Actually I never got to this part of transcripts.Irini said:It might explain the "fanatics" of Rice's work, and the infatuation we might have with vampires. We all have vampiric characteristics in that we all feed from one another in this 3D reality to one extent or the other, and perhaps Rice's work is designed to make it appear that:950101
(L) Well, let me ask, while we are on the subject of writing, is
Anne Rice channeling her concepts in her vampire books?
A: She also is influenced by the Grays.
"vampires are human too, with emotions and fantastic inner worlds! It's ok to be a vampire! Look, they are so cool, they are so beautiful, they are strong and immortal! we should all be like them! And Lestat is so cool with his no-regrets-to-be-feeding-on-humans!"
thus perpetuating the feeding cycle, from which benefits.... who?![]()
Oh, X-files, what a great series (especially early seasons). Here in Israel they were airing it pretty late (23:00) so it was great to sit in a dark room and be scared :)Zadius Sky said:m the beginning to the end. This series first made me to question the government's action. Of course, I was 12 years old, lol.
I came across this rather good essay from a monster fansite yesterday. Freud's theory of course involves the parents whereas Jung sees it as a collective unconscious phenonema.Laura said:That's a question that has interested me, too. I really loved horror movies when I was growing up. I never missed the Saturday afternoon "Creature feature" on TV. This continued for a very long time until I began to get a really thorough knowledge of REAL evil, including psychopaths (which aren't moralistically "evil," they are more like a "force of nature.") Somehow, I've lost my taste for horror movies.
So, what I can observe is that, when I lived in a fantasy world where there really wasn't any "real life" evil evident (just mudane mistakes by normal people), I was fascinated by stories about evil that I simply could not comprehend. Then, once I learned about the real deal, moved my head into a more objective view of reality, my taste for the fantasy horror just evaporated. It was like there's just so much of the real stuff everywhere, I don't need to seek out any fake extra evil.
There are a few really campy, comedic, "horror" movies that I still have a fondness for, however.
So, I think people like such things because they want to inoculate themselves against any such thing actually manifesting in their lives.
Freud and Jung, the major thinkers of our time, have based their work on the book from Stocker[sic] which was published in 1897. Count Dracula posed many threats to Victorian social, moral and political values: he changes virtuous women into beasts with ravenous sexual appetites; he is a foreigner who invades England and threatens English book and superiority; he is the embodiment of evil that can only be destroyed by reasserting the beliefs of traditional Christianity in an increasingly skeptical and secular age; he represents the fear of regression, a reversal of evolution, a return to our more primal animal state.
Let us examine how the main school have analysed the emergence of the vampire as a central figure of human societies.
According to psychoanalysis and the Freudian school, any dreams about vampires or other forms of the undead, are a metaphor for the fascination and fear mankind has with the concepts of death and the dead
"All human experiences of morbid dread signify the presence of repressed sexual and aggressive wishes, and in vampirism we see these repressed wishes becoming plainly visible."
The first thing a Freudian will usually comment on in regards to a vampire story is how they are a metaphor for infantile and perverse sexuality.
For Freudian scholars, Dracula, is a combination of all the traditional myths of the vampire merged with what they consider to be the epitome of Freud's Oedipal complex concept. A Freudian will look at the sexuality combined with brutality of the feeding off of the living's blood and say it is suggestive a child's interpretation of watching his parents copulate for the first time.
Other topics of importance are how death coexists with the longing for immortality, showing man's love-hate relationship with both concepts, how greed, sadism, and aggression are intermingled with desire and a compulsion to possess and express said desire, and the consistent use of metaphor for virginity, innocence, and vulnerability and the overlapping of images of guilt.
For Jungians, the fact that the Vampire developed in nearly every culture in the world at the same time without contact amongst developing humans is both proof of the vampire as the archetype ("an inherited pattern of thought or symbolic imagery derived from the past collective experience"), but also proof of Jung's concept on the Unconscious Collective.
The concept of vampires and vampirism indicated that vampires are not mere stories or explanations created by personal experience or folk tales, but are in fact a species-wide psychological structure that all humans share in primitive thought
The Jungian interpretation of the vampire assumes that all humans have a vampire inside of them. What this means is that Jungian believe vampires are an intuitive concept to the human psyche. Something we understand in some way, shape or form, from the moment we exist into this world. Vampires reflect significant issues universal to all human life.
For Jung himself, the vampire was the representation of a psychological aspect he called, "the shadow." The Shadow is made of aspects of one's self that the conscious mind and ego were unable to recognize. The shadow was primarily negative concepts, such as repressed thoughts and desires, out anti-social impulses, morally questionable judgment, childlike fantasies, and other traits we normally feel shame for expressing or thinking.
Jung himself describes this shadow self as:
"The Shadow is a moral problem that challenges the whole ego-personality, for no one can become conscious of the shadow without considerable moral effort. To become conscious of it involves recognizing the dark aspects of the personality as present and real."
Jung interpreted the vampire as an unconscious complex that had the ability to taken over the conscious mind by means of "enchanting" the psyche or akin to what we might label a spell.
The vampire became a key fixture in society according to Jungians, because it became a mental scapegoat of sorts. It allowed humanity to project the negative aspects of ourselves onto something we could both openly revile and admire without actually acting out the desires and impulses ourselves. The vampire acts in the way humanity wishes it could, but can not due to social restraints.
Jung also added that there are other traits the vampire possesses, such as auto-erotic, and narcissistic traits, as well as a personality that is predatory, anti-social, and parasitic.
This movie is based on the book by Richard Matheson (http://en.wikipedia.org/wiki/I_Am_Legend).Zadius Sky said:There's a new movie coming out in December: "I Am Legend" with Will Smith. Supposedly, he played a character who is the last man on Earth, fighting the vampires. This is somewhat odd 'horror' movie; might be sci-fi, I don't know.
I think that is part of the reason, to desensitize the viewer to violence, so we shrug it off and accept it as "just the way things are" instead of feeling any horror or shock or disgust. Similarly, I think violent video games have the same effect. Seeing a gun nowadays could make kids think "oh, cool!!" instead of feeling any sort of aversion or dislike of weapons etc. That is why the army advertises itself on videogame websites like crazy, and inside videogames too. They want kids to think it's "cool" and "fun", has all the same "cool weapons" just like their games.Locksmith said:I suspect quite a few movies across the genre spectrum are conditioning tools specifically aimed at making us less sensitive to violence, etc., for whatever psychotic rationale.
It made me scared to go to bed for a while as well.Adam said:I'm kinda surprised that you guys didn't mention The Exorcist, that is imo one of the scariest movies out there , I seriously could not sleep for 3 freaking days.
Funny... that's almost exactly how I feel about it as well. I used to really love the B-grade, cheesy horror movies with buckets 'o blood, but the more I realise how crappy life is for the majority of the people in this world, the more these sorts of movies seem kind of distasteful - especially the new wave of "horror" movies that seem to be more like simulated snuff movies than traditional horror.Laura said:That's a question that has interested me, too. I really loved horror movies when I was growing up. I never missed the Saturday afternoon "Creature feature" on TV. This continued for a very long time until I began to get a really thorough knowledge of REAL evil, including psychopaths (which aren't moralistically "evil," they are more like a "force of nature.") Somehow, I've lost my taste for horror movies.
So, what I can observe is that, when I lived in a fantasy world where there really wasn't any "real life" evil evident (just mudane mistakes by normal people), I was fascinated by stories about evil that I simply could not comprehend. Then, once I learned about the real deal, moved my head into a more objective view of reality, my taste for the fantasy horror just evaporated. It was like there's just so much of the real stuff everywhere, I don't need to seek out any fake extra evil.
There are a few really campy, comedic, "horror" movies that I still have a fondness for, however.