Thanks Laura and C's, great session (as usual :)),
Quote from the session:
Q: (L) I've often wondered when these names come up. They're just such strange things. What is it that they mean?
A: They relate to the specific vibrational frequency of the moment as expressed by the numerical frequency of the combination of vowels and consonants.
Q: (L) What is the numerical frequency of a vowel and consonant?
A: It is a science barely understood by your civilization but was once well known. Words have deeper meaning than you suspect.
Q: (Bubbles) Like in numerology?
A: Similar, but that is a dim reflection of the ancient science.
This is amazing, we can only assume the REAL power behind the words, but thinking about the fact that once upon the time some 3D entities on earth had full scale knowledge about SCIENCE related to numerical frequency of the combination of vowels and consonants is simply fascinating.
Frequency variables and multiple distinctions between different languages and alphabets are, at least to say numerous, for example if we check situation in English language: high frequency consonants (D,N,R,S,T), medium-frequency consonants (B,C,F,G,H,L,M,P,V,W) and especially, low-frequency consonants (J,Q,X,Y,Z) and than in some other language like in my native language (Croatian) situation is diffrent, I guess major key could be in frequency it'self, connected to certain alphabetic sign.
An audio frequency (abbreviation: AF), or audible frequency is characterized as a periodic vibration whose frequency is audible to the average human. While the range of frequencies that any individual can hear is largely related to environmental factors, the generally accepted standard range of audible frequencies is 20 to 20,000 hertz. Frequencies below 20 Hz can usually be felt rather than heard, assuming the amplitude of the vibration is high enough. Frequencies above 20,000 Hz can sometimes be sensed by young people, but high frequencies are the first to be affected by hearing loss due to age and/or prolonged exposure to very loud noises.
A voice frequency (VF) or voice band is one of the frequencies, within part of the audio range, that is used for the transmission of speech.
In telephony, the usable voice frequency band ranges from approximately 300 Hz to 3400 Hz. It is for this reason that the ultra low frequency band of the electromagnetic spectrum between 300 and 3000 Hz is also referred to as voice frequency (despite the fact that this is electromagnetic energy, not acoustic energy). The bandwidth allocated for a single voice-frequency transmission channel is usually 4 kHz, including guard bands, allowing a sampling rate of 8 kHz to be used as the basis of the pulse code modulation system used for the digital PSTN.
From Wiki: The voiced speech of a typical adult male will have a fundamental frequency from 85 to 180 Hz, and that of a typical adult female from 165 to 255 Hz. Thus, the fundamental frequency of most speech falls below the bottom of the "voice frequency" band as defined above. However, enough of the harmonic series will be present for the missing fundamental to create the impression of hearing the fundamental tone.
Human spoken language makes use of the ability of almost all persons in a given society to dynamically modulate certain parameters of the laryngeal voice source in a consistent manner. The most important communicative, or phonetic, parameters are the voice pitch (determined by the vibratory frequency of the vocal folds) and the degree of separation of the vocal folds, referred to as vocal fold abduction (coming together) or adduction (separating)
f an abductory movement or adductory movement is strong enough, the vibrations of the vocal folds will stop (or not start). If the gesture is abductory and is part of a speech sound, the sound will be called Voiceless. However, voiceless speech sounds are sometimes better identified as containing an abductory gesture, even if the gesture was not strong enough to stop the vocal folds from vibrating. This anomalous feature of voiceless speech sounds is better understood if it is realized that it is the change in the spectral qualities of the voice as abduction proceeds that is the primary acoustic attribute that the listener attends to when identifying a voiceless speech sound, and not simply the presence or absence of voice (periodic energy).
An adductory gesture is also identified by the change in voice spectral energy it produces. Thus, a speech sound having an adductory gesture may be referred to as a "glottal stop" even if the vocal fold vibrations do not entirely stop. for an example illustrating this, obtained by using the inverse filtering of oral airflow.]
Other aspects of the voice, such as variations in the regularity of vibration, are also used for communication, and are important for the trained voice user to master, but are more rarely used in the formal phonetic code of a spoken language.
The sound of each individual's voice is entirely unique not only because of the actual shape and size of an individual's vocal cords but also due to the size and shape of the rest of that person's body, especially the vocal tract, and the manner in which the speech sounds are habitually formed and articulated. (It is this latter aspect of the sound of the voice that can be mimicked by skilled performers.) Humans have vocal folds that can loosen, tighten, or change their thickness, and over which breath can be transferred at varying pressures. The shape of chest and neck, the position of the tongue, and the tightness of otherwise unrelated muscles can be altered. Any one of these actions results in a change in pitch, volume, timbre, or tone of the sound produced. Sound also resonates within different parts of the body, and an individual's size and bone structure can affect somewhat the sound produced by an individual.
Singers can also learn to project sound in certain ways so that it resonates better within their vocal tract. This is known as vocal resonation. Another major influence on vocal sound and production is the function of the larynx, which people can manipulate in different ways to produce different sounds. These different kinds of laryngeal function are described as different kinds of vocal registers. The primary method for singers to accomplish this is through the use of the Singer's Formant, which has been shown to be a resonance added to the normal resonances of the vocal tract above the frequency range of most instruments and so enables the singer's voice to carry better over musical accompaniment.
Vocal registration refers to the system of vocal registers within the human voice. A register in the human voice is a particular series of tones, produced in the same vibratory pattern of the vocal folds, and possessing the same quality. Registers originate in laryngeal functioning. They occur because the vocal folds are capable of producing several different vibratory patterns. Each of these vibratory patterns appears within a particular Vocal range range of pitches and produces certain characteristic sounds. the term register can be somewhat confusing as it encompasses several aspects of the human voice. The term register can be used to refer to any of the following:
* A particular part of the vocal range such as the upper, middle, or lower registers.
* A resonance area such as chest voice or head voice.
* A phonatory process
* A certain vocal timbre
* A region of the voice that is defined or delimited by vocal breaks.
* A subset of a language used for a particular purpose or in a particular social setting.
In linguistics, a register language is a language that combines tone and vowel phonation into a single phonology phonological system.
Within speech pathology the term vocal register has three constituent elements: a certain vibratory pattern of the vocal folds, a certain series of pitches, and a certain type of sound. Speech pathologists identify four vocal registers based on the physiology of laryngeal function: the vocal fry register, the modal register, and the falsetto register, and the whistle register.
The twelve-tone musical scale, upon which the majority of the music in the world is based, may have its roots in the sound of the human voice during the course of evolution, according to a study published by the New Scientist. Analysis of recorded speech samples found peaks in acoustic energy that mirrored the distances between notes in the twelve-tone scale. And these are only guidelines related to HUMAN VOICE without languages differentials in vocal communication like: speech syntesis, phonetics, manner of articulation, linguistic accent and acoustic...,....
So I guess we really do not know the POWER of the words.
Below is picture of human voice spectogram, pattern is complex but harmonic and any complex tone "...can be described as a combination of many simple periodic waves (i.e., sine waves) or partials, each with its own frequency of vibration, amplitude, and phase so perhaps to start with long forgotten science, we need a mathematical formula, and I'm not good in math (still on 2+2=4) ;D.