* "In my experience, girls' revealing themselves as candid and raunchy doesn't appeal to guys at all," Stacey Snider, a partner in and the C.E.O. of DreamWorks Studios, says. "And girls aren't that into it, either."
* Another thing no one is into: A successful woman. We knew that, and yet this is devastating nonetheless: "To make a woman adorable, one successful female screenwriter says, "you have to defeat her at the beginning. It's a conscious thing I do—abuse and break her, strip her of her dignity, and then she gets to live out our fantasies and have fun. It's as simple as making the girl cry, fifteen minutes into the movie."
* But everyone likes a hot girl, if she's not too successful or intimidating. Of Faris, a "leading agent" says, "What Anna has going for her, to be crass, is that guys want to nail her."
* As we know, that is necessary but insufficient. She has to be sexy, but not have sex. Faris's new film with Mylod, What's Your Number, is about a woman who learns from a ladymag that if she sleeps with one more man than the twenty she already has, she'll never get married. The studio executive debate over the number is instructive, as they wring their hands over how many would make the character an unrelated -jezebel-. (You have to wonder how many women these studio executives have themselves -flicked-, and how they might mentally reward themselves for each notch over twenty.)
No worries, because one executive concludes that "there's an innocent quality to Anna's sexuality, and an inherent kindness to her, that makes it possible to make a movie about sex and have it feel like she's still a sweetheart." Good thing she has big eyes and bottle-blonde hair — otherwise she'd just be a nasty -jezebel-.
* Faris knows this herself: "Our answer to ‘Wedding Crashers' was ‘Gold Diggers,' " she says of an upcoming movie with Kate Hudson. "But the big hitch was, nobody's going to like those girls if they seem like sluts... We realized we can't make an actual female ‘Wedding Crashers,' because then it would be ‘Call Girls.' "
* The step-by-step dissection of why things suck so hard for women in comedy requires rare moments of self-awareness by men in comedy: Seth Rogen thinks Faris is hilarious, is honest about himself: "If ‘Pineapple Express' "—a druggy comedy he starred in with James Franco—"had been about two girls, they wouldn't have made it. And if I were a woman I wouldn't have a career." (We're rooting for Best Buds in this regard.) And here's Airplane director David Zucker on why the classic comedy formula of a fat guy and a thin guy doesn't work with women: "Maybe women have a built-in dignity, and if a woman slips on a banana peel . . ." After a moment, he concluded, "You know, maybe it's just that I've never tried it." Maybe!