Regarding the discussions on education etc here, ahead of its time, such a 'school' does already exist for many years now. I have been involved with this idea since 2008 and intended to incorporate this model into my 'community' project here from the outset. I have friends or the same ideas who have visited this school and are totally amazed and confirm all that is written about it and more.
Furthermore it was the idea of Kin's Domains - a wonderful Russian concept that is practised in many Russian communities already, that incorporate many of the ideas here. Though to include everything about FOTCM is what would make the concept complete IMO. This is what I found missing when doing my research at the time on my own ideal. I spent one week with Vladimir Megre and those who already live in Kins Domains and those who were preparing to do so. So I was very involved in the grass-roots so to say. They are far ahead of our 'eco'villages etc. Yet another proof of great things being done in Russia!
So we are not totally reinventing everything from scratch here - much is already attempted, which is good news. Honing needs to be done though as we realize.
Anyway to save a lot of time and energy on 'education' matters here is a brilliant foundation:
https://www.ringingcedars.com/tekos_school/
http://www.thisisenergy.com/blog/95-school-of-the-future
http://www.icajapan.org/home-english/abundance/learning/
Mikhail Petrovich Shchetinin - Kin's School - Lycee School at Tekos
http://loveforlife.com.au/content/08/12/31/mikhail-petrovich-shchetinin-kins-school-lycee-school-tekos-mikhail-petrovich-shche
A model school for the future has been established in Russia under the guidance of Academician Mikhail Petrovich Shchetinin.
[Note: Embedded videos located at the bottom of this webpage.]
In a small city in southern Russia there is a remarkable Lyceum school. Its students come from more than 40 different nationalities. New approaches to moral and intellectual education allow students to cover the full school curriculum in the space of a few years, and to earn one or more academic degrees by the time they are 15-17. The preservation and interfusion of ethnic traditions through folklore, song and dances of various nationalities affords the opportunity for children of different backgrounds, cultures and faiths to gain a deeper understanding of each other. The noble ideas of service to one's Motherland and highest moral standards, along with mutual assistance and support, unite children and adults of various nationalities in building a bright future together.
Mikhail Petrovich Shchetinin
---------------------------
What is Shchetinin's school?
This is a school in Southern Russia created by alternative educator Academician Shchetinin, where ordinary pupils with little if any help from adult teachers cover the whole 11-year curriculum of the Russian school system in just two years, get official bachelor's and master's degrees from accredited universities by the time they are seventeen, and also have designed, built and decorated their campus all by themselves. The school is described in Book 3.
Can I visit the school? Do they accept visitors?
Yes. Although no special invitation or prior arrangements have been needed until recently, it is now asked that you contact the school beforehand. Due to the overwhelming interest and the constant stream of visitors all year round, students have been distracted from their studies and it is requested that you do NOT drop in unannounced. The School's location is given in one of the books.
Bright Tidings - On The Pathway To Man
We see education gradually turning into a two-edged lie: the young ones pretend to study, the older ones pretend to teach. The mighty energy of the human spirit gets squeezed out by the rigidity and inflexibility of educational technology.
The integrity of the child as an individual - indeed, the integrity of the environment - this is the mutual relationship of the two basic principles underlying the concept of the school as shared by myself and my like-minded colleagues. The very first lesson in the school ought to touch upon the meaning of human existence.
In our world today the whole educational curriculum is divided up into divergent layers, isolated from each other. The world of perception is transformed into isolated 'corridors' to such an extent that it is sometimes hard for the pupil to believe that they are all part and parcel of a single whole. Art draws its very strength from the fact that it synthesises fractionalised phenomena, offers a holistic system of education and child-raising, and inculcates a holistic world-view.
But art cannot fully address this question if children are not immersed in an atmosphere where genuine life-values are affirmed - an atmosphere of shared labour and searchings, where every lesson is permeated with a sense of creativity. Then we have something to think about. Then we have a basis on which children will be able to appreciate art with understanding. For if there is no opportunity to live and experience this high ideal first-hand, then the high ideal is not truly perceived - it remains an ideal in word only, and hence begins to compromise itself.
In our educational process we work on the basis of a three-part harmony: "I see - I analyse - I act."
It is not just that we place our own tremendous emphasis on music, visual art and dance - they should make themselves felt in the school on a day-by-day basis, and this is the crux of the whole thing.
No programme, no methodology can in and of itself guarantee success in child-raising on the whole.
Together with the educators of the Children's Music School in Kizliar (Daghestan), we emphasise the direct dependence of success in music on the level of a person's overall development, rather than on any special, isolated musical talents. It turns out that skill on one area is manifest when skill is shown in many areas of life.
Young people often conquer summits simply because they have never been persuaded that these summits are unattainable. It is our view that skill in one area of activity is made up of skills in others. Talent is a whole network of different gifts. Which means the task of developing one set of skills is expanded when all of them are set in motion together. And to bring up a specialist, consequently, one has to bring out the overall Man - Man as a unified whole...
...Years are behind us now. I have held on to the conviction that Man can do everything! It is precisely through making sense of this saying that our multifunctional school, the whole school complex, the whole school-Man, has been developed. Our purpose is not 'knowledge-know-how-habits'. It is not endless drilling and rote-learning, or the spoon-feeding of information. Rather, it is the raising of Man to live harmoniously, to act in harmony with society - a Man who, when he sees and analyses the phenomena of life which surround him, can feel their interconnection, can perceive the world as a whole. And no matter what he becomes - an engineer, physicist, chemist, builder, teacher etc. - he will understand that he is going out into a whole, complete, unified world!
We are in the process of shaping Man's ability to get along in this whole, unified world from a very young age. Right from childhood Man must be raised beginning with his roots, with his very essence. And the essence of Man is his humanity. And this consists in re-uniting, one way or another, his life-forces in the struggle against the forces of chaos and disintegration. But the development of Man's essence is not only the goal - it is at the same time the means to achieving this goal.
After all, why is the idea of the harmony of the individual so attractive and so productive? Because it alone is capable of appreciating the harmony of the world as the most valuable treasure, capable of preserving this integrity, this very harmony that has been in the making over millions of years of evolution...
In regular schools we notice how our once attentive, wide-eyed pupils seem to fall away from us. We see education gradually turning into a two-edged lie: the young ones pretend to study, the older ones pretend to teach. The mighty energy of the human spirit gets squeezed out by the rigidity and inflexibility of educational technology. It freezes up, only rarely causing faint and pitiful ripples of disturbance to monotonously long and boring classes. But just look at how the school's energy boils over between classes! During these long moments of despair it reminds one of the convulsions of a dying giant.
As a rule, the overwhelming majority of pupils have only two or three classes a day in which they are active, attentive, concentrated and participate as active creators in the learning process. More than two-thirds of the time spent in school is given over to inactivity. It is as though the brain were asleep. But this is not a sleep of relaxation. It is a sleep that is harmful to one's health.
The activity of exchanging information engenders the activity of energy exchange. A state of sleepiness and a sluggish flow of thought processes is reflected in a slowing down of psychophysical functions, in a retarded flow of energy exchange. The body and its nervous system are literally undergoing a slow death. The situation of the one who is 'sleeping' is exacerbated even further by being in a state of anxiety and tension resulting from an attempt to avoid being discouraged by one's inactivity...
The result is that for most of the time the body is in an oppressed state. Perhaps this is why the health curve on one's educational record falls from grade to grade, along with the extinguishing of one's mental forces. The traditional school is not in tune with children's nature. It is not really for them. It does not contribute either to the flourishing of their talents or to the development of their spiritual, physical and moral health. Like a knife-blade, it is aimed at a very narrow target: knowledge-know-how-habits. The focus is not on the child, not on the individual, not on the development of the immeasurable range of the abilities he is endowed with, of his whole universal selfhood, but simply on producing a product of the instructional process.
Mikhail Petrovich Shchetinin
"On the pathway to Man"
Contemporary Pedagogy ( Pedagogika nashikh dnei)
ed. Shalva Amonashvili et al.
Krasnodar : Knizhnoe izdatel'stvo, 1989, pp. 381-401.
Translated by John Woodsworth
Bright Tidings DVD
A model school for the future has been established in Russia under the guidance of Academician Mikhail Petrovich Shchetinin.
In a small city in southern Russia there is a remarkable Lyceum school. Its students come from more than 40 different nationalities. New approaches to moral and intellectual education allow students to cover the full school curriculum in the space of a few years, and to earn one or more academic degrees by the time they are 15-17. The preservation and interfusion of ethnic traditions through folklore, song and dances of various nationalities affords the opportunity for children of different backgrounds, cultures and faiths to gain a deeper understanding of each other. The noble ideas of service to one's Motherland and highest moral standards, along with mutual assistance and support, unite children and adults of various nationalities in building a bright future together.
The movie has been translated into English and subtitled. Note, it is right now only available in NTSC system.
This DVD can be purchased from here:
An Edited Excerpt From The Ringing Cedars Books
Link: http://loveforlife.com.au/node/1125
This forest school completely redefines our understanding of “education” !
At this school the children have designed, built, and decorated their own campus — without adult supervision! They cover the entire high-school math curriculum in one year and get official Master's degrees by the time they are seventeen. They cook their own meals, do the administrative work, and write their own textbooks. These students come and go as they please and their parents pay no tuition fees!
Megré describes his first visit to Tekos…
“… A narrow gravel road led from the main highway into the forest, to a valley nestled amidst the mountain peaks. The road soon came to an end in front of a most unusual two-storey mansion. It was still under construction. From one of the still frameless window openings wafted the sounds of children’s voices singing a Russian folk song.
“This building was part of the vision Anastasia had showed me back in the taiga forest, but now it was an altogether real experience.
“Without a word to anyone I made my way through various construction materials to touch this mansion with my own hands.
“As I approached, I saw a little girl, about ten years old, climbing deftly down a ladder. She went over to a pile of river pebbles and began selecting and dropping stones into an old herring tin. When she started back up the ladder, I climbed up after her, in the direction of the alluring music pouring forth from above.
“There on the second floor I watched as a group of kids like her, some a little older, were taking smooth pebbles out of a box and attaching them with a cement mixture to the wall, making an amazingly beautiful pattern. Two little girls at once carefully washed off each newly attached stone with damp rags. They set about their tasks in earnest, singing as they worked. No adults were present.
“Later I found out that the whole foundation, indeed, each brick of this structure, had been laid by a child’s hand. The children had come up with the whole design by themselves, including every corner of their building.
“And this is not the only such building on the little campus. In this amazing setting children are constructing not only their buildings, their campus, but their whole future in the process.
“And they sing! Here a ten-year-old girl is capable of building a house, doing splendid drawings and cooking meals, not to mention knowing ballroom dance steps and mastering the fundamentals of Russian martial arts.3
“The children of this forest school are acquainted with Anastasia. They themselves told me about her. Three hundred pupils from different Russian cities study here.
“At this school children take but a year to master the whole ten-year public-school maths syllabus, along with studying three foreign languages. They neither recruit nor produce child prodigies. They simply give the kids a chance to discover what already lies within.
“Academician Mikhail Petrovich Shchetinin’s school comes under the Russian Federation’s Ministry of Education. It charges no tuition fees. Even though the school does not advertise itself, it has no vacancies. Indeed, there is already a waiting list of 2,500 hopefuls for an unexpected opening.
“It is hard to find words to describe the joy on these children’s beaming faces… (cont'd)
* * *
Megré talks to one of the students:
“One gets the impression that each brick of your building here is filled with the bright energy of a great power.”
“Yes, that’s true,” answered an older, red-haired girl. “So much depends on the people who touch them. We have done all this with love, we are trying with our mental attitude to bring only what is good and happy to our future.”
“Who designed this building, the columns and paintings?”
“This was the result of our united, collective thinking.”
“Does that mean that while each one is outwardly working on their own individual task, in actual fact it represents a collective thought?”
“That’s right. Every evening we get together and plan out, or visualise, the day ahead. We come up with the images we want to see expressed in the design of our mansion. Some of the pupils here take on the role of architect — they give specific form to our common work, tie it all together.”
“What image is expressed in the room we’re standing in now?”
“The image of Svarog2 — the primordial element of heavenly fire. You can see him here in the symbols, in the pebble amulets.”
“Does your group recognise one of its own as a principal or superior?”
“We do have a leader, but by and large it is the collective thought that is at work here — lava, we call it.”
“Say that again — thought is lava?”
“That’s right — a state of mind, an image, a desire.”
“Do you all work with such great delight, everybody smiling, everybody with such sparkling eyes — everybody so cheerful?”
“Yes, our life is like that, since we are doing what we want, doing what we can, doing what we love to do.”
“You said each stone has its own pulse and rhythm?”
“Yes, and this pulse beats once a day — just once.”
“Is it like that with all stones, or do some beat twice a day?”
“Every stone’s pulse beats once a day.”
“Doesn’t it seem to you that your mansion is something like a temple?”
“A temple is not a form, but a state of mind. For example, the cupolas — they simply help you access a particular state of mind. The form is moulded by feeling. And it is not by chance that the form of a cupola or hipped roof came to us — they represent our aspirations for heaven and the descent of Heavenly Grace.”
“This building, where every stone is laid with a good thought, is it able to heal?”
“Of course.”
“And does it heal?”
“Yes, it does… (cont'd)”
* * *
In the Ringing Cedars Series, Anastasia completely redefines the concept of “education”. She insists that universal knowledge is accessible to each of us — and she steers us toward an entirely new model of education whereby children are taught to look within to find their own innate questions and answers. She reveals to the author the existence of this “forest school” where children, by using the methods she describes, are accomplishing results beyond our wildest dreams.
You can read much more about this school in these books and then watch a 30 minute DVD, available here. The words and images of these children will move you to tears — and touch the very core of your being — as you are reminded of the extraordinary beauty within every human being.
* * *
NOTES:
1. Mikhail Petrovich Shchetinin (1944 — ) Director (principal) of the Tekos School near Gelendzhik. Originally a music teacher by profession, Mikhail Petrovich has had a long and distinguished career in experimental education. The recipient of several awards, in 1991 he was honoured with the title Akademik (Academician) by the Russian Academy of Education.
2. Svarog — in Russian and Slavic mythology, the god of fire, the father and divine light of celestial and earthly fires, who created (Russian: svarganil) our Universe (Sanskrit and ancient Russian: svarga). Svarog fought and captured a giant malicious serpent or dragon (Zmey), which he used to pull a plough, separating the land of the living (or the visible world,Yav) from the land of the dead (or the invisible world, Nav) and thus establish order (or Rightness, Prav). In Christianity he is associated with, among others, the Archangel Michael.