XPan
The Living Force
Yes, and The Verge also wrote an article on the event of that an AI produced image won the first prize at the Colorado State Fair. It is a quite fascinating image, I must say... and I wonder how much the producer had to work with AI until he "got it right". But the question still remains; is it fair to use AI when entering art competitions / paintings ?Speaking of which, I caught this the other day, go figure
An AI-generated artwork’s state fair victory fuels arguments over ‘what art is’
Just a simple question: but what is art, anyway?
www.theverge.com
At dPreview
a photo site for photography, equipment and video, wrote an article about AI - with some different AI techniques. I shop some examples of them below. Among other things it was about AI extending information from a photo or painting, showing it's surrounding, analyzing the deeper shadows and its angles, in order to do extend the contents beyond the actual frame. Called "outpainting".
OpenAI adds 'Outpainting' feature to its AI system, DALL-E, allowing users to make AI images of any size
DALL-E has been turning heads since it launched with its startlingly realistic AI creations. The AI platform, which is in a public beta phase, can now create even larger images thanks to a new Outpainting feature, allowing you to extend AI artwork beyond its original borders.
www.dpreview.com
In the third photo, I see once again the kind of gloominess I/we/people can see from the previous example of AI images in this thread. It just somehow lacks something essential, something... inherent is not present.
Mindless or Spirited ?
When a being, an artist, a person, works with something creative; you weave your spirit into that art of creation ! At least that is how i feel about creations - whether it is photography, paintings or the act of cleaning a house, decorating or baking wonderful bread or cinnamon rolls.
Whether it is the housewife, the baker or the cake creator... a part of you, is transfered/shared into what you are doing. The residual presence from the person who weaved some of her spirit energy into the creation - can be felt afterwards !
Which of course also is dependent on the observer's powers/sensitivities; whether he or she spends some time to actually SEE, or just swoops though pages of images, one per seconds, or, eats the lovely home baked bread, taking it for granted, like "oh, nice bread, cool..... Next !")
Now, I am not saying it is impossible to use AI in a good arty way - i am sure it is possible. The image that won the state fair competition in colorado, I would personally consider to be a good step into that direction; where the mind of the creator, put conscious elements into that creation with help of AI, until he "got it right".
But all the other images i have seen in this thread, do not have the same feeling. They seem to be mainly or just the result of AI, and not much (real) input from the user.
That reminds me in principle of the many, many computer applications you can get these days to "enhance" photos in digital ways - with help of one or a few clicks. And the results... well, in the beginning is was "sort of cool", but then you get easily saturated from the results with highly predictable, similar images; whose digital filters and effects do not really convince. I get easily tired to watching such images. Where the filter effect becomes more important than the content of the image....*hurrk*
So, the input from a human being, must be much higher in order to "form the images and its contents" to become something which raises the "inner quality" above the threshold of the mindless AI, in order to turn out into a great photo image.
* * *
In the aforementioned dPreview article
One of the many comments showed a personal example of so called AI "outpainting", in which he sent in a photo of his cat, and the AI created elements outside of that frame. It looks to me like typical iPhone-type-of-multi-processing effect - only here, it adds elements which didn't even exist.
It could for a photographer actually be of help; i am thinking here of an image, let's say a stitched panorama, where some elements outside the final (smaller) border are either cut off or missing - but can be filled in. Photoshop already has some primitive algorithms to do so, but in very limited ways without introducing new elements.
However, the AI "DALL-E 2" brings it further, in an ok-ish way. At least it preserved the "warm atmosphere" in the original cat photo.
source
Mika Y.
Btw, I had tried earlier today DALL-E 2's outpainting with a photo, naturally using a cat photo as test material. The result is a little "off" and there's a quite easily spotted seam on the left side of the image, but it's significantly better than what I expected from an initial version of the feature:
https://photos.app.goo.gl/UuTH541EN3MGEn6QA
Edit: Here's also the source image so it's easier to see what's synthetic and what isn't:
New item by Mika Yrjölä
Final thoughts
I have been wondering many years about the unresonably intense research, efforts and money being put into AI - in photography and for video.
I just can't shake off the feeling that deep down, it is about deeply nefarious purposes. That the goal is to introduce "rock solid" ways to dupe people on a global scale with information that can be altered/cencored directly, instantaneously, when produced/streamed/shown in media etc. That Photo & Video AI technology is primarily aimed at fooling people at all levels though our five 3D senses - directly. That the aim is perfect the simulation of speeches and appearances which do not even exist - but can be used as a "spokesman / spokeswoman" tools, even pretending to be the words of presidents and other important leaders. Faking the presence of people, who already died or have been murdered.
But, "Hey mom, it's me. I am ok". *click*
Tools to alter information from and between citizens on-the-fly. Like multi layered AI filters, which can be enabled, instantaneously alter/filter/change spoken words, visual contents...
Whenever huge amounts of money is put into research, there are always many sharks attached. At least that's how i feel... The humongous investments into photo AI vs. giving photographer more 'creative' tools, is just plain ridiculous; simply too good to be true.
On top as a side effect, it gradually wastes over time the by heart creative output, too.