On NasaMechanic said:Nasa made it the picture of the week, with nice animations:
http://sohowww.nascom.nasa.gov/pickoftheweek/
Also, they seem to be asking themselves why these CME's keep occurring exactly at the same time as these comet impacts, though I suspect they struggle (no surprise there) fitting it into their theories...
The question of whether a sungrazing comet can somehow trigger a coronal mass ejection is an intriguing one. So far, the feeling is that apparent relationship between some comets and some mass ejections is simply one of co-incidence. At this stage of the solar cycle, the Sun is producing many mass ejections--in fact there were several earlier in the day--and it probably just happened by chance that one of them was around the same time as the approach of the comet. Some researchers have been looking for a more direct relationship, but nothing as yet has come out of these efforts.
anart said:mkrnhr said:Here is the animation of the same event:
http://spaceweather.com/images2011/05oct11/farsidecme.gif
Very cool! Thanks, mkrnhr.
Laura said:It really DID look like a phoenix, the whole thing! That was totally cool! What is the legend of the phoenix?
wiki said:The phoenix or phenix (Greek: Φοίνιξ Greek pronunciation: [ˈfiniks], Armenian: Փիւնիկ, Persian: ققنوس, Arabic: العنقاء أو طائر الفينيق, Chinese: 鳳凰 or 不死鳥, Hebrew: פניקס) is a mythical sacred firebird that can be found in the mythologies of the Arabian, Persians, Greeks, Romans, Egyptians, Chinese, Indian and (according to Sanchuniathon) Phoenicians.
A phoenix is a mythical bird with a colorful plumage and a tail of gold and scarlet (or purple, blue, and green according to some legends). It has a 500 to 1000 year life-cycle, near the end of which it builds itself a nest of twigs that then ignites; both nest and bird burn fiercely and are reduced to ashes, from which a new, young phoenix or phoenix egg arises, reborn anew to live again. The new phoenix is destined to live as long as its old self. In some stories, the new phoenix embalms the ashes of its old self in an egg made of myrrh and deposits it in the Egyptian city of Heliopolis (literally "sun-city" in Greek). It is said that the bird's cry is that of a beautiful song. The Phoenix's ability to be reborn from its own ashes implies that it is immortal, though in some stories the new Phoenix is merely the offspring of the older one. In very few stories they are able to change into people.
The ancient Greek historian Herodotus gave the following account of the phoenix in the fifth century BC while describing the animals of Egypt:
Another sacred bird is the one called the phoenix. Now, I have not actually seen a phoenix, except in a painting, because they are quite infrequent visitors to the country; in fact, I was told in Heliopolis that they appear only at 500-year intervals. They say that it is the death of a phoenix's father which prompts its visit to Egypt. Anyway, if the painting was reliable, I can tell you something about the phoenix's size and qualities, namely that its feathers are partly gold but mostly red, and that in appearance and size it is most like an eagle. There is a particular feat they say the phoenix performs; I do not believe it myself, but they say that the bird sets out from its homeland in Arabia on a journey to the sanctuary of the sun, bringing its father sealed in myrrh, and buries its father there.[1]
The Roman poet Ovid wrote the following about the phoenix:
Most beings spring from other individuals; but there is a certain kind which reproduces itself. The Assyrians call it the Phoenix. It does not live on fruit or flowers, but on frankincense and odoriferous gums. When it has lived five hundred years, it builds itself a nest in the branches of an oak, or on the top of a palm tree. In this it collects cinnamon, and spikenard, and myrrh, and of these materials builds a pile on which it deposits itself, and dying, breathes out its last breath amidst odors. From the body of the parent bird, a young Phoenix issues forth, destined to live as long a life as its predecessor. When this has grown up and gained sufficient strength, it lifts its nest from the tree (its own cradle and its parent's sepulchre), and carries it to the city of Heliopolis in Egypt, and deposits it in the temple of the Sun.[2]
The birds must cross seven valleys in order to find the Simorgh: Talab (Yearning), Eshq (Love), Marifat (Gnosis), Istighnah (Detachment), Tawheed (Unity of God), Hayrat (Bewilderment) and, finally, Fuqur and Fana (Selflessness and Oblivion in God). These represent the stations that a Sufi or any individual must pass through to realize the true nature of God.
Laura said:anart said:mkrnhr said:Here is the animation of the same event:
http://spaceweather.com/images2011/05oct11/farsidecme.gif
Very cool! Thanks, mkrnhr.
It really DID look like a phoenix, the whole thing! That was totally cool! What is the legend of the phoenix?
Semargl, Simargl (Old Church Slavonic: Семарьглъ, Симарьглъ) is a deity or mythical creature in East Slavic mythology. Idol of Semargl was present in the pantheon of Great Prince Vladimir I of Kiev. Probably, it is the equivalent of Simurgh in Persian mythology (probably borrowed from thence) who is also represented like a griffin with a dog body. But according to Vyacheslav Vsevolodovich Ivanov and Vladimir Toporov, the name of Semargl comes from the Slavonic *Sedmor(o)-golvъ «with seven heads»
"Si-", the first element in the name, has been connected in folk etymology to Modern Persian si "thirty". Although this prefix is not historically related to the origin of the name simurgh, "thirty" has nonetheless been the basis for legends incorporating that number, for instance, that the simurgh was as large as thirty birds or had thirty colours (siræng).
He (Ali-Shir Nava'i) also wrote Lisan-ol-tayr (لسان الطیر or "Language of Birds", following Attar's Manteq-ol-tayr منطق الطیر or Speeches of Birds), in which he expressed his philosophical views and Sufi ideas.
...Simurg, nevertheless, is not deprived quite material plumage: in a poem “Language of birds” it is told, how, flying by over China, she has dropped a feather of an extraordinary colouring - sparkling so brightly that all China (in a poem – a city) has put on light.
Fauth (p. 125ff.) has argued that all the mythical giant birds—such as Simorḡ, Phoenix, Garuḍa, the Tibetan Khyuṅ, and also the Melek Ṭāʾus of the Yezidis—are offshoots of an archaic, primordial bird that created the world. Thus Simorḡ as God in Persian mysticism would, curiously, represent a return to the original meaning.
The Simorḡ’s equivalent in Arabic sources is the ʿAnqāʾ. The ambivalent nature of this bird is attested in the Hadith: the bird was created by God with all perfections, but became a plague, and a prophet put an end to the havoc it wrought by exterminating the species (Pellat, p. 509).