[quote author=ISOTM]
"Moving center working for thinking center produces, for example, mechanical reading or mechanical listening, as when a man reads or listens to nothing but words and is utterly unconscious of what he is reading or hearing. This generally happens when attention, that is, the direction of the thinking center's activity, is occupied with something else and when the moving center is trying to replace the absent thinking center; but this very easily becomes a habit, because the
thinking center is generally distracted not by useful work, by thought, or by contemplation, but simply by daydreaming or by imagination.
"'Imagination' is one of the principal sources of the wrong work of centers. Each center has its own form of imagination and daydreaming, but as a rule both the moving and the emotional centers make use of the thinking center which very readily places itself at their disposal for this purpose, because daydreaming corresponds to its own inclinations. Daydreaming is absolutely the opposite of 'useful' mental activity. 'Useful' in this case means activity directed towards a definite aim and undertaken for the sake of obtaining a definite result. Daydreaming does not pursue any aim, does not strive after any result. The motive for daydreaming always lies in the emotional or in the moving center. The actual process is carried on by the thinking center.
The inclination to daydream is due partly to the laziness of the thinking center, that is, its attempts to avoid the efforts connected with work directed towards a definite aim and going in a definite direction, and partly to the tendency of the emotional and the moving centers to repeat to themselves, to keep alive or to recreate experiences, both pleasant and unpleasant, that have been previously lived through or 'imagined.' Daydreaming of disagreeable, morbid things is very characteristic of the unbalanced state of the human machine, After all, one can understand daydreaming of a pleasant kind and find logical justification for it. Daydreaming of an unpleasant character is an utter absurdity. And yet many people spend nine tenths of their lives in just such painful daydreams about misfortunes which may overtake them or their family, about illnesses they may contract or sufferings they will have to endure. Imagination and daydreaming are instances of the wrong work of the thinking center.
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In Oxajil's example of walking to the bus-stop, if one lets the moving center to do its job of taking the person to the destination while engaging the intellectual center in contemplation or in directed "useful" thought, it would be an example of a right work of the centers - osit.
The tendency of the emotional and moving centers of recreating pleasant or unpleasant experiences - actual or imagined - causes daydreams if the intellectual center cannot stand apart and help analyze and observe the phenomenon. If the intellectual center goes with the flow and immerses in the images that are arising, it is daydreaming and useless. If the intellectual center can stand apart and observe the phenomenon and even participate in it without being identified with the drama, then it becomes a technique of "active imagination" described in Jungian psychology. In a different way, the exercise of journaling described in the
Redirect thread is also an example of intellectual center standing apart from the drama and recording it as an observer.
Coming back to OrangeScorpion's question about distinguishing between daydreams caused by emotional and moving centers, I would think that the type of experience being recreated could give a clue. The daydream could be a mixture of both moving and emotional center activities. Take for example a pleasant experience of recreating a feat in sports say basketball. A fantasy of hitting the winning basket at the buzzer through a jump-shot could invoke a rush of adrenaline and the euphoric sensation. (This type of imagery is powerful and professional athletes are said to actively use such techniques to improve performance). The same fantasy could also be focused on the feeling of pride and basking in the adulation of screaming fans. If the thrill of a perfectly executed technique is the centerpiece of the fantasy in this example, I would consider it to be more moving-center initiated. If the pride and glory being imagined is more important, then I would consider it to be more emotional center oriented. However, the fantasy could be a mixture of both as well.
Don't know if this clarifies the question or not - so take fwiw