Cassiopaea Forum Reading Workshops - Public

(CRW Am-EU) What temporary schedule is best for you?

  • Sunday 17:00-19:00 UTC (18:00-20:00 French time)

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    43
Just thought I might post this for those who are interested- with regards to the Shepherds of Arcadia painting, Laura suggests that it was of importance because “it depicted the true parentage of Louis XIV and made a rather bold statement about it as well” (pg 304).

In the Phosphorus and The Frequency of Light thread, Laura further posits that there may have been much more to Poussin the painter and that he may have have discovered something important to do with perpetual lamps relating to phosphorescence. Below is the excerpt from Laura’s initial post in that thread, but it’s worth reading it in whole (it’s truly amazing to see how she connects all the dots!):
Having disposed of most of the elements of the Rennes-le-Chateau
> story, particularly Plantard and his "club" Le Prieure de Sion, what did we
> have left?
>
> We had Cathars and Templars who were destroyed.
> We had Grail stories that emerged at the approximate same time...
> We had an icon that appeared on a beach in the Canary Islands,
> accompanied by lights and chanting processions...
> We had a pit dug at Oak Island and something buried that was NOT
> meant to be dug up.

>
> Meanwhile, we have this bunch of guys following all these false
> leads... Exerting themselves all over the place to find what is NOT hidden,
> though they think it is because their understanding is darkened.
>
> And we come back to Arcadia.
>
> There is NOTHING hidden in the picture. It is clear and plain.

>
> And what does it tell us?
>
> Well, let's think about Nicolas Poussin and recap what we know about
> him.
>
> What is important is this: Nicolas Poussin spent most of his
> adult life in Rome. Arriving there in 1624, he suffered a
> serious breakdown in 1629 either just after or just before
> painting the first version of the Arcadian Shepherds. One
> cannot help but wonder about this breakdown.
>
> He returned to Paris for little more than a year in 1640.
> But, what was he doing there?
>
> In regard to this, I was reading Josephson's paper on the theory of
> music, and he has an interesting idea there, though it is not new:
> Gurdjieff talked about "objective" music.
>
> So, I thought about this and decided that the "emotional" state
> evoked by art is a VERY important part of the message. Not that this
> is necessarily emotional in the usual sense of the word, but that it
> is an "exciting" of some essential nature. And, depending on the
> essential nature, the results of this excitation can be varied.
>
> For example, Mr. Mann sees the pregnant Shepherdess as representative
> of a "hidden fifth" element.
>
> The fifth house of the zodiac is the house of love and creativity and
> children and physical creation in general, including physical sex.
>
> So, I asked myself why he would perceive it this way?
>
> And why do I NOT perceive it this way? What is the difference?
>
> Well, perhaps it is because he sees it all as some power OUTSIDE of
> himself that must be sought and obtained and controlled.
>
> I see it as simply who and what I am.
>
> But, getting back to the painter of this picture.
>
> Anyway, his first few years in Rome coincided with a great
> deal of ancient site excavation activity that was going on.

>
> During this period of history, patronage of the arts on a lavish and
> international scale was quite common. This was the period of Rubens
> (who I like because his women look like ME!) and he painted in a rich
> and lavish style which transformed the lives of the royalty into
> dramatic Olympian statements! This, naturally, increased their egos
> so that they actually attempted to lead such lives, and led
> ultimately to the Revolution because of their excesses. They
> completely missed the point of the imagery and attempted to express
> all of it materially.
>
> Well, it seems that while Rubens was painting grandiose semi-mythical
> murals incorporating his royal patrons into the scenery, Poussin was
> working on minor decorations. He left for Rome. Why? Because there
> was something in the Parisian atmosphere that offended him, I expect.
>
> But, he had a solid reputation and a patron: Cardinal Richelieu. It
> was because of the Cardinal (notice the C+R) that Poussin came back
> to Paris to decorate the grand gallery of the Louvre. He received a
> shower of favors and the title "First Painter to the King." But, he
> was shortly made so miserable by the intrigues that grew up around
> him, that he left for Rome again. He became the "artistic
> ambassador" from France, and all the French artists were sent to him
> for supervision under government subsidy.
>
> He was a student of the classics, and needed the freedom to work out
> his own ideas and principles. His main themes were myth, religion,
> history and architecture. All of these are part of the "clues," so
> it seems that our Poussin may have been privy to certain "inside
> circles," even if only through inspiration, or "channeling," of an
> artistic sort.

>
> But, nevertheless, he had suffered a breakdown. WHY?
> During his illness he was nursed by, and then married, the
> daughter of Jean Dughet, the cook to the Cavaliere del Pozzo,
> who was in charge of the excavations.(!)

>
> Of this Dughet, it was recorded: "Near Capo di Bove was found buried
> a most curious treasure, including a room much decorated with silver;
> but by the intervention of a spy, those that found it gained little
> by it, for the great part of them were thrown into prison.
> Only the father-in-law of Monsieur Poussin was exempted, on
> account that he was cook to the senator."

>
> Now, I think that Capo di Bove means "head of the cow." So, we have
> a head and a cow. Remembering the cattle image and that the goddess
> Hera was often called "cow faced," and there were a lot of other cow
> images relating to creation and the goddess aspect.
>
> Anyway, what was dug up? What did they find? No one in this book on
> art history seems to know or care. Which is fine, because they are
> just talking about art and trying to interpret it aesthetically.
> But I sure wish somebody knew something about this mysterious episode.
>
> They say that Poussin spent a lot of time in the Roman museums,
> studying the figures there and modeling many of his figures on them.
> His "judicious use of opposites" is commented upon. And, it is
> further commented that Poussin had a "constant preoccupation with
> antique sculpture" which is shown by his clearly defined figures who
> look as though they have been chiseled out of stone, and that certain
> groups are DIRECTLY derived from some of these sculptures. In his
> "Rape of the Sabine Women," he clearly represents the Sabines in the
> poses of the statues of Gauls. His buildings are painted to exact
> descriptions by ancient writers. In his desire for accuracy of
> detail, he left nothing to chance.
>
> His "Et in Arcadia Ego," is described as a pastoral poem out of
> Vergil. They are described as being "pensive" and "melancholy" that
> it is a "meditative study."
>
> But, interestingly, the "art experts" also say that the Shepherdess
> is the continuation of the "vertical axis" of the tree while the
> shepherd on the left, with his resting arm, provides the horizontal
> axis, and that every gesture and line follows this initial "cross,"
> with "all the cool logic of a geometrical theorem."
>
> Well, I wonder if art critics REALLY see all this sort of thing in a
> painting, or if they just want to sound clever. I do notice that the
> shepherdess' head is right in the middle of a tree branch, almost as
> if it were a halo. But, I don't know what kind of tree it is.
>
> Well, nevertheless, the figure is pointing to the RhoChi of the
> Rosicrucians, shepherds are depicted, a woman as a type of a tree,
> and we get ARAIGNEE AT ICOD, out of the words also. And, this is
> most important, even if the hoaxers made the parchments and stone
> images, because of the spider image on the painting of Christ at the
> church of Rennes-les-Bains. There, the spider is depicted as the
> crown of thorns on Jesus head. And, we know that the Arachnea, the
> spinner, was transformed into a spider by a Jealous Hera, the "cow
> faced." But was THEN represented as the "menstruating Moon Goddess."
> And, Ariadne gave the clues to Theseus, but was THEN loved by
> Dionysus.
>
> Well, if the shepherdess in this painting is pregnant, then she is
> NOT menstruating!
>
> It goes on: "The current rumour in Rome was that some of the
> diggers were Goths, who had come from the north on the faith
> of ancient tradition to seek for treasure."
>
> Well, the only thing we know of these Gothic traditions is that I
> think they were what became the Grail stories.
[^55788]
>
> But, the most interesting thing is where it is said:
> In 1656 Nicolas Fouquet, finance minister to Louis XIV, sent
> his brother, Louis, to Rome and suggested he see Poussin.
> Shortly after arriving, Fouquet wrote to his brother:
>
> > "I delivered to M. Poussin the letter that you did him the
> > honour to write to him; he evinced all the joy imaginable.
> > You would not believe, Monsieur, either the pains that he
> > takes in your service, or the affection with which he takes
> > them, nor the worth and integrity that he brings to all
> > things. He and I, we have planned certain matters that I
> > could, in a little undertake to the end for you, by which M.
> > Poussin could provide you with advantages that kings would
> > have great pains to get from him, and that, after him,
> > perhaps no one in the world could recover in the centuries to
> > come; and, what is more, this could be done without much
> > expense and could even turn to profit, and these are things
> > so hard to discover that no one, no matter who, upon this
> > earth today could have better fortune or even so much..
."
>
> Well, we know that Poussin was supervising government subsidized
> artists, so this could be the "pains taken in your service." Rather
> simple and not at all mysterious! "Worth and integrity" are
> certainly important in regards to seeing that the government's money
> is not being wasted!!!
>
> But, the things that are "hard to discover," and would provide
> advantages that Kings would like to have, and which no one could
> recover for centuries????? What in the WORLD???
>
> But, it is OBVIOUSLY NOT alchemy, in the "metaphysical" sense, or
> "transmutation," nor can it be uncovered treasure! Because, it is
> mentioned that it would involve a little expense to DO it, and that
> it MIGHT turn to profit! So, it seems that Poussin has a little
> discovery that could be like an "invention." Something useful.

>
> And, I think that I have found what this is.
>
> > "It was a common practice among the early Egyptians, Greeks, and
> > Romans to seal lighted lamps in the sepulchers of their dead as
> > offerings
. Later, as the custom became generally established, not
> > only actual lamps but miniatures of them in terra cotta were buried
> > with the dead. Some of the lamps were enclosed in circular vessels
> > for protection; and instances have been recorded where the original
> > oil was found in them, in a perfect state of preservation after more
> > than 2,000 years. There is ample proof that many of these lamps were
> > burning when the sepulchers were sealed, and it has been claimed that
> > they were STILL BURNING when the vaults were opened hundreds of years
> > later.
The possibility of preparing a fuel which would renew itself
> > as rapidly as it was consumed has been a source of considerable
> > controversy among medieval authors. After due consideration of the
> > evidence at hand, it seems well within the range of possibility that
> > the ancient priest-chemists DID manufacture lamps that burned, if not
> > indefinitely, as least for a considerable period of time.

> >
> > "While conclusions reached by different authors are at variance, a
> > majority admit the existence of these phenomenal lamps. Only a few
> > maintained that the lamps would burn forever, but many were willing
> > to concede that they might remain alight for several centuries.
> > [...]
> > "In a tomb on the Appian Way which was opened during the papacy of
> > Paul III[^88241] was found a burning lamp which had remained alight in a
> > hermetically sealed vault for nearly 1,600 years. According to an
> > account written by a contemporary, a body of a young and beautiful
> > girl with long golden hair was found floating in an unknown
> > transparent liquid as well preserved as though death had occurred but
> > a few hours before. Those entering the sepulcher said that the draft
> > caused by the opening of the door blew out the light and it could not
> > be relighted. Kircher reproduces the epitaph supposedly found in the
> > tomb: TULLIOLAE FILIAE MEAE, but Mountfaoucon says this never
> > existed. The body was believed to be that of Tulliola, the daughter
> > of Cicero.
> > [...]
> > "St. Augustine described a perpetual lamp, guarded in a temple in
> > Egypt sacred to Venus, which neither wind nor water could extinguish.
> > He believed it to be the work of the Devil. (Why are we NOT
> > surprised!)
> > [...]
> > "During the early Middle Ages, a lamp was found in England which had
> > burned since the third century after Christ. The monument containing
> > it was believed to be the tomb of the father of Constantine the Great.

> > [...]
> > "In England a curious tomb was found containing an automaton which
> > moved when certain stones in the floor of the vault were stepped upon
> > by an intruder. At that time the Rosicrucian controversy was at its
> > height, so it was decided that the tomb was that of a Rosicrucian
> > initiate. A peasant discovered the tomb and entering, found the
> > interior brilliantly lighted by a lamp hanging from the ceiling. As
> > he walked, his weight depressed some of the floor stones. At once a
> > seated figure in heavy armor began to move. Mechanically it rose to
> > its feet ans struck the lamp with an iron baton, completely
> > destroying it, and thus preventing the discovery of the secret
> > substance which maintained the flame.
> >
> > "It is now believed that the wicks of these perpetual lamps were made
> > of braided or woven asbestos, called by the alchemists 'salamandar's
> > wool,' and that the fuel was one of the products of alchemical
> > research."

>
> So, this is what I think that Poussin discovered - light.
> He was "illumened," as the C's said!!!

>
> But, the most curious thing about this is that there is a funny
> reference in the Canary book to "strange wicks," too!!!
> Our Friar Alonso, of the Order of Preachers writes:
>
> > "While the holy image of Candelaria was at Chinguaro, or in the small
> > cave near it, where it remained for many years, the native Guanches
> > often heard celestial sounds and saw many burning lights in form of a
> > procession. They were not so frequent at first as they became when
> > the holy image was removed to the cave of San Blas.
> > [...]
> > "The processions formed by the angels, as well on the beach where the
> > holy image was, as on that of Socorro where she first appeared,
> > became very frequent, both by night and day, with solemnity and
> > harmony, music from softest voices, a great company in perfect order
> > with lighted candles. So, they made their processions from the
> > hermitage they now call Santiago to the cave of San Blas, there being
> > a wide beach all the way. These processions were so frequent that
> > the natives ceased to be surprised. This is so perfectly true, that
> > now, in these times, persons who have seen it go to the beach and
> > find candles with the wax burnt out. They have even found some
> > lighted and fixed to rocks. ...great quantities of drops of wax are
> > found...
> > [...]
> > "I speak of what I have seen and heard, and keep the wax in my power.
> > I have heard the same from many others. The candles they find are
> > not very white, and it is not known of what the wicks consist. They
> > are not cotton nor tow, but look more like twisted white silk.
> > [...]
> > "There also appeared on this island, twenty years before it was
> > conquered, a great quantity of white wax in loaves, in an adjacent
> > port, which for this reason was called the Port of Wax. ... some of
> > the loaves of wax appeared to weigh ten or twelve pounds and even
> > fifteen to twenty pounds; in this present year, there appeared loaves
> > of 20 pounds and more. In this present year, at the time when the
> > said wax appeared, there were no candles for saying Mass, nor for the
> > Benediction on the day of the Purification of Our Lady. For in this
> > island, there are no bee-hives for the supply of wax, nor is it
> > brought from Gran Canaria.
> > [...]
> > "For this wax always appeared four or five days before the feast of
> > Candelaria, that these might be the means of making candles for its
> > celebration."
>
> So, we have connected some tombs in Italy to some tombs in England,
> to our Poussin and his funny tomb... to the Canaries!!! All by a
> thread, literally! A candle wick!!!

>
> So, this is a VERY funny thing. What did the C's say? "Look for the
> frequency of light."
 
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Further to the above, I’m still not sure what exactly there was about the whole RLC thingy, other than some shady stuff with money/corruption in the clergy there, red herrings (Rosicrucians, Priory of Sion etc) re conspiracy and treasure, as well as another interpretation of the Grail mystery in terms of bloodlines. Although, the more I read about the Grail, the more I realise it has a very multilayered and multidimensional meaning, it just depends on which one appeals (reveals itself?) to you at any given point in time. A bit like the saying when the student is ready, the meaning (teacher) will appear.

Randall Carson has a very interesting hypothesis about the cosmic symbolism of the Grail quest. If anyone is interested, Pashalis has complied an excellent thread on his body of work (Younger Dryas Impact Hypothesis, extinctions events, geologic formations, Grail mystery etc) here.
 
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An update to say I won't be able to participate in today's meeting. We're going out for a birthday meal with my sisters and the times overlap. My older sister booked it for us. It's an opportunity for us to catch up as sisters.

I'll catch the replay and add any comments or questions to this thread. Have a great one, everyone! 😀
 
Just correcting my knowledge on the subject of prions, I discovered that they are otherwise normal proteins except that they have a specific geometric configuration that causes them to become pathological! Here's some relevant info:

https://everipedia.org/wiki/lang_en/Prion said:
Prions are misfolded proteins with the ability to transmit their misfolded shape onto normal variants of the same protein. They characterize several fatal and transmissible neurodegenerative diseases in humans and many other animals. [1] It is not known what causes the normal protein to misfold, but the abnormal three-dimensional structure is suspected of conferring infectious properties, collapsing nearby protein molecules into the same shape. The word prion derives from "proteinaceous infectious particle". [2] [3] [4] The hypothesized role of a protein as an infectious agent stands in contrast to all other known infectious agents such as viruses, bacteria, fungi and parasites, all of which contain nucleic acids (DNA, RNA or both). [..]

Prions form abnormal aggregates of proteins called amyloids, which accumulate in infected tissue and are associated with tissue damage and cell death. [8] Amyloids are also responsible for several other neurodegenerative diseases such as Alzheimer's disease and Parkinson's disease. [9] Prion aggregates are stable, and this structural stability means that prions are resistant to denaturation by chemical and physical agents: they cannot be destroyed by ordinary disinfection or cooking. This makes disposal and containment of these particles difficult. [..]

Structure​

The protein that prions are made of (PrP) is found throughout the body, even in healthy people and animals. However, PrP found in infectious material has a different structure and is resistant to proteases, the enzymes in the body that can normally break down proteins. The normal form of the protein is called PrPC, while the infectious form is called PrPSc – the C refers to 'cellular' PrP, while the Sc refers to 'scrapie', the prototypic prion disease, occurring in sheep. [31] While PrPC is structurally well-defined, PrPSc is certainly polydisperse and defined at a relatively poor level. PrP can be induced to fold into other more-or-less well-defined isoforms in vitro, and their relationship to the form(s) that are pathogenic in vivo is not yet clear.

PrPC​

PrPC is a normal protein found on the membranes of cells. It has 209 amino acids (in humans), one disulfide bond, a molecular mass of 35–36 kDa and a mainly alpha-helical structure. Several topological forms exist; one cell surface form anchored via glycolipid and two transmembrane forms. [32] The normal protein is not sedimentable; meaning that it cannot be separated by centrifuging techniques. [33] Its function is a complex issue that continues to be investigated. PrPC binds copper (II) ions with high affinity. [34] The significance of this finding is not clear, but it is presumed to relate to PrP structure or function. PrPC is readily digested by proteinase K and can be liberated from the cell surface in vitro by the enzyme phosphoinositide phospholipase C (PI-PLC), which cleaves the glycophosphatidylinositol (GPI) glycolipid anchor. [35] PrP has been reported to play important roles in cell-cell adhesion and intracellular signaling in vivo, and may therefore be involved in cell-cell communication in the brain. [36] [..]

PrPSc​


The infectious isoform of PrP, known as PrPSc, or simply the prion, is able to convert normal PrPC proteins into the infectious isoform by changing their conformation, or shape; this, in turn, alters the way the proteins interconnect. PrPSc always causes prion disease. Although the exact 3D structure of PrPSc is not known, it has a higher proportion of β-sheet structure in place of the normal α-helix structure. [40] Aggregations of these abnormal isoforms form highly structured amyloid fibers, which accumulate to form plaques. It is unclear as to whether these aggregates are the cause of cell damage or are simply a side-effect of the underlying disease process. [41] The end of each fiber acts as a template onto which free protein molecules may attach, allowing the fiber to grow. Under most circumstances, only PrP molecules with an identical amino acid sequence to the infectious PrPSc are incorporated into the growing fiber. [33] However, rare cross-species transmission is also possible.

Alpha-helix and beta-sheet diagram:
310-f1-AlphaBeta-1.png


Amazing that nothing more than a change in one protein's geometry can have this kind of pathological effect upon the larger organism! Since such diseases seem to be so resistant to a typical cure with surgery or chemicals, I wonder if the geometry of the misfolded protein would have a difference frequency resonance signature, thus possibly having susceptibility to ultrasonic treatments? I found the following study:

https://www.nature.com/articles/s41598-018-32250-3 said:

Time course of focused ultrasound effects on β-amyloid plaque pathology in the TgCRND8 mouse model of Alzheimer’s disease​


Abstract

Previous studies have demonstrated that temporarily increasing the permeability of the blood-brain barrier using focused ultrasound can reduce β-amyloid plaque load and improve cognitive function in animal models of Alzheimer’s disease. However, the underlying mechanism and duration for which the effects of one treatment persists for are unknown. Here, we used in vivo two-photon fluorescence microscopy to track changes in β-amyloid plaque sizes in the TgCRND8 mouse model of Alzheimer’s disease after one focused ultrasound treatment. We found that one treatment reduced plaques to 62 ± 16% (p ≤ 0.001) of their original volume two days post-sonication; this decrease in size persisted for two weeks. We then sought to evaluate the effectiveness of biweekly focused ultrasound treatments using magnetic resonance imaging-guided focused ultrasound treatments. Three to five biweekly treatments resulted in a 27 ± 7% (p ≤ 0.01) decrease in plaque number and 40 ± 10% (p ≤ 0.01) decrease in plaque surface area compared to untreated littermates. This study demonstrates that one focused ultrasound treatment reduces the size of existing β-amyloid plaques for two weeks, and that repeated biweekly focused ultrasound treatments is an effective method of reducing β-amyloid pathology in moderate-to-late stages of Alzheimer’s disease.
Have a great weekend everyone!
 
I won’t make it today either 😕
We are having guests today and next Saturday I‘ll be traveling back to Germany so I won’t be in the meeting as well... 😕

Have a nice discussion!!!! 🙂
 
I hope we can make it today (Saman and myself) but due to the inexperience/negligence of a particular worker at my internet provider‘s company, we have no internet for now. We were told it would be fixed yesterday but here we are. If we get our internet back then we’ll join in but otherwise we’ll have to watch the video and join you all next time.
 
Hi everyone!

Here's the link for the meeting (Am-EU):

Join our Cloud HD Video Meeting now
ID: 282921554


See you in 20 mins.

An update to say I won't be able to participate in today's meeting. We're going out for a birthday meal with my sisters and the times overlap. My older sister booked it for us. It's an opportunity for us to catch up as sisters.

I'll catch the replay and add any comments or questions to this thread. Have a great one, everyone! 😀

Have fun, SMM! And happy birthday to your sister.

I won’t make it today either 😕
We are having guests today and next Saturday I‘ll be traveling back to Germany so I won’t be in the meeting as well... 😕

Have a nice discussion!!!! 🙂

Don't worry Mari, see you next time.

I hope we can make it today (Saman and myself) but due to the inexperience/negligence of a particular worker at my internet provider‘s company, we have no internet for now. We were told it would be fixed yesterday but here we are. If we get our internet back then we’ll join in but otherwise we’ll have to watch the video and join you all next time.

Fingers crossed!

I've already missed a few sessions due to having to work, and I have to miss today's session again... I hope to be back next week!

No problem, Stoneboss. Hopefully we'll se you soon.
 
We were discussing the Cosmic Grail connection (ie that the Grail itself represents comets in myriad manifestations, and that the Grail quest is really an encoded science of terrestrial & individual regeneration in the wake of a cosmic catastrophe as per Randall Carlson), the topic of celestial origins of biolgical agents of change came up. Aside from viruses, there are prions, plasmids and viroids which are quite fascinating.

As @Ryan posted above, prions are infectious particles of misfolded proteins that contain no nucleic acids “with the ability to transmit their misfolded shape onto normal variants of the same protein.” {this reminds me of the OP type people with no emotional center that can lower one’s FRV simply by being near them through bodily resonance, see this earlier post}. Viroids are plant pathogens: small, single-stranded, circular RNA particles that are much simpler than a virus. A Plasmid is a small, circular, double-stranded DNA molecule that is distinct from a cell's chromosomal DNA. Plasmids naturally exist in bacterial cells, and they also occur in some eukaryotes. Often, the genes carried in plasmids provide bacteria with genetic advantages, such as antibiotic resistance. Plasmids are used in cloning & gene therapy.

Amazing that nothing more than a change in one protein's geometry can have this kind of pathological effect upon the larger organism! Since such diseases seem to be so resistant to a typical cure with surgery or chemicals, I wonder if the geometry of the misfolded protein would have a difference frequency resonance signature,

I think there’s a lot more to geometry and the storage of information therein, relative to our environment , than we currently give credit for. Pierre asked about this in the session below:

Session Date: August 5th 2017

(L) Is there some particular thing that you want to say that's important to our realm, or is it just that you're waiting for questions?
A: It is better to ask and start the flow.
Q: (Pierre) I have a question. It's about the interface between information and our reality. You see, molecules have what is called chirality. Handedness. Left-handedness, or right-handedness. They're the same component, the same atoms, chemically they are the same. Just geometrically, they are different. They're like mirror images of each other. Those two molecules are almost exactly the same, only the chirality is different. But their properties are totally different: one can be a poison, and the other can be very beneficial. The only difference is geometry. So I would like to ask: Is geometry the fundamental interface between the cosmic information field and our material reality?
A: Very close.
Q: (Ark) Pierre, but you see, you have these two molecules, and one is the mirror image of the other. And you say they have completely different properties. They have completely different properties with respect to the body which already has a fixed chirality. Our universe has a preferent chirality. Our DNA has preferent chirality. How it happened? But if there exists another universe that is a mirror image of ours?
(Pierre) So you're saying the properties of the geometric symbol is not absolute, but relative to the environment?
(Ark) Exactly.
(Pierre) Okay.
(Ark) Information, in fact, is always relative.
 

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