
However, Meritaten was not just of the Perseid line (Grail family) for she also carried her mother Nefertiti's [Nephilim] hybrid genes, which would be passed on to her son Ishmael and his descendants (including Laura perhaps), who may well have occupied the Bronze Age British Isles before spreading out to other parts of Northern Europe rather than the Middle East per Biblical lore, making Ishmael a convergence point of two important bloodlines. Could this be why British people like Patrice Chaplin are so psychic perhaps?
This reference to special genetics may now make more sense of the following excerpt from the transcripts where the C's refer to a particular gene and to Helen of Troy, as well as referring to time travel and time portals:
Session 5 August 2000:
This reference to special genetics may now make more sense of the following excerpt from the transcripts where the C's refer to a particular gene and to Helen of Troy, as well as referring to time travel and time portals:
Session 5 August 2000:
Q: So, they are coming from all different timelines with all different kinds of agendas - all designed to serve themselves. {Jon finally is able to speak.} (J) I was thinking along another line of questions. In 1995 I was in the Great Pyramid and it appeared that the King's chamber activated in response to certain tones that we made.
A: Pyramids constructed through sound wave focusing.
Q: (J) Did it respond? Did we activate it?
A: Yes. Not activate, stimulate. Block fell.
Q: (J) We have been talking about moving in time, or at least out of this time/space dimensional fix that we are in... Is this important to continue?
A: You have already experienced some of this in dribs and drabs. The flash you see signals "time portal opening."
Q: Do you see a flash? (J) Maybe. I don't remember one though.
A: Yes. Yes it is important to continue efforts. Found gene.
Q: Were you thinking something? (J) No. (A) There was the previous question about whether it was important to continue... (J) The intent was to ask if it was important to work with Time Technology.
A: We answered.
Q: (L) Found gene? Maybe you have a gene for it?
A: Laura, let it rest please.
Q: (L) Okay, I won't say any more.
A: Who is Helen?
Q: (L) Well, nobody knows. Helen of Troy? Jon is not very talkative tonight...
A: He is tired and disconsolate.
Q: Why?
A: Reflective. Trying to find time travel, when it is nearly within grasp with some current and past associations.
Q: Is sound what is going to make the machine work?
A: Networking.
