Yeah that does make sense. There is a difference between singers who hit the "wrong" notes due to lack of ability, and singers who have a less obvious reasons for hitting notes that on the surface may appear to be wrong to a layman but in reality aren't wrong, but a different kind of "right" notes, and it's just a matter of understanding what makes those notes right. But this means that a true artist is DOing something, there is skill behind it at some level - not just a subjective/accidental result, but something that is a conscious creation that is both, objectively there and is appealing/interesting in some way at the same time due to the author's ability to do what he/she does.Russ said:And I think you may find that the painting you posted is quite nice in the flesh, very subtle... textures etc, subtle colours. Its a very different kind of thing IMO. Maybe you would understand what I mean a bit better if I put it like this - bad singers vs good ones. You could easily say, "oh yes but its not them being bad singers, thats the way they wanted it to sound".
Whether the meaning/pattern/formula/idea/result is "interesting" is the subjective part, but the fact that it exists and can be recognized/acknowledged and understood by all observers that have the necessary knowledge and viewing apparatus, that part must be objective. Otherwise the artist has nothing to do with what people see in the "art".
And wow that 2nd one is really cool. I am a photoshop newbie but it looks like more effort/skill/time/attention to detail went into that 2nd one.