I posted once before, many moons ago, concerning this piece but as no matter what phase I go through in life I always come back and back to it decade by decade, year in year out, and as once again today I find myself drawn to its haunting solace, I thought I'd share here anew as I am indeed listening to - or more accurately being with it as I write.
I fell into it first by a strange series of chance happenings when about 15 and instantly felt it as deep as blood and bone and stone. Since then it has never wavered as the signature calling of my life. For me it also represents a profound homily and dream rekindled concerning the lost (or abandoned) soul of England; as she once was and should ever have been.
This is by far the finest, most appropriate version yet recorded; for it was composed for performance precisely as in the video below - upon the sacred floor of Gloucester Cathedral, where in 1910, it was first played and conducted by composer Ralph Vaughan Williams. However even then they did not manage the full effect that this masterful performance does for they were allowed to remove all the seating and thereby returned this magnificent sacred space to its original state which allowed the strings of a double orchestra to be laid out in this exact spatial arrangement as intended by the composer, so creating maximum depth and movement as befitting the ultimate (for me) in quest surround sound.
And for those who know nothing of Thomas Tallis, (16th century weaver of spiritual magic) here in parting is the original source that so inspired Vaughan Williams followed by his mathematically perfect
Spem in Alium, a homage to the perfection of the divine universe. May they wash over you.