Music Collaboration

Aragorn said:
Maybe this is something you'd want to post in The Swamp about? Could be worth while getting some feedback...

Hi Aragorn,

I did recount what had happened with my parents in the FOTCM section. I guess I haven't really said anything about the lasting effects, though. But it's something I've lived through before. It just takes a little time to get focused again, and this time I seem to be recovering more quickly. I got myself into a good book (the Secret Team) and I placed an order for four more, including In Sheep's Clothing. I think my desire to dig into more Work is a good sign.

Aragorn said:
I still think this is a great idea, and this kind of project really needs someone like you to coordinate things. Right now I feel that there are "more pressing matters" in my life to address, but if I can contribute in any way, I'd be glad to.

A while ago I wrote a (yet another) melody for the POTS, which you can listen to HERE. In the post below that you can find the score. It would be cool, in case others like the melody, to get tracks with e.g. drums, bass, guitar to that. I, or someone else could record the vocal part on a separate track. Just a thought, what do you think?
I imagine we all have pressing matters in our lives at the moment, given all that seems to be unfolding in the world. I hope your pressing matters are not overly taxing ones. Maybe others might find it is not the time for this, either. But if anyone is interested they need only let me know. I would very much like to put our heads together and come up with a working mechanism for group compositions.

One aspect that really interests me is discovering a few pairings of people whose ideas work really well together, and then working with what they come up with. We might discover the Lennon/McCartney of SOTT!

I like your new POTS version. My first reaction was, "whoa, that's different!" Then I listened some more and I find it quite interesting and original. Different is what we want with this project, not the same old imitation. I'm going to have a look at the score and see if there is something I could add to it. I'll let you know if I come up with something.
 
FWIW, your post makes me think about dictatorships and democracies vs. tribal "elderships"

I may be able to help with some occasional insight. WRT sound quality, I have some experience. I design audio amplifiers as a hobby. I designed the one I listen to. It's not perfect, but I am considered a guru on the technicalities of electronic amplifier design, so I think it should be most consumer equipment. My speakers may have EQ issues but should still be no worse than consumer audio devices. Among my friends I am known for having a very penetrating ear, although I am not yet 20 and have very little experience.

One suggestion: it is very difficult to express musical concepts. Instead, I think we should link to music which conveys the musical concepts we are discussing. Music is such a complex thing and in the vacuum of the mind it often dissolves into superficial things.
 
Hi Monotonic,

I'm not sure what exactly you are saying you want to do for your input. Are you talking about mixing and production? Or are you talking about listening and identifying possible glitches using good equipment and a good ear. Either/or would be helpful but I would need to know what to mark down for you. And thanks for the offer.

monotonic said:
One suggestion: it is very difficult to express musical concepts. Instead, I think we should link to music which conveys the musical concepts we are discussing. Music is such a complex thing and in the vacuum of the mind it often dissolves into superficial things.

I think that's a good idea, especially if one is trying to convey a certain feel, as opposed to specific lines. But specific lines would have to be recorded, no matter the quality, and sent between us, I think. Even if someone sang their idea for a bass line into an mp3 player and sent it along, or something like that.
 
I do not have any experience composing or producing. For me it is a hobby. I will just listen to what you guys come up with and offer my insight as anyone else would. I was meaning my experience in amplifier design and my sound system may give me unique insights. But I don't think I can help beyond that.
 
Hi, I'd like to show my interest in taking a part in cass music collaboration. Would there be any idea if there would be different roles divided to each person/group? For example like this:

1. Lyrics
2. Melody
3. Harmony
4. Arranging
5. Recording
6. Mixing

Let me know if anyone intrested :)
 
monotonic said:
I do not have any experience composing or producing. For me it is a hobby. I will just listen to what you guys come up with and offer my insight as anyone else would. I was meaning my experience in amplifier design and my sound system may give me unique insights. But I don't think I can help beyond that.

Very cool. I marked you down as "listening input - experience with sound equipment - good ear"

I think this could be very helpful, mostly at the point of final production because of your developed sense of sound. I see this kind of input coming at the point where a recording has reached its first mix (all tracks done) and we need a well tuned ear to identify fine sound details.

Thanks Monotonic.

Seppo Ilmarinen said:
Hi, I'd like to show my interest in taking a part in cass music collaboration. Would there be any idea if there would be different roles divided to each person/group? For example like this:

1. Lyrics
2. Melody
3. Harmony
4. Arranging
5. Recording
6. Mixing

Let me know if anyone intrested :)

Absolutely! This is generally the sort of idea I had in mind. We form groups with specific individuals based on what instruments people play, or their ability to write lyrics, or melodies, or whatever. Ideally, someone in the group presents an idea for a song. It may include lyrics and melody already. That is passed along to the next person, maybe the bass player, who puts a line under what he/she is given, and we go from there.

I would possibly modify your list like this:

1. Lyrics
2. Melody
3. Bass line
4. Guitar or piano or any other chord oriented instrument
5. Any other instruments we want to add

The foundation has to be created before we add the "decorations".

I still think that it might be important that the person who came up with the original idea for the song remains the person who decides what additions are appropriate or not.

But I think it would be different if a song were to be created based on lyrics alone. If someone presents lyrics only, they would have to accept the fact that someone else is going to write a melody, or chord progression, for the song. If they feel that what has been presented as an idea for a melody doesn't fit with how they wanted it to sound, they must say so, and then we can start again.

There are a lot of variables involved with the process, but I think it is possible to work WITH those variables. Every input should be considered as valuable.

The way I see it, the idea is to get the process to include ALL input. But I came up with the idea of separate groups that work together as units to avoid having too much input from too many people, all at the same time.
 
My question, is how we are going to cultivate, share and preserve the vision of the final product once we have a direction.

I am also thinking, you are getting very specific here. Don't we need a specific project in mind before we set roles? We need an aim to organize this around I think. We might just be producing a singing piece, or we might be composing background music for a SOTT video.

I think every project should have a Cass related theme. Otherwise we are just a band with SOTT decals on all our equipment. I think we should ask all the heavy thinkers in Forum Central to provide us with themes (more specifically the SOTT editors?); I worry that in our relative vacuum here we will fail to get the ball rolling. There needs to be lateral thought across the forum sections to provide us with rich inspiration and include the insights of people who's daily studies preclude proximity to our project here.

I think we should not try to be overly self-providing. I think optimally our success or failure may hinge on our interaction with the rest of the forum. If we must come up with all our own themes, brainstorm all our own lyrics, etc, we will suffer from intellectual poverty.

What if we were to set up so that we would be ready at a moment's notice, to work on requests from forum members/SOTT editors?
 
Hi all

I for one would be very interested in any possible musical collaboration.

My main instrument of choice is lead guitar, although I've had to teach myself a few other instruments in order to bring some compositions to life.

While I grew up listening to & playing hard rock / heavy metal, my musical interests have moved more into Neo classical / classical guitar playing of late, & I've also developed a very deep love of the Spanish Flamenco style playing, which I've been working into some of my heavier arrangements.

I posted a song in the music section of the forum under about a month ago for anyone who is interested in the type of music I'm currently working on.

I'm not entirely sure its everyones cup of tea but I'm proud of it, even if people don't like it, & I would hope that people could at least appreciate that there was a reasonable amount of musical technicality involved in writing it.

That being said their are plenty of musicians with wonderfull technical abilities & unfortunately this does not always translate into good music.

Anyway I think the idea of a collaboration is a great Idea & I think Id have no problems coming up with some musical Ideas to contribute even if it's just guitar leads or solos.

I also think the idea of pairing people up according to the styles is a good idea.

Cheers
Dave
 
mocachapeau said:
Absolutely! This is generally the sort of idea I had in mind. We form groups with specific individuals based on what instruments people play, or their ability to write lyrics, or melodies, or whatever. Ideally, someone in the group presents an idea for a song. It may include lyrics and melody already. That is passed along to the next person, maybe the bass player, who puts a line under what he/she is given, and we go from there.

I would possibly modify your list like this:

1. Lyrics
2. Melody
3. Bass line
4. Guitar or piano or any other chord oriented instrument
5. Any other instruments we want to add

The foundation has to be created before we add the "decorations".

Yes, this kind of group changing ideas and working together is the direction we should take. I was thinking that there could be two major groups and three steps in this project: First there would be the composer group as sort of foundation group who writes lyrics, melody and harmony for the project. Any person could be in either all groups or in only one of them.

Then there would be arranging and recording part where would be needed to take consider all the instruments players who wanna participate (bass, guitar, piano, vocals etc). Arranging would happen between these two groups, so recording group could also arrange their own parts if they wish. for example, bass player could write bass line and guitar player chord voicings and solo etc. In the composing section the music style doesn't have to be that ready yet because you can always arrange the already done melody and harmony to many kind of music styles. That way both groups could still give their opinions to which direction the composition would go.

So in more detail the list could be like this:

part.1 part.2 part.3
Composer group---------> Arranging----------> Recording group---------------->
-Lyrics -Both groups together -All the instruments who wants to participate
-Melody bass line, chord voicing,
-Harmony music style in more detail etc.

So we could start with the part.1 to have something raw material and share it in here, then the
recording group could toss ideas and we could together start arrange the music to take more shape? And anyone could be in all groups if wished so.

Or does this sound too complicated and maybe simpler approach would work better? For example one person would just record something and then passing it to another and final music would shape through that process? Let me know! :)

mocachapeau said:
I still think that it might be important that the person who came up with the original idea for the song remains the person who decides what additions are appropriate or not.

But I think it would be different if a song were to be created based on lyrics alone. If someone presents lyrics only, they would have to accept the fact that someone else is going to write a melody, or chord progression, for the song. If they feel that what has been presented as an idea for a melody doesn't fit with how they wanted it to sound, they must say so, and then we can start again.

This sounds reasonable. It depends from the dynamics of the composer group we would have; is there one person who writes melody and harmony or two separate and is the lyrics made first or not.

mocachapeau said:
There are a lot of variables involved with the process, but I think it is possible to work WITH those variables. Every input should be considered as valuable.

The way I see it, the idea is to get the process to include ALL input. But I came up with the idea of separate groups that work together as units to avoid having too much input from too many people, all at the same time.

Exactly, there's a lot of external consideration needed when different persons make music together.

monotonic said:
My question, is how we are going to cultivate, share and preserve the vision of the final product once we have a direction.

I am also thinking, you are getting very specific here. Don't we need a specific project in mind before we set roles? We need an aim to organize this around I think. We might just be producing a singing piece, or we might be composing background music for a SOTT video.

I think every project should have a Cass related theme. Otherwise we are just a band with SOTT decals on all our equipment. I think we should ask all the heavy thinkers in Forum Central to provide us with themes (more specifically the SOTT editors?); I worry that in our relative vacuum here we will fail to get the ball rolling. There needs to be lateral thought across the forum sections to provide us with rich inspiration and include the insights of people who's daily studies preclude proximity to our project here.

I think we should not try to be overly self-providing. I think optimally our success or failure may hinge on our interaction with the rest of the forum. If we must come up with all our own themes, brainstorm all our own lyrics, etc, we will suffer from intellectual poverty.

What if we were to set up so that we would be ready at a moment's notice, to work on requests from forum members/SOTT editors?

Every forum member are welcome to participate in this project if they choose, so i think there's no need to request. I think we could start the project and if any other member would ask to use the music in any other SOTT/cass project, they would be free to use it? The cass theme could come from the lyrics for example. If other forum members enjoy the music after we've done it, i think it's already done it's job and there can be found a lot of Work related challenges for all of us when working in a group project like this.
 
monotonic said:
What if we were to set up so that we would be ready at a moment's notice, to work on requests from forum members/SOTT editors?

Sorry, i misunderstood the last part a little bit. I think this idea sounds reasonable but maybe we should first manage to have something ready, so we can see if this project is able to finish? So if other members finds the music useful and want to request music for their own projects, that would be good idea!
 
Well we need to complete some projects and get to know the process, work out any issues. We have the idea, we need to proof it. Not unlike proofing bread yeast.

And don't forget about drums.

I think this is getting more complex than it needs to be. How about, just make a list of volunteers and their capabilities. Then decide where to start, notify the qualifying persons, set up a thread and so on. I think we should just go ahead with a rudimentary plan and address things as they come, with the focus on DOing things rather than being distracted by unnecessary planning.
 
David B said:
Hi all

I for one would be very interested in any possible musical collaboration.

My main instrument of choice is lead guitar, although I've had to teach myself a few other instruments in order to bring some compositions to life.

While I grew up listening to & playing hard rock / heavy metal, my musical interests have moved more into Neo classical / classical guitar playing of late, & I've also developed a very deep love of the Spanish Flamenco style playing, which I've been working into some of my heavier arrangements.

I posted a song in the music section of the forum under about a month ago for anyone who is interested in the type of music I'm currently working on.

I'm not entirely sure its everyones cup of tea but I'm proud of it, even if people don't like it, & I would hope that people could at least appreciate that there was a reasonable amount of musical technicality involved in writing it.

That being said their are plenty of musicians with wonderfull technical abilities & unfortunately this does not always translate into good music.

Anyway I think the idea of a collaboration is a great Idea & I think Id have no problems coming up with some musical Ideas to contribute even if it's just guitar leads or solos.

I also think the idea of pairing people up according to the styles is a good idea.

Cheers
Dave

Hi David B,

I've marked you down for main instrument lead guitar - classical and flamenco, possibility of rock but not first choice - with certain other instruments.

I know what you mean about technical ability not always translating into good music. Some people are fantastic playing other people's music but not so hot at composing. If we develop an effective process I think we will discover each person's strong points as we go. And keeping external consideration in mind, we will all need to accept what our roles will be based on the results we get in the beginning. I hope that makes sense.

Thanks for your input.

monotonic said:
My question, is how we are going to cultivate, share and preserve the vision of the final product once we have a direction.

I am also thinking, you are getting very specific here. Don't we need a specific project in mind before we set roles? We need an aim to organize this around I think. We might just be producing a singing piece, or we might be composing background music for a SOTT video.

I think every project should have a Cass related theme. Otherwise we are just a band with SOTT decals on all our equipment. I think we should ask all the heavy thinkers in Forum Central to provide us with themes (more specifically the SOTT editors?); I worry that in our relative vacuum here we will fail to get the ball rolling. There needs to be lateral thought across the forum sections to provide us with rich inspiration and include the insights of people who's daily studies preclude proximity to our project here.

I think we should not try to be overly self-providing. I think optimally our success or failure may hinge on our interaction with the rest of the forum. If we must come up with all our own themes, brainstorm all our own lyrics, etc, we will suffer from intellectual poverty.

What if we were to set up so that we would be ready at a moment's notice, to work on requests from forum members/SOTT editors?

I think I agree with Seppo about this. The project is open to anyone who wants to participate so I think the inspiration will be coming from anyone who joins. I also think that this forum is an ocean of inspiration all by itself - thousands of pages of ideas just waiting to be read. Most of the music I have written recently has been inspired by the things I have learned through The Work, and that's a lot of things.

It might be a good idea, right from the beginning, to post a kind of open invitation for lyricists and poets to post things for the group if they want to. If they do, we could end up with more ideas than we can handle, all at once. I don't see a possibility of a shortage of ideas with all the creativity already here on the forum.

As far as having a specific project in mind, writing for SOTT videos or getting themes from the editors, I think that would be getting ahead of ourselves. For the moment we need to develop a process that enables us to create a first rough mix of a complete composition. That's the very first step. Then we have to develop a process of production that will get us a decent recording of that piece. If we would like to be a group that the SOTT editors could turn to when they need music for something, we need to show them that we are capable of giving them what they need, with a level of quality that they can use. So for now I think we just need to get the group(s) together and work on ANY song with the goal of completing it, one way or another.

monotonic said:
Well we need to complete some projects and get to know the process, work out any issues. We have the idea, we need to proof it. Not unlike proofing bread yeast.

And don't forget about drums.

I think this is getting more complex than it needs to be. How about, just make a list of volunteers and their capabilities. Then decide where to start, notify the qualifying persons, set up a thread and so on. I think we should just go ahead with a rudimentary plan and address things as they come, with the focus on DOing things rather than being distracted by unnecessary planning.

I agree with your first paragraph. That is exactly what we need to do. But I'm not too sure about jumping right into DOing without planning it out a bit. Besides, planning IS DOing. I don't think this is "getting more complex than it needs to be". I think the idea itself is complex, particularly because it will have many people involved and also because we can't just get together in the same room and play - it's all on the internet. I think we need to organize with the intention of breaking down that complexity. Ideally, each member needs to know exactly what their role is so they know exactly what they need to do when something is forwarded to them. Simplify.

I wasn't involved with this project when it was first attempted, so I can't say for sure and I am not in any position to judge, but I got the impression that the reason it didn't get off the ground the way everyone wanted it to was because they started doing it without having done enough advance organization.

I'm not being judgmental when I say that. It was a first attempt, and all my thoughts on how we might organize it came from examining the important groundwork they did. I think what they discovered was that it really is a lot more complex than they thought it would be. That is what I am discovering, too - it's not so straight forward. I don't even know if we can get it to work over the internet like this, but I'm willing to try.

For now I think we need to reach out to the musicians and lyricists/poets and try to put one small group together that has all the elements necessary to create an entire tune. When we have that we can then decide how to proceed. If more people come along we would have to start forming a second group, and hopefully the first group will have had some success with their process that they can pass to the second group.

Seppo Ilmarinen said:
Yes, this kind of group changing ideas and working together is the direction we should take. I was thinking that there could be two major groups and three steps in this project: First there would be the composer group as sort of foundation group who writes lyrics, melody and harmony for the project. Any person could be in either all groups or in only one of them.

Then there would be arranging and recording part where would be needed to take consider all the instruments players who wanna participate (bass, guitar, piano, vocals etc). Arranging would happen between these two groups, so recording group could also arrange their own parts if they wish. for example, bass player could write bass line and guitar player chord voicings and solo etc. In the composing section the music style doesn't have to be that ready yet because you can always arrange the already done melody and harmony to many kind of music styles. That way both groups could still give their opinions to which direction the composition would go.

So in more detail the list could be like this:

part.1 part.2 part.3
Composer group---------> Arranging----------> Recording group---------------->
-Lyrics -Both groups together -All the instruments who wants to participate
-Melody bass line, chord voicing,
-Harmony music style in more detail etc.

So we could start with the part.1 to have something raw material and share it in here, then the
recording group could toss ideas and we could together start arrange the music to take more shape? And anyone could be in all groups if wished so.

Or does this sound too complicated and maybe simpler approach would work better? For example one person would just record something and then passing it to another and final music would shape through that process? Let me know! :)

We seem to be thinking along the same lines. These are all good suggestions that we might be able to apply along the way, but for now we have to form a part.1 group. Once that is done we need one member of that group to present an idea for a song that has a complete form - beginning to end. It could be lyrics sung to a melody, or a chord progression on guitar or piano, or maybe even a bass line. Then we can decide in what order we pass it along to the other members. That is how I see us developing the process.

By the way, what do you see yourself doing in this process? Do you play an instrument?
 
mocachapeau said:
We seem to be thinking along the same lines. These are all good suggestions that we might be able to apply along the way, but for now we have to form a part.1 group. Once that is done we need one member of that group to present an idea for a song that has a complete form - beginning to end. It could be lyrics sung to a melody, or a chord progression on guitar or piano, or maybe even a bass line. Then we can decide in what order we pass it along to the other members. That is how I see us developing the process.

By the way, what do you see yourself doing in this process? Do you play an instrument?

I agree. I play guitar and compose. I would like to take a part in the composing part, melody and/or harmony. I can also record guitar parts for the song if needed.
 
Thanks Seppo,

I marked you down for composing first and guitar parts if necessary.

I play saxophone and sing, primarily, but I have a good drum program and also a music notation program that has a huge selection of instruments. I can play a little guitar and bass, but my guitar chops are only good enough to lay down a rough chord progression. Someone else would have to play that part on a real recording. I am looking into finding a cheap second-hand bass, too. That will come in handy.
 
Thanks for bringing the Cassband project back into the light folks. No idea how I missed these more recent posts.

Mocachapeau, I think your ideas are great and like Aragorn, really appreciate your initiative and experience.

My time is in a little less in demand for the next month or so I'm in too. My hangup recently has been recording quality but I think with a good amount of experimentation with Audacity(I haven't yet tried their 'mixing' options) it should come out good. The rest is all good quality tools/gear.

Also, imho we shouldn't get too hung on any certain order to instruments in a recording necessarily. For example just a person playing a simple acoustic guit or piano with accompaniment on vocals is a good start. That's usually how I introduce songs to our band, others layering on top. Could always pull out that guit or piano at a later stage.......I think?

I'll have a Reverbnation visit now. Can someone PM me the password.... :rolleyes:?
 

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