floetus said:
"Controlling" your own familiar reality in terms of simulating reality unconsciously, dreaming and being all alone VS being "lost" in our weird, weird reality in terms of seeing IT consciously, being awake and networking. Am I right? :D
Hi floetus. I'm no expert, so take anything I say with a grain of salt. I may not totally understand your question, so please feel free to guide me back to your point if I veer off.
As the article that Tykes linked to states, it is a complex question. Perhaps it could be more like this:
...being "lost" in our weird, weird imaginative reality, dreaming and being all alone VS "Controlling" your own familiar reality in terms of seeing IT consciously, being awake and networking. Does that make any sense?
Here's my take, in a nutshell. For the following:
[quote author=http://www.cassiopedia.org/glossary/Imagination_vs._Impression]
We could say that subjective art is expression of self purely based on inner considering.
...that imagination is simple mechanical recombination of existing contents.[/quote]
I would think that would be more like Picasso's work during his "cubism" period, or perhapslike, during WWII, when he expressed anger and condemnation of Francisco Franco and fascists through his art. (That's not a judgement on Picasso's political views rather more like an example of using internal considering projected outward so you can see his 'insides', so to speak).
whereas:
[quote author=http://www.cassiopedia.org/glossary/Imagination_vs._Impression]
Objective art has an element of external considering and deliberateness.
Creativity on the other hand is more akin to tapping into objective contents and giving them a conscious expression in whatever form. One may choose to express beauty of nature, study this, experience this, consider how to render it so that the experience can be reconstructed and then realize this as a work of art.[/quote]
Would probably be more like Van Gogh's painting titled "Wheatfield with Crows, July 1890":
_http://www.nga.gov/exhibitions/gogh/html/rotate/070.htm
This is objective art in my view. Not a stylistic representation of the elements of nature that you can see, rather the impressions available from viewing the relationships you can find within the whole: the existence of beings capable of a regular planting pattern and needing the tracks for some purpose, the implied existence of forces capable of shaping things in ways that a person familiar with some fluid dynamics might recognize...The power of a storm...that sort of thing. The stuff you can't see with your 3D eyes but you can experience as impressions if you look at what you can see instead of the expectations we are programmed with.
That's my take, fwiw.