What are you listening to?

Interpreted in the best way I can think of, perhaps that lyric means something like when the crooners father is on the death bed, dying, not to stay alive for the sole reason of his son. But I could be wrong about that.

I don't think there's any right or wrong interpretation, it's "art" so it's still highly subjective and each person will interpret the lyrics in their own personal way based on things such as past experiences, memories, their particular mood or state of mind at the time they heard the song, etc.
 
Converse being he will touch heart strings and MAKE MONEY

I've watched several documentaries lately about the bands and scenes that Young was a part of. He was very difficult to work with since he's completely focused on his artistic vision to the exclusion of all else, to the point of career suicide. I don't think making money ever enters into the equation for him.
 
I've watched several documentaries lately about the bands and scenes that Young was a part of. He was very difficult to work with since he's completely focused on his artistic vision to the exclusion of all else, to the point of career suicide. I don't think making money ever enters into the equation for him.


Hi wanderer. We have crossed wired here I think. I was referring to James Blunts latest. Neil Young was always a wonderful singer and I liked most of his work and as you say he really was a lone horse.
 
I listen to Ave Maria while driving.
Very relaxing. Although sang bzy man. It is very beautiful kontor tenor is a male soprano so to say.
Vyatcheslav Kagan-Paley (Slava) - Ave Maria
kagan.jpg
 
I thought it was a bit strange that he was singing this song to his father as if he were on the point of death, yet his father was sitting beside him. I also thought it was strange that he would make something so apparently personal so public, to millions of people he does not know.

Biography of James Blunt from Wikipedia:

In 1999, Blunt volunteered to join a Blues and Royals squadron deploying with NATO to Kosovo.[21] Initially assigned to carry out reconnaissance of the Former Yugoslavian Republic of MacedoniaYugoslavia border, Blunt's troop worked ahead of the front lines, locating and targeting Serbian forces for the NATO bombing campaign. On 12 June 1999, the troop led the 30,000-strong NATO peacekeeping force from the Macedonia border towards Priština International Airport. However, a Russian military contingent had moved in and taken control of the airport before his unit's arrival.

His family:

His father was a cavalry officer in the 13th/18th Royal Hussars and then a helicopter pilot and colonel of the Army Air Corps.[11][12] His mother started up a ski chalet company in Méribel.[13] The Blount family has a long history of military service, dating back to the arrival of their Danish ancestors in England in the 10th century.[8]
 
Wondering what people think of this song/video.



James Blunt - Monsters
Oh, before they turn off all the lights
I won't read you your wrongs or your rights
The time has gone

I'll tell you goodnight, close the door
Tell you I love you once more
The time has gone
So here it is

I'm not your son, you're not my father
We're just two grown men saying goodbye
No need to forgive, no need to forget
I know your mistakes and you know mine

And while you're sleeping I'll try to make you proud
So, Daddy, won't you just close your eyes?
Don't be afraid, it's my turn
To chase the monsters away


Oh, well I'll read a story to you
Only difference is this one is true
The time has gone

I folded your clothes on the chair
I hope you sleep well, don't be scared
The time has gone
So here it is

I'm not your son, you're not my father
We're just two grown men saying goodbye
No need to forgive, no need to forget
I know your mistakes and you know mine

And while you're sleeping I'll try to make you proud
So, Daddy, won't you just close your eyes?
Don't be afraid, it's my turn
To chase the monsters away

Sleep a lifetime
Yes, and breathe a last word
You can feel my hand on your own
I will be the last one
So I'll leave a light on
Let there be no darkness in your heart

But I'm not your son, you're not my father
We're just two grown men saying goodbye
No need to forgive, no need to forget
I know your mistakes and you know mine

And while you're sleeping I'll try to make you proud
So, Daddy, won't you just close your eyes?
Don't be afraid, it's my turn
To chase the monsters away

I noticed that even though he says "I'm not your son, you're not my father" he still calls his father "Daddy".

I don't think we ever lose that memory of our father from childhood. Even though they both are now adults there is a bond whether for good or bad that will maybe need understanding.

Maybe he wants to say these words now while his father is still alive to hear them. He is saying I'll be there to help you "chase the monsters away" like you did for me (Daddy).

It reminds me of another song I posted sung by Paul Carrack that speaks of "wish I had told you in the living years"

 
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I listen to Ave Maria while driving.
Very relaxing. Although sang bzy man. It is very beautiful kontor tenor is a male soprano so to say.
Vyatcheslav Kagan-Paley (Slava) - Ave Maria
View attachment 33456

@Kaigen ,

I couldn't find the same album on YouTube but I was curious so here is another version with rain sounds in the background. He has a very clear beautiful voice I think.

 
A couple of months ago I heard the following tune for the first time ever in my life on radio while driving home and I got goosebumps all over because of the stellar music arrangement as well as the incredibly talented/difficult way the singer handled the quite stunning lyrics. It was only later that I learned that it was Bob Dylan's song called "Hurricane" that he had written and performed after the imprisonment of Rubin "Hurricane" Carter for a murder he apparently never committed.

Here is the song on youtube with lyrics. I'll still try to get my hand on a better quality, since the version on the radio seemed better in audio quality:


Wikipedia said:
In his autobiography, Carter maintained his innocence, and after reading it, Dylan visited him in Rahway State Prison in Woodbridge Township, New Jersey.[2]

"Dylan had written topical ballads such as 'The Lonesome Death of Hattie Carroll' and Bob wasn't sure that he could write a song [about Carter]... He was just filled with all these feelings about Hurricane. He couldn't make the first step. I think the first step was putting the song in a total storytelling mode. I don't remember whose idea it was to do that. But really, the beginning of the song is like stage directions, like what you would read in a script: 'Pistol shots ring out in a barroom night.... Here comes the story of the Hurricane.' Boom! Titles. You know, Bob loves movies, and he can write these movies that take place in eight to ten minutes, yet seem as full or fuller than regular movies".[3]

After meeting with Carter in prison and later with a group of his supporters, Dylan began to write "Hurricane". The song was one of his few "protest songs" during the 1970s and proved to be his fourth most successful single of the decade, reaching #33 on the Billboard Hot 100.[4]

Controversy and re-recording

Dylan first recorded the song in late July 1975; it featured Scarlet Rivera on violin and Vinnie Bell on Danelectro Bellzouki 12-string guitar. Dylan was forced to re-record the song, with altered lyrics, in October 1975 after concerns were raised by Columbia's lawyers that references to Alfred Bello and Arthur Dexter Bradley (the two star witnesses of the case) as having "robbed the bodies" could result in a lawsuit. Bello and Bradley had never been accused of such acts. Because there was too much leakage on the multitracks to make a vocal "punch in," Dylan decided to re-record the entire song. At this time, he was already rehearsing for his upcoming tour, and the musicians from the Rolling Thunder Revue were still at his disposal. Dylan took violinist Rivera, guitarist Steven Soles, bassist Rob Rothstein, drummer Howie Wyeth, and percussionist Luther Rix back into the studio, and a new, faster version of "Hurricane" was recorded with Don DeVito again producing, and Ronee Blakley providing a harmony vocal. (There is a noticeable mistake in the 8-minute recording at 4:02 where the backing singer (Blakley) gets her line wrong. She sings: "Remember you saw (said) you saw the getaway car.") The final version of the song, which runs over eight minutes, was spliced together from two separate takes completed on October 24, 1975.[5]

Even though some offending lyrics were removed, the song still drew legal action from eyewitness Patricia Graham (Patty) Valentine, who believed that it portrayed her as part of a conspiracy to frame Carter. However, her lawsuit was dismissed by a federal district court, and the United States Court of Appeals for the Eleventh Circuit affirmed the dismissal.[6][7] More generally, even with the revised lyrics, "Hurricane" was accused of factual errors. The song included a description of Carter as the "number one contender"; according to the May 1966 issue of The Ring, he was ranked ninth around the time of his arrest and had never been ranked higher than third. Reporters for the Herald News, a New Jersey newspaper published not far from the scene of the crime, questioned Dylan's objectivity at the time of the song's release and accused him of excessive poetic license. Dylan biographer Howard Sounes praised the song but noted "there was no reference to his antagonistic rhetoric, criminal history, or violent temper."[8]
 

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