Oh yes, I knew about the Stonehenge structure and the quartz material. To my understanding knowing the piezoelectric phenomenon it works both ways: If you apply electricity the crystal expands or contracts. If you contract and expand it mechanically by means of an external force it produces electricity. This is the principle of quartz loudspeakers. You don't have to listen to the sound propagating through the air, just by touching or adding some amplifying element you can hear the sound directly to your head as the waves can travel through your body.
Example: About SolidDrive - Invisible Sound and The Original Sound Transducer - MSE Audio
Maybe Stonehenge was or is a 2-in-1 system that like the SoloDrive but using its own surface material to hear the sound/message.
Regarding the separation of the transcendentally focused thought wave, I was thinking how consciousness can intervene as a quaternion / octonion through the act of observation and wave collapse. And there I think I understood something when I thought about the double slit experiment.
Assuming the central role of the consciousness in all aspects of creation when we observe the electron passing through the slit... basically we are calling its attention and it observes us! When that happens the electron makes a CHOICE! If we ignore it it will go the other way. So here is something fundamental, because when we observe the electron and it observes us suddenly both share the frame of reference within the set of quaternions / octonions because the directions of the observation point of both coincide at one point. So that is when they share the same reality.
What you have to say about SolidDrive is very interesting. The C's have said quite a bit about Stonehenge over the years. Indeed, I have collected together all their comments and I am currently working on an article about the structure, which provides a detailed commentary on the C's various statements. I hope to post it soon. In the meantime, I set out below the following extracts from the transcripts, which pick up on the sound transmission aspects:
Session 8 December 1996
Q: (L) Well, we talked about Stonehenge before, that it was an energy transducer, so to speak. So, was Stonehenge put there because of the location, or did Stonehenge create... (T) Why don't you just ask what it is about Stonehenge? (L) Okay, what is it about Stonehenge?
A: Location attracted those spirit types on the proper frequency, who in turn, placed stones in proper location to receive the coded communications in code telepathically, in order not to have to chase around the countryside reading encoded pictographs.
Q: (L) What was the technique used within the circle to receive the information telepathically? [Planchette spiralled in, and spiralled out.]
A: Transcendent focused thought wave separation.
Q: (L) OK, so that you're saying that moving in a spiral...
A: The spiral serves to translate message by slowing down the wave and focusing thought wave transference energy. Utilizes /transduces electromagnetic waves, the conduit, by breaking down signal from universal language of intent into language of phonetic profile. This is for multiple user necessity.
Q: (L) Multiple user necessity implies that a number of people must do the spiral. Is that correct?
A: No. Must hear and feel and understand precisely the same thing. The molecular structure of the rock, when properly sculpted sings to you.
Q: (L) Is there any possibility that Stonehenge still has any capacity along this line?
A: Has fragmented energy only.
Session 19 February 2000
Q: Is it the case that some of them communicated with higher density beings via Stonehenge, and that these communications they received...
A: Stonehenge used to resonate with tonal rill, teaching the otherwise unteachable with wisdoms entered psychically through crown chakra transceiving system.
[Note: the word "rill" is new to me. Webster defines it as a small stream or a little brook; to flow in or like a rill.]
I understand that some years ago an American group recreated a much scaled-down version of Stonehenge (not using granite though) to study the acoustics. I recall that the results really surprised them, although I don't know if they got the structure to sing to them. I have no doubt though that the builders of Stonehenge carefully designed the structure to maximise the transduction effects. I watched an Ancient Aliens program some time ago on Stonehenge where the researchers found it still had noticeable electromagnetic energy emanating from it, which bears out the C's comment that it still has fragmented energy (in its prime, the C's suggested that the energy produced was enough to zap you). Apparently, there is also a location within the circle where all sound is cancelled out, which suggests interference patterns.
Since the communications at Stonehenge were coming from a higher density, this indicates that the geometry of the structure played a key part in facilitating the process. This same point may be echoed in the statement the C's made about the 'Pentagon' in Washington DC, where they pointed out that it was deliberately designed as a pentagon for a good reason.
I also think there may be a similar connection with the Octagon
as a geometric structure. I will try and track it down but I am sure the C's made a reference to the octagon in relation to geometry and its connection to higher densities. If you are not aware, the Knights Templar often designed their chapels and churches in a round or circular style, although this was often actually based on an octagonal structure. We know that the Knights Templar were in possession of a lot of esoteric knowledge, which they employed, for example, in the construction of medieval cathedrals. The C's have confirmed that the Templars were in possession of the secrets of levitation (anti-gravity).
The C's also suggested at one stage that Laura research Alton Towers
. Alton Towers in England is a modern adventure theme park like Disney World in the USA. However, the Park is centred on a stately home built in the 19th Century by the Earls of Shrewsbury. One of the rooms in that building was designed as an octagon (see Exhibition Details - Staffordshire Past Track
). In the Oak Island thread, which you can find on the Forum, it was discovered that one of the Earls of Shrewsbury may have been involved in alchemical experiments, which suggests a strong interest in esoteric matters on the Earl's part. The Earl also rebuilt the nearby Alton Castle
in the form of a Knights Templar or Hospitaler preceptory:
John Talbot, 16th Earl of Shrewsbury, commissioned Catholic architect Augustus Pugin, who was already working for the Earl at Alton Towers, to construct a new gothic castle/country house on the site. Most of the 12th-century ruins were demolished to make way for the new building which was designed to look like a medieval castle built by English crusaders of the Knights of the Teutonic Order in Germany. The Earl also commissioned Pugin to develop the surrounding area on castle hill. A "replica of a medieval hospital, a guildhall and presbytery" were constructed; dedicated to St. John the Baptist*, the buildings served as a church and hospital (almshouses) and were designed to provide and care for the poor for of the parish.
* St John the Baptist was the patron saint of the Knights Templar.
Hence, was the Earl's choice of an octagon room just a design fad or an intentional act on his part and did the C's want to draw out attention to this? Is there something special about the geometry of the octagon that the Earl was aware of? Could it also suggest an underlying connection with the Octonion, which is an octet of real numbers? Is this knowledge also embedded in the symbolism of the eight petalled white lotus flower that was sacred in ancient Egypt and in Eastern esoteric teaching traditions?
Just throwing it out there.