A couple of other things which caught my attention... I'm curious what others think about them.
I wonder what kinds of songs those were and how "high" were the notes. Did they use any type of instruments (or implements), etc. And since Stonehenge is implicated in all of this, did the worshippers also use similar sounds there? Funny thought that - but did the songs activate anything by any chance?
The next thought came after reading the following exchange.
So an individual's frequency (and charge) can attract nature's wrath in a very bad way - the effect is amplified when a group of similarly-natured people gets together. What about the planet itself though, could it be that some areas have this attractive action on the meteorites and comets naturally?
When the Russian meteorite hit, RT kept mentioning how prone the whole area was to meteoric impacts (or explosions). I clearly remember one commentator saying, "That whole area is like a magnet!". It's peculiar and it has stuck with me. Are these charges detectable by any instruments? Could a protective charge be created to reduce a chance of impact? Etc.
I think it opens up a whole area for investigation. Correct me if I'm wrong - isn't Laura's latest book discussing these attractive forces as well? I'm not through the whole thing yet but intend to find out ASAP. :)
Laura said:Q: (L) Which reminds me... I was reading in this book about Greek religion by Walter Burkert that the term "paean" was used to describe to the type of songs that were sung in the worship of the god Apollo in the most ancient times. And Apollo was supposedly the Hyperborean god, and if my suppositions are correct, was also the god that was worshipped at Stonehenge. Any connection there?
A: Indeed.
Laura said:A: See/C you soon!
I wonder what kinds of songs those were and how "high" were the notes. Did they use any type of instruments (or implements), etc. And since Stonehenge is implicated in all of this, did the worshippers also use similar sounds there? Funny thought that - but did the songs activate anything by any chance?
Wikipedia said:Paean
A paean (pron.: /ˈpiːən/) is a song or lyric poem expressing triumph or thanksgiving. In classical antiquity, it is usually performed by a chorus, but some examples seem intended for an individual voice (monody). It comes from the Greek παιάν (also παιήων or παιών), "song of triumph, any solemn song or chant." "Paeon" was also the name of a divine physician and an epithet of Apollo.
(...)
The earliest appearances of a paean or hymn of thanksgiving also appear in the Iliad. After the prayer to avert evil from the Achaeans, a paean is sung. In an almost identical line (X.391) that suggests a formulaic expression, Achilles tells the Myrmidons to sing the paean after the death of Hector.
To discover the relation between Paean or Paeon the healer-god and paean in the sense of "song" it is necessary to identify the connection between ritual chant and the shaman's healing arts. Martin Nilsson observed:
The curing of diseases everywhere plays an important part and among primitive peoples lies in the hands of sorcerers and priests. There was in earlier Greece a class of seers and purificatory priests which in all essentials fulfilled this function. The art of healing consisted in magical ceremonies and incantations. In later times these were usually called έπωδαί, charms, but in earlier days they were certainly called paeans (παιάν), for Homer speaks of the god, Paieon, who takes his name from them. With the charm was blended the name of the god, and thus the paean became a song of thanksgiving and eventually of victory. In later times Apollo has made the art of healing his own, and after him his son Asklepios took it over.
Previously, L. R. Farnell had referred to the ancient association between the healing craft and the singing of spells, but found it impossible to decide which was the original sense. At all events the meaning of "healer" gradually gave place to that of "hymn", from the phrase Ιή Παιάν.
Such songs were originally addressed to Apollo, and afterwards to other gods, Dionysus, Helios, Asclepius. About the 4th century the paean became merely a formula of adulation; its object was either to implore protection against disease and misfortune, or to offer thanks after such protection had been rendered. Its connection with Apollo as the slayer of the Python led to its association with battle and victory; hence it became the custom for a paean to be sung by an army on the march and before entering into battle, when a fleet left the harbour, and also after a victory had been won.
The next thought came after reading the following exchange.
Laura said:(Belibaste) You know there was this place in Central Europe... A guy at his house, he got meteorites that fell on his house like five or six times. Is the cause a local anomaly in the electric charge of the Earth in this specific location?
A: Yes
Q: (Belibaste) Okay. Is it that locally, the place, is it more positive, or more negative than the asteroid or meteorite?
A: Neg
Q: (Belibaste) More negative. Okay. Can one individual, or several individuals, attract in a similar manner as this place, some cometary bodies?
A: Yes
Q: (Belibaste) Is it because their electric charge collectively or individually is modified?
A: Not only electric charge. In the realm from which some of these things are manifested or, better, "directed", information is king.
Q: (Belibaste) So if a group of individuals acquires, stores, information that is orthogonal to truth, i.e. lies, will this fact of acquiring information that is orthogonal to truth increase the attraction to meteorites or cometary bodies?
A: Yes
So an individual's frequency (and charge) can attract nature's wrath in a very bad way - the effect is amplified when a group of similarly-natured people gets together. What about the planet itself though, could it be that some areas have this attractive action on the meteorites and comets naturally?
When the Russian meteorite hit, RT kept mentioning how prone the whole area was to meteoric impacts (or explosions). I clearly remember one commentator saying, "That whole area is like a magnet!". It's peculiar and it has stuck with me. Are these charges detectable by any instruments? Could a protective charge be created to reduce a chance of impact? Etc.
I think it opens up a whole area for investigation. Correct me if I'm wrong - isn't Laura's latest book discussing these attractive forces as well? I'm not through the whole thing yet but intend to find out ASAP. :)