So you're in Sonora where Castaneda's Don Juan lived?Here, in Sonora there is a "charra" (joke with a lot of irony or just something funny with different intentions), it says:
So you're in Sonora where Castaneda's Don Juan lived?Here, in Sonora there is a "charra" (joke with a lot of irony or just something funny with different intentions), it says:
And did you read Castaneda books?Yes, I was born and I live in Sonora.
Yeah and their was no "engineer diploma" at the time, no computer to calculate material constraints and so on. I read somewhere that Violet le Duc was an alchemy initiated but what about those who initially build this kind of monuments? Notre-Dame de Paris still appear, today, very huge. So imagine at the time!What is amazing is that in a epoch where saying that the earth was not flying around the sun put you under fire, literally, these cathedrals were constructed with a very complicated design not in concordance with the rest of constructions and with the rest of the mental construction of the people in that time, I can imagine? Or maybe I am wrong. Do the constructors of cathedrals had a knowledge coming from "strange and mysterious" sources? Who they were these constructors?
An intesting obsevation of the city of Lutetia.I don't know if the designers of Notre Dame had assistance from any higher source/density or not but if not then I think they almost put to shame the architecture of today.
More important was the discovery of the Pillar of the Nautes in 1710, during the construction of a burial vault for the archbishops of Paris beneath the chancel of Notre Dame, on the Ile de la Cité. Made of four superimposed square blocks of stone, the monument measures 5.24m (17 ft) in height and is carved with figures representing both Roman and Celtic deities
Paris, 1711. During work in the basement of Notre-Dame, workers uncover blocks of sculpted stones: enigmatic figures half men-half animals partly ravaged by the destruction of men ... According to historians would be the oldest monument in Paris. Dating from the beginning of Gallo-Roman Lutèce, this totem dedicated to the deities and Tiberius indicates its funding by the nautes, powerful boatmen on the Seine.
The "Pillar of the Nautes" is a window to a vanished world: that of the Celtic myths still existing a few decades after the Roman conquest, then their fusion with the Roman cults.
But this monument raises many mysteries: who are the deities represented? Who ordered this stone "totem"? Where was he positioned? Why was it destroyed and placed under the site of the future medieval cathedral?
On the occasion of their digitization the remains of the pillar give us keys to propose a reconstruction on the scale 1. In France and Europe, our survey brings together clues to give a face to the ancient figures and imagine their mysterious cults.
Thanks to archeology and technology, the film crosses an experience of reconstruction of the oldest monument in Paris with scenes evoking the life of the nuns of Lutetia. An amazing journey over the ancient Seine.
Second, somewhere in the writings of Castaneda don Juan is talking about how the creators of these great works of architecture and statues from the distant past imbued their work with their intent and that these works somehow still carried that intent ( or something to that effect)
In the same measure that ritual forced the average man to construct huge churches that were monuments to self-importance, ritual also forced sorcerers to construct edifices of morbidity and obsession.
The Power of Silence
So a couple of quick things I did a quick search on but came up empty. First I had ordered 'In Search of The Miraculous' and the first try I received instead of 'fragments of a lost teaching' based on the teachings of Gurdjieff, a book instead about the travels of P. D. Ouspensky. In that book Ouspensky mentions Notre Dame and the effect or impression it had on him, which I would be interested in seeing again.
This I understood; but the idea of schools itself changed very much during my travels and in one way became simpler and more concrete and in another way became more cold and distant. I want to say that schools lost much of their fairy-tale character.
On my departure I still admitted much that was fantastic in relation to schools. "Admitted" is perhaps too strong a word. I should say better that I dreamed about the possibility of a non-physical contact with schools, a contact, so to speak, "on another plane." I could not explain it clearly, but it seemed to me that even the beginning of contact with a school may have a miraculous nature. 1 imagined, for example, the possibility of making contact with schools of the distant past, with schools of Pythagoras, with schools of Egypt, with the schools of those who built Notre-Dame, and so on. It seemed to me that the barriers of time and space should disappear on making such contact. The idea of schools in itself was fantastic and nothing seemed to me too fantastic in relation to this idea. And I saw no contradiction between these ideas and my attempts to find schools in India. It seemed to me that it was precisely in India that it would be possible to establish some kind of contact which would afterwards become permanent and independent of any outside interferences.
To make the proposed psychological study easier we believe that it will be useful to introduce an idea that goes back to Greek Mythology, where it appears in the guise of a fabulous monster: the Chimera.
In mythology, it appears to have the head of a lion, the body of a goat, the tail of a dragon, and it spews out vortexes of flame and fire. It was said that the Chimera's father was , the principle of evil and sterility, and his mother was Echidna, half woman and half serpent who was fathered by Chrisaor, born from the blood of Medusa. From Greek Mythology, the image of the Chimera passed into Christianity. We find it as an ornamental motif on certain Gothic cathedrals. For example, the gargoyles of Notre-Dame in Paris were sculptured in the form of Chimerae with stylized lion's heads and only the upper part of the body. In certain orthodox cathedrals chimerae form the ornament of the bishop's throne. Sculptured in wood, they are shown complete, crouching on each side of the seat, where they serve as armrests.
Prof. Zhen XU of University of Science and Technology Beijing (USTB), accomplished a computational fluid dynamics (CFD) simulation of the fire of Notre Dame of Paris using the fire dynamics simulation (FDS) software
The person in the video compares the rebuilding to similar restaurations of buildings. The repair of Windsor castle cost €45 million in 1999, Dresden cathedral about €200 million also about 20 years ago and Tournai cathedral €60 million in 1999. Based on this he estimates that it would cost €120-150 million or max €200 million. Perhaps a coincidence that these restauration works all happened 20 years ago.This french guy says he is and architect and that he's estimate for the rebuilt of the cathedral is 200 millions euros top.