Session 24 January 2026

[palestine]

About music, and it's fun to synchronicity here : it's a friend of mine who manage a telegram channel with 2000+ subscribers, and he posted one clip of 10m on a topic he do not cover at all, he post about geopolitic and about the ones who are the cancer of this world ....
I watched it and the first part is an extract of a documentary of 2h from Tsipi Raz who is freely accessible on youtube.
I found + the exact passage (i think the whole documentary is worth it to watch and i'll include it in my "to watch" list)

It starts at 1h09:34 and this passage finishes around 1h14:12
Here's the direct link to the video at the right time :

In summary :
Same blood in 2 vials. One tube isolated in an accoustic chamber, no noise.
The other put in a small device with a speaker, and a guy "singing" (so here the instrument is purely the voice of the guy)
Then they count the number of blood cells still alive, in a diluated solution.
Result for the one isolated : all blood cells are dead
And for the one who enjoyed the "music" : the device used to count the cells answered "Over concentration limit (2.0E7 celles/ml) Please dilute sample"

Wouah !

Hello,

The results of the experiment are interesting! I suspect the human body to be a catalyst of some unknown sort - kind of "with an added value", so to speak... Meaning that a human close to the vials would perhaps trigger the divine spark that humans have in themselves - this being reflected on the blood cells.

No human around = simple blood cells, which were designed to be a microcosm in a macrocosm (human being). Those blood cells seem quite sensitive.

I am wondering of a human being, next to the vial + praying STO

 

[Gaby]

(seeker2seer) No, I don't think so. I don't see how they could put out any kind of electromagnetic radiation to block the sun. I was thinking more of like a HAARP-type activity, if there was anything nefarious about Starlink. Not that I'm aware of it.

(L) Oh, I see. So is Starlink being used for more than communications transmission in the context of possibly being a HAARP amplifier, or bouncer?

(Chu) Or something like that.

A: Close. Yes.

Q: All right. So, Ellipse, you had a good intuition. You just needed a little refinement there. Okay.

The new satellite "Celeste" presentation and the grids depicted there reminded me of the above.

The Celeste mission is ESA's initiative for LEO-PNT (Low Earth Orbit Positioning Navigation and Timing) and is currently in its in-orbit demonstration phase. This first phase features a demonstration constellation of 11 satellites that will fly in low Earth orbit to test innovative signals across various frequency bands. Its goal is to advance satellite navigation concepts for resilient positioning and timing services.

The Celeste in-orbit demonstration phase was approved at ESA’s Council at Ministerial Level of 2022. The fleet is being developed through two parallel contracts respectively led by GMV in Spain with OHB in Germany as core partner, and by Thales Alenia France as prime and Thales Alenia Italy as space segment responsible, and involving over 50 entities from more than 14 countries.

Celeste was further supported in ESA’s Council at Ministerial Level of 2025 (CM25), towards the implementation of the next phase: the LEO-PNT In-Orbit Preparatory phase.

Celeste also contributes to one of the three core pillars of ESA’s new European Resilience from Space (ERS) initiative, endorsed at CM25. ERS addresses critical security and resilience needs for Member States while laying the groundwork for future European strategic space capabilities.

 

[Gaby]

(Gaby) The X1.9 solar flare on January 19th was associated with very high proton energies exceeding red level thresholds by a thousand times, and the indicators of the strongest flares of the current solar cycle by 20 times. In terms of high proton energies, this was the second largest storm in the entire history of reliable measurements since 1976, with the largest one occurring on March 24th, 1991. Why was it so strong?

A: Weaker magnetic field.

(Gaby) He was mentioning the magnetic pole shift and how it's related to ice ages.

(Niall, Joe, Gaby) Was it for that?

A: Close.

On the same date as the solar flare, the 19th, and possibly related to recent solar storms prior to that date as well, this was happening in Uranus:

It's auroras. Uranus is having an "Ice Age" of some sorts for the last 20 years already. It has an extremely tilted magnetic field compared to the axis of rotation. In the following illustration,

The Yellow arrow points towards the sun. The magnetotail is pointed in the opposite direction.
The Cyan arrow represents the magnetic axis, usually tilted relative to the rotation axis. The arrow indicates the NORTH magnetic pole
The Blue arrow represents the north rotation axis. It is part of the 3-D axis glyph (red, green, and blue arrows) included to make the planetary rotation more apparent.
The semi-transparent grey mesh in the distance represents the boundary of the magnetosphere.

More videos here.

Here's a news release accompanying the auroras:

Led by Paola Tiranti of Northumbria University in the United Kingdom, the study mapped out the temperature and density of ions in the atmosphere extending up to 5000 km above Uranus’s cloud tops, a region called the ionosphere where the atmosphere becomes ionised and interacts strongly with the planet’s magnetic field. These unique data provide the most detailed portrait yet of where the planet’s auroras form, how they are influenced by its unusually tilted magnetic field, and how Uranus’s atmosphere has continued to cool over the past three decades. The measurements show that temperatures peak between 3000 and 4000 km, while ion densities reach their maximum around 1000 km, revealing clear longitudinal variations linked to the complex geometry of the magnetic field.

“This is the first time we’ve been able to see Uranus’s upper atmosphere in three dimensions,” said Paola. “With Webb’s sensitivity, we can trace how energy moves upward through the planet’s atmosphere and even see the influence of its lopsided magnetic field.”

Webb’s data confirm that Uranus’s upper atmosphere is still cooling, extending a trend that began in the early 1990s. The team measured an average temperature of around 426 kelvins (about 150 degrees Celsius), lower than values recorded by ground-based telescopes or previous spacecraft.

Two bright auroral bands were detected near Uranus’s magnetic poles, together with a distinct depletion in emission and ion density in part of the region between two bands (a feature likely linked to transitions in magnetic field lines). Similar darkened regions have been seen at Jupiter, where the geometry of the magnetic field there controls how charged particles travel through the upper atmosphere.

“Uranus’s magnetosphere is one of the strangest in the Solar System,” added Paola. “It’s tilted and offset from the planet’s rotation axis, which means its auroras sweep across the surface in complex ways. Webb has now shown us how deeply those effects reach into the atmosphere. By revealing Uranus’s vertical structure in such detail, Webb is helping us understand the energy balance of the ice giants. This is a crucial step towards characterising giant planets beyond our Solar System.”

The study is based on data from JWST General Observer programme 5073 (PI: H. Melin of Northumbria University in the United Kingdom), which used NIRSpec’s Integral Field Unit on 19 January 2025 to observe Uranus for 15 hours. The research has been published in the Geophysical Research Letters.

Although not juxtaposable to Earth, it can still give us an idea why "pole shifts" are related to Ice Ages.

 

[Wandering Star]

A: Pray without ceasing. The universe is very aware. Goodbye.

Since yesterday, there's been a strange wave of negative energy over my city.

Accidents with fatalities, a baby abandoned in its stroller in the street, fights, and more.

It's affecting my personal life too.

There's something bad in the air.

 

[Thebull]

Since yesterday, there's been a strange wave of negative energy over my city.

Accidents with fatalities, a baby abandoned in its stroller in the street, fights, and more.

It's affecting my personal life too.

There's something bad in the air.

Where's your city?

 

[thorbiorn]

Important that the tone is accompanied by subtones and frequencies that are natural to the stone and "speak" to the cells in the body.
Session 29 September 2014

A few years later Pierre asked with reference to the above session:
Which song or type of music is closest to the tones and sub-tones that have those healing properties? - Gregorian chant.
Session 1 December 2018

(Pierre) About frequencies... In a previous session, we mentioned this prehistoric stone that was perfectly tuned. The C's said that it was not a musical instrument, but instead for healing. They said you can't heal with a single tone, but with the proper tones and sub-tones. You need the right combination. I guess past civilizations had this knowledge. Today in our modern world, are there remnants of music or song that convey part of this knowledge?

A: Yes

Q: (Pierre) Oh yeah? Which one?

(L) Which one what?

(Pierre) Which song or type of music is closest to the tones and sub-tones that have those healing properties?

A: Gregorian chant.

Which then also may serve as a comment to this earlier comment in the thread:

I've always listened to a wide variety of music with one of my favourite genres being Gregorian Chants.

Early forms of Gregorian chant used or was influenced by the Pentatonic scale

Pentatonic Scale: The Ultimate Beginner's Guide
By Tyler Connaghan June 28, 2023
[...]
What Is the Pentatonic Scale?
Unlike the major scale, which consists of seven notes, the pentatonic scale is constructed using only five notes, hence its name. Its simplified structure grants it a unique advantage in various musical contexts.

The pentatonic scale's simplicity and versatility make it a staple in numerous genres, from rock and blues to jazz and traditional folk music. Its inherently consonant nature allows for effortless melodic improvisation and harmonization.

Plus, with a limited number of notes, it's far more accessible to beginners, while still offering endless creative possibilities to seasoned musicians.

There are two primary variations of the pentatonic scale - the major pentatonic scale and the minor pentatonic scale.

These scales share a close relationship with their major and minor counterparts, and we'll get into them in a little bit.

But first...

The Origins of the Pentatonic Scale
Although widely employed in contemporary music, the pentatonic scale has a long-standing history in the realm of music. Astonishingly, archaeological discoveries have revealed musical instruments tuned to the pentatonic dating back approximately 50,000 years.

This indicates that the pentatonic scale has been a fundamental aspect of musical expression for thousands of years.

Furthermore, the prevalence of the pentatonic scale across different epochs of music suggests its early development in Western music.

Early forms of music, such as Gregorian chants, incorporated pentatonic melodies, emphasizing its enduring presence. Additionally, the pentatonic scale manifests in various forms within traditional African, Native American, and South Asian Music, transcending cultural and geographical boundaries.

No matter what era you travel to or musical tradition you explore, encountering the pentatonic scale is virtually unavoidable, underscoring its universal appeal and widespread utilization.
[...]

The pentatonic scale also appears in some well known works, as explained in 11 Examples Of Songs That Use The Pentatonic, where the author Dan Farrant, wrote:

One of the most iconic melodies of all time, “Amazing Grace,” is a popular hymn that is the perfect example of a song that uses the pentatonic scale.

While it’s not known who wrote the melody, it is based on an old folk tune called New Britain, it uses the major pentatonic scale exclusively.

The use of the pentatonic scale gives “Amazing Grace” a simple and elegant sound. The limited number of notes in its melody allows the song to focus on the emotion and message of the lyrics rather than being distracted by complex melodies or harmonies.

What the author writes, resonates with the suggestion from the Cs for collective singing practices:
Right music, warm up, leave aside ego and sing for unification and simple beauty and emotion - Simple melodies
Session 4 July 2020

(Artemis) Do you want to ask about the phenomenon you heard when we were charging the crystals?

(L) Oh yeah! We finished charging a whole new batch of crystals. When we started out, we were all in a very bad voice. Andromeda and I were still recovering from all that virus business that affected our lungs and throats, and it took us a number of days to even start to be able to breathe properly and sound normal. But then at certain points once we had gotten our mojo back, there were times when we were singing and I would hear other voices joining in. Was I actually hearing other voices?

A: Yes

Q: (L) What were those voices?

A: 4D STO support for charging magnification.

Q: (L) Were those voices that I was hearing coming from our throats, or from the air around us?

A: Your voices enhanced.

Q: (Chu) That's like what they said about your voice when you were doing EE, remember?

(L) What about it?

(Chu) That your voice carried more than what could be heard.

(L) Well, this went to the point that we could actually hear it.

(Andromeda) And I could feel it. Is this the same thing that was causing the sensation I was having of vibration like we were singing inside a bell?

A: Yes

Q: (Andromeda) I could physically feel it. It was like a vibration almost. You could feel an echo.

(Chu) And you didn't record any?

(L) No, we did it live every time.

(Joe) Maybe you should ask if you can get that kind of help for karaoke? [laughter]

(Artemis) I'm sure they've helped with karaoke sometimes. Have you helped with karaoke sometimes?

A: If you would go about karaoke in the proper manner, you would indeed have connections forming and "celestial" voices would join in!!

Q: (Joe) What is the proper manner?

A: Right music, warm up, leave aside ego and sing for unification and simple beauty and emotion.

Q: (Andromeda) Would we even need the karaoke machine? Well, I suppose it's helpful. We could just sing hymns together...

(L) So we need to more carefully select songs and begin with warm-up songs.

(Chu) And songs that EVERYBODY can sing.

(L) Yeah, songs that people can all sing together.

(Artemis) Would you like to suggest to us songs that we can sing?

A: You all can sort that out.

Q: (Ark) There are too many songs.

A: Simple melodies.

Q: (Joe) I think we should stop calling it karaoke and start calling it choir practice. Or singing practice.

A: Yes

Q: (Joe) Karaoke carries with it the wrong connotation. Standing in a bar, cranking out a crappy 80's hit or something... It should be more like a choir practice. Singing practice.

(Andromeda) Everybody in together, the songs should have simple melodies, and they should be about simple beauty and emotion.

(Chu) “Country Roads”. Everybody sings that one.

(Andromeda) “Amazing Grace”.

(Joe) Any song where everyone can sing in harmony.

(L) Alright.

(Andromeda) We can pick some.

(Ark) And after all this time, we should have a standard set of songs. And then we can add, but there should be... I mean, we should not make experiments with songs that are unlikely to be appropriate.

(Joe) Well, we already know some songs that fit.

(L) Songs that people like, that they can all sing... And I think that we know of enough of them so that you don't have to repeat the same songs every time we do it.

(Joe) We did one of those that they do in the Crystal Meetings... We did it pretty well last time. Which one was it? “Will the Circle be Unbroken”.

(Andromeda) Yeah. And “Wayfaring Stranger”.

(L) Yeah, that one's good.

(Joe) And everyone can just be aware when they're singing to try to help others and try to make a unified sound.

(L) So, we need to have another karaoke session soon and put this into practice. And at least a day in advance, we need to select the right songs and not try to go for exotic or non-melodic hardcore rock-n-roll or whatever...

(Joe) It's Singing Practice!

(Artemis) Joe's trying to hammer in that it's NOT karaoke.

(Joe) We can keep karaoke. That can be a separate type of event. But this can be called Singing Practice.

(L) Alright, we'll do that. Any other questions?

In an earlier session from 2009, the year Eiriu-Eolas came out, there was as discussion of the effects of music and voice.

You mean it's gonna be the Battle of the Bands?! - You got it! On a cosmic level too!
Session 13 September 2009

Q: (L) Now, Allen acquired some interesting software. (Allen) The choir software. (L) Yes. And we had the idea of making some just regular meditation audios where I could recite the prayer and maybe sing it, or even sing some other songs and he could manipulate them with this software to make it melodic and meditation-worthy type music. So, we were wondering if this was something that was a good idea?

A: Oh definitely!!! In fact, that is a superb way for truly cosmic frequencies to be transmitted via your/our voice!!

Q: (DD) So long as it's not Patsy Kline tunes! (laughter) (L) But I wanted to channel Patsy Kline!!! (Allen) I was actually wondering if my multiplying your voice several times would actual multiply whatever it was they were putting through your voice that many times?

A: Not only that, it will enable us to insert frequency modulation directly between the layers of sound. Why don't you play a sample now?

Q: (Allen) Play a sample of the chorus, or of the music I've been working on?

A: Our voice!

Q: (Allen) How can I play a sample of your voice? I've got some music that I've been working on, but it doesn't have any choral stuff in it yet? Is that the music that you're talking about, or is there something that I'm missing?

A: What did you record today?

Q: (Allen) Ah! So, any particular song?

A: U pick!

Q: (Allen) Okay. So right now, all I have is me playing guitar, and Laura singing with a little reverb sweetening it. Would that do?

A: Yes

Q: (L) I had the idea to take ordinary songs and sing them and then for Allen to take say one ordinary song that was like a familiar melody to people, and then stretch it out to an hour CD. A song that would take 4 or 5 minutes to sing, make it stretched to one hour. And then put a musical track in the background that's more in time. So anyhow, is this a good idea?

A: Very! Try it!

Q: (L) Well, that wasn't very informative. I could have answered that, Jesus. (DD) Hang up on them! (laughter) (Keit) So which song would you choose? (L) Well, just a whole bunch of them.

[Pause while Allen tries to burn music to disc. Everyone then ends up listening to music in the office.]

Q: (Keit) On an emotional level, Amazing Grace had the most effect on me. (Allen) We can have you sing solo and then a choir of us come in and back you up. That's a thought.

A: Many possibilities, eh? Notice the "effect?"

Q: (Joe) Music to soothe the savage the beast!

A: Music to communicate to the soul.

Q: (L) Well, I really don't understand.

A: There are frequencies in your/our voice that are inaudible to the physical ear but affect the spirit.

Q: (Joe) True. (Scott) I wonder if that's why there are certain bands where the people totally can't sing, but everyone thinks they're great - I mean, above and beyond marketing and all that kind of stuff?

A: Yes! And some of them activate "interesting" frequencies!

Q: (L) When you say "interesting", what does that mean?

A: Shall we say that it is planned and deliberate for nefarious purposes.

Q: (Joe) What music were you thinking about, Scottie? (Scottie) I was just thinking after our talk the other day about objectively and subjectively good music and everything. I was thinking about some of the popular music, like pretty much everything... Like my workout music, grunge music, electric guitar music, rap music - all these different types of popular music. And some of it is actually done by somebody who can't even sing at all and people just absolutely love it. So there are all these different genres where some bands become popular, whereas you can go to a bar and here's somebody singing a song and they're ten times better, but... (L) But they're not famous. (Scottie) So why do these people who have absolutely no talent become famous, beyond the fact that they were "discovered", or advertising, etc...

A: Laurel Canyon anyone?

Q: (laughter) (Keit) We were just talking about it today! (Joe) Yeah, they were all picked. (C**) So would Laura's voice be kind of what Gurdjieff called "objective music"?

A: Yes

Q: (Joe) I've got a great name for your album: Laura Canyon! (laughter) (L) I think I'll pass on that one. Unless you want to put an echo in so it sounds like I'm singing across the canyon. (PL) So, those bands in Laurel Canyon, those singers like the Mamas and the Papas, those bands that were obviously sponsored, because, through their music, they could put a kind of spell on some listeners, manipulate them, generate some negative emotions...?

A: "Spellbinders."

Q: (Keit) Maybe you can ask about movies? (L) What about movies? (Keit) We were talking about Laurel Canyon in relation to movies, and we see this same effect. (L) Did Laurel Canyon do movies? (Keit) Because it has that lab. (Allen) Oh, it has that CIA lab at the top of Laurel Canyon. (DD) Which is the spook lab. The spook's cinema lab. (Allen) It's all part of that same thing. (PL) They did some horror movies.

A: Yes. All part of the same programs.

Q: (PL) Does it generate just general negative emotions in listeners, or is it more specific nefarious purposes?

A: More specific...

Q: (Joe) Dissociation. (PL) To trigger some kind of programmed murderers or stuff like that?

A: In some cases. Like an audible "Catcher in the Rye."

Q: (C**) What's Catcher in the Rye? (Allen) Catcher in the Rye was the book that the guy who shot John Lennon had in his hands when he shot him. (L) Yeah? (Joe) Sirhan Sirhan. (L) And also the guy that shot John Lennon. (DD) It's supposedly a kind of MKULTRA trigger thing.

A: Many triggers for many programs. Now you have the means to cancel much of this.

Q: (L) What do you mean "means to cancel much of this"? (PL) Counter-music. A counter-signal. (L) You mean it's gonna be the Battle of the Bands?! (laughter)

A: You got it! On a cosmic level too!

Q: (L) I think it's strange. (PL) One of the triggers is for murderers. But they say it's one of the specific nefarious purposes. Are there examples of other specific nefarious purposes? Can they trigger suicide in people?

A: Yes

Q: (Joe) General association among young people, ya know what I mean? Turn their brains into... (Keit) Like psychopathy, and violent... (Allen) I don't think it has to be that serious. It's part of the frequency fence, the music...

A: Frequency fence! [spelling at the same time Allen is speaking)

Q: (L) So you read their minds, Allen. (PL) But this music is available all over the world. (L) Yes. And our music is not. We haven't even made it! (laughter)

A: Time is awastin! And how are the videos going???!

Q: (laughter) (A***) The dog ate them. (laughter) (L) The dog ate my homework!

A: No dice!

Q: (L) Well, I don't know what to say!

A: Where is your faith in your abilities to rise to the occasion?

Q: (L) [Groans!] (Scottie) Ya know what would be awesome? Offer a CD, and then use the evil iTunes to distribute the music. (Allen) Absolutely. (Scottie) I mean, we could give it for free, too. (Joe) I think you should just start talking, ya know? And do as many tapes as you need. Just start somewhere. (A***) We could always pick a topic and we could throw questions at you. (Allen) Maybe you should just start with saying "In the beginning..." and see where it leads?

A: Try it!

Q: (L) Oooh! I don't want to do that!! (Keit) Why not? (L) I look horrible on video! (Chorus) You do NOT!! (Keit) But we'll make you pretty! (PL) You already did it! (A***) You looked beautiful! (Allen) Got a special filter that will make you look like who you want to look like. (Ark) It's fixed. (L) What's fixed? (Ark) This future is fixed. [singing] You can do it! You will do it! (L) I don't want to talk to you guys any more. (Ark) You don't want kisses? (Joe) Laura? (Allen) You never saw the last video we shot!

A: Just do it! Release the last one to see response!

Q: (Allen) We filmed one that she hasn't even seen. (DD) Well, let's see it! (Allen) And that's the one we talked about that we'd just put up for free... (A***) She's never happy with them, though. (Keit) Let others decide. (Joe) We're the viewing public. (Keit) And people will be really happy! (L) I feel like a dog and pony show. (Joe) There'll be no dogs and ponies. (Allen) Well, dogs... (Ark) Don't be selfish, honey. (L) Selfish?! (Ark) Yes! Not letting other people have what you have? You have something to communicate, and this is the best way to communicate. (L) I'm tired all of a sudden. (Joe) Do you wanna change the topic? (L) You have another topic? [The continuation moves on to the topic of soul smashing.]

When there above was: "(Keit) On an emotional level, Amazing Grace had the most effect on me", recall this song uses the pentatonic scale.