Wandering Star
The Living Force
If someone can't help "one," he can't help any.Thank you I had already looked at him, if you could not assimilate what he says and these paintings, I can not do anything for you
Do not worry!
If someone can't help "one," he can't help any.Thank you I had already looked at him, if you could not assimilate what he says and these paintings, I can not do anything for you
Thank you I had already looked at him, if you could not assimilate what he says and these paintings, I can not do anything for you
Thank you I had already looked at him, if you could not assimilate what he says and these paintings, I can not do anything for you
Out of curiosity this morning, I watched a video showing DARPA robotic advencement. At 12:37 in the video, what I saw made me think of this Denver airport picture.
[....]
Interesting don't you think. Remember that what they show us is already obsolete, their technologie is hundred of years more advance.
Q: Are there such things as 'DEROS,' as described in this underground bases book?
A: Detrimental Robots.
Q: Are DEROS part of the underground city/bases scenario?
A: Yup.
I was looking through the internet and came across this passage from 1 Thessalonians 5:3 (KJV):
"For when they shall say, Peace and safety; then sudden destruction cometh upon them, as travail upon a woman with child; and they shall not escape".
This brought to mind murals at the Denver airport. Specifically these two which are separate murals, but are close to each other:
One would think that the 13 windshields have something in common :) But im far from an expert on this kind of thing. Didnt the 6th des. say something about Denvers EM-generators that would interact with people in alpha-state trance? Maybe someone pulled the intensity-lever to hard?
Q: We have here the Denver Airport Pictures which Chloe took on her trip and perhaps we would like to have a little bit of an interpretation on this very bizarre figure here. Is it supposed to be looked at this way or reversed?
A: Either.
Q: Could you give us a little interpretation on that picture; it’s about the strangest thing I’ve ever seen… well, no it’s not, but it’s right up there! {Laughter}
A: It is a rectagon.
Q: What is a rectagon?
A: Picture uniting numerous rectangular principles of photo optic representation.
Q: What's the point?
A: If one gazes at it long enough, they will involuntarily be placed into an alpha state.
Q: Okay. If they go into an alpha state, is there some other kind of message that the picture then conveys?
A: That is not the point!
Q: What is the point?
A: They then are open to programming of a level one order!
Q: (Ark) Does the scale of the picture matter?
A: It works better when one gazes at the mural itself, rather than a photographic representation of same. There are magnetic factors at the Denver Airport which play into the situation.
Q: What kind of magnetic factors?
A: Artificially contoured wave-like beams.
Q: These beams have a magnetic effect?
A: Magnetism.
Q: (Ark) If gazing at this picture produces an alpha state, how long does it last?
A: Indefinite.
Q: (T) How long do you have to look at the picture?
A: Each individual responds differently.
Q: (T) Does repeated exposure ... is it cumulative?
A: No.
Q: When you say indefinite in terms of time, do you mean it can vary from individual to individual?
A: Indefinite because the subsequent program is the determining factor.
Q: How does the program get installed? Is there something there at the airport that installs the program? That works in conjunction with the murals? Is the programming in the pictures? Or is it in some carrier wave? Or is it in the individual themselves, and the murals simply activate it?
A: Originates from underneath the complex.
Q: And it has something to do with the beams?
A: Yes.
Q: So, in other words, Chloe may have been subjected to some of this programming by going there and spending so much time looking for the murals?
A: In her case, no, because you warned her, therefore her conscious state was in the "awareness mode."
Q: (Ark) Is any one of these photographs, or any one element, more significant than the others? Anything we ought to pay more attention?
A: All are equally important. But, pay attention to the tiny details. You will see that the discovery process is neverending.
(...)
I just found what I think you were remembering. It is a very strange effect that the murals and the energy at the site may combine using an alpha-state trance.
I recall this post, been a few days since :D
Well, I think the 'airport generators' are more local, so the windows where likely affected by something more general.
Q: What kind of magnetic factors?
A: Artificially contoured wave-like beams.
Q: These beams have a magnetic effect?
A: Magnetism.
Q: (Ark) If gazing at this picture produces an alpha state, how long does it last?
A: Indefinite.
Q: (T) How long do you have to look at the picture?
A: Each individual responds differently.
Q: How does the program get installed? Is there something there at the airport that installs the program? That works in conjunction with the murals? Is the programming in the pictures? Or is it in some carrier wave? Or is it in the individual themselves, and the murals simply activate it?
A: Originates from underneath the complex.
Q: And it has something to do with the beams?
A: Yes.
The cracked windshields back on page 1 of this thread? See quote below:I think it varies for the individual when they are physically present at the airport. There may be natural magnetics in that area too but there apparently may be artificial generators "underneath". I am not sure what "windows" you are referencing.
They are "underneath" the airport.
Just had to add this to this thread - Sott.net
So - with what may be underneath DIA, it sure makes me wonder exactly what happened to crack 13 windshields - that are extremely difficult to crack - all at once. I say all at once, because search as I might, I cannot locate any specific time for this happening - some sites say Friday afternoon, some say Friday evening - but they do say that all the cracks were reported within a two hour period. It's also interesting that this happened during the same time period that the SotT server went down. High strangeness?
I think the pictures do have an effect on the viewers especially if they are there at the airport. It is interesting that the two murals depict opposite results of peace winning or nazi controlled take-over. I just found a session that talks about it.
As already mentioned either in this thread or elsewhere, the rainbow most likely symbolizes the "pride" "woke" neoliberal ideology literally blazing across the world via BLM/antifa "peaceful protests", that morphs into a killing vapor/virus i.e. COVID-911. In locating this thread, I did glance through some of the previous pages and made note of the following:Your Life in the Denver Airport
We are all living now in the Denver airport, watching the weird Illuminati murals come to life.
The murals tell the story of the world coming apart and being put back together by a multiracial group of children.
[...]
Basically, these government leaders, the intelligence agencies and militaries, along with the international banks and the various appendages of the United Nations, and the corporate controllers of culture, had more ability to influence and direct the world than any group of people ever in history. They were all working in tandem, and yet the world continued to get steadily worse and worse.
Someone would have had to have asked: “what exactly are these people trying to do here? Everything is more controlled than ever, and it just keeps getting worse. What is the purpose? What goals are these people trying to accomplish?”
Then, the coronavirus lockdown hoax began, and you saw these masters of the universe just completely and totally destroy the entire society, on purpose, all at once.
So, it’s clear now why nothing worked before: they were trying to destroy everything on purpose.
Why would they do that?
Because they want to form a completely new type of society, a new mode of existence. It’s a type of existence that no one would agree to go along with if it was proposed to them in normal times. So, in order to implement this new form of human existence, you have to make everyone’s life a living hell, then offer the new existence as a solution to the hell you’ve created.
Apparently, this concept is too much for most people to wrap their heads around. It seems very straightforward to me, or to you, I’m sure, but most people just assume that everything that is happening is happening just as the natural result of people in power making decisions that they think will benefit society, or maybe that they think will benefit some specific private interest.
People will say you’re a conspiracy theorist if you start talking about a Denver International Airport agenda. However, as the dust continues to settle around the coronavirus situation, it becomes more and more impossible to talk about “conspiracy theories.” Everyone sees the conspiracy. It isn’t a theory. This was a massive hoax designed to take away everyone’s freedoms, and virtually every government, the entire media, all of these internationalist organizations – everyone was in on it. They even had neo-Nazi groups out there saying, “do as you’re told, the government wouldn’t lie.”
What’s more, you could try to say that at the beginning, the governments themselves were confused. But you can’t say that anymore. And yet, this lockdown is still going. It’s still going, now, and it’s getting more extreme. They’re now grabbing people off the street and shoving them into police cars for not wearing face masks outside.
The fact that they know it’s a hoax now and just keep upping the ante implies that they knew it was a hoax from the beginning, and purposefully did all of this to people, as part of some kind of agenda.
No one knows exactly what is going on. But this is some kind of very extreme agenda, that does have clear goals. This is not just a random power-grab. This is all building up to something.
[...]
What they absolutely want is a tiny elite minority ruling over a mixed race mass of brown people. They want to put computer chips in people and they probably want to control their brains using computers somehow.
Who the hell knows what they want. It doesn’t really matter. What we need to understand is that they are purposefully collapsing society, which means that if it looks like something is going to “snap back,” that is a delusion.
The good news is: you know this is happening while most people do not, so you have an advantage.
Full article:
Your Life in the Denver Airport - Daily Stormer
We are all living now in the Denver airport, watching the weird Illuminati murals come to life. Thedailystormer.su
That was posted March 20, 2008. Perhaps another incidence of universal consciousness manifesting like the Sandy Hook Batman movie "coincidence". The post is in reference to Blucifer, the 32-foot-tall horse statue outside DIA:From the comments I'm reading it seems the local populace is kind of freaked out by this 'thing'. I thought the mane looked kind of odd too - more like a 'corona' to the glowing red eyes than a horse's mane.
That post brings to mind this - a different take on that bible verse:I was looking through the internet and came across this passage from 1 Thessalonians 5:3 (KJV):
"For when they shall say, Peace and safety; then sudden destruction cometh upon them, as travail upon a woman with child; and they shall not escape".
A "a pictographic guide to the apocalypse" seems to be a pretty accurate description of the DIA murals.
Well, Vaquero didn't fall and kill anyone despite being moved for restoration - it looks a lot less vibrantly blue in the video.Vaquero
Luis Jiménez began making monumental sculptures in the midst of the Latino civil rights movement. He dedicated himself to contemporary subjects that represented a racially diverse and working class America. Vaquero, which means cowboy in Spanish, is one of his most celebrated works.
Jiménez’s Vaquero depicts an anonymous Mexican American cowboy in colorful and glossy fiberglass, a material more associated with low riders and hot rods. Jiménez intentionally titled his sculpture Vaquero to emphasize the Spanish and Mexican roots of this classic American icon. “Spaniards brought cattle and horses [to North America],” the artist once recalled, “and Mexicans developed the whole notion of being cowboys.” The artist thought it was especially fitting that Vaquero came to permanently reside in the nation’s capital, a city known for its abundant equestrian public sculpture.
And they're LED floodlights supposedly to honor the artist's father who worked with neon that the son also apprenticed to learn from him. Interestingly, is this quote regarding the engineering challenge for the largest work he had done:Susan understands that the “eyes have been a point of focus.” She remembers a time Luis was home alone at night. He heard something in the living room and went to investigate.
“He sees these two eyes,” she said. “And he said the hairs on the back of his neck stood up.”
He had thought there was an invader in their home, but then felt a nudge from a familiar source. It was their horse Black Jack, the model for Luis’ final work, who had mysteriously broken into their living room.
“And so [do the eyes] have anything to do with that incident and this kind of you're afraid of something but then it’s OK [because you realize] it is familiar,” she said. “I don't know. But the eyes do not have any evil intent whatsoever.”
Some of the early sketches had “Mustang” as yellow, even pink. But Luis decided on blue, modeling it after Black Jack, who happened to be a blue Appaloosa.