THE TUATHA DE DANANN PART 2
Hagar and Kore
In the first part of this article, the focus was primarily on the male members of the Tuatha De Danann, the sons of the goddess Danu. In this second instalment, I shall focus on Brigid or Tara and try to demonstrate that she is in fact Hagar in the Bible, the concubine of Abraham, the servant of Sarah and the female who was called ‘Kore’ by the Cassiopaeans.
Hagar in the Bible
In an earlier post on 3rd May, I pointed out that Rabbinical commentators have asserted that Hagar (
Hebrew: הָגָר,
Hāḡār, of uncertain origin;
Arabic: هَاجَر
Hājar;
Greek: Ἁγάρ,
Hagár;
Latin:
Agar) was in fact Pharaoh's own daughter. The Midrash
Genesis Rabbah states it was when Sarah was in Pharaoh's harem that he gave her his daughter Hagar as servant, saying: "
It is better that my daughter should be a servant in the house of such a woman than mistress in another house". Sarah treated Hagar well, and induced women who came to visit her to visit Hagar also. However Hagar, when pregnant by Abraham, began to act superciliously toward Sarah, provoking the latter to treat her harshly, to impose heavy work upon her, and even to strike her.
The C’s did in fact confirm that Hagar was Pharaoh Akhenaten’s daughter but then added that she was also Sarah/Nefertiti’s daughter. The biblical account treats Sarah or Sarai as being taken into Pharaoh’s harem, with Abraham colluding in this subterfuge by passing Sarah off as his sister. If, however, Sarah as Nefertiti was originally Akhenaten’s wife, this puts a very different spin on things and on Abraham’s relationship with Hagar. If Abraham/Moses takes Sarah/Nefertiti off into the Sinai desert with Hagar it may suggest he was cuckolding Akhenaten by running off with his wife and daughter. Even worse, he is having sexual relations effectively with a girl who is his step daughter.
Other Jewish commentators identify Hagar with
Keturah (Aramaic: קְטוּרָה
Qəṭurɔh), the woman Abraham married after the death of Sarah, stating that Abraham sought her out after Sarah's death. It is suggested that
Keturah was Hagar's personal name, and that "Hagar" was a descriptive label meaning "
stranger". This interpretation is also discussed in the Midras and is supported by various commentators. One called Rashi argues that "Keturah" was a name given to Hagar because her deeds were as beautiful as incense (hence:
ketores), and/or that she remained chaste from the time she was separated from Abraham, deriving from the Aramaic word "
restrained".
Hagar in Islamic Tradition
Hagar is also alluded to in the Quran, and Islam also acknowledges her as
Abraham's second wife. According to Islamic tradition, Hagar the Egyptian is named as the "
Grand Mother of Arabians" and her husband Abraham the Mesopotamian as the
"Grand Father of Arabians". The product of Abraham and Hagar’s union was Abraham's firstborn child, Ishmael, the progenitor of the
Ishmaelites, generally taken to be the Arabians. Various commentators have also connected her to the
Hagrites (sons of Agar), perhaps claiming her as their eponymous ancestor. However, Laura and the C’s have a very different take on this subject.
According to the
Qisas Al-Anbiya, a collection of tales about the prophets, Hājar (Hagar) was the daughter of the King of Maghreb, a descendant of Islamic prophet Salih. Her father was killed by Pharaoh Dhu l-‘arsh (Arabic: ذُوالْعَرْش
dhu ’l-‘arsh, meaning "
he/master of the throne") and she was captured and taken as a slave. Later, because of her royal blood, she was made mistress of the female slaves and given access to all of Pharaoh's wealth. Upon conversion to Ibrāhīm's faith, the Pharaoh gave Hājar to Sara who gave her to Ibrāhīm. In this account, the name "Hājar" (called
Hajar in
Arabic) comes from
Hā ajru-ka), the Arabic for "
here is your recompense".
According to another tradition,
Hājar was the daughter of the Egyptian king, who gave her to Ibrāhīm as a wife, thinking Sara was his sister (which fits with the Genesis account). According to
Ibn Abbas, Ishmael’s birth to Hājar caused strife between her and Sara, who was still barren. Ibrāhīm brought Hājar and their son to a land called Paran-aram or (Faran in Arabic, in latter days held to be the land surrounding Mecca). The objective of this journey was to "resettle" rather than "expel" Hājar. Ibrāhīm left Hājar and Ismā'īl under a tree and provided them with water. Hājar, learning that God had ordered Ibrāhīm to leave her in the desert of Paran, respected his decision. The muslim belief is that God had tested Ibrāhīm by ordering this task.
However, Barbara Walker in her book "
The Woman's Encyclopedia of Myths and Secrets" makes the radical claim that the Koran was merely an enlarged, revised version of the ancient word of the mother goddess
Kore, revered by Mohammed's tribe, the
Koreshites (Children of Kore), who guarded her shrine at Mecca, which, of course, housed the Kaaba stone. The goddess Kore is in turn connected to Demeter, Athena (where a large statue of her stood at the Parthenon, the temple of Athena on the Acropolis from around the 6th century BC) who in turn is linked with Artemis and Brigid. See
The True Origins of the Koran. Some scholars even postulate that the Arabic 'Q're', as in “Kore”, is not only the precursor to
Kore / Persephone (also
'maiden' in Greek) but that it is also the root of the name Qur'an, which then leads to the Koran translating as the
'Word of Qure'.
Walker makes some interesting observations. For her, the classic myth of Kore's abduction by Pluto (god of the underworld or Hades) was another instance of a male god's usurpation of the Goddess's power. "
Plutonius Zeus...does not possess the nourishment for all mortal living creatures, for it is Kore who bears the fruit." Kore's resurrection (like Demeter’s and Inanna’s stories of having to spend six months [winter] in the underworld - as discussed in a previous post) represented the seasonal return of vegetation (a rebirth), which had previously died off in the autumn. She was also the World Soul animating each human soul, and looking out of the eyes. Reflection in the pupil of an eye was known as the Kore or "Maiden" in the eye. To the Arabs, it was the "baby" in the eye. The Bible calls either a daughter or a soul "
the apple of thine eye" (Proverbs 7:2); and, of course, every apple had a Kore (core - in which can be found pips or seeds to create new trees and branches).
Kore and Apples
This reference to apples reminds me of this exchange with the C’s in the Session dated
16 August 1997:
Q: I noticed in Genesis Chapter 33, verse 11, it says that Jacob, who wrestled with the angel the previous night and was on his way to see his brother Esau, who he had tricked into giving up his blessing years before, “gave Esau the blessing”. What was this? The birthright from his father or the blessing Jacob received from the angel?
A: Trampled leaves of wrath.
Q: This is what Jacob gave to Esau?
A: Yes, and what is the "core" meaning there?
Q: I don't know. What is the core meaning?
A: Leaves are of the Tree of Apples, from whence we get the proverbial "grapes of wrath," the Blue Apples incarnate!
Q: Why are these leaves 'trampled?'
A: Removes chlorophyll.
Q: What is the significance of the chlorophyll?
A: When the chlorophyll dies, the autumnal equinox is at hand.
Q: Did this signify something about the autumnal equinox?
A: Discover what the significance is, my Dear!
Hence, the C’s are making a clear link here between Hagar/Kore and the ancient Mother Goddess as depicted in the attributes and powers associated with the goddesses Kore, Athena, Demeter, Persephone, Artemis and Brigid etc., including the death of nature at the Autumnal Equinox and its subsequent rebirth in Spring. The reference to “
Blue Apples incarnate” might also signify the connection between the perceived “blue blood” of royalty (special hybrid genetics) and Kore’s royal heritage.
Notice also that Genesis Chapter 33, verse 11 links in with Medusa and what the C’s said about the significance of the numbers 11 and 33 in another session, as regards the fate of those who search for infinite wisdom and power. Interestingly, the Medusa was one of three Gorgons but the only one that was mortal. Is this because she represented the living present (neutral point) whereas her immortal sisters represented the past and future, who therefore could not die – a concept also found in the Roman deity Janus who is always depicted as a two headed figure looking both ways? Quoting Gardiner and Osborn in their book – The Serpent Grail: “
Whenever the symbolism of Janus relates to time, between the past (which is no longer) and the future (which is not yet), the true Face of Janus – that which looks at the present and is supposed to face us – is not shown; it is neither one nor the other of the two [faces] we can see. This third face is, in fact, invisible because the present in its temporal manifestation is but an intangible and imperceptible instant.” For those who may be interested, this particular topic, linked with the concept of the ‘eternal now’, was discussed at length in the recent thread for the session dated 13 March 2021. See
Session 13 March 2021
There may also be an indirect reference to apples (and therefore to Kore) in a subsequent exchange with the C’s concerning Jacob and Esau in a subsequent session:
A: Shepherd is most likely to be struck by lightning, due to staff, and thus "enlightened," or "illumened!!"
Q: Funny spelling! But, what is the contrast between the concept of the shepherd and the agriculturalist? This goes back to the very roots of everything? There is Cain and Abel, Jacob and Esau, Isaac and Ishmael...
A: Are not you "abel" to figure this out?
The correct spelling of the verb should have been “able” not “abel” so this was clearly a deliberate pun on the C’s part. However, in Old English, the word “abel” means “apple”. Were the C’s trying to draw attention to Kore being a Pharaoh’s daughter, where pharaohs carried the shepherd’s ‘was’, sceptre or staff and were deemed to be divine, enlightened beings. In the Bible, Abraham, Jacob and David are also shepherd Kings carrying a staff and would therefore be viewed as enlightened or illumined and by extension as ‘Shining Ones’, as for that matter are the members of the Tuatha de Danann, including Brigid.
Golden Apples and the Garden of the Hesperides
Again through Kore we encounter a link with the apple tree. In mythology, the apple is a symbol for knowledge, immortality, temptation and the fall of man and sin is linked with the Tree of Life or the Tree of Knowledge in the Garden of Eden. Taking just one well known example, the Greek hero Heracles/Hercules (the wild man representing fallen mankind), as a part of his Twelve Labours, was required to travel to the Garden of the Hesperides and pick the golden apples off the Tree of Life growing at its centre (see more below on this).
In Norse legend the food of immortality of the gods in Asgard was the apple. In one classic Slavic fairy tale a hero chases a flock of fiery golden FireBirds and succeeds in holding at least one of the birds’ golden feathers. However, in these fairy tales about Firebirds, one more component is constantly mentioned and that is golden apples. Usually, the hero has to retrieve the golden apples, which have been hidden or stolen by a Snake, a Firebird, a Dragon or some other monster.
Moreover, in several non-English languages, the word for ‘orange’ is in fact derived from the phrase ‘golden apple’. It was thought that the "golden apples" might have actually been oranges, a fruit unknown to Europe and the Mediterranean before the Middle Ages. Under this assumption, the Greek botanical name chosen for all citrus species was Hesperidoeidē (Ἑσπεριδοειδῆ, "hesperidoids") and even today the Greek word for the orange fruit is πορτοκάλι (Portokáli) - after the country of Portugal near where the Garden of the Hesperides was meant to grow.
In Greek mythology, the Hesperides were nymphs who guarded the legendary Golden Apple tree. There are several different accounts of their ancestry in myth. The ancient poet Hesiod claims that these nymphs were the daughters of Nyx, the goddess of Night: [MJF: these could be the daughters of Nefertiti]. "After them dark Night, having lain with no one, gave birth...to the Hesperides, who live beyond Okeanos and keep the golden apples and the fruit-bearing trees.” (Hesiod, Theogony, 213-216).
Despite the differing opinions about the ancestry of these nymphs, ancient authors agree that the Hesperides were important in Greek myth as the guardians of the tree from which the Golden Apples grew. And these were not just any apples, either - they were the fruit that the goddess Hera received as wedding a gift from Gaia (the Earth). Indeed, the golden apples appear in several Greek myths, including the story of Atalanta and Hippomenes, and the legendary tale of the Twelve Labours of Heracles.
In the Twelve Labours of Hercules, the Hesperides lived together in a garden, along with the dragon Ladon. There are names associated with the individual nymphs, and they are often called Aigle, Arethusa, Erytheia, Hespera, and Hesperethusa. Together, the nymphs sang enchanting and beautiful songs. The eleventh of Hercules' twelve labours required him to fetch the golden apples of the Hesperides.
Sibyl also told Aeneas that the only means of entering and returning safely from the underworld was to carry the fruit of the golden bough. In accordance with the cult of the goddess Diana at Nemi most authorities agree it is likely that the golden bough was a reference to an apple branch.
The adventures of Jason and the Argonauts and their search for the Golden Fleece would appear to be yet another legend concerning a heroic quest for a golden apple. The Greek word for sheep - 'melon'- can also mean apple. 'The Golden Fleece' could therefore mean 'The Golden Apple.' The adventures of Jason in Colchis are seen to be almost identical with those of Hercules in the Hesperides and also with that of the Germanic hero Siegfried. All three fight a serpent dragon, the prize being a golden treasure.
Even the C’s may have got involved in the golden apples act with the following exchange:
“A: Are three gold bars worth more than one? Laura! Turn over stones, sell apples, do whatever you have to do to get your computer refitted to accommodate the Internet, including the online market system, as soon as absolutely possible!!!!!!
Q: (L) Well, I am not really in a position to spend that money right now! And what do you mean to 'turn over stones and sell apples?'
A: Figures of speech! Do what you have to do... take care of the mechanics, my Dear, the rest will fall into place...”
In this passage we can obviously see the C’s urging Laura to get her computer enabled for internet uasge. However, although they say they are only using figures of speech, is the C’s statement “are the three gold bars worth more than one” a subtle reference perhaps to the Judgment of Paris in respect of the three goddesses, which involved a golden apple? In that story, Zeus held a banquet in celebration of the marriage of Peleus and Thetis. Left off the guest list was Eris (goddess of discord), and upon turning up uninvited she threw or rolled a golden apple into the ceremony, with the inscription which said: καλλίστῃ or, "for the fairest one". Three goddesses claimed the apple: Hera, Athena and Aphrodite [MJF: a Triple Goddess theme again and a triad perhaps like the Grail itself]. Zeus decided that Paris of Troy would judge their cases. Each of the goddesses offered Paris a gift. Hera would give him power, Athena would make him wise, and Aphrodite offered him the love of the world's most beautiful woman, Helen. Paris chose Aphrodite, and Helen's leaving of her previous husband precipitated the Trojan War. Paris is linked by the C’s to Abraham and therefore to Hagar/Kore and the "core" meaning the C’s spoke of.
Similarly, is their reference to “turn over stones, sell apples” another possible link to Hagar/Kore (the Blue Apples incarnate), the Philosopher’s Stone and by extension the Grail? The phrase ‘turn over stones’ may be linked to another common English phrase ‘leave no stone unturned’, meaning to look at all the evidence or at all possibilities. Indeed, when it comes to archaeology, the phrase may be applied literally here since an archaeologist will never know what may lie under the next stone until he has turned it over. This is particularly true of the discovery of Göbekli Tepe (meaning Potbelly Hill) in Turkey, where the German archaeologist, Klaus Schmidt, who discovered the site in October 1994, found that stone slabs, which had been thought to be Byzantine grave markers, were in fact the tops of prehistoric megaliths. The discovery of this site occurred only four years before the C’s exchange with Laura. It also represents sage advice to us in this quest.
Golden Apples in other Mythological Traditions
The Irish 'Echtra Condla' tells how Connla, the son of a king in the 2nd century AD is invited by a beautiful and immortal woman to the land of heart's desire. At the command of his father the king, the Druids do all in their power to prevent the prince from following the woman, who is invisible to all but Connla. She tells him she is of the people who dwell in the mounds of the 'Sidhe' and gives him an apple. He eats; it never grows less, nor does he require other food. After a month she returns to fetch Connla in her boat of glass. He goes with her to another world, to an Elysian 'Sidhe' Underworld) Isle. (MJF: compare the Isle of Avalon in Welsh and Arthurian mythology.]
In Norse mythology, Odin hears the Prayers of King Rerir and his wife for a daughter. The goddess Freya gives an apple to a casket bearing maiden. The maid 'took the apple, and did put on the gear of a crow, and went flying till she came where the king sat on a mound, and there she let the apple fall into the lap of the king'. 'The Volksung Saga'... [translation from Icelandic by Eirikur Magnusson and William Morris.] [MJF: Could this Norse myth have echoes of Hagar/Brigid/Hella flying to Ireland in a flying saucer with a casket containing the Golden Apple of the Grail – the mound being the Hill of Tara?]
The wizard Merlin (Myrddin) in early welsh poetry is repeatedly linked with apples and apple-trees. 'Afallenau' - 'Apple trees' describes how Merlin sleeps in or under an apple tree in the Caledon forest [MJF: Caledon forest comprises the old forests of Caledonia/Scotland - Merlin is claimed to have been a Scottish druid of the 6th Century]. Even Sir Lancelot was reputed to have fallen asleep under an apple tree.
Brigid and her Apple Orchard
Lewis Spence, in The Minor Traditions of British Mythology, tells us that the common apple tree reached Greece from the North. It was adopted by the Greek sun-god as especially sacred to him, and from the Celtic word 'Abal' an apple, the god derived his name Apollo. Avalon, Avallach and Avalloch are Celtic variations of the same word [Rhys, Arthurian Legend].
According to legend, Brigid was supposed to own a magical orchard of apples. Phillip Gardiner and Gary Osborn in their book – The Serpent Grail link this tradition with the island of Avalon in King Arthur’s tale, since the Isle of Avalon means the ‘Island of Apples’ (“aval” in Welsh meaning “apple”) - apples that would keep Arthur perpetually youthful awaiting our call as the ‘once and future king’. I would also link it with Garden of the Hesperides as well, which was occupied by the Nymphs of the Night with a dragon guarding the golden apples. The two authors also point out that Brigid was said to have been raised under an apple tree, which links her with the biblical heroine of the Song of Solomon, of who her lover says: “I will climb the palm tree, I will take hold of its fruit stalks. Oh, may your breasts be like clusters of the vine and the fragrance of your breath like apples.” She then says of her lover that he is “like an apple tree among the trees of the forest, so is my beloved among young men”.
The authors then posed the question of why Brigid was the owner of an apple orchard. They referred to an ancient Slav story that tells of an apple tree that bears the ‘fruit of everlasting youth’. If one of its apples is ‘eaten by a man, even though he be dying, it will cure him and make him young again’. As they point out, this reminds us of Wolfram von Eschenbach’s story of Parzival in which he said: “
There never was a human so ill that, he one day sees that stone [the Grail], he cannot die within the week that follows… Such power does the stone give to man that flesh and bone are at once made young again.” Hence, we see a correspondence between the Grail Stone and the golden apple in their ability to bestow everlasting youth.
In Wolfram's story, the "grail" is not a cup but a mysterious stone, which sustains its guardians - the lineage of the mystical grail family. John Matthews, an acknowledged expert on Arthurian traditions, states: "Wolfram seems to be speaking of a physical succession, perhaps even of an elite body of people who are bred to serve the Grail in a wholly calculated way. He also indicates that the disposition of the Grail lineage is a secret known only to the angels". This is an interesting proposition given what we have learned about Hagar/Kore and her descent from the Perseid line. I know some Forum members have called into question the bloodline link with the Grail (originally raised as a possible theme to explore in this thread by Laura herself) but the C’s must have had a reason to mention that Kore was the last of the Perseid line. What was so special about the Perseid (Perseus) line that evidently possessed the Grail, given the legendary story of Perseus cutting off the Gorgon’s head?
Hagar as Abraham’s Second Wife
This idea that Hagar was Abraham’s second wife is interesting since if Sarah/Nefertiti did die before Abraham/Moses, then it leaves open the possibility that Abraham/Moses did seek out Hagar after her mother’s death and marry her. Is this possible? Well the C’s confirmed that Abraham/Moses was eventually deposed as the leader of the Israelites on account of his increasingly tyrannical behaviour and was then taken by them, or perhaps by 4th Density assistants, to safety and he is now apparently preserved in a state of stasis in the personage of Moses and is available in a hyper conscious state to Jewish people who call upon him. This does not necessarily rule out the possibility that he may have been reunited first with Hagar/Kore before going into stasis, which could then explain the Celtic legend of the Dagda as Brigit’s father (or step father). In the first part of this article, I pointed out that the Tuatha De Danann were not just known as the ‘Shining Ones’ but were also called the ‘Ever Living Ones’ as well. It is possible therefore that Hagar/Kore, as Brigid, may eventually have joined Abraham/Moses in a stasis state in the Irish Sidhe, Netherworld or Underworld.
If Hagar is Akhenaten’s daughter, we will need to tie down which one of his six daughters she was. I will attempt to do this later in this article. We know from a previous posting that the Celtic goddess Brigid (aka Brig and Bride) is also linked with Princess Tara and with Princess Tamar Tephi of Irish legend, who in turn is linked with Princess Scota, the daughter of King Hezekiah, the last King of Israel, who the Jewish prophet Jeremiah managed to get to safety - first to Egypt and then to Ireland - after the fall of Jerusalem in 586/587 BC. It appears that Tara and Scota have been conflated together in myth and folklore as one person but there is nearly a thousand years dividing Hagar and Scota in history, so we need to determine which one of them was on first base. Before doing that let us look at Brigid in myth, legend and folklore as a member of the Tuatha De Danann.
Brigid
Brigid was a goddess of fire, passion, poetry, and invention. Even well into the Christian era, Irish writers credited Brigid as their inspiration. She was a learned goddess, in part through her connection to high architecture, and inspired not just smiths, but craftsmen of all trades. Her connection to healing and wisdom may have been aspects passed on from her father, the Dagda, who was a master of magic and mysticism. Her ability to always know what was needed was one of her many sacred gifts.
In some sources, her mother was Danu, a powerful river goddess and the namesake mother-goddess of the Tuatha Dé Danann. In other traditions she is the daughter of Morrigan and Kernunnos. The Lebor Gabála Érenn established Brigid as being married to Bres, the High King of the Tuatha Dé Danann, by whom she had a son, Ruadán. However, in another tale, Brigid was the wife of Tuireann, and mother of his three sons, Brian, Iuchar, and Irchaba. She apparently came to Ireland alongside the rest of the Tuatha Dé Danann.
The Irish writer, Mary Condren, thinks that ‘Darlughdacha’ might be the original name for the goddess Brigid, presumably as Brigid (Exalted One) is a title rather than a name. Darlughdacha means 'daughter of Lugh'.
In the Middle Ages, it has been argued that the goddess Brigid was syncretised with the Christian saint of the same name, Saint Brigid of Kildare. Quoting Mary Condren again:
“
Brigid has also become connected with the christian ‘Saint Brigit’ (in Gaelic pronounced sometimes Bride, sometimes Breed). St. Bride of the Isles as she is lovingly called in the Hebrides, has no name so dear to the Gael as "Muime-Chriosd", Christ's Foster-Mother, a name bestowed on her by one of the most beautiful of Celtic legends. In the isles of Gaelic Scotland, her most familiar name is Brighid nam Bhatta, St Briget or St. Bride of the Mantle - from her having wrapt the new-born Babe in her Mantle in Mary's hour of weakness. She did not come into the Gaelic heart with the Cross and Mary, but was there long before as Bride, Brighid or Brighid of the Dedannans, those not immortal but for long ages deathless folk who to the Gael were as the Olympians to the Greeks. That earlier Brighid was goddess of poetry and music, one of the three great divinities of love, goddess of women, the keeper of prophecies and dreams, the watcher of the greater destinies and guardian of the future. I think she was no other than the Celtic Demeter - that Demeter- Desphoena born of the embrace of Poseidon, who in turn is no other than Lir, the Oceanus of the Gael, and instead of Demeter seeking and lamenting Persephone in the underworld, it is Demeter- Brighid seeking her brother (or, it may be, her son) Manan (Manannan), God of the Sea, son of Oceanus, Lir...Persephone and Manan are all symbols of the same Return to Life."
"Ó'Hógáin makes connections between the saint, the goddess, the sun, poetry, cows, Vedic tradition and the goddess Boann (eponym of the River Boyne), who may have been the mother of Brigit, and whose name seems to come from bo/-fhionn (white cow, she of white cattle) cognate with Sanskrit Govinda. We did, of course, encounter the Boann in the first part of this article, where I made connections between her story and that of Nefertiti, Hagar’s mother. As for the Sanskrit connection, I pointed out in an earlier article Brigid’s possible link with Saraswati, the Hindu goddess of knowledge, music, art, speech, wisdom, and learning.
"Brigid’s other names are old Gaelic names: Brighid-Muirghin-na-tuinne, Brighid Conception of the Waves; Brighid-Sluagh (or Sloigh), Brighid of the Immortal host; Brighid-nan-sitheachseang, Brighid of the Slim Fairy Folk; Brighid-Binne-Bheule-lhuchd-nan-trusganan-uaine, Song-sweet (literally: melodious mouth'd) Brighid of the Tribe of the Green Mantles. She is also called Brighid of the Harp, Brighid of the Sorrowful, Brighid of Prophecy, Brighid of Pure Love, St. Bride of the Isles, Bride of Joy and many other names."
Brigid’s Domains
Brigid’s domain over fertility and motherhood included not only mortals and gods, but animals as well. Her role as protector of domesticated animals was demonstrated via the animals she kept:
- Fe and Men, two oxen who lend their names to Mag Femen, a field in County Kildare;
- Torc Triath, the “king of boars” which appeared in Arthurian legend;
- Cirb, a powerful ram and the king of sheep.
It is curious that one of these animals is a powerful ram. Could it have been a golden ram perhaps?
Brigid and the Sacred Flame
In her earliest incarnation, as
Breo-Saighit, she was called the ‘
Flame of Ireland’, ‘
Fiery Arrow’. She was a goddess of the forge as well, reflecting on her fire aspect. Legend says that when she was born, a tower of flame reaching from the top of her head to the heavens. Her birth, which took place at sunrise, is rumoured to have given the family house the appearance of being on fire.
Brigid was therefore viewed as a fire goddess, associated with smithcraft and possibly a fire cult. Her status as a fire goddess was also apparent in her connection to the sun and dawn in particular. Brigid's Cross (
MJF: see earlier post on these ancient crosses) is usually in the form of a solar wheel, so this may be evidence that she was also viewed as a sun goddess. A perpetual flame burned in Kildare in pre-Christian times and was kept alight by Saint Brigid and her nuns, possibly up to the sixteenth century. Her name, “
Exalted One,” reflected not only her nature as a solar deity, but her connection to crafting and wisdom as well.
In an ancient Irish text Giraldus Cambrensis, Saint Brigid and nineteen of her nuns took turns in guarding a sacred fire which burned perpetually and was surrounded by a hedge within which no male might enter. In this, Brigid is like the Gaulish
'Minerva'." In Minerva's sanctuary in Britain there was also a perpetual flame. According to the Irish Text "
The Book of Dunn Cow", Brigid's sacred number was nineteen, representing the
nineteen-year cycle of the Celtic Great Year, the time it took from one new moon to the next to coincide with the Winter Solstice (i.e., the Metonic lunar cycle). It was believed though, that on the twentieth day of each cycle Brigid herself would tend the flame.
Holy Wells and Springs
Hagar is noted in the Bible for being associated with both a spring and a well. After fleeing Egypt, Hagar became pregnant, and tension arose between the Sarah and Hagar. Sarah complained to Abraham, and treated Hagar harshly. As a result, Hagar ran away.
Genesis tells us that Hagar fled into the desert on her way to Shur. At
a spring en route, an angel appeared to Hagar, who instructed her to return to Sarah, so that she may bear a child who "
shall be a wild ass of a man [MJF: shades of Hercules]:
his hand shall be against every man, and every man's hand against him; and he shall dwell in the face of all his brethren" (
Genesis 16:12). Then she was told to call her son Ishmael. Afterward, Hagar referred to God as "El Roi". She then returned to Abraham and Sarah, and soon gave birth to a son, whom she named as the angel had instructed.
Later, Sarah gave birth to Isaac and Bible tells us that the tension between the women returned. At a celebration after Isaac was weaned, Sarah found the teenage Ishmael mocking her son (Gen 21:9). She was so upset by the idea of Ishmael inheriting their wealth that she demanded that Abraham send Hagar and her son away. She declared that Ishmael would not share in Isaac's inheritance. Abraham was greatly distressed but God told Abraham to do as his wife commanded because God's promise would be carried out through Isaac but Ishmael would be made into a great nation as well because he was Abraham's offspring.
Early the next morning, Abraham brought Hagar and Ishmael out together. Abraham gave Hagar bread and water then sent them into the wilderness of
Beersheba. She and her son wandered aimlessly until their water was completely consumed. In a moment of despair, she burst into tears. God heard her and her son crying and came to rescue them. The angel opened Hagar's eyes and she saw
a well of water. He also told Hagar that God would "make a great nation" of Ishmael.
Islamic tradition puts a slightly different spin on these events. It has Hagar running between the
Safa and Marwa hills in search of water for her son. After the seventh run between the two hills, an angel appeared before her. He helped her and told her that God had heard Ishmael's crying and would provide them with water. At that point, God caused a spring to burst forth from the ground, where Ishmael's heel lay, and thereafter Mecca became known for its excellence and abundance of water. The well was subsequently named the
Zamzam Well and become a holy source of water.
Hence, if Brigid is associated with Hagar, we might expect her to be linked with sacred springs and wells too. Sure enough she is. Taking just one example, high up in the northern Hebrides [
MJF: sounds a bit like Hesperides with its golden apples doesn’t it and also contains within the name a reference to ‘Bride’ as well] is a beautiful well situated on a croft above the sea in a village called Melbost Borve, which is north-west of Lewis. The well is dedicated to Saint Bride, the Catholic equivalent of Brigid, and is known to be a place of healing. Apparently, in local tradition there are still strange and ancient rituals associated with the deity that must be a survival of pagan times. Brigid/Bride has a white wand of birch, broom or bramble called the ‘sacred wood’, which is stripped of all bark and she is associated with healing and good health. Indeed, she was the Celtic mother goddess of the life-force itself.
The Lady in the Lake
Gardiner and Osborn saw Brigid as a serpent goddess in their quest for the Grail and sought to find links between Brigid, King Arthur and the Holy Grail. They state that according to Celtic scholars, Brigid, as the Irish version of the Welsh
Ceridwen, was the original
Lady of the Lake. However, when they went through the 12th century Welsh Arthurian tales they could find no mention of the Lady in the Lake. Nor could they find her origins in the French literature of the period. They therefore deduced that this sub-aquatic deity may well have originated in Celtic legend and been incorporated into the Grail lore later on. Given that we have learned that Brighid is linked with her brother (or it may be her son) Manannan, a Celtic God of the Sea (equivalent to the Greek god Poseidon), this link should not be surprising.
Further research revealed to them that when the Romans came to Britain, they associated Brigid to Minerva, a Gorgon. Minerva’s symbol is the snake and she is associated with healing and sacred springs (like Brigid), wells and waterways – as can be seen at the famous Roman spa at Bath in Somerset, England. They also pointed out that Brigid was associated with the ‘magical arts’ (aka the ‘Smithy’) and with blacksmiths – it is the Lady of the Lake who bestows the magical sword Excalibur on Arthur, which was obviously made by a powerful smith. We might compare this aspect with the Norse story of
Wayland the Smith, the maker of weapons and armour who is enslaved by a king. Wayland takes revenge by killing the king's sons and then escapes by crafting a winged cloak and flying away (
MJF: are there shades of the story of Daedalus here?). Wayland is also mentioned in passing in a wide range of texts, such as the Old English
Waldere and
Beowulf and in the old English story of Franks Casket (
MJF: curious it should be “Franks” as in the Franks in France who are related to the Allens). See further:
Wayland the Smith - Wikipedia, in which you will find Scandinavian correspondences to the story as well.
The
Franks Casket is one of a number of other early English references to Wayland, whose story was evidently well known and popular, although no extended version in Old English has survived. In the front panel of the Franks Casket, incongruously paired with an
Adoration of the Magi, Wayland stands at the extreme left in the forge where he is held as a slave by King
Niðhad, who has had his hamstrings cut to hobble him. Below the forge is
the headless body of Niðhad's son, whom Wayland has killed,
making a goblet from his skull; his head is probably the object held in the tongs in Wayland's hand. With his other hand Wayland offers the goblet, containing drugged beer, to Böðvildr, Niðhad's daughter, whom he then rapes when she is unconscious. Another female figure is shown in the centre; perhaps Wayland's helper, or Böðvildr again. To the right of the scene Wayland (or his brother) catches birds;
he then makes wings from their feathers, with which he is able to escape [MJF: Daedalus again?]. English local tradition placed Wayland's forge in a Neolithic long barrow mound known as
Wayland's Smithy, close to the
Uffington White Horse in Oxfordshire. If a horse to be shod, or any broken tool, were left with a sixpenny piece at the entrance of the barrow the repairs would be executed. In my childhood, I remember visiting both places, although Uffington was then in my home county of Berkshire and people were very upset to lose what they saw as their county symbol to Oxfordshire. See
Franks Casket - Wikipedia. These Old English and Nordic stories seem to have a strong link with Greek classical myths. However, the question we need to ask is which group were on first. The content of these stories also reminds me of a quote the C’s made in the
Session dated 2 February 2003:
Q: (Galahad) Is the importance of Argos related to the myth of Jason and the Argonauts?
A: Yup.
Q: (Galahad) Does it have something to do with the individuals who flew away on the Ram?
Q: (Galahad) Is it a significant fact that this girl's name was similar to Helen of Troy?
A: Could be a clue. All those stories of escape from confinement and flying and cataclysm...? Who was imprisoned? Why? Good night.
This particular extract links us to the story of Phrixus and Helle and the Golden Ram that became the Golden Fleece (which is linked with golden apples) and is a precursor to the story of the Siege of Troy. Helle is being linked here by the C’s with Hagar/Kore and by extension Brigid of the Tuatha De Danann and Princess Tara. Hence, Helle is yet another persona of Hagar/Kore. I aim to return to Helle in a later post, as I think she and what she had in her possession may have been the real cause of the Siege of Troy and not Helen, as in her mother Nefertiti, the consort of Abraham/Paris.
We also see the casket (like Franks Casket) or a chest cropping up again and again as a theme in these myths. For example, Perseus and his mother Danae were confined and cast adrift upon the sea in a chest or casket. Then there is the story of Pandora’s Box and the most famous casket of them all, the Ark of the Covenant. It is not the casket itself though that we need to focus on but rather its contents.
Even the Rosicrucians get in on the act in the third ‘Rosicrucian’ tract released in 1616 called The Chemical Wedding of Christian Rosenkreuz, which evokes resonances of the Grail romances and the Knights Templar – Christian Rosenkreuz is said to wear a white tunic with a red cross on the shoulder like a Templar. The tract is a complex Hermetic allegory with unmistakeable echoes, according to Frances Yates, of John Dee’s esoteric thoughts. In the course of the narrative a play is performed (an allegory within an allegory) in which a princess of unspecified royal lineage, whose rightful domains have been usurped by the Moors, is washed ashore in a chest. The rest of the play deals with her vicissitudes and her marriage to a prince who will help her regain her heritage. There are obviously strong associations here with Danae, who regains her royal heritage through her son Perseus (a Perceval archetype) after being set adrift in a chest. However, could there also be associations here with Hagar/Kore/Brigid/Tara, an Egyptian princess, and Brigid’s Cauldron? Could it be Kore’s Perseid lineage that has been usurped with the deaths of her father Akhenaten and her brother Tutenkhamun?
Ceridwen’s Cauldron
The Mabinogion, the great Welsh folklore tradition, contains the stories of Brigid’s Well and Ceridwen’s Cauldron. Ceridwen is Brigid’s Welsh equivalent. According to the legend, Ceridwen lived on the shore of a lake called Lyn or Lake Tegid. She had a son named Morfran (meaning ‘Great Cow’). The name ‘Lyn’ is another version of the name ‘Lin’, which means ‘snake’. Her son was considered to be so hideous that the only way he would make it in the ‘world of man’ was to become a prophet or prognosticator. To make this happen, Ceridwen brewed an elixir that would give him great wisdom (MJF: shades of alchemy here). Both Ceridwen and Brigit were also said to be keepers of the cauldron, chalice or cup and to ‘drink’ from the chalice was a metaphor for receiving great healing, fertility and sustenance – which makes it seem very much like the ‘Gift of God’ to me. The cauldron was also known as the ‘Cauldron of Rebirth’, which equates it with the Dagda’s or Bran’s cauldron. Gardiner and Osborn therefore concluded that Ceridwen and Brigit were serpent deities from the pre-Biblical snake cults, which may tie in with the Brotherhood of the Serpent. As to Brigit being a serpent deity, this makes me wonder about an exchange between the C’s and Laura concerning the constellation of Ophiuchus, the serpent hunter:
Session 20 June 1998
Q: What was the head worshipped by the Templars that was supposed to have been called "Baphomet?"
A: Seer of the passage.
Q: What does that mean?
A: Remember, secrets of Knights Templar were kept in caves guided by eternally burning lamps.
Q: Okay, next question, is this Ophiuchus, the serpent holder, the same as what you have called 'the holder of Trent?
A: Close.
The Constellation
Ophiuchus, formerly called
Serpentarius, is near the constellation of Hercules, another serpent holder or dragon slayer. To the ancient Greeks, the constellation represented the god Apollo struggling with a huge snake that guarded the Oracle of Delphi. Later myths identified Ophiuchus with
Laocoön, the Trojan priest of Poseidon, the trident carrying Greek god and founder of Atlantis. It may once even have been a thirteenth sign of the Zodiac sandwiched between Scorpio and Sagittarius. However, per an earlier post, I have suggested that ‘
the holder of the Trent’ may in fact have been Brig or Brigid, the goddess of the Briganti, the Celtic tribe that occupied the Trent River area when the Romans first arrived in Britain. She may be found in the figure of
Britannia, the trident carrying emblem and personification of Britain.
Gardiner and Osborn also concluded (rightly in my view) that Brigid and Ceridwen’s mutual association with wisdom, healing, cauldrons, cups or chalices, as well as sacred healing wells and springs, suggest they were one and the same person. It may be that the later Arthurian tales are simply being superimposed over these older Celtic legends, where a cup or chalice now replaces the cauldron. Gardiner and Osborn believe the layers of legend over hundreds of years have all but eliminated the serpent from the story but it is still there, concealed beneath the symbolism, myth, legend and later initiation rites. Nevertheless, all across pagan Europe the healing water shrines would be rapidly Christianised and either the Blessed Virgin Mary or other saints (like St. Bride or St. Winifred) would be installed as the new personage in charge of the shrine.
See Part 3 for the conclusion of the article.