Thousand thanks to Laura and the "C's" for bringing this knowledge to us.
Many thanks also to the whole crew for their work and for being this valuable support network.
Please forgive me if I seem to be a little out of place with the subject of my comment but it is in line with the C's statement about energy exchange with the network.
I have been especially excited when I read this by the C's:
from Session 16 July 2009:
"Q: (L) Well, okay. How close were any of those to the original maze dances?
A: There were elements of the archaic techno-spiritual practice in a couple of them. The first and second were closest in step and pace.
Q: (L) Okay, well, what could be added to the step and the pace to get it closer?
A: One of two ways: dance a spiral with the "bridge" on the turn out of the center or dance a formal maze and the same maneuver on the turns.
Q: (L) I guess the bridge is where they have their hands together and they kind of turn inside out. (DD) Right, that was cool. Is the time signature of the music that they're doing this to of any significance?
A: Yes, but it can be different depending on the aim. Remember that these maneuvers literally change the "field" in which the participants are moving. This can change things on many levels, even including turning DNA on or off.
Q: (L) I once speculated, and I don't remember where I speculated about it, that a human being has a certain field - like a morphic field - and they are connected in various ways to the field in which they interact... that everything else has a field and all these fields interconnect and intersperse, and that people who perform certain formalized maneuvers based on some technology which we don't know or understand, that it's in a sense - because somebody had told me once that information is stored or retrieved on a computer by a single electron being moved in a certain way on a microchip, that it was a pathway that it follows, and that the pathway that it follows means something - so my idea was perhaps human beings in a sense can be like electrons moving within a certain field. If a group of electrons line themselves up and move in a certain way, it adds some sort of considerable - it's like a significant movement of energy - it creates a current. And this creation of a current is like something that enables you to connect to this other realm, this other density. It's almost like you're creating a cord or something, a tube, or some kind of...
A: A "conduit" maybe?
Q: (L) But anyhow, does that idea make sense? (Ark) Well, theoretically it makes sense. But my question is suppose it is done. And it has probably been done by many people. What are the visible consequences?
A: Under the right circumstances, with knowledge, awareness and, most important of all, BEING (letters came very slowly in contrast to the rest of the message, which was fast), there can be openings of portals for many purposes. Remember the Maruts and their baskets? How about a little "travel" if needed for a positive purpose?
Q: (L) Okay, the Maruts were referred to as - they were like all of a special bloodline - and they danced, and their dance produced benefits for the tribe. I mean, the heavens opened, and baskets came down with food and whatever they needed. I mean, it's like the original story of Manna from heaven. Only it wasn't just something tasteless, it was whatever they wanted or needed. Krunchy (healthy cereal)! (laughter)
A: Keep in mind that in order for the techno-spiritual techniques to work, the people of the "blood" must be purified and their chakras must be "connected". If this is done, there are even more important functions. For example: mental blocking of 4D STS attacks. Do you realize that 200 or so people assembled this way, and a block against the marauders could be put in place? Furthermore the wave is coming, the "dancers" could very well determine how it affects your planet and reality. Can you imagine what would happen if the "elite" of your world were cut off from their 4D STS power supply? What if their mind control techniques and frequency fences just "fizzled"?
Q: (L) Well that's crazy. (Ark) How can it happen that they are cut off from their power supply? I don't understand.
A: Mental blocking.
Q: (DD) Do they block themselves? (Review of previous answer) (A***) So they're talking about the dance, and people together doing this dance would create some sort of block?
A: Exactly.
Q: (A***) That's a good reason to learn to dance! (Ark) Well, how long would you have to dance to keep the block going long enough?
A: You create it with the dance, chant, musical induced state, and then just add power as needed."
I think what the C's meant by their suggestions to improve the techno-spiritual dance may be illustrated in this video:
http://www.youtube.com/watch?v=OMcoCO027Co
as the dance performed in the video contains both ways mentioned by the C's:
" A: One of two ways: dance a spiral with the "bridge" on the turn out of the center or dance a formal maze and the same maneuver on the turns. "
and the significance and intention behind the dance is further explained by this quote:
Tsakonikos
Associations---Greece Crone Men
Tapes Found On---DC II, Turning Around, LongDance Vol One
Origin---Greece
Choreographer---traditional
Notes
The only ancient Greek dance we know of that is danced by men and women together
The rhythm is in 5/4
count 1-2-3-4-pause
This dance is thought by many to be the Crane Dance, which Theseus learned from Ariadne just before he left her on the Isle of Delos, never to return. It was Ariadne who, according to the more recent patriarchal mythic thought, gave the thread to Theseus so that, when he entered the Labyrinth in search of the Minotaur, he may find his way out again. It should be noted that the name of the palace on Crete was the "Labyrinth", a name which refers to the double headed ax (The Labrys) which was used to behead the Sacred King at the end of his time of rule. The name of the title king (the husband of the Sacred Queen) was "Minos". The name of the Title Kings heir was Minos' Taur ..."Minotaur" ... or "Minos' Bull". It was Ariadne who was the last living representative of the Mother Goddess on Earth when Crete fell to Greek marauders about 1350 BC.
(see also The Kritikos)
.
: The most famous of the Greek "labyrinth" dances (Stratou notes dozens done in different villages of Greece), in a slow 5/4 meter. Labyrinth dances were recorded back in ancient Greek times, giving this dance a particular connection with the Greek past. The variety comes not from the steps but from the many patterns which the line of dancers may trace. As the name implies, the dance comes from the isolated Tsakonia region of the Peloponnesos and it is significant as one of the few local Peloponnesian dances which is still actively danced; otherwise, the panhellenic dances dominate the region. The hold is unusual, with one dancer's right arm hooked in another's crooked left elbow.
.
Theseus was, it is believed, an actual historic character who was a petty king who originally united the area about his little kingdom. He was perhaps one of the first petty sea marauders who raided Crete after Crete was weakened by a series of serious earthquakes about 1350 BC. In light of this, he may very well have made off with Ariadne who, as crown princess of Crete (then the last Mother Goddess Society on Earth) was the last living 'representative' of the Mother Goddess on Earth. If there is any truth to this, then Ariadne had been raised in a very enlightened society, a society whose artistic capacities have yet to be equaled in many an area, and she would have been deeply steeped in the ways of direct knowledge that were a part of the society. As such, she would have been well aware of the barbaric and confused nature of Theses and his society. The dance and the song which she taught him as he left her on the Isle of Delos never to return would have held within it a message for distant generations to come upon.
.
It is significant that this is the only ancient Greek dance that is danced by both men and women together. In light of this, I have taken the liberty of re-creating new words for the song which goes with this dance. I believe the words I have created for this dance are much more true to the nature of the message which the wise Ariadne would have given to her lover, the world blind Theses.
.
Words in English
I told you, mother
to marry me to someone,
to marry me to someone,
so that I would become a housewife.
But on no account
marry me to an old man,
marry me to an old man,
because youíll regret it.
Because an old man
is always examining everything,
is always examining everything,
and has nothing but words.
Words in Native Tongue
/Su ipa, mana, kale mana
su ipa mana, pandrepae me./
/su ipa, mana, pandrepae me
spitonikokirepaeme./
/Yeron andra, kale mana
yeron andra me mu dhosis,/
/yeron andra mi mu dhosis,
yati tha to metaniosis/
/Yati o yeros, kale mana
yati o yeros ta ksetazi/
/yiati oyeros ta ksetazi,
sto psilo ta loghariazi/
.
Alternative words
perhaps more closely aligned with what Ariadne was giving to Theseus
.
One Earth, One Heart/ In Loveis our art
One Earth, One Heart/ Never far apart
One Earth, One Heart/ Never apart
Though we may dream/ upon the stars
.
Listen, Listen/ O, Heart, deep within
Listen, Listen/ to your origin
Listen, Listen/ to your origin
There deep in the Sea/ May You Touch Me
.
Listen, My Friend/ O, Heart, deep within
Listen, My Friend/ to where you begin
Listen, My Friend/ to where you end
Silhoette on Sea Sand/ Come Touch My Hand
.
Hand in Hand/ Circle round and
Hand in Hand/ Become the land
Hand in Hand/ Become the land
Earth, Sun, Air, Sea, and/ Woman and Man
----- Shaker
thank you very much to Shaker for this enlightening knowledge - this is the link to his page
http://www.sacredcircles.com/THEDANCE/HTML/DANCEPAG/TSAKONIK.HTM
It is my belief that the modern lyrics that make it a wedding dance are only a clever cover for it's real purpose and that
Shaker's interpretation is much closer to Ariadna's original intention.
Please let me know if this is of some help for the development of the techno-spiritual technique.
I would love to be further involved with this.
Quoting the C's again:
"A: You have your work cut out for you. You have a choice of futures. What will it be? A dark star or paradise restored??? Goodbye. ", I choose "paradise restored".
