Music - An analyse of some classics

Ellipse

The Living Force
FOTCM Member
Have you ever wonder what kind of magic hid behind the voice of Judy Garland in 'Over the Rainbow'?

Fil analyse with a modern tool her voice recorded in 1939 and is just amazed by what she was able to produce for a 17 years old girl.



By the way I love the smile of Fil, we can feel he is genuinely enjoying by what he listen.
 
Nice. One thing he leaves out is the actual width of her tone: the thick throaty broadband midrange. (Adele has this thickness, as well, which I think adds to her popularity.) it would be nice to see a spectral analysis of Judy’s voice, too. That would be revealing also.
 
Another very interesting analyse showing, in the end, how the musical industry can control artists and eventually destroy a reputation.

Phil show how Auto-tune is sometime apply to the voice of an artist, performing live, probably without the singer consent. Here Michael Bublé. In the first place the artist absolutely don't need it, but everyone witness the use of it and so now believe the opposite because the tech turned wrong.

 
This interesting to see the deep of the never ending lie.

There's a video of a Bon Jovi live performance on his official channel. Nothing particular but a video of the original surfaced, showing that the prestation was not particular good but with wrong notes.

Fil show how the performance was edited with pitch correction before being put online, suggesting that all was well in the best of worlds.

 
Fil's videos are still interesting. Here he show how a woman who have success on Instagram with her video, had her voice pitch corrected and is actually miming, but letting people think she's singing "from her bedroom" in real time.

So people are confused and now think the new standard is to be able to sing like that. But in true, it's humanely impossible.

Interesting how, unfortunately, the culture of the lie touch every part of our society.

Alli Sherlock.jpg
All notes are perfectly on the line.

The analyse by Fil:

In the same vein, Instagram "Bold Glamour" filter for the face:


 
There's some pressure on Fil after he did a video showing Céline Dion performance for the Olympic Games was not live and especially now that he did it again with Taylor Swift concerts (Taylor Swift's $2 Billion tour revenue... for miming?).

So the Daily Mail contact him to have some explanations and write an article. But the journalist wanted someone to corroborate Fil analyse. Of course nobody with the right expertise wanted to backup him. So he contacted Etienne Guéreau, the French pianist and composer who already said Fil was right on Céline, and he accepted the mission. Etienne redo the analysis from scratch of the comparison of three Taylor Swift concerts and... he came to the same conclusion.
Well then, I could do it all because the whole song is like that, all the others are like that. I won't go any further because it would take too long. But here's the thing: I look at this, I look at these waves, I look at the departures, I see the methodology I used, where I'm coming from and I'm forced to come to the following conclusion:
As long as I don't receive any information to the contrary, any food for thought or technical information that could change my expertise, my judgement, or at least what I see today, contradict it, simply qualify it or... yes, take me to task, well, it's not a contest, but, well, I'm waiting. In the meantime, when I see this, according to my intuition, according to my experience, according to my skills, well I'm obliged to say that as far as I'm concerned this section I've just listened to isn't sung live. The wave is too corrected, the wave is too clean, I'm demonstrating it here, I'm showing you myself with my tools to show that Fil is not alone and that in reality anyone could do it. I could even give you a list of the applications I've used. And so I say to myself, by extension, well this, I validate this element of Fil's analysis and when I see the rest, since he uses the same methodology, well then you have to be consistent, you have to be logical, you have to assume, well that means that for me the rest is true. So if it's true for Fil it means that I think there is indeed, he says 100%, I haven't analysed everything, but I think there is indeed a lot, if not all of the show, which is then either playback - now there are three, here I'll refer you to Fil's videos, but you have to speak English - there is either full lip synching, playback, or a mixture of the two, i.e. a tape that's played and then Taylor Swift singing over it. At this stage, until I'm shown something else, my intuition tells me ‘it's playback, Fil is right’. Full stop.

The interesting point is Etienne explaining, with his knowledge of the entertainment world, it's not surprising because the production want to be in full control and that it can be understandable, there's so much money at play and people having paid so high price. In his view, they must simply tell it openly instead of lying.

Well, not the way of the PTB to do things....

The other point he say, it's technicians contacting him to tell "yeah, everyone know but we can't speak! We have signed non-disclosure agreements. He we speak we have an army of lawyers attacking us. It's just impossible".

So I found the whole interesting as a reminder of how the world works and support to Fil and Etienne who have the bravery to speak.

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The unmentionable practices of the music industry​

Taylor Swift is the epitome of what's happening in the live music industry today.
 
I checked the price of Taylor Swift 2024 concerts tickets: up to $958, official market, $2,000 on the black market.
Next on the list was Taylor Swift, whose Eras Tour started in March 2023, with a median last minute ticket price of $958. Swift just wrapped up the South American leg of the tour, with performances in Argentina and Brazil, and is set to start the next portion of her tour in Japan in February 2024.
[...]
The tickets then appeared on resale sites, with nosebleed seats selling for $1,000 or $2,000 at some venues.
Source:
 
In the series of fake music, we now have the "Britain's Got talent" TV programme!

In the video Phil show how the voice of a singer doing a cover of Freddy Mercury was edited, probably after the performance. The singer voice is so more perfect than the original and by a lot!

So yeah, another lie from the rulers.


The original video:

 
Fil Pegasus' videos are a lot of fun indeed. Almost everything in the media is fake. One could even extend the observation to almost everything else: fake talents, fake erudition, fake intellectuals, fake news, fake people, fake bwbs, fake food, and the list goes on and on.
 
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