So just finished catching up on the posts and watching the trap, using Laura's post as a jump off point here's what popped in my head.
Laura said:
In thinking about OPs vis a vis an STO reality, consider this: if the awake and aware individuals are in alignment with 4 D STO, then, in a sense, they become the STO interface between OPs and 4 D. In other words, they become the shepherds of a flock, so to say, responsible in a sense, for the spiritual growth of such individuals. It might even be thought that OPs constitute the muscles and bones of the "social body."
Does anybody know what percentage of a body is organ tissue, what percentage is muscle tissues, what percentage is bone, etc? I wonder if there would be analogies that could be drawn from such? After all, we understand that about 50 percent of humanity may be OPs and a small percentage of those may be pathological, i.e. psychopaths. The other 50% of potentially souled humanity is still another spectrum ...
From here: http://en.wikipedia.org/wiki/Muscle we have this bit:
There are three types of muscle:
* Skeletal muscle or "voluntary muscle" is anchored by tendons to bone and is used to effect skeletal movement such as locomotion and in maintaining posture. Though this postural control is generally maintained as a subconscious reflex, the muscles responsible react to conscious control like non-postural muscles. An average adult male is made up of 42% of skeletal muscle and an average adult female is made up of 36% (as a percentage of body mass).
The selection also addresses the two other types of muscle, cardiac and smooth - which are organ specific. Googling on skeleton gives varying descriptions, which vary depending on the sex and age of the human. Males and adults have a higher percentage of their overall body weight composed of skeleton then females and youth. It's as little as 6-7% body
mass according to
this source. 12-15% Body
weight according to this one.. So interestingly enough we have bones and muscle comprising roughly 50% of the human body.
Laura said:
I asked you to look at SkaraBrae because I hoped it would suggest where some answers might be found - in very ancient societies that managed to live for thousands of years without war or internal conflict. We need to ask: what were they doing?
Indeed they had a way of life which provided for all, most likely by giving all to each other - in other words they were STO-ish. How was this done? I think the basic principles have been flushed out here, gentle mirroring, communication/networking, division of labor based upon a common understanding of types and a spiritual technology based upon the natural principles of the universe. I think, once our bodies and minds have been detoxed via diet/meditation we will be ready for the 'next step' in this direction, reestablishing these ideas as a lifestyle. One step at a time, however.
Laura said:
Having burst at once into full flower at Chauvet, cave painting remained much the same until it died out about 10,000 years ago. The changes that did occur were subtle. Lions and bears appear frequently in the paintings at Chauvet but are rare in the caves painted thousands of years later. Perhaps that means that those predators had been reduced in population, or were less of a threat. Styles changed subtly. Chauvet and Lascaux were painted by different artists who had different visions but these differences were so subtle that they only emphasize the essential similarity.
Horses, bison, human hands, reindeer, and various repeated and consistent geometric signs appear again and again in cave after cave. Horses are common at Chauvet and appear throughout the cave. At Lascaux, which was created 15,000 years later, horses are the dominant animal in the cave and constitute over half of the one thousand or so paintings and engravings.
There is also a strict consistency for 20,000 years in what is NOT pictured. Fish are rare. With one or two exceptions, there are no insects. There are no rodents, no reptiles and no birds except for a few owls. Also many species of mammals were excluded such as bats and common animals such as hyenas. The cave painters were not creating a bestiary or a zoological catalog. Nor were they attempting to re-create and record the world they saw around them in detail. The work portrays animals that the culture valued – and not in a practical way, but in an aesthetic or mythological or spiritual way.
There is never a tree or a bush or a flower. There are no rivers, lakes, cliffs, rocks, caves. There’s no sky either – no stars, no moon, and no sun. That’s a peculiar omission.
The caves are also very chaste. There are pictures of vulvas, penises that are occasionally erect, pregnant women and a variety of geometric shapes that suggest male or female genitals, but the animals are never actually mating and neither are the humans. One small, flat rock has an engraving of a man and woman having sex, but that is the only such representation ever found from these prehistoric times. Nor are there any animals giving birth. Fawns, cubs, or other young are extremely rare. So we think it was not a fertility thing.
The colors are consistent, too. The painters had a wide range of colors available to them, but the two that dominated were black and red.
The artistic techniques remained identical during the many millennia that cave painting lasted. This immutable similarity in themes, colors, and techniques, shows that the cave paintings were the creation of artists working in a cultural tradition that survived for more than 20,000 years. For that tradition to have endured essentially unchanged for so long, it must have been passed from generation to generation in a precise, clear, and memorable way since this expanse of time was before the invention of writing.
My thoughts were not that the drawings were to be meant literally, for instance how often do we reference a horse as a metaphor for our emotions. Undoubtedly emotions are powerful, and one of the things that make us human - so it would make sense if they were trying to represent the concept with 3D representation. Horses could also represent work, manual labor, building, scouting, searching - same for bison, human hands, a reindeer. A lot of potential interpretations here. When you mention bears and lions being drawn less over time, it reminds me of Illion's discussion of ascending/descending animals, which could also explain why certain animals were not drawn.
Illion said:
"...Are you never attacked by animals?"
"Seldom," I answered. "The animals which are on the rising branch of life are very kind to me. I do not think even a lion would attack me, although I never met one. I have had very pleasant experiences, though, with bears and some other so-called wild animals."
"I heard a story about a bear," said Dolma. "I will tell it to you. Perhaps you will be able to tell me whether such a thing can happen... A man who often broke the law which prohibits hunting had obtained a white man's death-stick in the Lhasa district, and when he returned to his province he went out bear-hunting. He had shot several bears, but one day, just while he followed the track of an animal, a strong bear suddenly appeared just behind his back..."
"I can quite believe this," I observed, "for bears are perhaps the most silent creatures when they move about, and they certainly can take a hunter unawares."
"Wait a moment... The hunter was so afraid when he saw the big bear just behind his back that he dropped his gun and stared aghast at the animal, who could have crushed him in a couple of seconds."
"And what happened?" I asked.
"Well," said Dolma, "-and now comes the part of the story I had some difficulty in believing - the bear looked at the frail creature who stood tremlingly before him, his gun lying at his feet, and... calmly walked away."
"I can believe that," I said, "for bears have a soul, although they are only at times individualized. By the way, it is easy to say whether the hunter in the story had a soul or not."
"How?"
"If the hunter had a soul, it was impossible for him to take up the gun to shoot after the bear. If he was soulless , he would have done so at once."
"Are there soulless animals too?"
"Oh yes. The animals on the descending branch of life are soulless."
"Which ones, for example?"
"There are many. Ravens, rats, mice - vermin, for instance."
Perhaps these animals also represent concepts in metaphor. Being noble animals of great power, defenders, shamans perhaps. And overtime the concept was lost, thus it was drawn less and less.
As for the sexual imagery a lot of potential interpretation, what came to mind for me was a reference to their spiritual technology. Reproduction, creation - life giving - they could generate food, cures for ailments, travel and communicate with this technology. It required a male and female component, or energy. Since we talk about ecstasy, perhaps giving off this energy or utilizing it was gratifying in some sense, and since we used it consciously there was less a need for sex except for reproductive purposes.
Black and red, immediately I get the impression of life - blood, and death or void. So we have an understanding of positive and negative, STS and STO perhaps?
This is just what's coming to mind, fwiw.
Laura said:
Q: (L) And for what purpose?
A: Rebirth, healing, manifestation. See answers previously given about Chaco Canyon.
So, we have an idea that a cultural tradition that was
so fulfilling and profound that it lasted more than 20,000 years with few signs of tribal aggression (no defensive fortifications), may very well have been one that was aligned with 4 D STO to some extent. We don't even know the real dates of these things because we know that, with repeated cometary bombardments, the dates have all been reset numerous times. We also don't know what other processes can reset organic clocks and if any of those processes may have been in play (they likely were over such a vast period of time.)
So, trying to figure out what was going on then, what was "normal society", might be very useful.
Of course, we might think that certain pathologies did not exist back then, they were mutations... and so, whatever we figure out will have to be adjusted with the knowledge of psychopathy and that it has infiltrated the genetics of many normal people and could pop up at any time.
Or, perhaps there were psychopaths back then, but far fewer of them and they were "handled" when detected. And perhaps that was part of the job of the tribal shaman - to detect pathology and either cure it, contain it, or deal with it.
After writing all of the above, it occurs to me that we might want to consider the role of the shaman/bard in an STO society?
So we have large techno-spiritual machines with humans as the cogs, and specific types that operate them. We probably have others that do more of the mundane tasks, which are no less important since they're required to maintain a 3D existence. Education was probably handled by seeing which natural abilities the children had, which tasks they gravitated toward and a sort of apprenticing. Free will was respected since everyone naturally gravitated toward their purpose, guided by the spiritual leaders. Reproduction was sacred, and since we were more STO-ish perhaps our sexual drives were a bit more subdued, that energy being directed more consciously for a different purpose - manifestation, defense, healing.
I doubt psychopathy existed (as we conceive it today), it seems to have been deliberately created by 4D STS for the purpose of replacing the shaman, they became the STS interface between 4&3D. There was no knowledge of pathology, because it hadn't been experienced yet. Maybe those with the trait were somehow less cunning, less able to manipulate, and when we 'fell' they became more psychopath-ish, and/or we somehow became more susceptible to their predations.