What poem are you reading

A History of Mourning

It's odd that evening is so speckled with grief.
Birds start singing when the branch reddens.
But we write our poems when the sun goes down.

Our ancestors knew how to cry at death; but they
Had enough to do finding big stones to cover
The dead, and begetting new souls to replace them.

We slept on the limestone plains, and woke
Night after night, tracing the route the dead take
Through holes in the limestone and on into the stars.

Some hands outlined with blown powder
On the walls of the cave have missing fingers.
We drew maps of the night sky in the dust.

How slowly it all went! One day a woman wept
When she saw a bone reddened with ochre.
A thousand years later, we put a bead in a grave.

Some graves stand among woods. We still don't understand
Why a pine coffin is so beautiful. We don't know.
We are still brooding over why the sun rises.

Robert Bly
 
INVICTUS
William Ernest Henley (1949-1903)

OUT of the night that covers me,
Black as the Pit from pole to pole,
I thank whatever gods may be
For my unconquerable soul.

In the fell clutch of circumstance
I have not winced nor cried aloud.
Under the bludgeonings of chance
My head is bloody, but unbowed.

Beyond this place of wrath and tears
Looms but the Horror of the shade,
And yet the menace of the years
Finds, and shall find, me unafraid.

It matters not how strait the gate,
How charged with punishments the scroll,
I am the master of my fate:
I am the captain of my soul.
 
My reading has taken a dark turn with four million orphans in Iraq and the lands of Islam enveloped in war. I recall many of these dark poems from a period of darkness in my own life when dark poetry led me through the valley without averting my eyes or turning back from a Dark Time.


The Black Riders

There are blows in life so violent--Don't ask me!
Blows as if from the hatred of God; as if before them,
the deep waters of everything lived through
were backed up in the soul....Don't ask me!

Not many; but they exist...They open dark ravines
in the most ferocious face and in the most bull-like back.
Perhaps they are the horses of the heathen Attila,
or the black riders sent to us by Death.

They are the slips backward made by the Christs of the soul,
away from some holy faith that is sneered at by Events.
These blows that are bloody are the crackling sounds
from some bread that burns at the oven door.

And man...poor man!...poor man! He swings his eyes, as
when a man behind us calls us by clapping his hands;
swings his crazy eyes, and everything alive
is backed up, like a pool of guilt, in that glance.

There are blows in life so violent...Don't ask me!

Cesar Vallejo
 
(Unfortunately this is not the full version. I can't find it anywhere online and I don't really feel like copying the whole thing down that this hour :zzz: so looks like you'll get the abridged version. Hope you understand! :D)
**Check out the video link below if you don't feel like reading it through!!**


"Dinosauria, We"
By Charles Bukowski


Born like this
Into this
As the chalk faces smile
As Mrs. Death laughs
As the elevators break
As political landscapes dissolve
As the supermarket bag boy holds a college degree
As the oily fish spit out their oily prey
As the sun is masked
We are
Born like this
Into this
Into these carefully mad wars
Into the sight of broken factory windows of emptiness
Into bars where people no longer speak to each other
Into fist fights that end as shootings and knifings
Born into this
Into hospitals which are so expensive that it's cheaper to die
Into lawyers who charge so much it's cheaper to plead guilty
Into a country where the jails are full and the madhouses closed
Into a place where the masses elevate fools into rich heroes
Born into this
Walking and living through this
Dying because of this
Muted because of this
Castrated
Debauched
Disinherited
Because of this
Fooled by this
Used by this
Pissed on by this
Made crazy and sick by this
Made violent
Made inhuman
By this
The heart is blackened
The fingers reach for the throat
The gun
The knife
The bomb
The fingers reach toward an unresponsive god
The fingers reach for the bottle
The pill
The powder
We are born into this sorrowful deadliness
We are born into a government 60 years in debt
That soon will be unable to even pay the interest on that debt
And the banks will burn
Money will be useless
There will be open and unpunished murder in the streets
It will be guns and roving mobs
Land will be useless
Food will become a diminishing return
Nuclear power will be taken over by the many
Explosions will continually shake the earth
Radiated robot men will stalk each other
The rich and the chosen will watch from space platforms
Dante's Inferno will be made to look like a children's playground
The sun will not be seen and it will always be night
Trees will die
All vegetation will die
Radiated men will eat the flesh of radiated men
The sea will be poisoned
The lakes and rivers will vanish
Rain will be the new gold
The rotting bodies of men and animals will stink in the dark wind
The last few survivors will be overtaken by new and hideous diseases
And the space platforms will be destroyed by attrition
The petering out of supplies
The natural effect of general decay
And there will be the most beautiful silence never heard
Born out of that.
The sun still hidden there
Awaiting the next chapter.


http://www.youtube.com/watch?v=hRc6mHS9PjE
 
Leda, Queen of Sparta, was seduced or raped by Zeus in the guise of a great white swan. Rilke and Yeats wrote poems drawing on this mythological imagery. Rilke centers experience with Zeus the God and Yeat's feeling is with Leda's experience of this archetypal union. The similarities and the differences enliven both poems.



Leda

When the god, needing something, decided to become a
swan,
he was astounded how lovely the bird was;
he was dizzy as he disappeared into the swan.
But his deceiving act soon pulled him into the doing,

before he had a chance to test all the new feelings
inside the being. And the woman, open to him,
recognized the One Soon To Be Born
and she knew; what he asked for

was something which, confused in her defending, she
could no longer keep from him. He pressed closer
and pushing his neck through her less and less firm hand

let the god loose into the darling woman.
Then for the first time he found his feathers marvelous
and lying in her soft place he became a swan.

Rainer Maria Rilke
translated by R.B.



Leda and the Swan

A sudden blow: the great wings beating still
Above the staggering girl, her thighs caressed
By the dark webs, her nape caught in his bill,
He holds her helpless breast upon his breast.

How can those terrified vague fingers push
The feathered glory from her loosening thighs?
And how can body, laid in that white rush,
But feel the strange heart beating where it lies?

A shudder in the loins engenders there
The broken wall, the burning roof and tower
And Agamemnon dead.

Being so caught up,

So mastered by the brute blood of the air,
Did she put on his knowledge with his power
Before the indifferent beak could let her drop?

William Butler Yeats
 
Fire and Ice

By Robert Frost


Some say the world will end in fire<
some say in ice
From what I've tasted of desire
I hold with those who favor fire.
But if it had to perish twice,
I think I know enough of hate
to say that for destruccion ice
is also great
and would suffice.





Edit=Delete Empty Space
 
This poem is a favorite modern rendering of the mortificatio experience.

In a Dark Time

In a dark time, the eye begins to see,
I meet my shadow in the deepening shade;
I hear my echo in the echoing wood—
A lord of nature weeping to a tree.
I live between the heron and the wren,
Beasts of the hill and serpents of the den.

What’s madness but nobility of soul
At odds with circumstance? The day’s on fire!
I know the purity of pure despair,
My shadow pinned against a sweating wall.
That place among the rocks—is it a cave,
Or winding path? The edge is what I have.

A steady storm of correspondences!
A night flowing with birds, a ragged moon,
And in broad day the midnight come again!
A man goes far to find out what he is—
Death of the self in a long, tearless night,
All natural shapes blazing unnatural light.

Dark, dark my light, and darker my desire.
My soul, like some heat-maddened summer fly,
Keeps buzzing at the sill. Which I is I?
A fallen man, I climb out of my fear.
The mind enters itself, and God the mind,
And one is One, free in the tearing wind.

by Theodore Roethke
 
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