Thanks Mililea, much appreciatedYour last song was good, but actually a bit too hard for my taste I really like this one! Good job! Thank you for sharing!
That is my experience too, absolutely right! Without darkness there is no light I love this Quote in this regard:The sog is gift spelled backwards (TFIG), or the backwards gift, and the idea of it is basically, that suffering when looked upon "correctly" is a gift, a lesson, that if we take the hardships and suffering in a positive way we can move forward, go higher, as it were and become better versions of ourselves.
I love this becauseThe sog is gift spelled backwards (TFIG), or the backwards gift, and the idea of it is basically, that suffering when looked upon "correctly" is a gift, a lesson, that if we take the hardships and suffering in a positive way we can move forward, go higher, as it were and become better versions of ourselves.
Absolutely!! love this quote!! thanks for sharing :)That is my experience too, absolutely right! Without darkness there is no light I love this Quote in this regard:
Totally agree, Love how you articul;ated this!! it's all about choice, tbh it's not easy to have this perspective while going through something, that's the hard part, but we aim for it, and in hind sight this becomes much easier, we can see growth and resilence when we look back, this event sucked, but I am a better person for it, and I am grateful for it, is my experience!I love this because
It's not that the suffering or trauma made someone stronger but CHOOSING to overcome it is what makes someone so heckin strong. I like this view because it shows Free Will, that the choice is up to us which aligns with the C's saying we get to choose if we orientate ourselves to STS or STO through thoughts/emotions/action/behavior/intent aka The Work
I sent this track to my kid (he's 32 so not a kid - just to me) on a YouTube link (he's not familiar with this forum) as I know he's a big fan of Kill Switch Overdrive, but as my musical genre detection ends in 1997, I didn't want to assume that he was playing a similar genre influence as you are. It turns out, he's got some very related ideas as yours. I'm super old school and working with towels over Garnet amps and noisy guitars, but he's more along the lines of a 21st century musician like you.Thanks Jtucker You have a good ear for sure!
all recorded, produced, mixed and mastered in Logic Pro X in my home studio. Guitars are neural dsp abasi plugin no amps used … so much easier to eq and get to sit in a mix.. plus my neighbours are happier
It's hard for him to get accurate feedback from peers on his music, so I asked him if he was good with me sending you his ideas on your music. I'm sure he'll be okay with you doing the same with his
but hopefully his comments may be of some value to you...
I hope this is some value to you @987baz. I normally wouldn't post anything second hand on creative projects, but my kid seems to be in the same groove musically as you.
So first thoughts. I definitely like the genre. In fact it's pretty much my favourite genre of metal. On the production side of things I have a few critiques just for the sake of being nitpicky.
The master is quiet. Like it'll never be able to go next to bands like Wage War or Periphery at that volume. Which is also interesting because you can definitely hear some light clipping throughout the song, which implies that he like has standing bass frequencies taking up a lot of space in the mix making his limiter react harder and faster than he'd want, resulting in early clipping at a low volume.
Also kinda wish he didn't slap so much distortion on the lead vocal track. He's got a great voice. The distortion takes away from that. If his vocals are lacking punch he needs to start double and triple tracking.
He has a great voice. But if he doesn't have the time to really get those amazing takes he needs to bite the bullet and start using pitch correction. I get it. Recording at home for a couple hours a week makes it near impossible for someone to push themselves to a really amazing take. I legitimately think it's fair for home studio musicians to use auto tune and melodyne.
All that being said the guitar tone is super solid. Sounds to me like he's using the tried and true method involving a v30 speaker and whatever high gain amp he likes, or more likely an amp sim of that kind of combo, but wow did he ever mix that well.
It's easy to mess it up even if it's tried and true, but how he has that rhythm guitar glued to the bass track kicks ass.
The. F****g. Snare. Wouldn't change a thing. Don't think I could make do anywhere near as well. That snare f****g slaps (this is apparently a new Canadian slang that everyone is using to replace Awesome or Killer). Super tight, focused, sits in the mix incredibly well, you can hear it clearly at every point in the song. Great snare.
Also the playing and musicianship overall is incredibly high level. This guy can play and he can play really well. Great song!
I'm glad his comments helped! And in terms of master volumes, my kid's masters are way too loud for my tastes I asked him to help me once with mastering our laid back jazzy rock and it almost blew the speakers out in my truck...Firstly, thanks mate, it's always great to get critique from like minded/vibed people, and I would be more than happy to return the favour if he is so inclined.
Lots of value indeed!! he's obviously got a great ear and understanding of mixing/mastering and with musical tastes that are similar! So again, many thanks!
Haha, that's the first time I've ever been told my masters aren't loud enough, most of the time it's that they're too loud, but against bands of that nature and of course their production team (Nolly is a legend) it is a valid point for sure! (the loudness war continues haha)
This was my first attempt at mixing/mastering a song with an 8 string guitar, and extended low bass, (usually use a 6 string) so the standing bass frequency makes a lot of sense, will keep that in mind for the next mix!
Yeah, the lead vocal in the chorus is a live tracking take I did when I first wrote the chorus, which I clipped on the way in (because I wasn't worried about levels, a mistake I won't make again) as much as tried to get a better take, I just really liked the performance so decided to roll with it.
I am not big fan of autotune, but, I do agree, that it can be useful, usually if I use it, it will be for effect rather than to retune the pitch. I I really shouldn't be lazy and just multi track the vocals, for this one I just "decided" I liked the "raw" sound of it. But, listening to it now I totally agree, it annoys me haha (I added some saturation to make it sound more "musical" instead of just clipped)
Stoked to hear he likes the guitar tone, he was spot on!
The snare is a TAMA bell brass from the 80's, I use a eventide split/transient eq for the extra snap and running the arturia bus force plugin for the aux comp, with with new fangled audio Elevate on the drum buss.
wow, I am very happy to hear it, tell him thanks for the kudos!!
What is the skill level one needs to achieve what your friend has done in After Effect? And do you know by chance how long (on average) it took him to do this video?Viideo was created using a combination of hand drawn assets and AI and then animated in after effect by my band mate...
Firstly, thanks mate, it's always great to get critique from like minded/vibed people, and I would be more than happy to return the favour if he is so inclined.
Lots of value indeed!! he's obviously got a great ear and understanding of mixing/mastering and with musical tastes that are similar! So again, many thanks!
Haha, that's the first time I've ever been told my masters aren't loud enough, most of the time it's that they're too loud, but against bands of that nature and of course their production team (Nolly is a legend) it is a valid point for sure! (the loudness war continues haha)
This was my first attempt at mixing/mastering a song with an 8 string guitar, and extended low bass, (usually use a 6 string) so the standing bass frequency makes a lot of sense, will keep that in mind for the next mix!
Yeah, the lead vocal in the chorus is a live tracking take I did when I first wrote the chorus, which I clipped on the way in (because I wasn't worried about levels, a mistake I won't make again) as much as tried to get a better take, I just really liked the performance so decided to roll with it.
I am not big fan of autotune, but, I do agree, that it can be useful, usually if I use it, it will be for effect rather than to retune the pitch. I I really shouldn't be lazy and just multi track the vocals, for this one I just "decided" I liked the "raw" sound of it. But, listening to it now I totally agree, it annoys me haha (I added some saturation to make it sound more "musical" instead of just clipped)
Stoked to hear he likes the guitar tone, he was spot on!
The snare is a TAMA bell brass from the 80's, I use a eventide split/transient eq for the extra snap and running the arturia bus force plugin for the aux comp, with with new fangled audio Elevate on the drum buss.
wow, I am very happy to hear it, tell him thanks for the kudos!!
What is the skill level one needs to achieve what your friend has done in After Effect? And do you know by chance how long (on average) it took him to do this video?
I did not know we could do that much with it. I'm impressed. I love working with AI images, I have some beginner skills with Photoshop, and I have many ideas I would want to bring out, but I did not know how. This could be the answer!
hahah I love this description!!it's kind of like super well-produced Queensryche with industrial influences and Metallica drums
He did insist on me listening to Sleep Token which is a really cool band with incredible arrangements and wild synth sounds. I work with an FL 10 DAW just for drums, and have no idea how you guys get the sounds you do. My kid did respond to your comments and they're pretty funny... I think both of you are on a very similar page in terms of music.
Indeed and it's much appreciated, I thin at the end of the day, you have to do what you like as a mixer, even if it's not what is happening in the real world, if you're a signed band and trying to make money from it than there is certainly more pressure to conform to industry standards, but for me, it's a passion/hobby that I love and I just go with what I like, not to say I don't want to learn or becoe better, there's always something new to learn to enhance what I'm creating :)The irony of his masters usually being too loud made me laugh, I'm glad he liked the comments. I tried to go from a nit picky listeners point of view rather than a fellow musician since so much of mixing is all about personal preference.
Every defence for his decisions makes honestly perfect sense and I can't argue against him. At the end of the day all that matters is that it's a great song that's got a killer hook and is fun to listen too.
I do suppose comparing his mastering with Nolly's isn't fair either since Nolly is literally the king of metal production at this point in time.
He doesn't have his old band or his current music posted on social media currently as he's kind of a perfectionist (he got that from his mother and not me clearly). But I have MP4's from him I can post on the music thread I have, if he's okay with it. I think you'll be pretty surprised how similar your musical tastes are.
thank you my friend, I am actually working on some more proggy stuff atm .. my other solo project which I haven't done anything for in a while is here .. lots of odd time and long 10 minute journeys hahanice production on the tracks! Musically not my "cup of tea" as I’m definitely a Prog, Fusion, Classical kinda guy. Keep it going!
Just listened to your song TFIG and I really like it, especially the chorus, nice work!! The only suggestion I'd have is lowering the volume of the music a little bit or increasing the volume of your voice as the music drowns out your singing a bit, which is a shame because you have a great voice!