You make a lot of good points. I would suggest that what you are experiencing is an awakening, as so many on this Forum have done over the years. I am working on a new post (which I hope to download soon), which touches on what you are alluding too. As a taster, I have homed in on a few excerpts from the transcripts to develop the point. Here are a couple:
Session 23 August 2001:
A: Genetically manipulated RU 353535.
Q: (L) What does that code relate to?
A: Race underpinning tribal code structure
Although this tribal genetic code has been mentioned elsewhere in the transcripts and deserves a post of its own, I would draw your attention to a subsequent oblique reference to it in the Session dated 4 May 2002:
Q: (B) Okay. Referring back to a session on 7-28-01, a reference was made in answer to a question where Laura said, 'Well okay, were going to move to France and do more work' and the answer was "You 5," question was 'Us and three kids?' and the answer was "8835 million hope and glory is coming close. Point the way to love and realms of light. Trust on it." One of the members did a search on the term U5 and came with the Comet C 1998 U5 Linear. Is this an avenue we should approach closer or investigate closer?
A: It is a code that will reveal itself soon.
I would suggest this last quote may have profound relevance to the present time. Perhaps the tribe the C's refer to here are in the process of a mass awakening and, who knows, we may be a part of it.
Your reference to
Ilirya is very interesting. One issue I have found though when referring to the classical period is that names of placers may change with the tribes who move into them. This is a key point when looking at ancient history and is particularly relevant when looking at Homer's epic poems
the Iliad and
the Odyssey, which are the foundational works of ancient Greek literature. The episodes he depicts in these poems did not take place in Greece and the Mediterranean but related instead to the Celts of Northern Europe. That is why the C's question "Where was Arcadia" is so important to the quest.
As to Tesla, the man was a genius, probably more so than Einstein. He clearly understood the application of higher dimensional physics. I believe he was an STO orientated soul and was thwarted in his hopes of benefiting mankind with the gift of free energy. It is likely that he worked initially on the Philadelphia Experiment for the US Navy but pulled out when he saw where it was going (as did the physicist Robert Townsend Brown as well). Tesla's death may not have been as natural as claimed. One version has him being knocked down by a motor car/automobile in a hit and run accident.
As to your point on
Tesla's mind projector, I wonder if it has a link to Alton Towers? The reason I mention this is because of this exchange in the transcripts:
Session 19 July 1997:
Q: Well, no. Well, is this reference to Alton Towers that Ark found on the internet, about psychic projectors. That was the only unusual thing we have found about this. Are we talking about some sort of place where they have rotating shifts of psychic projectors?
A: As you know... fiction is often the guise for the deliverance of the deepest of truths.
Did the Illuminati use Tesla's mind projector and put it into operation at Alton Towers amongst other places?
Could this last excerpt from the transcripts also link us to Shakespeare and Sir Francis Bacon, one of the possible writers and editors of the plays of Shakespeare, which are renowned for delivering the deepest truths. This is why the fact that Ilirya is mentioned in the Tempest makes perfect sense to me when you consider that Sir Francis Bacon, who was classically educated and trained, may have been behind its authorship (see my earlier post on this). We must also remember that Bacon was a spymaster and a cryptographer (Shakespeare's plays certainly contain hidden encoded messages). Indeed, there was an earlier reference to spies and fiction in that same session:
A: Must beware of agents near.
Q: Can you give any clues about these agents near?
A: Have "look," if one is looking.
Q: What kind of look?
A: Consult fiction for the truth.
Q: You mean like spy stories? If they look like a spy, they are one?
A: Close.
One wonders whether the C's may even have been drawing us towards the English author
Ian Fleming and his fictional spy/agent James Bond. As we learned recently on this Forum, Fleming had a deep interest in the occult, knew Aleister Crowley and was influenced by John Dee. Indeed, John Dee's own code name, as given to him by Sir Francis Walsingham (Queen Elizabeth I's spymaster), was 007, the same designation as Fleming's character James Bond. When Queen Elizabeth corresponded with Dee, she signed her letters with an "M". Is it just coincidental too that Christian Rosenkruez (the fictional front for the 17th Century Rosicrucians) wrote a book titled
Book M. Intriguingly, the Earl of Leicester, a favourite of Queen Elizabeth and an important member of her court, who had been tutored by John Dee as a child, marked his secret correspondence with two dots or two zeros, representing eyes. Moreover Dee would address his correspondence to the Queen with a heading "
For your eyes only", which happened to be the title of the 8th book of the James Bond series. Whereas all the previous books were novels, this one was a compilation of five novella-length stories (5 and 8 being, of course, two numbers in the Fibonacci Sequence). A James Bond film of that name was released in 1981 starring Roger Moore in the main role.
Fleming himself was a member of MI6 (i.e., Military Intelligence 6) now called the Secret Intelligence Service. To indicate just how connected the British Intelligence services are to Freemasonry, here is supposedly the logo of MI5 (Britain's counter-intelligence and security service - the equivalent of the USA's FBI), as depicted on a pin badge:
Note the "all seeing eye" at the top of the pyramid. It is likely that Fleming was himself a Freemason given his grave in Sevenhampton, which is marked by an obelisk atop four stones. Obelisk gravestones are often associated with Freemasons. Indeed, Flaming's main character's initials are J.B., which could represent the two pillars of Freemasonry,
Joachim and
Boaz, which appear in Masonic temples everywhere, as they allegedly did in the Temple of Solomon too.
Fleming was also associated with members of
the Bloomsbury Group or
Set, an eclectic mix of writers, intellectuals and artists including the economist Maynard Keynes, authors E.M Forster and Virginia Woolf and scholar Lytton Strachey of Cambridge University. The American poet and writer
Dorothy Parker said of them that: "
they lived in squares, painted in circles and loved in triangles", which seems somewhat suggestive of a Rosicrucian influence to me - see:
Bloomsbury Group - Wikipedia. The reason I mention this though is that in July 1936, economist
John Maynard Keynes returned from Sotheby’s auction house in London with a chest full of unpublished hand-written papers, laboratory books, diagrams and over a million unpublished words by
Sir Isaac Newton. Contrary to expectations, Newton’s hitherto unseen papers did not illustrate his musings on celestial mechanics, calculus, optics or mathematical theory, but his personal work on esoteric theology and his
alchemical laboratory notes. While Isaac Newton was regarded a towering sentinel of the scientific method on a global platform, he was
secretly a deeply mystical, magical and animistic thinker.
The Newton Project website provides scans of papers written by John Maynard Keynes, offering researchers insights into Newton’s inner thoughts, for example: “
the universe was a cryptogram set by The Almighty”, which echoes Sir Francis Bacon's idea of God setting man puzzles to be solved through the interpretation of nature. Newton set out to: “r
ead the riddle of the Godhead, of past and future events divinely foreordained” and according to Keynes, Newton turned to the early philosophical works of the 16th century European intellectuals who formed the mystical secret society –
The Ancient & Mystical Order Rosae Crucis, better known as the Rosicrucians.
See:
The Newton-related Papers of John Maynard Keynes
Newton was a member and president of the Royal Society, which had grown our of Sir Francis Bacon's Invisible College. Hence, we find ourselves drawn back to Sir Francis Bacon again, who was a Rosicrucian, a spy, a cypher expert* and an alchemist.
*See:
MW Codes, Ciphers, and Puzzle Series: Bacon’s Cipher – Mysterious Writings
and
Bacon's cipher - Wikipedia
I have more than a strong suspicion that Bacon was a member of the Great Council of the Elect embodied in the enclave of alchemists based in the Pyrenees and may have been in direct contact with
The Nation of the Third Eye as well. I hope to have a lot more to say about Bacon in upcoming posts, as I think he is one of the key men in modern history. In April last year, I posted the following musings on Sir Francis Bacon and his possible links to the enclave of alchemists (see
Alton Towers, Sir Francis Bacon and the Rosicrucians):
“Various authors have written that there were indications that Francis Bacon had gone into debt while secretly funding the publishing of materials for the Freemasons, Rosicrucians, "Spear-Shakers", "Knights of the Helmet", as well as publishing, with the assistance of Ben Jonson, a selection of the plays that they believe he had written under the pen name "Shake-Speare" in a "First Folio" in 1623. Furthermore, they allege that Bacon faked his own death, crossed the English Channel, and secretly travelled in disguise after 1626 through France, Germany, Poland, Hungary, and other areas utilizing the secret network of Freemasons and Rosicrucians that he was associated with. It is alleged that he continued to write under pseudonyms as he had done before 1626, continuing to write as late as 1670 (using the pseudonym "Comte De Gabalis"). Elinor Von Le Coq, wife of Professor Von Le Coq in Berlin, stated that she had found evidence in the German Archives that Francis Bacon stayed after 1626 with the family of Johannes Valentinus Andreae in Germany.
Basil Montagu, a biographer of Bacon, states in his "Essays and Selections":
“Of his funeral no account can be found, nor is there any trace of the scite of the house where he died.”
Beginning early in the 20th century in the United States, a number of Ascended Master Teachings organizations began making the claim that Francis Bacon had never died. They believed that soon after completing the "Shake-Speare" plays, he had feigned his own death on Easter Sunday, April 9, 1626 — doing so on Easter Sunday as a symbol and then travelled extensively outside England, eventually attaining his physical Ascension to another plane on May 1, 1684 in a castle in Transylvania owned by the Rakoczi family. Their belief is that Bacon took on the name "Saint Germain" on that date, May 1, 1684, and became an Ascended Master.
Does this link him with the alchemist Fulcanelli perhaps who is still meant to be alive in the alchemists' alcove in the Pyrenees?
Which makes me think of the 'Third Man Theme'. In that same
session dated 19 July 1997, the C's had this to say about the Third Man Theme:
A: Laura, my dear, if you really want to reveal "many beautiful and amazing things," all you need to do is remember the triad, the trilogy, the trinity, and look always for the triplicative connecting clue profile. Connect the threes... do not rest until you have found three beautifully balancing meanings!!
Q: So, in everything there are three aspects?
A: And why? Because it is the realm of the three that you occupy. In order to possess the keys to the next level, just master the Third Man Theme, then move on with grace and anticipation.
Is this what Bacon did? Did he master the keys to the next level and move on with grace and anticipation? However, as I have mentioned before, the Third Man is a book by English author Graham Green (incidentally, another WW2 member of MI6), which was made into a film or movie by that name (see: The Third Man - Wikipedia) starring Orson Wells and Joseph Cotton. It is a classic film noir movie and has a very memorable theme tune. It has been voted the greatest British film of all time and is well worth seeing if you haven't seen it already. However, it is the role of Harry Lime played by the great American actor Orson Wells in the film, which provides the key to the story for he is the third man of the title who has faked his own death to continue his career as a black marketeer in post war Vienna. Could the C's have intended their reference to the Third Man Theme to encapsulate a subtle hint that, like Harry Lime, Sir Francis Bacon had faked his own death in order to carry on his Rosicrucian activities behind the scenes?
By a strange coincidence, the late British film actor
Bernard Lee played a supporting role as Sergeant Paine, a British military policeman, in the film. He would subsequently find fame playing the character of M (James Bond's boss) in the early James Bond films. See:
Bernard Lee - Wikipedia.
If Sir Francis Bacon faked his death and eventually joined the enclave of alchemists in the Pyrenees like Nicolas Flamel before him, could he still be operating behind the scenes, since some alchemists seem to have mastered longevity? If so, could he even be the "
Man behind the curtain" the C's spoke of here:
Session 18 January 2002:
Q: Why is it that we have attracted so much interest from the "spy vs. spy" types? After all, if there is something out there they are after, why do they need us?
A: They cannot "see" or "draw the sword from the stone." [MJF: A clear reference to the Holy Grail, as per the King Arthur legend.]
Q: (A) It means they have some kind of knowledge, but they really can't make anything of it? Well, then there is the question. They are helping us, and they want to get something. Shall we continue and pretend that it doesn't bother us?
[…]
A: The situation looks bleak indeed. But remember the Achilles heel of STS: Wishful Thinking.
Q: In this case, how is wishful thinking going to help?
A: There will be a big miscalculation made. It will reveal the "Man behind the curtain."*
*A reference to the Wizard of Oz who was not a wizard at all.
