rise
Jedi
Xman said:I guess what I am getting at is that a lot of these questions can be easily answered if a person is willing to expend a little effort.
I understand what your saying, sorry I'll look into it more next time
Xman said:I guess what I am getting at is that a lot of these questions can be easily answered if a person is willing to expend a little effort.
anart said:Window in a sphere?
Tigersoap said:anart said:Window in a sphere?
It looks like a simple six branched rosace to me, with alterning empty, not empty spaces made by the circles.
Bluelamp said:A rosace is very mandala-like thus the window in the center of a sphere idea fits rather well. Most all of these recent crop circles have a window/wormhole/portal somewhere as in center of sphere, intersection of crossroads, intersection of crossroads of figure eight, touching ends of a crescent... the alternating empty/not empty spaces are interference pattern-like thus perhaps adding a little quantum jump symbolism to that window in the center. The hexagon-like 6 petals are also interesting physics-wise.
Tigersoap said:It made me think of the rosaces you can find in cathedral windows, although this one looks simplier.
If I was unclear I did not mean it did not look like a window in sphere, I thought it was complementary
This drawing shows the lines of interference caused by the three different spinning shells of the molecule or atom. Each having its own axis at right angles to the other two. Each polar axis has a positive and a negative force or charge resulting in an interference of frequency or dischord of vibration. This may be because there are an assortment of velocities because each shell has a different diameter and thus velocity which in turn causes a difference in frequency.
Pond said:It Really is a Musical Universe!
by Dale Pond
November, 1999
This article appeared in the Winter 2000 Edition of the
University of Science and Philosophy's quarterly magazine, The Cosmic Light
The Theory of a Musical Universe1
"The universe consists solely of waves of motion." relates Walter Russell in chapter 31 of A New Concept of the Universe. Another way of saying this is: "There exists nothing other than vibration." In Russell's statement lies the base for his next blast at orthodoxy's belief in a material universe: "Any theory which cannot find a fitting place within the wave has no other place for it in Nature." Hard words for sure but can they stand up to scrutiny? Is it possible to create a paradigm of nature that is structured entirely on wave or vibration theory? Investigating the pioneer work of John W. Keely's Sympathetic Vibratory Physics2 would lead us to believe this is so.
Logically speaking for such a paradigm to exist it would be couched entirely in vibration terms and concepts and would evolve from the simple to the complex addressing atomic phenomena all the way through human activity. This author believes this can be done albeit not exhaustively in so short a paper as this one. Inasmuch as a premise voiced ought to be demonstrated it will herein be shown how all vibration is intimately connected to all other vibration thereby demonstrating 1) the interconnectedness of all things and energies; 2) all things are they themselves built up from simple vibration to complex chords using universal principles of vibration alone; 3) there is no such thing as chaos in the universe; 4) all things exist by virtue of harmony among the vibrations that make it what it is; and 5) all things are intimately connected by sympathetic vibration.
Some of the information presented here was first published in 19913 and again in the author's book in 19944. This material represents the beginning of the science side of the "science and philosophy" equation. The universe vibrates from end to end and everything in it. Therefore if we are to investigate and understand this awesome spectacle we are obliged to investigate the nature of vibration.
If the universe were chaos there would be no harmony but only degrees of chaos. All sound and vibration would be just plain noise. Noise, therefore is unorganized vibration. But none can doubt there is order recognizable throughout nature from the uniformity of atomic structures and behaviors to spiral galaxies whose swirling arms of orderly stars span light years and billions of years of activity. This innate order has been long recognized, researched and categorized and may be found in music theory. In vibratory terms disorderly vibration can be organized in terms of music principles. Therefore music is organized vibration or sound set in orderly principles of structure and behavior. The principles that make sound into harmonious music are the same principles that govern all associating vibrations throughout the universe - and that includes everything that there is. It will be shown how any given vibration gives rise to a complex yet simple series of subordinate vibrations known generally as harmonics and these harmonics are relative to one another as are musical intervals.
It is generally recognized that everything is a result of vibration and each thing has its own chord of vibration or vibration signature. This state of vibratory condition is characterized in John Keely's Law of Corporeal Vibrations:
"All coherent aggregates when isolated from like bodies, or when immersed or confined in media composed of matter in a different state, vibrate at a given ascertainable pitch." John Keely5
It is a well known and accepted fact that any vibration as in a sound tone will give rise to its octave harmonics. These are the harmonics generally acknowledged by science as multiples of 2, which multiplication derives superharmonics, and divisions by 2 derive subharmonics. These types of harmonic products or results of 2 are called octave harmonics. What is not so generally acknowledged but nevertheless just as true is a tone will give rise to harmonics not divisible 2 but divisible by other numbers such as 3, 5, 7, etc. These other harmonics are developed from and within the octave harmonic series first mentioned by the octave harmonics interacting arithmetically with and among themselves and with the fundamental. These spontaneously and naturally occurring tones will add and subtract from each other in a perfectly orderly manner giving rise to summation and difference tones sometimes referred to as secondary, tertiary or higher harmonics. When these summation tones are very powerful they are referred to as beat tones or beat frequencies and are considered enharmonic. These arithmetically derived harmonics are characterized in Keely's Law of Cycles:
"Coherent aggregates harmonically united constitute centers of vibration bearing relation to the fundamental pitch not multiples of the harmonic pitch, and the production of secondary unions between themselves generate pitches that are discords, either in their unisons, or overtones with the original pitch; from harmony is generated discord, the inevitable cause of perpetual transformation." John Keely5
Vibrations are harmonious to one another when their aliquot parts (factors and/or products) are the same. When these harmonics form unisons or direct harmonic relations the two vibrating aggregates and their chords of vibration are said to be sympathetic to each other. This unison of frequency dictates that what happens to one vibratorily happens to the other simultaneously. In this case the vibrations of each aggregate or chord and the vibrations active between each are forming unisons or coincident harmonics and are therefore called sympathetic vibrations. Vibrations are considered enharmonic when their aliquot parts or factors are not similar. Most vibrations will have similar factors and/or products and a few dissimilar factors and/or products thereby giving rise to varying degrees of harmony or dissonance whichever the case may be...
Laurel said:Two new adjacent crop circles reported 9/14/08
anart said:Reported September 7th -
http://www.cropcircleconnector.com/2008/sanctuary2/sanctuary2008b.html
Window in a sphere?
Nomad said:The crops had all been harvested, but what I noticed is that where each crop circle had been, the pattern remained in bright green - because grass (or some fresh plant life anyway) had sprouted up where the patterns were, even though the surrounding ground was now bare. As if plant life was actually somehow 'boosted' over the pattern area.