There is some discussion of new crop circles in this thread:
http://www.cassiopaea.org/forum/index.php?topic=9319.0
where we see this figure:
and this one:
I made a post in that thread which I think deserves a thread of it's own, and so I am reposting it here.
In an odd sort of way, this recent figure 8 crop circle reminds me of the Chilbolton glyph that appeared on August 19 back in 2001, just a short time before the events of September 11.
As I recorded in an article here: http://www.cassiopaea.org/cass/cropcircle.htm , on the night that the Face of the Goddess appeared (for that is what I think it was), I had a dream - a very clear and powerful one wherein the "voice" spoke to me. I have mentioned this voice in a few places; it is a somewhat rare event, generally happens as I dream in a very special state, and I just call it "the voice of seeing." (I think I picked that up from Castaneda.)
Anyway, here is the description of the dream as I recorded it in the above linked article:
I guess those were semi-prophetic words. From the 19th of August until the end of August is 11 days... and from the end of August until the attack on the WTC was another 11 days - we were 22 days away from disaster and the evidence of which way humanity was to turn.
If you look at the images above, do notice that the face seems to be divided into two aspects right down the middle. I hadn't really notice that so clearly until today.
Well, anyway, seems there was another "goddess" symbol that was discovered on July 27:
Next, look at this one discovered about the same time, July 26:
These are interesting for a couple of reasons. Have a look at this:
This is a computer simulation conformal infinity which Ark was working on during the middle of July. That is to say, he was working on the math and the simulation was done right about the time that the above two glyphs appeared.
The reason all of this is so interesting to me (aside from the fact that Ark has been working on some interesting things that seem to be directly related to crop circles as they appear - and that is amazing enough! - is because of a book I read recently: Gogmagog: The Buried Gods by T.C. Lethbridge.
Now, those of you who are familiar with the work of Iman Wilkens know that he proposes that Troy was in England and the Trojan War was fought on what are now called the Gogmagog Hills. I've written about this in my "Jupiter, Nostradamus and the Return of the Mongols" series. http://www.cassiopaea.org/cass/Laura-Knight-Jadczyk/article-lkj-04-03-06-e.htm A few extracts:
John van Seters, scholar of Ancient Near Eastern studies, proposes that much of the Bible was borrowed from ancient Greek historiography, myths and legends, blended with ancient Mesopotamian historiography, myths and legends. However, I hadn't read the work of Van Seters at the time I wrote the "Mongol" series.
Now, let me come back to Tom Lethbridge and GogMagog. In this little book he chronicles his discovery of giant figures on a slope in the Wandlebury area. Serendipitously, he discovered that the figures he had found bore a strong relation to similar figures in India!!!
There is much, much more in this little book. But the point I hope to have made is that, perhaps, these goddess symbols, these moon symbols, are conveying to us the message of the return of the god and goddess of light - Gog and Magog - to overcome the demon of darkness: Yahweh/Jehovah (speaking metaphorically here), and the half-moon symbol is, as described above, a representation of the New Moon, the return of the light, and the impending dawn?
In Ark's mathematical figure above, it should be noted, that the "events" occur in the little space between the horns and everything in the loop itself is infinity.
http://www.cassiopaea.org/forum/index.php?topic=9319.0
where we see this figure:
and this one:
I made a post in that thread which I think deserves a thread of it's own, and so I am reposting it here.
In an odd sort of way, this recent figure 8 crop circle reminds me of the Chilbolton glyph that appeared on August 19 back in 2001, just a short time before the events of September 11.
As I recorded in an article here: http://www.cassiopaea.org/cass/cropcircle.htm , on the night that the Face of the Goddess appeared (for that is what I think it was), I had a dream - a very clear and powerful one wherein the "voice" spoke to me. I have mentioned this voice in a few places; it is a somewhat rare event, generally happens as I dream in a very special state, and I just call it "the voice of seeing." (I think I picked that up from Castaneda.)
Anyway, here is the description of the dream as I recorded it in the above linked article:
As I write this report, I am listening to Richard Hoagland on the Art Bell Show pronouncing sagely upon this wonder. He reiterates over and over how much the face looks like the face on Mars, or a primitive hominid type face, and I'm sorry that I don't see that in it at all. To make my point, here is the Glyph as it appears in the field:
And here is the face after I have used standard, automatic enhancements from my Photo Edit program:
I'm sorry, but the cupid's bow mouth and the deepset eyes suggest a woman's face to me, not a Neanderthal nor the face on Mars. And, in point of fact, on the very night this crop circle appeared, I had a dream.
In this dream was a set of images. The first set was a pair of wavy lines like the symbol of Aquarius. This used to be the symbol of the Great Mother Goddess and it represented water, consciousness, creativity, infinite energy and potential. The second set of images was the same wavy lines that had become serpents. I was puzzled by this transformation, but a voice explained it to me. You see, after the conquest of our reality by the Dominator Male Gods, the Compassionate Mother Goddess was "transmogrified" into a Serpent, or accused of consorting with a serpent. (This is standard Machiavelli: accuse your enemy of what you, yourself, are.) At this point, the worship of the Father and Son took over, paving the way for Male dominated Monotheism and all concepts of cyclic time and rebirth were overlaid with that of linear time and hell-fire and damnation.
This is what the voice told me as I was shown the images of the wavy lines and the serpents:
"The Mother Matrix is the Primal Source of all that exists in your realm. She has two faces - life giving and death dealing - and it is up to you which face you see. Those who gaze upon the Mother Matrix seeking to control her with rituals or domination or restriction in their hearts, will see only serpents - and will experience only destruction. For the Mother is a Mirror. Those who gaze upon her with non-anticipatory love in their hearts, will receive all the bounty of infinite potential."
I would say that this face is telling us that the mother will soon be showing herself to us, and it is up to us which face ultimately manifests in our realm.
I guess those were semi-prophetic words. From the 19th of August until the end of August is 11 days... and from the end of August until the attack on the WTC was another 11 days - we were 22 days away from disaster and the evidence of which way humanity was to turn.
If you look at the images above, do notice that the face seems to be divided into two aspects right down the middle. I hadn't really notice that so clearly until today.
Well, anyway, seems there was another "goddess" symbol that was discovered on July 27:
Next, look at this one discovered about the same time, July 26:
These are interesting for a couple of reasons. Have a look at this:
This is a computer simulation conformal infinity which Ark was working on during the middle of July. That is to say, he was working on the math and the simulation was done right about the time that the above two glyphs appeared.
The reason all of this is so interesting to me (aside from the fact that Ark has been working on some interesting things that seem to be directly related to crop circles as they appear - and that is amazing enough! - is because of a book I read recently: Gogmagog: The Buried Gods by T.C. Lethbridge.
Now, those of you who are familiar with the work of Iman Wilkens know that he proposes that Troy was in England and the Trojan War was fought on what are now called the Gogmagog Hills. I've written about this in my "Jupiter, Nostradamus and the Return of the Mongols" series. http://www.cassiopaea.org/cass/Laura-Knight-Jadczyk/article-lkj-04-03-06-e.htm A few extracts:
In Genesis, we read:
10:1 Now these are the generations of the sons of Noah, Shem, Ham, and Japheth: and unto them were sons born after the flood.
10:2 The sons of Japheth; Gomer, and Magog, and Madai, and Javan, and Tubal, and Meshech, and Tiras.
10:3 And the sons of Gomer; Ashkenaz, and Riphath, and Togarmah.
10:4 And the sons of Javan; Elishah, and Tarshish, Kittim, and Dodanim.
10:5 By these were the isles of the Gentiles divided in their lands; every one after his tongue, after their families, in their nations.
Notice the remark about "isles of the Gentiles."
John van Seters, scholar of Ancient Near Eastern studies, proposes that much of the Bible was borrowed from ancient Greek historiography, myths and legends, blended with ancient Mesopotamian historiography, myths and legends. However, I hadn't read the work of Van Seters at the time I wrote the "Mongol" series.
Obviously, something was going on in the ancient world that has been recorded in the Bible as the "history of the Jews" (which wasn't), and later turned into "Holy Writ."
In the passage from Ezekiel we notice several of the "sons of Japheth" being named as places:
38:1 And the word of the LORD came unto me, saying, 38:2 Son of man, set thy face against Gog, the land of Magog, the chief prince of Meshech and Tubal, and prophesy against him,
38:3 And say, Thus saith the Lord GOD; Behold, I am against thee, O Gog, the chief prince of Meshech and Tubal...
Then later, he mentions the land of Magog is in the same breath with "them that dwell carelessly in the isles..."
39:6 And I will send a fire on Magog, and among them that dwell carelessly in the isles...
Why should people in the "isles of the gentiles" be described as living carelessly? Is that "carelessly" as in "without cares," or is it carelessly as in not taking sufficient care in some way that led to an incident in which such carelessness became a "marker" for these people? Perhaps a famous blunder of some sort?
The only place on the planet that has been called Gog and Magog for any considerable length of time in our history is in England: the Gog Magog hills near Cambridge.
Curiously, crop circles appeared in a field near to these hills exactly two months before the September 11th attacks on New York.
Historians suggest that the Gog Magog hills got their name because of the innumerable human bones that have been found there; evidence of a battle so fierce that it reminded the locals of Ezekiel's passage about Gog, king of Magog.
The earliest reference to this name for these hills is in a decree of 1574 forbidding students to visit them or be fined. Nowadays, they are still a trysting area. A map dating from the end of the 16th century also depicts the Gogmagog Hills.
There is a small problem here, I think. How did the locals know about the prophecy of Ezekiel?
John Wycliff's hand-written manuscripts in the 1380s were the first complete Bibles in the English language. They were obviously not widely available.
William Tyndale printed the first English NEW Testament in 1525/6. One risked death by burning if caught in mere possession of the forbidden book. Only two complete copies of that first printing are known to have survived. Any Edition printed before 1570 is very rare, most of them were confiscated and burned.
Myles Coverdale and John Rogers, assistants to Tyndale, carried the project forward. The first complete English Bible was printed on October 4, 1535, and is known as the Coverdale Bible.
Considering this timeline, it seems questionable that the locals around the Gogmagog hills should have give such a new name to their hills, or that it would have become commonly known to everyone, such that a decree could be published in less than 40 years regarding same. Considering the fact that having or reading the Bible was a crime for most of those 40 years, it is not likely that the local people would have wanted to reveal their knowledge of the name in this way. One would also think that if ancient battle sites were subject to being renamed in this fashion after the release of the English Bible, many other ancient battle sites would have received Biblical names as well.
Even though there is no proof, it seems to be highly probable that the Gogmagog hills were called that from more ancient times, and for a different reason.
There are two figures of the giants Gog and Magog that strike the hours on a clock at Dunstan-n-the West, Fleet Street, but few people in London seem to know why they are there. Adrian Gilbert writes in his book, The New Jerusalem:
Once more we have to go back to Geoffrey of Monmouth's book, in which there is a story of how, when Brutus and his Trojans arrived in Britain, they found the island sparsley inhabited by a race of giants. One of these, called Gogmagog, wrestled with a Trojan hero called Corineus and was eventually thrown to his death from a cliff- top called in consequense 'Gogmagog's Leap'.
In the 1811 translation into English of Brut Tysilio, a Welsh version of the chronicles translated by the Rev. Peter Roberts, there is a footnote suggesting that Gogmagog is a corrupted form of Cawr-Madog, meaning 'Madog the great' or 'Madog the giant' in Welsh. It would appear that with Gog of Magog, the name of a war leader who the Bible prophesies will lead an invation of the Holy Land at the end of the age.
In another version of the Gogmagog tale, the Recuyell des histories de Troye, Gog and Magog are two seperate giants. In this story they are not killed but brought back as slaves by Brutus to his city of New Troy. Here there were to be employed as gatekeepers, opening and closing the great gates of the palace.
The story of Gog and Magog, the paired giants who worked the gates of London, was very popular in the middle ages and effigies of them were placed on the city gates at least as early as the reign of Henry VI. These were destroyed in the Great Fire of 1666, but so popular were they that new ones were made in 1708 and installed at the Guildhall. This pair of statues was destroyed in 1940 during the Blitz, the third great fire of London, when the roof and much of the interior furnishings of the Guildhall were burnt. A new pair of the statues was carved to replace them when the Guildhall was repaired after the war.
We should note that the dates of Henry VI are from well before the English Bible was available.
The prophecies of Ezekiel date from sometime around 695-690 BC, and we would like to consider the question as to where he heard the term "Gog, Magog" and what terrible battle was fought in the past that was used as a model for Ezekiel's prediction to which this name was attached?
As it happens, there are three terms often associated with archetypal battles: Armageddon, Gog Magog, and the Trojan War. Right away, we notice a homophonic similarity between Megiddo and Magog and it seems that we have a clear connection between Gog, Magog, Troy and Britain.
Those of you who have read Who Wrote the Bible might be interested to know that the untimely death of the hero - King Josiah - of the author of most of the Biblical texts - Jeremiah - died in the valley of Megiddo and that was the end of the story. Note also that this tale is actually a doublet of the story of the death of King Ahab who was of "The House of David."
Megiddo also features in the story of the deaths of the sons of Ahab found in II Kings, chapter 9. This chapter chronicles the death of Jezebel as well. The reason I mention these odd little semi-mythical connections is because I am persuaded that careful examination of Biblical texts compared to many other sources, including hard scientific ones, can assist us in forming at least a vague picture of our true history. Those stories did not come into existence in a vacuum and could not have been foisted on the people if there wasn't something in them of truth.
We now want to ask the question: Do these three wars, Armageddon, Gog Magog, and Troy have anything in common?
Now, let me come back to Tom Lethbridge and GogMagog. In this little book he chronicles his discovery of giant figures on a slope in the Wandlebury area. Serendipitously, he discovered that the figures he had found bore a strong relation to similar figures in India!!!
Tom Lethbridge said:The figures appear to show a goddess, with a waning moon above her head, walking her tired horse up a ribbon of white. Behind her a figure waves a sword, but he seems to have been unable to stop her passage and has perhaps been wounded in the attempt. Before the goddess a huge round figure appears above her on the hillside, with rays streaming from his head. He must be the rising sun.
This is surely a remarkable coincidence, for is not this the same story as that of Siva destroying Andhaka in a moonlight festival?
The third figure, with his sword and shield, must be the demon of darkness, who has tried to stop the moonlight and been worsted by the sun. If this is right, then the goddess is the Celtic equivalent of Maha-devi, Siva's wife. ...
[Harold Bayley in his "Archaic England"] has no hesitation in lumping the Meg and mag names of stone circles, together with Magon and explaining her as the Grat Mother, the Great Earth Goddess and a source of fertility.
Once again the coincidence is too great. There are four Meg's or Mag's hills, each of them rounded, breast-like hills, within four miles of our goddess. The hills on which she lies are the Gogmagog Hills and she apparently has four breasts in the picture. She must be Magog. Just as Magog's name seems to have been applied to these breast-shaped hills here; so was that of the the Cailleach, a female deity, in western Scotland. There are two, close together, on either side of Broadford in Skye. They are the breasts of the Great Mother. At the same time, or so it seems to me, she must be Maha, Siva's wife and the sun god must be Gog. Of course, his Celtic name may have been Belenus, or Taranis, and she would certainly have been Diana in Roman times. But the local aboriginal inhabitants, overrun in turn by Celts, Belgae, Romans, Saxons, Norsemen and Normans, knew them by the ancient root-names, common over wide areas of the earth, as Gog and Ma-Gog. ...
Gog is the sun, the rolling, goggling, all-seeing eye, just as Siva is the shinging one. Ma Gog is the moon, under whose pale light the love-making took place and the children were born. The victory of these two light bringers over the power of darkness is what I think these figures symbolized. ...
The Helith figure at Cerne appears to be Gog too. He is Helith, synonym for Hercules; but Hercules is also Ogmius in Roman Gaul. If he is traced a little further afield, the Baal of Hiram, king of Tyre, was represented as Hercules. But Baal was a sun god and his Beltane ceremonies survived in Britain down to the eighteenth century. A doggerel rhyme names the Cerne Hercules as Beelzebub.
Gog and Magog seem to have been the Powers of Light, ... London paid great veneration to Gog and Magog. How Magog came to change her sex, we shall never know.
We seem to have stumbled on widespread evidence of the former worship of the powers of Light and the mythological representation of their war against the powers of Darkness. With the powers of light are also associated the emblems of fertility. Magon is the Great Mother, the Earth Goddess; together with the sun she renewed the seasons and dispelled the winter darkness. ...
The Gaulish Hercules was known as Ogmius, which appears to ve a variant of Gog. The Irish knew him as Ogma Sun-face and also Balor. ...
...the sun myth ... opening the Doors of Heaven after a triumph over the demon of darkness...
The horses... three ancient ones, Bratton, Uffington and Tysoe... Dr. Margaret Murray has drawn our attention to the story of Lady Godiva and the probable connection between her withe horse and the White Horse of Uffington. ...Uffa of Uffington is not derived from some unknown Anglo-Saxon landowner, but related to the Greek Ippos, a horse. Ippos itself is clearly related to the name of the north Gaulish horse goddess, Epona...
Lady Godiva was just taking the place of the goddess at some ritual procession at Coventry in honour of Epona
It was Gog-diva (not Godiva), the holy lady Gog. In other words the rider represented Ma Gog. ...
These ritual processions of nude women on white horses, riding out to confer benefits on the people, are closely related to the Kintyre tradiation. There the struggle with the demon of darkness was actually portrayed in mimic conflict. Godiva at Coventry was veiled in her hair; at Southam she was painted black. The ceremony would have ended in an unveiling, when the New Moon was then revealed. At Banbury she had bells on her toes to scare off the demon. Demons hate noise. That is what the bells are for. ...
Why do the Continental represeantation of Epona show her with a key in her hand? This is usually explained as being the key of the stables; but men do not pay great reverence to a goddess whose only power is to be able to unlock the stable door... they want something for themselves. Epona is holding the Key of Heaven, just as the Long Man of Wilmington appears to be opening the doors. ...
Whatever line of approach you take, you seem to end up at the same point. You appear to come up against traces of a belief, underlying all the little creeds of different tribal godlings, that the powers of light, typified by the sun and moon, waged a perpetual war against the powers of darkness. It was to aid the powers of light in their struggle, to assist the powers of productiveness if you like, that people re-enacted these myths year by year. ...
This must have been a creed that originated in a relatively high latitude. It cannot have been though out in India or Egypt, but in some land where winter and summer were clearly divided. It must have spread in many directions from some common centre where men had time to think things out. Somewhere, at LEAST four thousand years ago, men evolved a belief, which semed so obviously correct at the time that it was accepted wherever it was carried. Its spread must have been one of the great events in the history of the world. ...
Siva, in one of his aspects, is the destfoyer of life: Maha-devi, in her Kali aspect, is also a destroyer. Yet at the same time they are worshipped as the bringers of fertility. This is explained by the belief of their devotees in the transmigration of souls. Transmigration is not quite the same as reincarnation, for it includes the belief in man's rebirth as a lower animal. This belief is presumably the result of the mingling of the reincarnation belief with totemism. Death is just the gate to another bodily existence. But the one thing which made a great impression on many Roman writers, including Julius Caesar, was that the Druids believed also in the transmigration of souls. ...
It looks to me very much as if the transmigration belief is part and parcel of the other and that the Druids were, in fact, the priests of Gog and Magog.
There is much, much more in this little book. But the point I hope to have made is that, perhaps, these goddess symbols, these moon symbols, are conveying to us the message of the return of the god and goddess of light - Gog and Magog - to overcome the demon of darkness: Yahweh/Jehovah (speaking metaphorically here), and the half-moon symbol is, as described above, a representation of the New Moon, the return of the light, and the impending dawn?
In Ark's mathematical figure above, it should be noted, that the "events" occur in the little space between the horns and everything in the loop itself is infinity.