psychegram
The Living Force
For Mark's audience, I think that was as subtle as a 2x4 between the eyes.
His audience would have been well-versed in all of the literary works Mark referenced, and they would have been painfully aware of the religious, political, and historical context in which Mark wrote.
I think Mark was satire, and I expect it was greated with enthusiastic laughter by his audience.
Consider:
- he portrays the apostles - who have the same names as the 'pillars' of the Jerusalem Church that led Judea to disaster - as blundering blockheads
- he implies that Pilate, apparently one of Judea's most brutal and unpopular governor's, was nowhere near as bad as the Sanhedrin
- the Sanhedrin, the learned men of the culture, are portrayed as not understanding their own religion
- giving the name of Judas to the betrayer, as mentioned
- the Roman centurion being the one to recognize Jesus as the Son of God is clearly a bit of absurdity
- Jesus' death resulting in the temple curtains tearing is if anything a bit anticlimactic (and might even be taken to have a bit of a prurient overtone)
- even the framework of the story, the reworking of Caesar's life into a silly story about a wandering miracle worker and his band of merry dunces, is a classic comedic tactic ("first as tragedy, then as farce")
Mark absolutely skewers his opponents, and once you understand all the context, it's actually really, really funny. Deeply irreverent to every single sacred cow of Mark's opponents, but not in an angry, accusatory fashion so much as a tone of savage mockery. It's even possible that being written in bad, colloquial, romanized Greek was part of the gag; humorists are known to sometimes adopt such a tactic.
That probably explains its popularity, too. It seems to have spread quite widely and rapidly through the Christian community. Humor is an extremely effective means of distributing propaganda, as demonstrated by the success of memes in the modern context, as a tactic for waging cognitive insurrection against TPTB.
It doesn't take long for humor to stop being funny, though. Since most jokes rely on shared context, word play, subtle allusions, etc., they get lost very quickly. Most of the humor in Shakespeare's comedies goes right over a modern audience's head, especially if you just read them.
So, my take here is that Mark was basically pointed satire, written for a very specific purpose at a very specific time; that it achieved its goal brilliantly and therefore became an "underground hit"; and was then in turn subverted by Matthew and Luke who historicized it, thereby removed the humor (changing the genre from comedy to tragedy, really), and thus reasserted Judaizing influence over the church.
Life of Brian was actually closer to the spirit of Mark than any of the subsequent gospels.
Running with this theme, it seems possible to me that Mark wasn't actually trying to give gentile Christians an off-ramp from the dead end of Jewish messianism. That's possible of course, since we don't have much to go on, but consider that the identity of the Christ as Caesar might have been common knowledge amongst his audience. Considering that Caesar was only about 100 years in the grave at that point, and that Paul seems to have been heavily involved with gentile communities in colonies founded by Caesar's veterans who certainly would have known all about Caesar, and likely would have been involved in his cult, it seems entirely plausible to me that at no point in that period were the gentile Christians completely overwhelmed by the Jewish Christians. They might have been bullied and harassed by them, yes, but did they at any point accept Judas as the Messiah? That seems less certain to me.
In that case, Mark's intent could have just been to rip on the judaizers for the sake of ripping on them, to uproarious laughter from his audience who'd never liked them much in the first place.