Session 28 February 2026

Picking up on the perturbing confirmation in this session that the elite practice cannibalism, occasionally movies give us a hint that such sordid things do occur in the real world. In a recent session thread, there was discussion of Stanley Kubrick's last movie Eyes Wide Shut that seemed to be an expose of the Illuminati. In a similar way, the 2016 movie The Neon Demon starring the American actress Elle Fanning depicted the sordid world that lies behind the fashion industry in Los Angeles. Quoting from Wikipedia:

The plot follows an aspiring model in Los Angeles whose beauty and youth generate intense fascination and envy within the fashion industry.
The Plot

Following the unexplained deaths of her parents, 16 year-old aspiring model Jesse has just moved from a small unnamed town in Georgia to Los Angeles. She meets photographer Dean, who does her first shoot, and makeup artist Ruby, who introduces fellow older models Gigi and Sarah, who are interested in her physical appearance and in her sexual experiences, which Jesse pretends to have had.​

Jesse is signed by Roberta Hoffman, the owner of a modelling agency, who tells her to pretend that she is nineteen and refers her to a test shoot with notable photographer Jack McCarther.

For the shoot the next day, McCarther has Jesse strip naked and rubs gold paint onto her body. The shoot is successful, and Gigi and Sarah envy Jesse's youth. Jesse goes to a casting call for fashion designer Robert Sarno where Sarah is also present. Sarno pays no attention to Sarah but is entranced by Jesse's beauty. Distraught, Sarah asks her how it feels to be the one everyone admires. Jesse admits, "It's everything," and Sarah lunges toward her. Jesse, pulling away, cuts her hand on a shard of glass. Sarah sucks the blood from Jesse's hand. Jesse rushes back to her motel and faints, hallucinating abstract imagery.

At Sarno's fashion show, Gigi talks to Jesse about cosmetic surgery. As Jesse is closing the show, she has hallucinations of abstract triangular shapes and reflections of herself. After the show, Jesse goes out with Dean to a bar. Sarno engages Dean in a conversation where he negatively contrasts Gigi's surgically-enhanced looks to Jesse's natural beauty and shares his belief that true physical beauty is the most valuable thing there is, outweighing whatever that person may have on the inside. Dean finds the conversation unpleasant and attempts to leave with Jesse, who refuses, having assumed a narcissistic persona.

Jesse has a nightmare of being forced by Hank to sexually swallow a knife. She wakes up to hear someone fidgeting with her door lock. She engages the deadbolt and hears the intruder break into the next room, assaulting the thirteen-year-old female occupant inside (Hank had made implications towards the girl in a previous scene). Terrified, she calls Ruby, who invites Jesse to her home. Ruby makes sexual advances towards Jesse, who immediately rejects them. Jesse reveals to Ruby that she is a virgin, whereupon Ruby attempts to sexually assault her, but is repelled by Jesse. Rejected, Ruby goes to her second job as a cosmetologist at a morgue and pleasures herself with a female corpse (necrophilia).

Ruby returns home, where Jesse encounters Gigi and Sarah, who, along with Ruby, attack and chase Jesse until Ruby pushes her into the deep end of the empty pool. The women butcher Jesse with knives and consume parts of her body before bathing in her blood. Ruby haphazardly washes the empty pool, lies in Jesse's unmarked grave, and at night, nude, inside her house, a torrent of blood gushes from her genitals as she lies bathed in moonlight.

The next day, Gigi and Sarah attend one of Jack's shoots with another model named Annie. Jack is suddenly enthralled by Sarah and fires Annie. In the midst of the shoot, Gigi runs off set, suddenly ill. Sarah watches Gigi vomit up one of Jesse's eyeballs. She screams with regret, "I need to get her out of me," and stabs herself with a pair of scissors, opening her abdomen vertically. Sarah watches Gigi die and eats the regurgitated eyeball before returning to the shoot.

The Production

The director Nicolas Winding Refn commented on the conception of the project: "I woke up one morning a couple of years ago and was like, 'Well, I was never born beautiful, but my wife is,' and I wondered what it had been like going through life with that reality," he says. "I came up with the idea to do a horror film about beauty, not to criticize it or to attack it, but because beauty is a very complex subject. Everyone has an opinion about it."

In January 2015, Dazed magazine reported that the script for the film was inspired by Elizabeth Báthory. In discussing the script, which Refn co-wrote with Mary Laws, he stated: "."I decided that I'd made enough films about violent men, and I wanted to do a film with only women in the film

Hmmm... the mention of Elizabeth Bathory here links us to Laura's comments in this session:

(L) Throughout history you get glimpses here and there of people who did things and believed these things. Think about that woman, what's her name? Elizabeth Bathory, who was bathing in the blood of virgins, killing all these young women so she could bathe in their blood.

On one level this movie works as an horror film but also as movie critic Todd McCarthy of The Hollywood Reporter called "[a] stultifyingly vapid, ponderously paced allegorical critique of the modelling world whose seethingly jealous inhabitants can't wait to literally chew each other up and spit each other out" - recalling here the disgusting scene where the character of Gigi vomits up one of Jesse's eyeballs.

Now, I don't know whether Refn mixes with the elite and was aware of the kind of goings on that occurred on Epstein's Island. However, the subject of this movie, the destruction of a beautiful teenage girl and her body being cannibalised, comes too close to reality and what has actually been happening in the dark corners of this world that are inhabited by the elite to be mere coincidence. The elite seem to like nothing better than taking youth, beauty and innocence and then destroying it in a Molech like orgiastic, cannibalistic sacrifice. In fairness, the cannibalism in this movie is practiced by two fellow models and not by members of the elite but there is little doubt that all who mix in their world are degraded through their association with such people. Top fashion models often mix with high society and in spite of their humble origins are drawn into the decadent lifestyles of the rich elite, albeit as playthings until they commit the unforgivable sin of aging.

Indeed, this point was illustrated in this session by the real life experiences of Mexican model Gabriela Rico Jimenez:
Q: (Joe) Gabriela Rico Jimenez, a 21-year-old Mexican model, was outside the Fiesta Inn in Monterrey, Mexico on August 3rd, 2009, having attended a private party at the hotel, an elite modelling event, that brought together prominent businessmen, politicians, and individuals whose names appeared in the Jeffrey Epstein files. The young woman began screaming that they were eating people and children. She was then arrested and disappeared without a trace. What happened to her?

A: Mindwiped on immediate necessity. Then transferred to mental ward.

Q: (L) So was this one of those things where they couldn't just snatch her and kill her?

A: Yes

Q: (L) So they had to do other things.

(Joe) But that suggests that what she was saying was true?

(L) Is what she was saying true?

A: Yes

I found the movie to be deeply disturbing on many levels and would not recommend it to you. Unsurprisingly, it was a box office flop and it met with mixed reviews, although some critics raved about it and viewed it as a masterpiece. Obviously, there is no accounting for taste [pun intended].

Bohemian Grove

The C's gave further confirmation that such satanic ceremonies involving the elite take place using young victims when they confirmed that the infamous Bohemian Grove near to San Francisco in Northern California was a venue for such activities:​

Session 9 March 2024:
Q: (fabric) Was Ryan Garcia (famous boxer) forced to watch satanic rituals which included child abuse at Bohemian Grove as he claims?

A: Yes.

The reference to Bohemian Grove above brings us back to Molech worship again since there is a giant Molech statue (42 feet high) in the form of an owl at Bohemian Grove.
1773072050350.png

The Molech statue at Bohemian Grove is a colossal owl sculpture that symbolizes wisdom and is often associated with ancient worship. It is a central icon in the Cremation of Care ceremony, where members burn a human effigy named "Care" at the foot of the owl statue. This ritual is a theatrical occult pageant that symbolizes the banishing of worldly cares for the club members. The statue, which has been a part of the Bohemian Grove's rituals since 1929, is draped in moss and looms over the trees, even containing hidden audio equipment. The owl's role in the ritual has been a subject of conspiracy theories, with some linking it to the worship of Moloch, a Canaanite god associated with child sacrifice. Despite these theories, the Bohemian Grove maintains that the ritual is not an actual sacrifice but a symbolic act of cremation.

Apparently, the top secret operation behind the development of the atomic bomb, known as the Manhattan Project, was allegedly first planned at the Grove in 1942, and it’s said to have played a key role in major political and business deals since it was founded in the late 1800s. Many witnesses have come out and said, “…the global elite get naked and run around shouting like little boys.

On the first night of the club’s annual engagement, a secret ceremony takes place after dark. In front of the members, a small boat crosses the lake towards a group of dark, hooded figures waiting at the owl statue with a High Priest who receives a human effigy from the ferryman, places it at the foot of the shrine, and sets it on fire (see image below).

1773072594254.png

The centerpiece of the two-week encampment is the “Cremation of Care” ritual ceremonies. A virtual devil-fest, this pagan drama is a massive theatrical production with outstanding actors and actresses (male actors portray the female parts in the drama – major cross-dressing). Similar to the bacchanalias of ancient Europe in which the various gods and goddesses were worshipped, animalistic idols were venerated, sexual orgies were engaged in, and human beings sacrificed, the Bohemian ritual ranks at the top of the occultic Secret Society dramas.

It may come as a surprise to many Americans that the owl representing the god Molech, as depicted at Bohemian Grove, is hidden in the upper right-hand corner of every one dollar bill – just right of the “T”.
1773107353457.png

Moloch was the fire god of the Ammonites, to whom human baby sacrifices were offered and Molech was the biblical name of a Canaanite god associated with child sacrifice (see image below).
1773072295235.png

This also links with Daddycat's post above about Iranians torching an effigy of Baal, an ancient god or demon linked with child-sacrifice. And, of course, the land of Canaan is today known as Israel. As has been suggested elsewhere and by Andromeda in this session, perhaps the murder of 160 Iranian schoolgirls during the first wave of US/Israeli airstrikes on Tehran was a deliberate offering to Baal/Molech to ensure the success of Operation Epic Fury on the feast day of Purim.

In another session, the C's said that Israel was run by a group of cabalists to whom no doubt Benjamin Netanyahu answers. The C's also spoke in this session of "National Gods" :
Q: (Joe) If Israel was to try, would the U.S., Trump government, whatever, intercede to stop that happening?

A: More complex than your thinking allows. Remember the idea of national "gods" put forth in the OT [Old Testament]. There are protections and vulnerabilities unknown to you at present. This is a conflict that will reveal and teach many. Do not be disheartened.

Does this suggest that for the elite or hidden rulers of Israel their national god is still Baal/Moloch, the same god that their biblical ancestors/ forebears worshipped in the form of the Golden Calf?

If so, might these cabalists be linked with the Frankish Cabalists of the 18th century who the C's confirmed were the ideological force behind the French Revolution:​

Session dated 23 March 2019:
(Pierre) About the French Revolution: Behind it, was the main ideological force Frankish Cabalism?

A: Yes.

Q: (Pierre) Oh, Jesus. Did Frankish Cabalists infiltrate Weishaupt Illuminati and some Freemason lodges?

A: Yes.

So, who were these Frankish Cabalists?

The Frankists

In 1756, Jacob Frank, an Ottoman Jew who had returned to the Poland of his birth, was discovered leading a group of fellow travellers in a suspect religious service. In 1751 he had proclaimed himself the Messiah and promulgated a "Higher Torah" -- based on the medieval Cabalistic writings of the Sefer Zohar (the "Book of Splendour"). At the request of the local rabbis, Polish authorities arrested the participants. Jewish authorities contacted the bishop in whose diocese the service had taken place and argued that since the rites of Frank’s followers involved the practice of magic and immoral conduct, both Jews and Christians should condemn them and burn them at the stake. The scheme backfired, as the Frankists (aka Zoharists) took the opportunity to ally themselves with the Church, presenting themselves as Contra-Talmudists who believed in a triune God. As a Turkish subject, Frank was released and temporarily expelled to the Ottoman territories, but the others were found guilty of breaking numerous halakhic prohibitions and were subject to a Jewish ban of excommunication. While they professed their adherence to everything that was commanded by God in the Old Testament, they asserted as well that the Rabbis of old had introduced innumerable lies and misconstructions in their interpretations of that holy book.

To most Christians, the Frankists seemed to be members of a Jewish sect. To Jewish reformers they formed a group making a valiant if misguided attempt to bring an end to the power of the rabbis. To more traditional Jews they were heretics to be suppressed by the rabbinate. What is undeniable is that by the late eighteenth century, the Frankists numbered in the tens of thousands and had a significant political and ideological influence on non-Jewish communities throughout eastern and central Europe.

The roots of the Frankist Movement lay in the Sabbateans (or Sabbatians) who were a variety of Jewish followers, disciples, and believers in Sabbatai Zevi (1626–1676), who was an Ottoman Jewish rabbi and Cabalist who was proclaimed to be the Jewish Messiah in 1666 (an interesting years since to Christians 666 represents the Number of the Beast otherwise known as Antichrist.

Frank completely rejected Jewish norms, preaching to his followers that they were obligated to transgress moral boundaries. Hence, the Frankists engaged in incest, orgies and sex rituals such as the infamous 1756 incident in Lanškroun where they were allegedly caught dancing around a half-naked woman symbolising the Shekhinah, the divine presence of God. It is interesting to note that only a few decades later, the French revolutionaries held a ceremony in Notre Dame Cathedral in Paris where a naked woman danced on the High Altar whilst representing the goddess reason, which suggests a definite Frankish influence. Frank followed and extended Sabbatai Zevi's practice of transgression of all moral boundaries so that orgies featured prominently in Frankist rituals. Frank claimed that "all laws and teachings will fall" and asserted that the most important obligation of humanity was the transgression of every boundary. Hence, we may be able to detect here a direct link between the disgusting practices of Mossad agent Jeffery Epstein and his elite friends and the Frankist Movement.

Frank wanted his followers to integrate into society in order to ultimately overthrow it. This would be realised in the French revolution where the French Jacobins, who were illuminised Freemasons, sought to overthrow the country's establishment and turn the existing social order upside down. It should also be noted that Frank's sexual movement among the Jews coincided with the birth and flourishing of the "Hellfire Club" in England and later the Martinists of France (N.B. the mysterious Abbe Sauniere Berenger of Rennes-le- Chateau fame was a Martinist ).

Jacob Frank and many of his followers ultimately converted to Catholicism, aligning themselves with European royal courts and secret societies rather than mainstream Jewish life. It should be noted here that Adam Weishaupt, the founder of the Bavarian Illuminati, was a professor at a Jesuit university but his grandfather had been a rabbi before his family converted to Catholicism. It is likely, therefore, that Weishaupt may have come from a Frankist family.

Does the Frankist Movement survive to this day and, if so, is the Cabal that the C's said ruled Israel the modern-day successors of the 18th century Frankists? One person who thinks that the Movement has survived to this day is Candace Owens, who has described Frankism as “the preferred religion of the elites” and associated it with devil worship and modern-day inversion rituals.​
 
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Professor Chaos: That checkmark I put on your reply 208 was unintentional; the laptop jumped and put that symbol instead of my reply 209.
Your reply 207 is interesting. When you say "don't think Israel will fall," I think you mean that their system will manage to establish itself in Patagonia, Argentina.
 
Thank you to everyone for the session. Despite the weight of the information, there are parts that essentially lift the spirit.
(L) We're in a hell of a situation. All right, today is February 28th, 2026. [Review of those present]

A: Be not afraid! Things are progressing.

I found a couple of Gabriela Rico Jimenez videos. It has some subtitles in Spanish. It is a report from a local television station (Azteca Noreste), in which the news report states: “This woman is saying a series of inconsistencies and causing a disturbance,” which is why the local police are arresting her.


(Joe) Gabriela Rico Jimenez, a 21-year-old Mexican model, was outside the Fiesta Inn in Monterrey, Mexico on August 3rd, 2009, having attended a private party at the hotel, an elite modeling event, that brought together prominent businessmen, politicians, and individuals whose names appeared in the Jeffrey Epstein files. The young woman began screaming that they were eating people and children. She was then arrested and disappeared without a trace. What happened to her?

A: Mindwiped on immediate necessity. Then transferred to mental ward.

Q: (L) So was this one of those things where they couldn't just snatch her and kill her?

A: Yes

Q: (L) So they had to do other things.

(Joe) But that suggests that what she was saying was true?

(L) Is what she was saying true?

A: Yes
 
This other link in English
The Vanishing of Gabriela Rico Jiménez – The Elite’s Darkest Secret
The mysterious case of Gabriela Rico Jiménez is one of Mexico’s most chilling unsolved stories. In 2009, the young model from Chihuahua attended a high-profile party in Monterrey—allegedly tied to the prestigious Elite Model agency. This wasn’t just any party; it was said to host powerful businessmen, politicians, and possibly organized crime figures.
 
Picking up on the perturbing confirmation in this session that the elite practice cannibalism, occasionally movies give us a hint that such sordid things do occur in the real world. In a recent session thread, there was discussion of Stanley Kubrick's last movie Eyes Wide Shut that seemed to be an expose of the Illuminati. In a similar way, the 2016 movie The Neon Demon starring the American actress Elle Fanning depicted the sordid world that lies behind the fashion industry in Los Angeles. Quoting from Wikipedia:

The plot follows an aspiring model in Los Angeles whose beauty and youth generate intense fascination and envy within the fashion industry.


The Production

The director Nicolas Winding Refn commented on the conception of the project: "I woke up one morning a couple of years ago and was like, 'Well, I was never born beautiful, but my wife is,' and I wondered what it had been like going through life with that reality," he says. "I came up with the idea to do a horror film about beauty, not to criticize it or to attack it, but because beauty is a very complex subject. Everyone has an opinion about it."

In January 2015, Dazed magazine reported that the script for the film was inspired by Elizabeth Báthory. In discussing the script, which Refn co-wrote with Mary Laws, he stated: "."I decided that I'd made enough films about violent men, and I wanted to do a film with only women in the film

Hmmm... the mention of Elizabeth Bathory here links us to Laura's comments in this session:

(L) Throughout history you get glimpses here and there of people who did things and believed these things. Think about that woman, what's her name? Elizabeth Bathory, who was bathing in the blood of virgins, killing all these young women so she could bathe in their blood.

On one level this movie works as an horror film but also as movie critic Todd McCarthy of The Hollywood Reporter called "[a] stultifyingly vapid, ponderously paced allegorical critique of the modelling world whose seethingly jealous inhabitants can't wait to literally chew each other up and spit each other out" - recalling here the disgusting scene where the character of Gigi vomits up one of Jesse's eyeballs.

Now, I don't know whether Refn mixes with the elite and was aware of the kind of goings on that occurred on Epstein's Island. However, the subject of this movie, the destruction of a beautiful teenage girl and her body being cannibalised, comes too close to reality and what has actually been happening in the dark corners of this world that are inhabited by the elite to be mere coincidence. The elite seem to like nothing better than taking youth, beauty and innocence and then destroying it in a Molech like orgiastic, cannibalistic sacrifice. In fairness, the cannibalism in this movie is practiced by two fellow models and not by members of the elite but there is little doubt that all who mix in their world are degraded through their association with such people. Top fashion models often mix with high society and in spite of their humble origins are drawn into the decadent lifestyles of the rich elite, albeit as playthings until they commit the unforgivable sin of aging.

Indeed, this point was illustrated in this session by the real life experiences of Mexican model Gabriela Rico Jimenez:



I found the movie to be deeply disturbing on many levels and would not recommend it to you. Unsurprisingly, it was a box office flop and it met with mixed reviews, although some critics raved about it and viewed it as a masterpiece. Obviously, there is no accounting for taste [pun intended].

Bohemian Grove

The C's gave further confirmation that such satanic ceremonies involving the elite take place using young victims when they confirmed that the infamous Bohemian Grove near to San Francisco in Northern California was a venue for such activities:


The reference to Bohemian Grove above brings us back to Molech worship again since there is a giant Molech statue (42 feet high) in the form of an owl at Bohemian Grove.

The Molech statue at Bohemian Grove is a colossal owl sculpture that symbolizes wisdom and is often associated with ancient worship. It is a central icon in the Cremation of Care ceremony, where members burn a human effigy named "Care" at the foot of the owl statue. This ritual is a theatrical occult pageant that symbolizes the banishing of worldly cares for the club members. The statue, which has been a part of the Bohemian Grove's rituals since 1929, is draped in moss and looms over the trees, even containing hidden audio equipment. The owl's role in the ritual has been a subject of conspiracy theories, with some linking it to the worship of Moloch, a Canaanite god associated with child sacrifice. Despite these theories, the Bohemian Grove maintains that the ritual is not an actual sacrifice but a symbolic act of cremation.

Apparently, the top secret operation behind the development of the atomic bomb, known as the Manhattan Project, was allegedly first planned at the Grove in 1942, and it’s said to have played a key role in major political and business deals since it was founded in the late 1800s. Many witnesses have come out and said, “…the global elite get naked and run around shouting like little boys.

On the first night of the club’s annual engagement, a secret ceremony takes place after dark. In front of the members, a small boat crosses the lake towards a group of dark, hooded figures waiting at the owl statue with a High Priest who receives a human effigy from the ferryman, places it at the foot of the shrine, and sets it on fire (see image below).


The centerpiece of the two-week encampment is the “Cremation of Care” ritual ceremonies. A virtual devil-fest, this pagan drama is a massive theatrical production with outstanding actors and actresses (male actors portray the female parts in the drama – major cross-dressing). Similar to the bacchanalias of ancient Europe in which the various gods and goddesses were worshipped, animalistic idols were venerated, sexual orgies were engaged in, and human beings sacrificed, the Bohemian ritual ranks at the top of the occultic Secret Society dramas.

It may come as a surprise to many Americans that the owl representing the god Molech, as depicted at Bohemian Grove, is hidden in the upper right-hand corner of every one dollar bill – just right of the “T”.

Moloch was the fire god of the Ammonites, to whom human baby sacrifices were offered and Molech was the biblical name of a Canaanite god associated with child sacrifice (see image below).

This also links with Daddycat's post above about Iranians torching an effigy of Baal, an ancient god or demon linked with child-sacrifice. And, of course, the land of Canaan is today known as Israel. As has been suggested elsewhere and by Andromeda in this session, perhaps the murder of 160 Iranian schoolgirls during the first wave of US/Israeli airstrikes on Tehran was a deliberate offering to Baal/Molech to ensure the success of Operation Epic Fury on the feast day of Purim.

In another session, the C's said that Israel was run by a group of cabalists to whom no doubt Benjamin Netanyahu answers. The C's also spoke in this session of "National Gods" :



Does this suggest that for the elite or hidden rulers of Israel their national god is still Baal/Moloch, the same god that their biblical ancestors/ forebears worshipped in the form of the Golden Calf?

If so, might these cabalists be linked with the Frankish Cabalists of the 18th century who the C's confirmed were the ideological force behind the French Revolution:​


So, who were these Frankish Cabalists?

The Frankists

In 1756, Jacob Frank, an Ottoman Jew who had returned to the Poland of his birth, was discovered leading a group of fellow travellers in a suspect religious service. In 1751 he had proclaimed himself the Messiah and promulgated a "Higher Torah" -- based on the medieval Cabalistic writings of the Sefer Zohar (the "Book of Splendour"). At the request of the local rabbis, Polish authorities arrested the participants. Jewish authorities contacted the bishop in whose diocese the service had taken place and argued that since the rites of Frank’s followers involved the practice of magic and immoral conduct, both Jews and Christians should condemn them and burn them at the stake. The scheme backfired, as the Frankists (aka Zoharists) took the opportunity to ally themselves with the Church, presenting themselves as Contra-Talmudists who believed in a triune God. As a Turkish subject, Frank was released and temporarily expelled to the Ottoman territories, but the others were found guilty of breaking numerous halakhic prohibitions and were subject to a Jewish ban of excommunication. While they professed their adherence to everything that was commanded by God in the Old Testament, they asserted as well that the Rabbis of old had introduced innumerable lies and misconstructions in their interpretations of that holy book.

To most Christians, the Frankists seemed to be members of a Jewish sect. To Jewish reformers they formed a group making a valiant if misguided attempt to bring an end to the power of the rabbis. To more traditional Jews they were heretics to be suppressed by the rabbinate. What is undeniable is that by the late eighteenth century, the Frankists numbered in the tens of thousands and had a significant political and ideological influence on non-Jewish communities throughout eastern and central Europe.

The roots of the Frankist Movement lay in the Sabbateans (or Sabbatians) who were a variety of Jewish followers, disciples, and believers in Sabbatai Zevi (1626–1676), who was an Ottoman Jewish rabbi and Cabalist who was proclaimed to be the Jewish Messiah in 1666 (an interesting years since to Christians 666 represents the Number of the Beast otherwise known as Antichrist.

Frank completely rejected Jewish norms, preaching to his followers that they were obligated to transgress moral boundaries. Hence, the Frankists engaged in incest, orgies and sex rituals such as the infamous 1756 incident in Lanškroun where they were allegedly caught dancing around a half-naked woman symbolising the Shekhinah, the divine presence of God. It is interesting to note that only a few decades later, the French revolutionaries held a ceremony in Notre Dame Cathedral in Paris where a naked woman danced on the High Altar whilst representing the goddess reason, which suggests a definite Frankish influence. Frank followed and extended Sabbatai Zevi's practice of transgression of all moral boundaries so that orgies featured prominently in Frankist rituals. Frank claimed that "all laws and teachings will fall" and asserted that the most important obligation of humanity was the transgression of every boundary. Hence, we may be able to detect here a direct link between the disgusting practices of Mossad agent Jeffery Epstein and his elite friends and the Frankist Movement.

Frank wanted his followers to integrate into society in order to ultimately overthrow it. This would be realised in the French revolution where the French Jacobins, who were illuminised Freemasons, sought to overthrow the country's establishment and turn the existing social order upside down. It should also be noted that Frank's sexual movement among the Jews coincided with the birth and flourishing of the "Hellfire Club" in England and later the Martinists of France (N.B. the mysterious Abbe Sauniere Berenger of Rennes-le- Chateau fame was a Martinist ).

Jacob Frank and many of his followers ultimately converted to Catholicism, aligning themselves with European royal courts and secret societies rather than mainstream Jewish life. It should be noted here that Adam Weishaupt, the founder of the Bavarian Illuminati, was a professor at a Jesuit university but his grandfather had been a rabbi before his family converted to Catholicism. It is likely, therefore, that Weishaupt may have come from a Frankist family.

Does the Frankist Movement survive to this day and, if so, is the Cabal that the C's said ruled Israel the modern-day successors of the 18th century Frankists? One person who thinks that the Movement has survived to this day is Candace Owens, who has described Frankism as “the preferred religion of the elites” and associated it with devil worship and modern-day inversion rituals.​

I think we should separate a few things. There are different environments, spheres of influence, and also historical and imagined things. I don't know if mesmerizing everything to Satanists or the Illuminati makes sense. Or, I don't know, the "broadly defined lobby" makes sense.

For example, to my knowledge, models are often treated a bit like high-end prostitutes. That is, it's not stated that they are. But rather that their lack of participation in all this, meetings, parties, etc., somehow blocks the path to further careers. It's probably some kind of taboo. Meaning models will talk about undereating or cocaine. But won't specifically mention orgies. At the same time, it sometimes happens that one says, for example, that it's practically normal for girls "entering the big world." They arrive as ordinary, pretty, and inexperienced girls. They return as famous, wealthier, and more experienced. This, I believe, somehow erases their normal personality: she fulfills a dream but destroys her normal ambitions, emotions, etc. They simply become a part of it all, permeated by it. That's why sometimes you get the impression that they look like clones, even though they look different. (I don't want to talk about the tendency of people to become more like each other, to imitate trends, basically to become an indistinguishable clone of another person - especially through the media, because that might be an oversimplification; after all, they are constantly creating their own trends, forms of expression, art, etc. But these models, in terms of the "quality of the material", but at the same time a certain "inner emptiness" and servility, almost exactly reflect what we were saying about people as potential "vessels". And in this sense, it is, as the session suggests, a perfect reflection of 4D STS. There is also a kind of balance of innocence and licentiousness in it).

And honestly, I can't see a rational reason why these catwalks should make so much money. Perhaps it's just based on snobbery, elitism, or possibly drug money laundering. Because the clothes they wear are often idiotic, not fashionable. Fashion that isn't even fashion but some projection of the Matrix. But that's still my interpretation. I don't have statistics or empirical insight. And at the same time, it's rather far from ritualistic blood orgies, although there might be a dose of similar depravity in it, from the perspective of the ordinary person: insatiability, lack of morality, some kind of chauvinism.

The thing is, the ordinary person can't even think about what comes easily to certain kinds of people. Sociopaths, psychopaths, and even "ordinary" egoists or people with simply lower emotional development. We'll need to explain certain things with ideology, for example, rituals, and some spiritual beliefs. But that could just as easily be a kind of projection. Because we can't fathom that someone would do such things simply for fun.

Look at Epstein. Most people's reaction is the same: "Slit his back with a knife, sprinkle salt on the wounds," "put him in a straw chopper," etc. He partially succeeds: based on the principle of emotional rebound, an eye for an eye, a tooth for a tooth, you have a primal reaction. In this sense, he manages to create a mental connection with you, drawing energy from it. His reaction is probably amusement at best.

If the Illuminati truly exists, whatever they are today, perhaps people are right.

A former record company employee once commented on magical rituals performed on records, claiming that some songs ("Hotel California") were about witches and Satanism... (Well, what could be imagined and what actually happened would really change the interpretation of such a song and the depth of its irony.) But what would the Illuminati say to our image of a dollar as the only fragment of truth they possess? After all, it's a kind of manifestation, a buffer, perhaps a forgotten symbol created for decoration, and it's funny in its own way that all we know is simply a facade, like the exterior wall of a building seen from a distance, from behind a fence. But following the logic that conspiracy theories aren't far off, they simply own the record companies (music) and, now, film and television. So, they are responsible for the media facade. And, to a large extent, the simplified, hedonistic emotionality of people. Here might be the answer to why something intended to be enlightening became materialistic – it was changed at some point. It has gone from a harmonious unfolding of well-being to a drugged-up emotional satisfaction and pleasure.

There was always room for truth somewhere out there. But now, it's hard to say. Hedonistic pop culture has absorbed Illuminati symbols, turning them into trendy memes and marketing tools while stripping away any deeper meaning. Meanwhile, modern governments and power structures serve as a grim, distorted reflection of those same symbols, embodying cold, hierarchical control and total surveillance under the guise of progress. It seems to me that there's a lot of social research in this body of work, not just Hitler's (which, although it sounds funny, also became a brand and the face of the actions of many people who, thanks to this, remain hidden to this day, even post-mortem). Awareness of crowd psychology and the possibility of controlling, to some extent, global trends, especially political ones, but also so called socio-political ones, meaning literally people's thoughts and emotions (precisely with manifestations of freedom of thought such as, for example, "conspiracy theories", or some kind of simplifications, but still non-stereotypical, etc. Even if we are inside and choose between one evil and another, we believe in some values, but in this form our rebellion is already, sadly, part of the world of politics or media manipulation. Even if it isn't, we'll probably be implicated or accused of it. And this means de facto success of social engineering.) For example, the current "reset," an attempt to balance liberalism and conservative values, seems more like another attempt to control chaos (through people who are far from classically understood morality, but are more willing to wear masks, and therefore diplomatically astute than, for example, the so-called "liberal left", just like 'the pagans' before, it goes as usual and only change clothes).

And again, reaching further, for example, to what cinema itself shows about them, etc. They probably keep in power people completely unaware, who believe in some ideology (and thus create balance, but also a kind of Matrix), as well as those with whom we would want nothing to do. Visible on a pedestal, not just in the wings. And the only thing we have is a drawing from a few hundred years ago, or practically speaking, a meme edited in Paint.

See what most people thought: he hanged himself. Because? Did he feel remorse? The truth came out? Did he suffer the consequences? No, they probably killed him because he was so vile! Most people can't accept the idea that this could be a setup; the services are capable not only of saving him but also of eliminating his enemies (including innocent people themselves; the most graphic and "X-Files"-esque example of what the services are capable of is, for me, the actress who "came to life" in a fake ambulance). These people (I mean services) are already acting almost as bad as or worse than aliens. (And yet they are also real people, organic portals or not, because the "argumentum ad portalum" also only makes it easier for us to accept all this, accept it as something our psyche can bear, explain and rationalize).

I mean, maybe they were just so d...headed that they did it for fun, to show off their superiority, that it gave them pleasure, that it made them feel like they were an elite above everyone else, brazen enough to even let people in on the truth because they didn't care. They knew they wouldn't admit it, that sooner or later it would come out anyway, and they'd probably get away with it anyway.

Despite everything, the testimony does mention rituals, and the question is what purpose they served. Probably elitism. Perhaps feeding on energy. Perhaps literally strengthening oneself psychologically. Perhaps offering a sacrifice. Epstein was asked about Satan, but he lied. He said he'd only seen it in a film.

And what kind of film it was, I think you've already answered yourselves.

I think cinema is a buffer, and that conspiracy theory or social belief is a buffer. That this truth simply has to find its place somewhere. And maybe allowing people to see is actually a part of the manipulation of free will that makes sense from this point of view. Let them see it and spread the word; otherwise, it will bubble up, and we're going to be destroyed. It's a balancing act. But then again, maybe I'm just overinterpreting the impudence.

And why do they always end up in Argentina? This is, by the way, a ridiculous example of this buffer: Hitler was supposed to be in Argentina, Elvis was supposed to be in Argentina, and finally Tupac. But in reality, Dr. Mengele was probably there. But Argentina has already been ridiculed so much that no one takes it seriously. There's a buffer.
 
mindwiped how?
Many different ways. Since ECT (previously called electro shock therapy) can induce short term memory loss, the same procedure but more intense could do a full memory wipe. If you've read about the MKUltra program, there were other methods that the CIA doctors used like heavy LSD dosing as well.
 
Back to Epstein,
– "The Devil himself said, I'm gonna exchange some money for your child's life. And I do have a good mirror."

If you follow my method – abandoning empathy and the assumption that a psychopath is truthful – and take his words literally (though assuming a certain psychological game), you'll see that he practically admitted to killing children almost word for word. He knew it could be interpreted as a play on words, or an intellectual exercise, and the journalist wouldn’t be able to follow it. This is manipulation in action, but also a form of impulsive, psychopathic insolence, because the journalist kept asking questions over and over again, and it became tedious. So he could actually admit to something openly, because it wouldn't change anything anyway. He simply got rid of his irritation and took up the game. This may sound contradictory, but it's about getting past his deceptions and your own projection.

On the surface it means "I’m buying someone’s life," but underneath it suggests "I’m literally taking it."

It was the journalist who used the Satanic concept, but Epstein picked it up easily.

You can see how relaxed a man can be while talking about killing people on camera. He wasn't actually asked about the murders, just trafficking and sexual exploitation. But I think he went a step further because the constant circling around the topic was irritating.

The mirror he mentioned was, in my opinion, an inspiration. It's similar to the psychological concept of the mirror. The idea of inspiring yourself and becoming someone's reflection. Not exactly God's reflection – of course. I think it implies some understanding of esotericism, maybe something deeper. Superficially, this could be understood as "I look in the mirror, and I don't see Satan." But figuratively: "Satan is, to use your metaphor, my point of reference."

Other interesting fragments of this interview: "– No, I'm the lowest. – But a criminal? – Yes," and "Everyone would say that I want money for my children." He also shrugged off the Satan metaphor with the line, "I've seen it in a movie." A rather artificial attempt to align himself with the interviewer – as if to say: "Yes, I know, I've seen that before, but I'm not interested". Just a pose. And perhaps, just perhaps, a subtle hint of certain Hollywood themes.

Long story short: "We support big pharma. We pay for vaccines in distant countries. This creates a cover for sex trafficking. But as a side effect, we also help with polio. We lure famous people as another cover. We get money from them. We get leverage on them. But what we're really doing is financing our sexual interests and establishing ourselves as philanthropists. The people we work with create further cover through social support and mass media. They just pretend to be decent people who care about others. At the same time, they are influential enough to provide us with services – and capable of anything. They will, or they'll be destroyed. If anything, they can sacrifice some pawns from the list."

It's hard to believe that such people live, thrive on it, and revel in it. That it gives them pleasure. That it doesn't make them feel guilty. Instead, it fills them with power, and they are virtually unpunished. But if this is true – and it seems that it is – stories like Jack the Ripper become children’s fairy tales. And even Hannibal Lecter is a well-motivated and quite benign character.
 
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