“Love is a decision, it is a judgment, it is a promise. If love were only a feeling, there would be no basis for the promise to love each other forever. A feeling comes and it may go. How can I judge that it will stay forever, when my act does not involve judgment and decision.”
“Is love an art? Then it requires knowledge and effort. Love is not a spontaneous feeling, a thing that you fall into, but is something that requires thought, knowledge, care, giving, and respect. And it is something that is rare and difficult to find in capitalism, which commodifies human activity. ”
“Love isn't something natural. Rather it requires discipline, concentration, patience, faith, and the overcoming of narcissism. It isn't a feeling, it is a practice."
mkrnhr said:Very often, when a relationship is born out of passion (mistaken for love in the actual Hollywood era), there is a strong expectation of perfection (romantic = perfection = happiness ever after, etc.), which is imagination and fantasy projected onto the other person and to the situation in general. When this fantasy clashes with reality, disappointment occurs, especially if the persons were not compatible to begin with (passion and programs both blind judgment). All of this can be prevented with some self-awareness and the input of a knowledgeable network.
The outer circle of exterior men corresponds to the default state of man – of people not engaged in esoteric work. In this circle it is rare that any two individuals should precisely understand each other on any matter of consequence or complexity. All see the world through thick lenses of subjectivity and are subject to the confusion of tongues alluded to in the Biblical story of the Tower of Babel.
The exoteric circle is the outermost circle of interior or consciously working man. The four Ways lead from the outer circle into the exoteric one.
http://www.sott.net/article/292680-Fifty-shades-of-filth-The-glorification-and-acceptance-of-pornography-reveals-societys-moral-bankruptcy said:Fifty Shades of Grey, the book and the movie, is a celebration of the sadism that dominates nearly every aspect of American culture and lies at the core of pornography and global capitalism. It glorifies our dehumanization of women. It champions a world devoid of compassion, empathy and love. It eroticizes hypermasculine power that carries out the abuse, degradation, humiliation and torture of women whose personalities have been removed, whose only desire is to debase themselves in the service of male lust. The film, like American Sniper, unquestioningly accepts a predatory world where the weak and the vulnerable are objects to exploit while the powerful are narcissistic and violent demigods. It blesses this capitalist hell as natural and good.