I gloriously failed and went on reading in wrong order until dawn.....Now I'll try to stop myself from proceeding with book#3....Wish me luck!
I just started Silent Melody, though I'm not sure if I should stop and read a different romantic book, because I think another round of Heartless type horror would be too much for me right now.
After finishing Heartless last night, I did make a small confession to my wife. Talk and explain. After all, nothing is truly hidden; if the demons in exorcisms can see the entire history of a person, surely all our lives are open books for some others to see. So I told my wife, and it was like a scene out of these books.
Just finished the first book of the Huxtable Quintet by Mary Balogh and must wait until tomorrows' post delivers supply so I can proceed in order.
In between I read the first book of the Sons of Sin series navigating me through some private turmoil in top of the global one.
I just sat here and felt a little ...irritated... that I must wait until tomorrow. I suppose I'm addicted.
... and just realised:
These books are a shield. Laura has provided us with a shield for these times. I just begin to fathom the deep importance of this.
Thank you.....
Now I'll try to stop myself from proceeding with book#3....Wish me luck!
I don't know why the particular author in question decided to write such stuff after writing quite a few very good examples of what we want. Perhaps it was just a money making thing.
I was some what surprised at the extent of psychological twists in Heartless. At one point, it looked all the family will fall apart when they are under the unsuspecting spell of psychopathic villiany and guilt inducing harmonal emotions. Some scenes remainded me of disasterous outcomes from harmonal marriage decisions that I happen to see in my close friends families as a kid. Actually, it immediatly made me depressed instantly until I processed the emotions. Balogh wrote very well about helplessness of the characters being under spell of terror. Villain perfectly fits into psychopath profile, but somehow it ended up being delusional behavior. One thing that comes out very clearly in these novels is loving care of the female protagonists that spread to the surroundings to change things for better.Heartless was harrowing and I too felt like the negative energy was covering me, as you put it, but I think she did an excellent job, although I kept hoping they would just TALK, and explain! You'll see that it the end it all makes sense, and how it leads to important realizations for both main characters. And the next book, Silent Melody, though also intense, is a bit easier, IMO. At least you are sort of prepared to things being horrible in the background, after having read the first one. Well, for sure it's not like the other series you mentioned, but it's worth it, me thinks.
Maybe dark wasn't the right word.Interesting that the book you thought was so dark had such an interesting effect on you. Perhaps it wasn't so "dark" after all?
And what is doing but a creative expression, right? With love - which is to know - comes the seeing which allows one to creatively think of ways to love in the verbal sense. Using our minds and thinking of ways that we can serve others without forgetting that we may not actually be rewarded or appreciated for it, no expectation of what the outcome will be.I finished Dancing with Clara. It was touching and inspiring, especially the end - kind of restores the faith in human nature. There is a great deal of deep psychological understanding there. Love will not automatically fix you, but it may inspire you to fix yourself. Also, the type of love in this novel is quite genuine because it appears where it wasn't expected out of a tiny core of decency, and grows in spite of all human flaws. There is the theme of what faith in onself - or lack of - does to you, as well as forgiveness and redemption. There is also something about the idea that love is mostly something that you do, rather than what you feel. As with Courting Julia, my only complaint is that it seemed to finish too abruptly - but I understand I'll see at least some of the characters in Tempting Harriet.
At one seminar where I was speaking on the concept of proactivity, a man came up and said, “Stephen, I like what you’re saying. But every situation is so different. Look at my marriage. I’m really worried. My wife and I just don’t have the same feelings for each other we used to have. I guess I just don’t love her anymore and she doesn’t love me. What can I do?” “The feeling isn’t there anymore?” I asked. “That’s right,” he reaffirmed. “And we have three children we’re really concerned about. What do you suggest?” “Love her,” I replied. “I told you, the feeling just isn’t there anymore.” “Love her.” “You don’t understand. The feeling of love just isn’t there.” “Then love her. If the feeling isn’t there, that’s a good reason to love her.” “But how do you love when you don’t love?”
“My friend, love is a verb. Love— the feeling— is a fruit of love, the verb. So love her. Serve her. Sacrifice. Listen to her. Empathize. Appreciate. Affirm her. Are you willing to do that?”
In the great literature of all progressive societies, love is a verb. Reactive people make it a feeling. They’re driven by feelings. Hollywood has generally scripted us to believe that we are not responsible, that we are a product of our feelings. But the Hollywood script does not describe the reality. If our feelings control our actions, it is because we have abdicated our responsibility and empowered them to do so. Proactive people make love a verb. Love is something you do: the sacrifices you make, the giving of self, like a mother bringing a newborn into the world. If you want to study love, study those who sacrifice for others, even for people who offend or do not love in return. If you are a parent, look at the love you have for the children you sacrificed for. Love is a value that is actualized through loving actions. Proactive people subordinate feelings to values. Love, the feeling, can be recaptured.
Covey, Stephen R.. The 7 Habits of Highly Effective People: Powerful Lessons in Personal Change (pp. 116-118). RosettaBooks. Kindle Edition.
And what is doing but a creative expression, right? With love - which is to know - comes the seeing which allows one to creatively think of ways to love in the verbal sense. Using our minds and thinking of ways that we can serve others without forgetting that we may not actually be rewarded or appreciated for it, no expectation of what the outcome will be.
Whereas, being feeling centered can help when empathizing with others and their situation but when it is turned inwardly it quickly tends to become destructive and all about the self.
It reminded me of a passage from Stephen Covey's 7 Habits of Highly Effective People:
I am a bit behind with this thread, so apologies if this has already been mentioned.I shall now finish the last book and spend some time coming to grips with the unpleasant learning.
Very well put. In Mary Balogh's Web of Love the war against Napoleon takes centre stage at one point in the book, which was exactly what I needed. A few months ago I read Margaret Mitchell's Gone with the Wind which deals with the Civil War in the US and her descriptions of the ravages of war were excellent and very helpful to me. My mother told me she was allowed to read the book for a history course at university! According to her professor it was that good. Some people may think that these romance novels are just that, fiction written for lonely housewives, but the knowledge of war these writers share with us is priceless IMO.Also, the fact that there is the Napoleonic wars in the background made me think of the war on peoples that rages on in our reality. Like these characters, we are all going to discover of what wood we are made of in the coming years, already many of us feel our inner being is a battleground, with the hyperkinetic effect of the Wave. Those that manage it in 4D will probably be traumatised by the sheer destruction they had witnessed. These books are a testimony to the resilience of the human spirit. It's good to know that before hell breaks lose.
And what is doing but a creative expression, right? With love - which is to know - comes the seeing which allows one to creatively think of ways to love in the verbal sense. Using our minds and thinking of ways that we can serve others without forgetting that we may not actually be rewarded or appreciated for it, no expectation of what the outcome will be.
IOW, love is an action, not just a feeling or emotion, focused externally on the other.That was perfect, and exactly right!!!
There is also something about the idea that love is mostly something that you do, rather than what you feel.