Historical Events Database - History

Martina

Jedi Master
This is just a theory.
In my free time I read about the Christian saints because I was wandering what could have all contributed to foundation of Christianity, and checking for the date when Caesar could have been born. Based on stories that baby Jesus and Caesar were born when comet appeared, and that comet was seen after the death of Caesar, I took the Halley's comet as a possibility. If you remember the C's first mentioned Jesus was born 14 BC, and pope Benedict XVI wrote in his book that Jesus might have been born 12 BC because Halley's comet appeared that year.
If we look at a dates of apperance of this comet Halley's Comet - Wikipedia we can see year 12 BC but also year 374 AD and 451 AD which is close to C's year 380. Comet comes every 74-79 years, so the year of Caesar's birth could have been 374, 376, or 380 AD. It could be that people who changed our history didn't know exact year that's why you have the end of West Roman Empire in year 476 AD which most likely didn't happen at all, but is 376 +100 (BC) = 476, or better this way: 476 - fake Caesar's birth date = the real year of Caeasr's birth. Putting Julius Nepos Julius Nepos - Wikipedia in history, the man who never existed same as Romulus Augustulus Romulus Augustulus - Wikipedia was important for 2 reasons to get extra emperors and to know where to start counting.
I was using the number 374 first in my counting. When I started to read http://www.hagiographysociety.org/wp-content/uploads/2013/03/Head_Hagiography-to-1000.pdf on page 3: In 382 the statue of Victory, the divinity symbolic of Rome's military power and success, was removed from the meeting hall of the Senate. I remembered the same thing happened when Sulla became the dictator AND if you calculate 474- 382 you get 92 BUT you have to include 10 years more that Caesar lived, he didn't die with 65 years. Than you have the year Sulla became the dictator and that is 82 BC, which is the year 382 AD! Which could be the impulse for worshiping of martyrs, they were the victims from Sulla's civil war, the Spartacus rebellion and the Gracchi brothers reforms Gracchi - Wikipedia .Those were times of tremendous bloodshed and fear. Christianity was shaping for a long time during Middle Ages, the story of Mary and Joseph running with baby Jesus is story of Marc Anthony helping Cleopatra to flee Rome with baby Cesarion, we know how they ended Battle of Actium - Wikipedia, Marcus Aurelius the stoic philosopher king also contributed a lot, he lived in 8th century, the story of Jesus entering the temple with 12 years could be the story of him learning philosophy, and so on... Play with dates, you will be surprised!
 

Ina

Jedi Master
I am pretty sure you already know, but would these books fill in the gap?

Columbanus and the Peoples of Post-Roman Europe
Alexander O'HaraApril 11, 2018
Oxford University Press
“The period 550 to 750 was one in which monastic culture became more firmly entrenched in Western Europe. The role of monasteries and their relationship to the social world around them was transformed during this period as monastic institutions became more integrated in social and political power networks. This collected volume of essays focuses on one of the central figures in this process, the Irish ascetic exile and monastic founder, Columbanus (c. 550-615), his travels on the Continent, and the monastic network he and his Frankish disciples established in Merovingian Gaul and Lombard Italy. The post-Roman kingdoms through which Columbanus travelled and established his monastic foundations were made up of many different communities of peoples. As an outsider and immigrant, how did Columbanus and his communities interact with these peoples? How did they negotiate differences and what emerged from these encounters? How societies interact with outsiders can reveal the inner workings and social norms of that culture. This volume aims to explore further the strands of this vibrant contact and to consider all of the geographical spheres in which Columbanus and his monastic communities operated (Ireland, Merovingian Gaul, Alamannia, Lombard Italy) and the varieties of communities he and his successors came in contact with - whether they be royal, ecclesiastic, aristocratic, or grass-roots.
ABOUT THE AUTHOR
Alexander O'Hara is a Research Fellow of the Institut für Mittelalterforschung in the Austrian Academy of Sciences, Vienna and an Honorary Fellow of the School of History in the University of St. Andrews. He is the translator (with Ian Wood) of Jonas of Bobbio's Life of Columbanus and His Disciples and was the Principal Investigator of the project "The Columbanian Network: Elite Identities and Christian Communities in Europe (550-750)," funded by the Austrian Science Fund from 2013-2016.”

I attached the Table of Contents.

Almost contemporary is also Jordanes’s History of the Goths, The Gothic history of Jordanes in English version; : Jordanes, 6th cent : Free Download, Borrow, and Streaming : Internet Archive.

Another book I like is Storia d'Italia del MedioEvo di Carlo Troya. The link is for Volume 4, but at the bottom of the page there are links for all volumes. Storia d'Italia del MedioEvo di Carlo Troya Vol.1 Parte 4 : Free Download, Borrow, and Streaming : Internet Archive



Ina
 

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whitecoast

The Living Force
FOTCM Member
I didn't know where else this could go so I thought I'd link it here. The book is called The Fate of Rome: Climate, Disease, and the End of an Empire. Kyle Harper is professor of classics and letters and senior vice president and provost at the University of Oklahoma. He is the author of Slavery in the Late Roman World, AD 275–425 and From Shame to Sin: The Christian Transformation of Sexual Morality in Late Antiquity. He lives in Norman, Oklahoma.


A sweeping new history of how climate change and disease helped bring down the Roman Empire
...
Interweaving a grand historical narrative with cutting-edge climate science and genetic discoveries, Kyle Harper traces how the fate of Rome was decided not just by emperors, soldiers, and barbarians but also by volcanic eruptions, solar cycles, climate instability, and devastating viruses and bacteria. He takes readers from Rome’s pinnacle in the second century, when the empire seemed an invincible superpower, to its unraveling by the seventh century, when Rome was politically fragmented and materially depleted. Harper describes how the Romans were resilient in the face of enormous environmental stress, until the besieged empire could no longer withstand the combined challenges of a “little ice age” and recurrent outbreaks of bubonic plague.

A poignant reflection on humanity’s intimate relationship with the environment, The Fate of Rome provides a sweeping account of how one of history’s greatest civilizations encountered and endured, yet ultimately succumbed to the cumulative burden of nature’s violence. The example of Rome is a timely reminder that climate change and germ evolution have shaped the world we inhabit—in ways that are surprising and profound.
I haven't read it yet, but it looks interesting. May give a nice little preview of what to expect in the future.
 

Nostradamus

The Force is Strong With This One
I didn't know where else this could go so I thought I'd link it here. The book is called The Fate of Rome: Climate, Disease, and the End of an Empire. Kyle Harper is professor of classics and letters and senior vice president and provost at the University of Oklahoma. He is the author of Slavery in the Late Roman World, AD 275–425 and From Shame to Sin: The Christian Transformation of Sexual Morality in Late Antiquity. He lives in Norman, Oklahoma.



I haven't read it yet, but it looks interesting. May give a nice little preview of what to expect in the future.
Hi Whitecoast,

It's a good book, I read it before this summer. As you wrote, it shows well how a civilization declines for a while before collapsing abruptly and brings us back to our present day.

He argues in favour of a volcanic eruption to explain the temperature decreases in 536 (or more precisely of a "supervolcan", well yes the eruption must be gigantic for the veil of dust to cover so long the whole northern hemisphere!)

Apart from the historical facts that you probably already know, here are some things I found useful:

1) He recalls the recurrence of plagues and their generally underestimated demographic impact: antonine plague (he estimates at least 7 million deaths) and the Cyprian plague, "the forgotten pandemic" around 245 AD with Cyprian's interesting conversion to Christianity, the emperor of compassion; The plague of 450 that fell on Rome and drove Attila away (or is it the same event described in 540?)

2) There are interesting connections between Apollo / comet / plague.
Apollo with long hair, "The god forbade kissing" (which reminds us of "the kiss of Yersinia's death"); the god Apollo "Alexikakos", who keeps evil away.

"For a long time, the god Apollo has been associated with pestilence; in Homer's epic poem, he is the archer whose arrows carry the plague... the desperate attempts throughout the Empire to appease the god whose anger was considered the cause of the catastrophe".

3) At the time of the plague of Cyprian, an explosive transformation of Christianity and the abandonment of the ancient god Apollo

4) The most interesting is its explanation of the "domino effect" with Eurasian migration to the East (conflict with the Han Chinese, remembered by the Great Wall) and to the West. This is what he writes:

"On the chaos that was going to reverberate from east to west, we have little information. In 1907 in Dunhuang, Sir Aurel Stein discovered, still sealed, a set of letters hidden in a former Han guard tower along the western border under Chinese control. Written around 313 AD, it[one of the letters] describes apocalyptic scenes of famine, destruction and migration in the heart of the Han Empire in the East. Under the constraints of the unrest, the emperor had had to abandon his capital, Luoyang, leaving it at the mercy of nomadic invaders. Importantly, the Sogdian merchant gives the names of those responsible for this limitless violence: the Xwn, that is, the Huns. Etienne de la Vaissière's philological research clearly established the affiliation between the Xiongnu enemies of the Han Chinese and the Huns who submerged Central Asia in the 4th century. ...] The Xiongnu, the Xwn, the Huns: the most advanced social formations of the steppes were about to violently shift to the west".

In Kyle Harper's words, "the Huns were climate refugees in arms and on horseback" and it would seem that Hunnian society broke up into a multitude of groups that moved discontinuously both east and west. Moreover, historians often refuse to admit that the Xiongnu and the Xwn are the same people under the pretext that they do not belong to the same period... That falls well a few centuries too many in the chronology! :-)

Add : if my English is unpleasant to read, please indicate it to me

My regards, Nostradamus.
 

angelburst29

The Living Force
FOTCM Member
Queen Elizabeth attended a service at London's Westminster Abbey on Tuesday to mark 750 years since King Edward the Confessor's original church on the site was rebuilt during the reign of Henry III and consecrated in 1269.

UK queen attends service for Westminster Abbey's 750th anniversary
Britain's Queen Elizabeth and Camilla, Duchess of Cornwall, leave after a service to mark the 750th anniversary of Westminster Abbey in London, Britain October 15, 2019. Paul Ellis/Pool via REUTERS

Britain's Queen Elizabeth and Camilla, Duchess of Cornwall, leave after a service to mark the 750th anniversary of Westminster Abbey in London, Britain October 15, 2019. Paul Ellis

October 15, 2019 - The 93-year-old monarch was accompanied by her daughter-in-law Camilla, Duchess of Cornwall, wife of her eldest son Prince Charles.

The Anglo-Saxon abbey, one of Britain’s oldest and biggest tourist attractions, was where Elizabeth was crowned in 1953, where her grandson Prince William and his wife Kate were married in 2011 and where 17 British monarchs are buried.

It was originally consecrated in 1065 and mostly demolished by Henry III to build the present Gothic structure. At the start of the service, a bouquet of roses was laid at the Shrine of St. Edward the Confessor on behalf of the queen.

Later, abbey treasures including a fragment of the shroud from the shrine were laid on the High Altar.

Westminster Abby treasures go on display for 750th Anniversary
Westminster Abbey treasures go on display for 750th anniversary
Westminster Abbey, which is celebrating it's 750th anniversary,  still offers worship every day of the year

Westminster Abbey, which is celebrating it's 750th anniversary, still offers worship every day of the year.

A precious fragment of the shroud of Edward the Confessor and ancient royal manuscripts will be laid on the high altar at Westminster Abbey during a service to celebrate the 750th anniversary of the gothic church.

The abbey was consecrated on 13 October 1269 after Henry III rebuilt a basilica constructed on the same site by St Edward, the Anglo-Saxon king and the first English saint to be canonized by Rome.


The Queen and the Duchess of Cornwall will attend the anniversary event on Tuesday where some of the abbey’s most beloved treasures will be on show. King Edgar’s grant of land in 960 enabling the establishment of the very first Benedictine monastery where the abbey now stands will be placed on the altar. The 14th-century Litlyngton Missal will be opened alongside it.

Two elaborate 13th-century manuscripts signed by Henry III are on public show for the first time in the abbey’s galleries. In tightly written ink script on vellum (calf skin) and with impressive wax seals on silk cords, they reveal Henry’s wish to be buried in his new church alongside Edward, whom he venerated. They also reveal his pawning of gold, precious stones and jewels when he ran into financial difficulty during the extravagant rebuilding.

A 1267 inventory of Edward the Confessor’s shrine

A 1267 inventory of Edward the Confessor’s shrine listed the huge amount of gold, precious stones and jewels taken from the shrine to be pawned by a cash-strapped Henry III. Photograph: Dean and Chapter of Westminster

For centuries, Westminster Abbey has been at the centre of national life, and it has been described as Britain’s Valhalla, after the burial hall of Norse mythology.

The site’s exact history is still a mystery. Monks may have founded a small community here as early as 604. When the Confessor chose the spot to establish his palace, which eventually would become the Palace of Westminster, he built a new monastic church. His Romanesque basilica is depicted in the Bayeux tapestry.

Henry III, a devotee of Edward, began the creation of the abbey as it is known today. The famous west towers would not be added until 1745.

“Westminster Abbey was here before anything else,” said Hall. “We were two miles south-west of London and on a remote damp little island, Thorney Island, just surrounded by tributaries of the Thames and the Thames itself. Now we have the Palace of Westminster, the supreme court, the government offices in Whitehall. So now the centre of government is around here and the abbey is very much part of that particular community.”

The coronation chair at Westminster Abbey
The coronation chair at Westminster Abbey.

Links with royalty and parliament go back centuries. With two exceptions, every English and, subsequently, British monarch has been crowned here since William the Conqueror in 1066.

“The Confessor and the Conqueror were the first sovereigns to associate themselves closely with the abbey, and they also made Westminster their place of residence and the seat of government, hereby connecting church and state in a bond that has lasted and evolved across the subsequent millennium,” writes the historian and president of the British Academy, Sir David Cannadine, in Westminster Abbey: a Church in History, published to mark the 750th anniversary.

It survived Henry VIII’s dissolution by becoming a cathedral. Mary I re-established it as a monastery. Elizabeth 1 established it as a royal peculiar – answerable to the sovereign and outside the jurisdiction of the Church of England – and named it the Collegiate Church of St Peter, Westminster.

Its status as a royal peculiar means other faiths can pray there. It is for all faiths and none. In recent years its services have marked the anniversaries of the Srebrenica massacre, of Kristallnacht, of the liberation of Auschwitz, of the death of Martin Luther King. Its annual Commonwealth Day service is invariably attended by the Queen.

Its fame has been fanned by televised ceremonies including the wedding of the Duke and Duchess of Cambridge and the extraordinary funeral of Diana, Princess of Wales. It attracts 2 million tourists and worshippers a year.

“It has been a house of prayer and devotion for much more than a millennium. It is a building of outstanding architectural significance and an unrivalled national mausoleum,” said Cannadine. “It’s close and lengthy relations with the parliaments of governments of this country are unequalled by any other church in any other Country.

A view Of Westminster Abbey And Adjacent Buildings As They Appeared Prior To The Disastrous Fire Of 1834. The painting was done by Rudolph Ackermann in 1819


A view Of Westminster Abbey And Adjacent Buildings As They Appeared Prior To The Disastrous Fire Of 1834. The painting was done by Rudolph Ackermann in 1819
 

Voyageur

Ambassador
Ambassador
FOTCM Member
"For a long time, the god Apollo has been associated with pestilence; in Homer's epic poem, he is the archer whose arrows carry the plague... the desperate attempts throughout the Empire to appease the god whose anger was considered the cause of the catastrophe".
Recently came across a students thesis 'PESTILENCEAND PRAYER: SAINTS AND THE ART OF THE PLAGUE IN ITALY FROM 1370-1600' written by Jessica Marie Ortega (fall term 2012 University of Central Florida). You can grab a copy here to read.

The thesis builds on this theme starting from Homer (above bold) of arrows, carried forward to other times right up to the 1300's and forward. It looks to the Plague Saints who were written about and painted in iconography starting directly as plagues were developing.

The Saints are categorized in tiers: first tier, second tier and third tier Saints - see example from appendix A:

"First-tier" Plague Saints {universally acknowledged}
•St. Sebastian: Martyr (3rd century)
•St. Roch: Martyr (c. 1295 -1327

"Second-tier" Plague Saints {no generally acknowledged}
•St. Christopher: Martyr (3rd century)
•St. Cosmas and Damian: Martyrs (3rd -4th century)
•St. Nicholas of Tolentino: Augustinian Friar (1245 -1305)
•St. Gregory the Great: Pope and Doctor of the Church (c. 540 -604)
•St. Bernardino of Siena: Franciscan Friar (1380-1444)

"Third-tier" Plague Saints {"directly associated with outbreak"}
•St. Fabian: Pope and Martyr (3rd century)
•St. Vincent Ferrer: Dominican Friar (1350 -1419)
•St. Peter Martyr: Dominican Friar and Martyr (1205-1252)
And descriptions of their deeds were built up around them.

The introduction speaks to the 1348 Black Death.

Ortega states:

These subsequent outbreaks were not as devastating as the initial wave in 1348, but the fact that this epidemic returned so frequently kept people constantly aware of eminent death and in fear of not dying well. The Ars Moriendi (The Art of Dying Well) was a Latin text from the fifteenth century that provided directions to the procedure of what was seen as a “good death.”
Of the imagery that emerged:

Saint imagery is a positive reaction against the plague because people used it to focus their devotions and prayers of hope of deliverance. Saints were invoked as plague intercessors during plague epidemics before the Black Death, but visual plague iconography did not exist before its march across Europe in 1348...
Ortega then gets back into the symbols used for plague's:

The oldest symbol of pestilence is the arrow; according to James Hall in Dictionary of Subjects and Symbols in Art, “the arrow is not merely a weapon, but the traditionally carrier of disease, especially the plague.” Apollo is the Greek god most often associated with arrows; he was one of the twelve Olympians and patron of archery (among other things). Apollo was said to never be without his bow and arrows, articles which he used to inflict judgment and death upon disobeying humans. Homer’s Iliad contains the earliest connection to pestilence with arrows. In the Iliad, Apollo is described as a “furious” god who “rang death as his shot his arrows” when he avenged the rape of Chryseis.

The arrow as a symbol of the plague also has its origins in the legend of Apollo and his sister, Diana, massacring the fourteen children of Niobe. They were punishing Niobe because she tried to dissuade the women of Thebes from worshiping Leto, the mother of Apollo and Diana, and boasted of her own superior family connections. To humble her pride, Apollo and Diana killed all her children. The scene is described in Ovid’s Metamorphoses and an ancient Greek urn depicts the children of Niobe fleeing from the siblings’ ruthless arrows. The celestial siblings stand in the center of the urn with their bows drawn as their victims lie at their feet.
A brief discussion on Christianity and paganism that them brings up Hebrew:

The symbol of the plague-arrow also appears in ancient Hebrew literature, and thus provides a direct link to the later Christian traditions. Like the Greco-Roman myths, arrows are symbols of divine punishment in the Old Testament. {then bringing up King David's choice}
1581199394017.png

The King's choices, and it was arrows.

Giorgio Vasari, The Prophet Gad Offers David a Choice of Three Divine Punishments, San Rocco Altarpiece, 1537, Museo Diocessano, Arezzo, Italy.
Of course there are comets to consider, or plagues following comets, yet the discussion on Saints and the plague and arrows brings out many examples, and the imagery (see in thesis) are unreal i.e., I don't think I've seen so many examples in one place. And note, angels often are the carriers of arrows and the deliverers.

I'll leave this, although a few more (of many) images are below.
 

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angelburst29

The Living Force
FOTCM Member
For the first time in centuries, all 12 tapestries designed by Raphael have been hung on the lower walls of the Sistine Chapel as part of celebrations marking the 500th anniversary of the artist's death.

All Raphael's tapestries return to Sistine Chapel after centuries
All Raphael's tapestries return to Sistine Chapel after centuries
A tapestry designed by Renaissance artist Raphael is installed on a lower wall of the Sistine Chapel at the Vatican as part of celebrations marking the 500th anniversary of his death in this handout photo released on Feb 17, 2020.

A tapestry designed by Renaissance artist Raphael is installed on a lower wall of the Sistine Chapel at the Vatican as part of celebrations marking the 500th anniversary of his death in this handout photo released on Feb 17, 2020.

Feb. 17, 2020 - VATICAN CITY - Putting more masterpieces in Michelangelo's Sistine Chapel to join his ceiling frescoes and Last Judgment wall might seem as superfluous as adding more diamonds to the Crown Jewels.

But the creator of those masterpieces is Raphael, Michelangelo's Renaissance contemporary and rival, so the Vatican has made an exception for a brief stay.

"They were conceived for this space and so we thought it was the best way to celebrate," Barbara Jatta, director of the Vatican Museums, told Reuters.

The tapestries, which were weaved in Brussels by the famed studio of Pieter van Aelst from Raphael's sketches, depict scenes from the Acts of the Apostles, such as The Stoning of St Stephen and St Paul Preaching in Athens.

For the next week, they are back in the Sistine Chapel, where they were between the time Michelangelo finished painting the ceiling in 1512 and when he began painting the massive Last Judgement wall behind the main altar in 1536.

All 12, made with silk, wool and gold and silver thread, have been painstakingly restored by Vatican Museum conservationists in the last 10 years.

"UNIVERSAL IMPORTANCE"

"This place is of universal importance, not only for visual arts but for our faith," Jatta said, standing in the Sistine Chapel. "So we really want to share this beauty with people, even if only for one week".

Seven of the tapestries, commissioned by Pope Leo X, were hung in the chapel on St Stephen's day, Dec 26, 1519. Raphael was probably there to see them but he died four months later at the age of 37. The others were finished after his death.

"The last record that we have of all of them being hung in the Sistine is from the late 1500s," Alessandra Rodolfo, the curator of the exhibition, told Reuters.

Previous exhibitions, some of which lasted only a few hours or a day, included only the 10 larger tapestries, some measuring about six by five metres. Two of the twelve are narrow and hung vertically as borders.

A selection are normally on display on rotation behind glass in climate-controlled spaces in the Vatican Museums.

The Vatican Museums' conservationists and restorers allowed all 12 of the delicate tapestries to be put on show at the same time for only a week, in part to protect them and in part because some will be on loan to other museums.

One will be going soon to Rome's Quirinale Palace's Scuderie museums and another will be going to the National Gallery in London later this year.

"It's exactly what Pope Francis is asking us, which is to share and to be a museum open to everybody and to share our beauty," Jatta said.
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Tapestry “The conversion of Saul” designed by Renaissance artist Raphael



Tapestry “St.Paul preaching at Athens” designed by Renaissance artist Raphael



Tapestry “The blinding of Elymas” designed by Renaissance artist Raphael



Tapestry “The sacrifice of Lystra” designed by Renaissance artist Raphael



Tapestry “The death of Ananias” designed by Renaissance artist Raphael

 
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