In my previous post on the
Hermetic Order of the Golden Dawn, I said I would follow this up by doing a separate post on one of its most celebrated members, the Irish novelist,
Bram Stoker. However, my reason for doing so is not so much his authorship of the famous vampire story
Dracula but rather another of his stories, which, like
Dracula, has been the subject of many horror movie depictions over the years and that is
The Jewel of the Seven Stars. What
Dracula is to vampire horror movies,
The Jewel of the Seven Stars is to Egyptian mummy movies. However, before looking at the significance of the novel in reflecting Rosicrucian learning, I would first briefly like to look at the life of Bram Stoker.
Bram Stoker, the author of the novels ‘Dracula’ (1897) and ‘The Jewel of the Seven Stars’ (1903), among many others. Credit: public domain.
Abraham (Bram) Stoker was born on 8 November 1847 in Dublin, Ireland and was the third of seven children. He died on 20 April 1912. Although bedridden with an unknown illness until he started school at the age of seven, Stoker would make a complete recovery going on to excel as an athlete at Trinity College, Dublin, which he attended from 1864 to 1870, graduating with a Batchelor of Arts Degree.
Stoker became interested in the theatre whilst a student through his friend Dr. Maunsell. While working for the Irish Civil Service, he became the theatre critic for the Dublin Evening Mail newspaper, which was co-owned by
Sheridan Le Fanu (1814 – 1873) an Irish writer of Gothic tales, mystery novels, and horror fiction. Le Fanu was also a leading ghost story writer of his time. Perhaps most relevant to us as regards his influence on Stoker, was the fact that Le Fanu wrote the lesbian vampire novella
Carmilla, which may have been a major inspiration for
Dracula.
Theatre critics were held in low esteem at the time, but Stoker attracted notice by the quality of his reviews. In December 1876, he gave a favourable review of Henry Irving's
Hamlet at the Theatre Royal in Dublin. Irving invited Stoker for dinner at the Shelbourne Hotel where he was staying, and they became firm friends. Stoker also wrote stories, and "
Crystal Cup" was published by the London Society in 1872, followed by "T
he Chain of Destiny" in four parts in
The Shamrock. In 1876, while a civil servant in Dublin, Stoker wrote the non-fiction book
The Duties of Clerks of Petty Sessions in Ireland (published 1879), which remained a standard work. After marriage to Florence Balcombe in 1878, Stoker moved with his wife to London where he became first acting manager and then business manager of Henry Irving's Lyceum Theatre, London, a post he would hold for 27 years. For those who may not be aware. Henry Irving was one of the most celebrated Shakespearean actors of his day, comparable in status to Lord Laurence Olivier in the 20th Century and Sir Anthony Hopkins in our own age.
The collaboration with Henry Irving was important for Stoker and through him, he became involved in London's high society, where he met American painter
James Abbott McNeill Whistler and
Sir Arthur Conan Doyle (the author of the
Sherlock Holmes novels as well as being a leading spiritualist, to whom Stoker was apparently distantly related). Working for Irving, the most famous actor of his time, and managing one of the most successful theatres in London made Stoker a notable if busy man. He was dedicated to Irving and his memoirs show he idolised him. In London, Stoker also met the novelist
Hall Caine, who became one of his closest friends. Stoker would subsequently dedicate
Dracula to Caine, under the nickname 'Hommy-Beg'. Interestingly, both men shared an interest in mesmerism (aka 'magnetism' - as distinct from hypnotism).
In the course of Irving's tours, Stoker travelled the world, although he never visited Eastern Europe, the setting for his most famous novel. Stoker enjoyed the United States, where Irving was popular. With Irving he was invited twice to the White House, and knew Presidents
William McKinley and
Theodore Roosevelt. Stoker set two of his novels in America, and used Americans as characters, the most notable being
Quincey Morris. He also met one of his literary idols,
Walt Whitman, having written to him in 1872 an extraordinary letter that some have interpreted as the expression of a deeply-suppressed homosexuality.
Stoker enjoyed travelling, particularly to Cruden Bay in Scotland where he set two of his novels. However, it was during a visit in 1890 to the English coastal town of Whitby in East Yorkshire that Stoker drew inspiration for writing
Dracula. Before writing
Dracula, Stoker met
Ármin Vámbéry, a Hungarian-Jewish writer and traveller (born in what is now Slovakia). Dracula likely emerged from Vámbéry's dark stories of the Carpathian Mountains. However this claim has been challenged by many including
Professor Elizabeth Miller. She has stated, “
The only comment about the subject matter of the talk was that Vambery 'spoke loudly against Russian aggression. T
here had been nothing in their conversations about the "tales of the terrible Dracula" that are supposed to have "inspired Stoker to equate his vampire-protagonist with the long-dead tyrant [i.e., Vlad Dracul or Vlad the Impaler]
." At any rate, by this time, Stoker's novel was well underway, and he was already using the name Dracula for his vampire. Stoker then spent several years researching Central and East European folklore and mythological stories of vampires.
The 1972 book
In Search of Dracula by
Radu Florescu and
Raymond McNally claimed that the Count in Stoker's novel was based on Vlad III Dracula. However, according to Elizabeth Miller, Stoker borrowed only the name and "scraps of miscellaneous information" about Romanian history; further, there are no comments about Vlad III in the author's working notes.
Dracula is an epistolary novel, written as a collection of realistic but completely fictional diary entries, telegrams, letters, ship's logs, and newspaper clippings, all of which added a level of detailed realism to the story, a skill which Stoker had developed as a newspaper writer. At the time of its publication,
Dracula was considered a "straightforward horror novel" based on imaginary creations of supernatural life. "It gave form to a universal fantasy and became a part of popular culture." The original 541-page typescript of
Dracula was believed to have been lost until it was found in a barn in north-western Pennsylvania in the early 1980s. Handwritten on the title page was "
THE UN-DEAD", which suggests Stoker changed it at the last minute to
Dracula prior to its publication.
In the Wikipedia entry for Stoker (from which much of the above has been gleaned - see:
Bram Stoker - Wikipedia), it states:
"
Stoker believed in progress and took a keen interest in science and science-based medicine. Some of Stoker's novels represent early examples of science fiction, such as The Lady of the Shroud (1909). He had a writer's interest in the occult, notably mesmerism, but despised fraud and believed in the superiority of the scientific method over superstition. Stoker counted among his friends J. W. Brodie-Innis, a member of the Hermetic Order of the Golden Dawn, and hired member Pamela Colman Smith as an artist for the Lyceum Theatre, but no evidence suggests that Stoker ever joined the Order himself. Although Irving was an active Freemason, no evidence has been found of Stoker taking part in Masonic activities in London. The Grand Lodge of Ireland also has no record of his membership."
However, no evidence of membership does not automatically mean that he was not a member or participant in the Order, since, as we have learned, the Rosicrucians, unlike the Freemasons, do not keep records of their membership. Moreover, even if he was not a member of the Order himself, the fact that he had close contact with people who were, such as those named above, might indicate that many of the Order's beliefs, tenets and teachings may have rubbed off on him and permeated his thinking, which then found its way into his writing.
The Jewel of the Seven Stars
Having covered Stoker's life and his connections, I would like to turn to an article I referred to in my earlier post by the writer and researcher
Andrew Collins called
Goddess of the Seven Stars: The Rebirth of Sobekneferu.