At its most basic level I thoroughly enjoyed the move V for Vendetta simply for its swashbuckling style, its lyricism, visual effects, action sequences, its music (especially the stones song "street fighting man" at the trailer)! and I enjoyed V's use of poetry to convey his "eternal idea" of justice (an idea which cannot be destroyed) behind the Guy Fawkes mask. I particular enjoyed the ending scene where the citizens of London were all marching in unison wearing the Guy Fawkes masks which, to me, represented the "eternal idea" of justice. It made me want to stand up and cheer. The ending at least gave me a feeling of hope, which I particularly liked considering the fact that the Powers That Be want us to think there is no real hope because they have all the control. Remember the old TV series the Outer Limits? Before each show they would announce:
So, I guess, the violence in the movie was like an outer crust that would appeal to the mass audience but at the core of the movie there was the representation of a pure eternal idea that can be seen by those "who have eyes to see."
What went thru my mind at the end of the film is the idea of justice more so then
the idea of retribution. The concepts of time, and the nature of causality, retribution, judgment, and justice whirled thru my mind as I left the movie house. In the movie these ideas were kinda mixed so as to appeal to the larger viewing audience and it was up to the movie goer to sort it out according to their level of understanding.
I saw that at one level the future of a nation is causally predetermined and the origins of the future can be predetermined by the past so that the future will be no different then the past. If people don't wake up to what's really going on around them then their future will be determined for them. In the causally predetermined future people will be willing slaves and be under complete control of "the outer limits."
So the origins of future events for the casually predetermined nation is determined by
its past.
Then you have the "consequential future" of a nation, probably based more on the "law of consequences" established by group Karma possibly giving rise to retributive violence.
Then you have the "shaped future" of a nation that enter the nations time line at its birth and the future events of the nation is governed by astronomical patterns that determine its fate.
So the origins of future events for the consequential future (karma) and shaped futures (fate) of a nation are, I think, pretty much determined by what is done in the present.
Then you have the open and unexpected or creative future of a nation which, I think, is based on choice and an idea which determines its destiny. Its destiny comes from a future realm that is completly free and this gives a nation its true heritage based on brotherly love and freedom. In this case, the origins of future events come from the creative future and enter the nations time line at its conception giving the nation its possibilities to be free.
So, I think, the origins of a free nation come from the future and enter it at its point of
conception determining its destiny instead of entering its point of birth where the influences of karma and fate enter.
So, for me, the movie inspired me to the above realizations and if I can see a movie at more then one level then, for me, its "more then just a movie."
Well, the end of the movie made me feel that I still could do something, or at least it gave me a feeling of hope that there might still might be a possibility here in the good ole' US of A. Some people might see the movie as violent but they miss the point that these scenes in the movie can be overlooked when you see that they could stand for metaphors relating to the disintegration of those twisted and psychotic govermental/media institutions that had brought about London's Orwellian futuristic totalitarian regime.There is nothing wrong with your television set. Do not attempt to adjust the picture. We are controlling the transmission. If we wish to make it louder, we will bring up the volume. If we wish to make it softer, we will tune it to a whisper. We will control the horizontal. We will control the vertical. We can roll the image; make it flutter. We can change the focus to a soft blur or sharpen it to crystal clarity. For the next hour, sit quietly and we will control all that you see and hear. We repeat: there is nothing wrong with your television set. You are about to participate in a great adventure. You are about to experience the awe and mystery which reaches from the inner mind to the Outer Limits.
So, I guess, the violence in the movie was like an outer crust that would appeal to the mass audience but at the core of the movie there was the representation of a pure eternal idea that can be seen by those "who have eyes to see."
What went thru my mind at the end of the film is the idea of justice more so then
the idea of retribution. The concepts of time, and the nature of causality, retribution, judgment, and justice whirled thru my mind as I left the movie house. In the movie these ideas were kinda mixed so as to appeal to the larger viewing audience and it was up to the movie goer to sort it out according to their level of understanding.
I saw that at one level the future of a nation is causally predetermined and the origins of the future can be predetermined by the past so that the future will be no different then the past. If people don't wake up to what's really going on around them then their future will be determined for them. In the causally predetermined future people will be willing slaves and be under complete control of "the outer limits."
So the origins of future events for the casually predetermined nation is determined by
its past.
Then you have the "consequential future" of a nation, probably based more on the "law of consequences" established by group Karma possibly giving rise to retributive violence.
Then you have the "shaped future" of a nation that enter the nations time line at its birth and the future events of the nation is governed by astronomical patterns that determine its fate.
So the origins of future events for the consequential future (karma) and shaped futures (fate) of a nation are, I think, pretty much determined by what is done in the present.
Then you have the open and unexpected or creative future of a nation which, I think, is based on choice and an idea which determines its destiny. Its destiny comes from a future realm that is completly free and this gives a nation its true heritage based on brotherly love and freedom. In this case, the origins of future events come from the creative future and enter the nations time line at its conception giving the nation its possibilities to be free.
So, I think, the origins of a free nation come from the future and enter it at its point of
conception determining its destiny instead of entering its point of birth where the influences of karma and fate enter.
So, for me, the movie inspired me to the above realizations and if I can see a movie at more then one level then, for me, its "more then just a movie."