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Series - Laura Knight-Jadczyk
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The
Grail Quest and The Destiny of Man It is in this present period of history that we observe an upsurge in esoteric interest much of which includes, as is usual in such eras, false teachings and cunning disinformation. At the same time, the Seeker is being offered the data for the "strait gate." It is up to each individual to understand the significance of what is being offered here, and to get down to work. Many workers are needed in this time in the same way physicians are needed on the battle-field. After all, a doctor is of little use in a society of people who are in a state of robust health. New evidence, new knowledge, can change the entire foundation of what we think we know. And this, of course, is part of the very problem of the Grail. Everyone builds a hypothesis based on certain "knowledge" that may be available to them alone. Then, they become invested in this hypothesis - emotionally attached, that is - and when new information is discovered or brought to their attention, they not only do not WANT to hear or see it - they simply cannot. I
did not want to fall prey to this kind of amnesia, so I have gone
about this in a more-or-less scientific manner. I began by collecting
data. I had no idea which data would prove to be important, and
I knew from the beginning that it was better to assume NOTHING
and just collect and sort and see what patterns emerged of themselves
from the sorting process. It was rather like the preparations
made to put a large, complicated jigsaw puzzle together. One begins
by sorting the pieces by color into piles. At the same time, if
one comes across those which are clearly the "border" pieces,
one then puts them in an altogether different pile. Once in awhile,
while sorting, serendipity brings two pieces together, and those
are put in little "sub-piles."
After
this process is completed, it is done again in a more refined
and exact way.
However,
the Grail Problem is not so easy. It is like having the puzzle,
only someone has hidden half or more of the pieces. Not only are
we going to have difficulty getting a full outline, even if we
DO assemble the pieces we have accurately, we may not be able
to determine what the picture truly portrays. Add to this the
fact that someone may come into the room and drop pieces into
your pile that do not even belong to the puzzle!
Yes,
it is that bad, if not worse.
But!
Not to get discouraged, let me continue with some preliminary
remarks - keeping in mind always the process described above.
As
the reader may guess after thinking about the problem of "putting
the puzzle together," the process of gathering and sorting the
pieces as well as the details of the discoveries along the way
are lengthy and tedious, but the conclusions arrived at were,
to the mind of the present writer, nothing short of shattering.
In fact, if a person CAN fully outline ALL the steps taken to
solve so complex a problem as the Grail, they probably don't have
a clue!
Of
course, in the broadest of terms, the Grail Quest is always personal
to each and every one who is inspired to undertake it. But, in
my case, I was not exactly on the track of the "Holy Grail," per
se. I was simply a seeker of truth - the purest and most objective
I could find. After years of collecting puzzle pieces and sorting
them, after the Cassiopaean communications, I began to realize
that everything became dense as it coalesced around the Grail
problem. It is not just a symbol in a story about knightly quests
and their performance of feats of derring-do along the way! At
some point I realized that this is the Secret of Secrets; the
Grand Destiny; the gnosis of the means of uniting Science, Philosophy
and Religion, as well as Mind, Matter and Time.
It
took me a long time to come to this realization because my nature
is fundamentally skeptical. I am constitutionally incapable of
taking anybody's word for anything - I have to "see for myself."
If I read a quoted source in a book, I have to read the source
from which the quote is taken. If that source quotes someone else,
I am driven to find the original. And, if I ever finally get to
the originator of an idea, I am driven to study the life and methods
of that person and to discover, if possible, the observations
they made which led them to a particular conclusion. This is time-consuming
and tedious; no question about it; but it is the only way that
satisfies me; and it has certainly borne valuable fruit in the
long run. Many ideas and teachings that other seekers accept at
"face value," I have long ago discarded as useless after investigating
them deeply and finding they are built on foundations of lies
and deception.
Skepticism,
the ability not to be fooled, is important. But skepticism can
be "cheap." It is easy to disbelieve everything, and some scholars
seem to take this approach. A better approach is to embrace ideas,
to consider nothing absurd, and spend the necessary time to examine
it closely and minutely. If you throw away puzzle pieces indiscriminately,
you may never complete the puzzle!
But,
when you find the flaw, even a small one, if it is solidly
established as a flaw, you must be prepared to ruthlessly
kill the idea and move to another.
"Scientific training doesn't keep your senses from fooling you, but a good scientist doesn't accept the impressions his senses deliver. He uses them as a starting point, and then he checks, and double checks. He looks for additional evidence, and for consistency among his measurements. A scientist differs from other people in that he knows how easily he is fooled, and he goes through procedures to compensate." [Muller, 1988, emphasis mine.] So, with each little pile of puzzle pieces, one takes up a likely starting piece and attempts to fit the others to it one by one. But, as I noted, it may be so that the "starting piece" has been tossed into the pile to lead one astray, and will NEVER fit anything! And it may take a long time to realize this. Many people never realize it. They trim the piece, they trim other pieces, they force and maneuver to make them fit! And then, of course, having done this, other pieces are found that do, actually, fit, and they crow with delight that they have solved the puzzle never realizing that the "keystone" will have caused all the adjacent pieces to come together around a false center, thus the primary object has been missed... and the REAL centerpiece will be tossed aside as irrelevant. As
one begins to study the subject with an eye for subtle "clues,"
one begins to understand that the very words chosen in the numerous
tales are designed to either lead to, or away, from the central
issue. In other words, not only are the incidents clues in themselves,
but the very names are as well. They are installed as helpers
or hindrances! And, sometimes this can even be a function of the
individual reading the clue. One person may be led to a proper
understanding by the very same clue that leads another on a wild
goose chase! The clues are in the languages, the words, but hidden
like little genes coiled up in DNA, waiting for the right chemical
or charge of electricity to enable them to uncoil and make themselves
know.
And,
there seems to be a deep connection between language and DNA.
Abraham Abehsera writes in his "Babel: The Language of the
21st Century":
"Matter, Life and Language are three instances where infinite wealth has been achieved with very little. The variety of matter is the product of the combinations of about twenty-six atoms. The innumerable life forms of our planet stem from the permutations of only twenty amino acids. Third and last, the millions of words that make up human language are nothing but the combinations of about twenty consonants modified by some five vowels
In Dreams and Myths, man uses the universal language and it is in understanding this "green language" of the alchemists that we will be able to come to some understanding of our reality and how it is shaped by the actions of higher level beings ("gods"), and it is through this that we will come to an understanding of what the Holy Grail really is and what it can really do. And, it can really do all that is recorded in myth and legend - literally - and even more! Very early in the Cassiopaean contact, they began to use quote marks in a rather unusual way; that is, a manner that did not strictly follow the accepted rules of grammar and punctuation. I became curious about this and asked: Q:
(L) I have been poring over this material and it occurs to me
that certain words have been put in quotes for a reason, yes?
I didn't realize then that they were going to be teaching me this "universal language." But, I began to keep a notebook of these quoted words and my studies in their interpretation. I began with simply looking them up in the dictionary and discovering the fullest possible meaning or varieties of meanings. This then led to tracking the words back to their roots and discovering other words that "grew" from the same roots, and often this involved working in other languages. It was utterly amazing how connections became clear in this way. For example: consider the term "Emerald Tablets." Emerald: variety of Beryl -- ME + OF -- Emeralde -- VL + L -- smaraldus/ smaragdus -- Gr -- amaragdos meaning "of oriental origin." So, we go to "orient." Oriental -- L orientalis -- Eastern. Then we look at "eastern" and find: Eastern -- IE base "aues" -- to shine -- whence Aurora -- dawn/east -- and aurum -- gold. Moving on to "gold," we find: Gold -- IE base "ghel" -- to shine, to gleam, symbol Au -- Aurora, lover of Orion. We remember at this point that Fulcanelli has told us that the reader would derive great benefit from his little book on the Cathedrals, providing he did not despise the works of the Old Philosophers and if he would study with care and penetration the classical text so as to understand the obscure points of the practice. Naturally, we cannot possibly include a page by page examination of Le Mystere here, but there are a number of important points to be made just from this little aside. In the first edition of Le Mystere, Canseliet tells us right at the end of his preface:
Next we notice that most of this preface to the second edition is taken up discussing a "star shining on the mystic virgin - who is at one and the same time our mother (mere) and the hermetic sea (mer) - announces the conception." Canseliet tells us "the star is the great sign of the Work." Naturally, this is wrapped in parables, with a sufficient amount of diversion to occupy the puffers. But, having said all that, Canseliet tells us even more. He comments that the reader just might wonder that he has spent so much time discussing the star, but the reason is that it leads us straight into Fulcanelli's text. He tells us: "Indeed, right from the beginning my Master has dwelt on the primary role of the star, this mineral Theophany, which announces with certainty the tangible solution of the great secret concealed in religious buildings. This is the Mystère des Cathédrales, the very title of the work." The only problem is, for the puffer, these remarks are nonsense. Fulcanelli begins Le Mystère talking about cathedrals in general, the feast of fools, and wanders all over the place. He most certainly does not begin by talking about "the primary role of the star," this "great sign of the work." Or does he? Yes, he does. Remember what Canseliet said? "The key to the major Arcanum is given quite openly in one of the figures illustrating the present work. And this key consists quite simply in a colour revealed to the artisan right from the first work. No Philosopher, to my knowledge, has emphasized the importance of this essential point." Well, for a mind that thinks in terms of Kabbala, ritual and mumbo-jumbo, there is no way to understand this. But, for a mind that thinks in cabala, the language of the gods, the birds, the mother tongue, the solution is easy. If one opens to the very first "work of the artisan," or sentence of the book, there is a "figure" given - figure = number also! - and that figure that is the key to the Major Arcanum - the number seven. That is to say, in the first sentence of the book, "the work of the artisan," Fulcanelli writes… "The strongest impression of my early childhood - I was SEVEN years old…" …and we have the "key to the major Arcanum." How to interpret the number seven? Well, there are several ways to think about it, but the simplest is just to find chapter seven in the book to see what it says. So, we turn the pages over and begin to read: Varro, in his Antiquitates rerum humanorum, recalls the legend of Aeneas saving his father and his household gods from the flames of Troy and, after long wanderings, arriving at the fields of Laurentum..." And we stop to read the footnote: (Laurente- Laurentium is cabalistically l'or ente, or grafted gold) ... Continuing with the text: "the goal of his journey. He gives the following explanation: "After his departure from Troy, he saw every day and ruling the day the Star of Venus, until he arrived at the fields of Laurentum, where he ceased to see it. This fact made him realize that these were the lands allotted by destiny." Indeed we have found a star that is the "great sign of the work," leading to a color: GOLD. We have the figure seven which takes us to a color and then, to confirm that we have made the correct interpretation, we find that a star, which was the major part of the discussion of the second preface, is the guide to the "fields of Laurentum," or gold. This paragraph is, as Canseliet said, The Key to the Major Arcanum. Now, if we have a "lateral" look at the clue, what do we find? Taking the tarot deck out, we look at card number 7 and we see a most interesting figure: The chariot. And in that chariot, there is a man with a STAR ON HIS HEAD. What is more, the chariot is harnessed to two figures, one black and one white, one male and one female. We then understand that the term "Major Arcanum" refers to the "Great Work." That's cabala, not Kabbala. And part of that key is related to the legend of Aeneas, the burning of Troy, and the fields of Laurentum - the Dwellings of the Mystics. And then, finally, we look at "green." Green -- IE base "ghro" -- to become. So, what we have found is that a great many ideas come into play in considering the "Emerald Tablets," and this will later become very important. Getting back to word studies in general, I noticed that, very often, a word that began with a specific meaning, became reversed over time. I also noted that the various alphabets in used by human beings, had certain relationships that were either similar or antagonistic. I also discovered that, at a certain point, letters were added to several 22 letter alphabets to make them 24 letter alphabets, and at about the same time, the zodiac was tinkered with, a sign was added and another one split in two. And, this very period of time was related to all of the issues that led to the problem of the Grail. It became clear that someone or some force or tendency was at work here which resulted in the "Babel Syndrome," as I came to call it. I could see the "tracks" of some influence that was determined to make the solution of the mystery as difficult as possible by tossing extra puzzle pieces into the pile; pieces that would lead generations of searchers astray. I had the following exchange with the C's on this:
Q: Well, I think that a HUGE key is in the tracking of the languages... Richard
Rudgley writes in The
Lost Civilizations of the Stone Age:
"It
is estimated that there are between 5,000 and 10,000 different
languages in the world (the discrepancy between these two figures
is due to the different criteria used by various linguists in
defining a language as more than a local variant or dialect of
another), a fact which echoes the Biblical story of the Tower
of Babel. But, was there ever a single language in our remote
past that preceded the confusion of tongues, and if so, is there
any chance that we may be able to rediscover this Edenic state
of communication?
...Danish
linguist Holger Pedersen had expressed the opinion that there
was a definite relationship between the supposedly distinct and
independent language families of Indo-European, Semitic, Uralic,
Altaic and even Eskimo-Aleut. On the basis of these links he believed
that all these language groups were in fact descended from a remote
language ancestral to them all which he called Nostratic, from
the Latin noster, meaning 'our.'
"In Proto-Indo-European there are many words associated with agriculture and husbandry [suggesting a farming economy]. On the other hand, among the 2,000 roots of the Proto-Nostratic lexical stock, we do not find words suggesting acquaintance with agriculture or husbandry, but we do find many terms associated with hunting and food gathering. ... We may suggest that Proto-Nostratic belongs to the period prior to the 'Neolithic revolution,' while most of its descendent languages belong to the Neolithic epoch of food-producing economy. "...The most ancient centre of Neolithic economy in western Eurasia was situated in southwest Asia [which leads to] a preliminary hypothesis that Proto-Nostratic was spoken in southwest Asia at a period prior to the 'Neolithic revolution,' while most of its daughter-languages belong to the Neolithic epoch, and their spread over large territories of Eurasia and Africa was connected with the demographic explosion caused by the 'Neolithic revolution.' "The implications of the Nostratic hypothesis are mind-boggling. The theory proposes that most of the peoples of Europe and those in a large part of western Asia and parts of Africa were speaking Nostratic languages way back in prehistory, before the advent of agriculture. "...The project of reconstructing the vocabulary of the Nostratic language takes us deeper into prehistory, back to the Upper Paleolithic period, the latter part of the Old Stone Age! If the Nostratic language hypothesis is right, then it must be more than 10,000 years old and is likely to be nearer 15,000 years old. "[There
is also an equally if not more controversial proposal.] This is
the Dene-Sino-Caucasian language proposed by Starostin and other
linguists that includes languages as diverse as Basque, Chinese,
Sumerian and Haida. If [this] is shown to be a genuine language
group, then is must, like Nostratic and Eurasiatic, be of Upper
Paleolithic age. [...]
[Researchers] believe that they can identify correspondence between even these vast groups and are seeking to reconstruct the primordial ancestor of all the world's languages, a language called either Proto-Global or Proto-World. [Rudgley, 1999] Farmers vs. hunter gatherers. Hmmm... This event of "separation of the languages" seems to be intimately connected to the conflict between the Shepherd and the Farmer. As I was reading through all the myths, I was struck by this conflict and also how an older "shepherd" myth was often transformed into an "agriculture" myth with concomitant reversal of imagery and meaning. I asked the Cassiopaeans about this: Q:
One thing I do want to understand, since it is involved in all
of this, is the idea of the 'Shepherd.' All of the ancient legends
and stories and myths
Q: Funny spelling! But, what is the contrast between the concept
of the shepherd and the agriculturalist? This goes back to the
very roots of everything - there is Cain and Abel, Jacob and
Esau, Isaac and Ishmael... and others that are even older from
other cultures.... This transition from "hunter-gatherer" to "agriculturalist" is considered to be one of the great "revolutions" or evolutionary steps of mankind. But is it necessarily so? Richard Rudgley noted in passing:
In addition, the Sufis teach that wheat was the "forbidden fruit" of the Garden of Eden which is still reflected in the story of the grain offering of Cain that was rejected by "God." But there is a much deeper implication to this and it IS reflected in the inverting of certain words in our languages as well as inversion of concepts as expressed in our myths. The understanding of this inversion could be the single most important concept to be grasped by the "seeker." At this point, I want to address a certain factor that the Cassiopaeans speak of: Knowledge = Power. There is a general tendency among both Christians and many "New Age" devotees of this or that "source of information" that a "Loving God" simply gives all to those who ask in faith. It is this fundamental perspective that we will be examining, so I don't want to get ahead of myself, but I will offer the following remarks for the reader to keep in mind as we progress with our analysis of the human condition in our 3rd density reality. In the beginning, I was frustrated with the Cassiopaeans because they would not just simply answer all my questions. Instead, they would give me "clues" and send me out to do research. So, I complained: Q:
(L) How come I am always the one who gets assigned the job of
figuring everything out? So, I set about gaining and gathering knowledge of the clues placed before me by the Cassiopaeans and now I share them with you, the reader. At this point, I want to bring up two of the concepts upon which my "study method" is based. The
first is drawn from Clues:
Roots of an Evidential Paradigm, an essay by the renowned
Italian historian Carlo Ginzburg. In this essay he describes a
crucial aspect of investigations of the "unknown," which can range
from criminal investigations to paraphysical to physical, including
history. This approach is, in a nutshell, the "close and careful
study of seemingly trivial or unimportant details which actually
turn out to be of great importance." It is, in my mind, the
"Sherlock Holmes School of Knowledge." In the stories of Sir Arthur
Conan Doyle, Dr. Watson, an intelligent but pedestrian thinker,
is contrasted to Holmes, who pursues unusual and "inspired" analyses
of seemingly irrelevant details such as cigarette ash.
The
most striking thing about Sherlock Holmes was his unparalleled
guile. His success was based more on his ability to think like
his quarry than the tiny clues themselves. The clues were
meaningless without context, and the context was in the mind of
Sherlock Holmes. He KNEW his quarry. Based on this Holmes could
hypothetically reconstruct the activities using only tiny traces
left as clues. And, having reconstructed a particular action,
he was then able to "predict" the next move, or where to look
for the next tiny trace.
In
terms of the Grail Quest, it is paramount to understand the conditions
of the quest. The allegories of a "haunted forest" and "fire breathing
dragon" and "beautiful temptress" are not placed in the context
for no reason! There IS an opponent; one who tricks by terror,
by frontal assault, and by unparalleled deceit! Make no mistake
about it: there are forces that do NOT want anyone to discover
the secret! And they are so unbelievably ancient, deeply cunning,
and consciously evil, that the human mind cannot plumb the depths
of this guile.
Tracking
is not simply an "intellectual" practice, it involves considerable,
often great, learning and inspired insight. The "reader of signs"
must KNOW HIS QUARRY because, rarely does he have a simple set
of complete tracks. He has to identify the action based on partial
signs that most likely have been deliberately obscured. It was
in the process of interacting with the COINTELPRO agents previously
described, leading to the research outlined in the Adventures
Series, that teaches us the nature of those who will obfuscate
as well as their deceptions. Without the ability to strip away
the lies told by such agents - through time and space - the seeker
has no ability to reveal the truth.
In
historical and metaphysical research one must systematically collect
data. Unfortunately, the conditions are the worst possible for
the quest for truth due to the fact that not only is the trail
"cold," but, in addition to the deliberate attempts to conceal
the trail, there are many "Dr. Watsons" out there bumbling along
and destroying information in their well-meaning, but misguided
attempts to find the answer in the data that has clearly been
left to deliberately lead AWAY from the truth.
In this sense, religion and myth are as important as actual material clues, but not in the sense that they are generally understood. This brings us to the second part of the study method. In 1984, Thomas A. Sebeok was commissioned by the Office of Nuclear Waste Isolation and a group of other institutions, to elaborate answers to a a question posed by the US Nuclear Regulatory Commission. The American government had chosen several desert areas in the US for the burial of nuclear waste. The idea was that it was easy to protect it from intrusions at the present time, but since they were dealing with deadly elements which had half-lives of ten thousand years or more, how to protect people in the future from destroying humanity by dangerous intrusions into such areas? Ten thousand years is more than enough time for great empires and civilizations to rise and perish. In just a few centuries after the last pharaoh had disappeared, the knowledge of how to read hieroglyphs had disappeared as well, so it is conceivable that mankind could be reduced to a "dark age" existence that came into being following the decline of the Golden Age of Greece, and the fall of the Roman Empire. The question was: How will we warn the future about the danger? Umberto Eco discusses Sebeok's findings in The Search for the Perfect Language:
It is extraordinarily significant to me that Professor Eco has suggested so clearly here, the idea that our ancient ancestors may have been faced with the knowledge of a very great peril to mankind and "brain-stormed" for a solution as to how to transmit this information to future generations. And it is with this idea, that we come back to the myths that formed the foundation for said religions and form a "working hypothesis" that such stories are the "narratives" provided by our ancestors to warn us about something, as defined by Mr. Thomas Sebeok in his report to the Office of Nuclear Waste Isolation. It is here that we find the conflict between the Dr. Watson's of the archaeological/historical world and the Sherlocks. We cannot just read this myths and discover the answer. We have to deeply analyze the stories, discover the various versions and their inversions; and, by tracking the roots of words, discover their relations to the "universal language of the subconscious." In such a way, we just MIGHT be able to discover what it is our ancestors knew and what they have so desperately tried to tell us which some other force has also desperately tried to conceal from us! Among
mainstream scientists, most particularly those who study the past,
there is a strong fundamental bias based on the ideas of social
progress and evolution - uniformitarianism. This bias seems to
compel such "experts" to write their own myths of history. In
these myths, the plot is always similar: modern civilization is
a great success story from the prehistoric "rags" to the present
technological "riches," with modern science scripted for the role
of the heroic "flower of human achievement" born out of the long
struggle against the powers of the evil ignorance of our Stone
Age ancestors! They still believe and teach that civilization
suddenly "appeared" 5,000 years ago - that there was a "quantum
leap forward" based on previous, interminable steps on the ladder
to true progress. This idea formation can be easily seen as the
"Dr. Watson school of history."
In
the religious myths there are several universal themes, the most
prevalent being that of a Golden Age which was destroyed in some
terrible way - a deluge, a fall from grace, a punishment. The
Dr. Watson School ascribes such stories to any number of theories
based on the fearful and ignorant state of the howling savages
of the Stone Age who imaginatively created such things to explain
the inexplicable forces of nature around them. But, we are going
to look at them in a different way.
Since
mainstream scientists and historians haven't done a whole lot
toward explaining the order of the universe in such a way that
that has led to true progress, I propose that we try to look at
things a little bit differently.
Let
me explain.
Our
world is generally explained in reductionist terms which amounts
to the outlook of science. Science has "explained away" everything
by reducing it to its component parts which are mechanistic and
lacking some essential thing that gives "life" to our lives. Science
explains religion as "wishful-thinking" and love as NOTHING more
than chemistry between the cells of the body. Progressive "scientism"
is equated with reason and reason is supposed to make man a "godlike"
being, at least in terms of his ethics. But, it isn't working.
You can look around you and SEE that it isn't working. We live
in a horror house of technological doom, feeling powerless to
do anything about our state of existence. The plain, hard fact
is: science, alone, can't lead us to the explanation of the order
of the universe and, in the face of our present reality, the ONLY
rational thing we can do is look elsewhere for our answers.
Now,
how do we do this?
The
first step might be to challenge this most fundamental of scientific
ideas: that scientific progress is as "progressive" or "evolutionary"
as is claimed; that mankind has evolved from naked savages to
his modern state of technological prowess; that we are moving
from a lower state of ignorance to a higher state of advancement.
Yes, we admit that progress HAS occurred in many ways at many
times, but this does not seem to be the norm of nature. A hybridized
plant, left alone to go to seed for several seasons will revert
to the unhybridized form. And just so, the history of man seems
to be one of degeneration alternating with recovery and technological
advancement which is NOT balanced by ethical or spiritual development.
Science and religion have run amok into narrow and distorted views
of the universe. Something is wrong with this picture, and just
what it is we need to discover.
The
theme of the Quest for the Grail has several variations on a singular
idea: that far back in the ancient past, there was knowledge,
True Wisdom Technology. Further, there is the idea that this knowledge
was widely known and applied in a Golden Age. The Ancient Technology
is further thought to have survived, though perhaps broken up
and obscured in "magical doctrines," myths and religious rituals
that have long ago lost their meaning. It is also thought that
the Ancient Technology has survived in esoteric schools, nurtured
in secret, and given out to the world in measured doses from time
to time via an elect few who feel sorry for mankind.
According
to Newton, the Greek mystics who spoke of the "music of the spheres,
were merely talking about gravity. His idea was that the strings
of Apollo's lyre corresponded to the planet's distances from the
sun.
Do
we have any evidence that this Ancient Technology ever REALLY
existed? I think we do. Not only that, I believe that we can track
it back to a central point of dispensation where the teachings
of scientific concepts were couched in religious doctrines and
myths and these were planted in different social groups which
then applied them in various ways. Some of these groups made progress;
some did not. Some forgot everything and just tell the stories.
We
are going to travel back in time. We are going to peer into the
darkness of millennia past to detect the points in time and place
where there were peculiarities in thinking and imagination and
response to life that simply do not fit the normal "evolutionary"
mode, and which suggest the remnant of the Ancient Technology.
We are going to attempt to isolate clues that point to this Ancient
Technology. We are going to gather these pieces together and assemble
them into a picture so that we can perceive the reality BEHIND
the picture.
So,
as a working hypothesis, let me propose the following:
1.
The religious myths that have been handed down to us are "narratives"
of one or more advanced civilizations that existed on earth
in the remote past. If there is only a tiny percentage of possibility that such a hypothesis is correct, that this "alien reality" of 4th density as described by the Cassiopaeans actually exists, would it not behoove us to examine these stories, myths, and rites with a more open and "Sherlockian" mindset? So much of what has been handed down has become a matter of either "faith" or fable to so many people that a serious analysis for purposes of a solution is woefully lacking. It was in following all the many threads of the myth of the grail that I realized that the tale of Orion was, more or less, among the earliest forms of the Grail story. What does Orion have to do with the Grail Quest? A
great deal, I think. The similarities between the stories of Orion
and Arthur, in essential terms, are many.
The
Arthur of the Grail Quest is not, in a certain sense, a real flesh
and blood man, but an archetypal complex of images. Arthur is other
and more than the sum of his appearances in literature, and he is
present in myths, stories and images that have NO direct mention
of him.
Arthur
is present in the myths of all the sacrificial kings, dying saviors,
and heroic slayers of dragons from time immemorial. His story grows
with every episode we study, and after a time, we realize that Arthur,
himself, is only a clue.
Arthur/Arca/Arcadia
is a clue to the mythology of Fall and Redemption: The Once and
Future King. He is the symbol of the Lost Eden and the New Jerusalem,
and his story has branches that reach out to embrace all the ideas
of cyclical changes and power over the environment.
The
Myth of the Golden Age: a period when the Pole was "Oriented" differently;
when the seasons were different; the year was different; a primordial
paradise where time had no meaning.
The memory or imagination of a Golden Age seems to be a particularity of the cultures that cover the area from India to Northern Europe. In the Americas, the most fully developed mythologies of history were those of the Mayas and Aztecs, for whom there was no past era unclouded by the threat of cyclical destruction by fire of flood. Nor does the philosophy of Buddhism have any place for nostalgia, although in practice it absorbed the idea of declining ages from its Indian surroundings. But in the ancient Middle East there is an obvious relic of the Golden Age in Genesis, as the Garden of Eden where humanity walked with the gods before the Fall. What is more, it is clear that this is a NORTHERN myth. The Egyptians spoke of past epochs ruled by god-kings. Babylonian mythology, as reported by Berosus, had a scheme of three ages, each lasting while the vernal equinox precessed through four signs of the zodiac; the first of these, under the dominion of Anu, was a Golden Age, ended by the Flood. The Iranian Avesta texts tell of the thousand-year Golden Reign of Yima, the first man and the first king, under whose rule cold and heat, old age, death and sickness were unknown. The most fully developed theory of this kind, and probably the oldest one, is the Hindu doctrine of the Four Yugas. Joscelyn Godwin describes the first of these ages: In the first Krita Yuga, after the creation of the earth, Brahman created a thousand pairs of twins from his mouth, breast, thighs, and feet respectively. They lived without houses; all desires which they conceived were directly fulfilled; and the earth produced of itself delicious food for them, since animals and plants were not yet in existence. Each pair of twins brought forth at the end of their life a pair exactly like them. As everybody did his duty and nothing else, there was no distinction between good and bad acts. After the Krita or Satya Yuga, things get progressively worse: each successive yuga sees the human race falling into increasing unhappiness and evil, until at the end of the Kali Yuga, the world is set on fire, deluged with water, and then reborn. [Joscelyn Godwin, 1996] We may discover, in the course of this series of essays, that the "Arthur" and Grail legends of more recent times have been influenced by far earlier forms of the story. Once we decide to accept the possible survival and transmission of these connections in archaic myths, stories and images, the scope of our investigation widens significantly. In
order to see the relation of Arthur to Orion, and their respective
quests, we need to understand at the outset that stories can be
translated both linguistically AND culturally to provide meaning
to their new "owners." There is a story found in the History of
Herodotus which is an exact copy of an original tale of Indian origin
EXCEPT for the fact that in the original, it was an animal fable,
and in Herodotus' version, all the characters had become human.
In every other detail, the stories are identical. As R. E. Meagher,
professor of humanities and translator of Greek classics remarks:
Our aim here is to discover the truth of the Holy Grail, the quest of the Arthurian knights, the finding of which would restore "Arthur" to the throne. It is the same as Orion's quest for the cure for his blindness. One
of the problems is that there are many "Arthurs." King Arthur is
the creation of one writer: Geoffrey of Monmouth, a cleric of Welsh
or Breton descent. Very little is actually known about Geoffrey
other than the fact that he taught at Oxford between the years 1129
and 1151, a most curious period in history. His Historia Regum
Britanniae, or The History of the Kings of Britain,
dated around 1138, may have drawn on sources that are unknown
to us in addition to the ones we do know. (It is thought by many
scholars that Geoffrey's imagination was the dominant influence
for this work and that may or may not be so.)
What
is thought to be true is that behind Geoffrey's Arthur is
a body of tradition, some of it written and some of it oral; transmitted,
for the most part, by the Welsh who were descended from the Celtic
Britons, the inhabitants at the time of the Roman incursions.
So
far as can be determined, the Arthurian legends, though Christianized,
were fundamentally pre-Christian mythology thinly veiled in the
personalities of kings and queens, enchanters and fairies. Geoffrey
established Arthur as a splendid monarch and conqueror - the Once
and Future King - representing the glorious ancestry and prophesied
future of the Celtic peoples, reduced to bondage by the Romans and
Christianity.
The
Arthurian stories supplied a quasi-historical background which gave
strong impetus for the discovery and study of Celtic mythology,
and the legends took on their most familiar guise in the romances
of the Troubadours of the late 12th and 13th centuries. These medieval
romances recognized three main sources: Roman Classicism, French
sources/ Frankish matters, and British Arthurian tales. The Arthurian
source was so wildly popular that it soon dominated the field and
spread throughout the Christian world.
The
Arthurian "fad" resulted in the production of literature in the
languages and art of the major countries of the Middle Ages due,
it is claimed, to the Crusades and the mixing and exchanging of
ideas and myths that occurred in the contacts between western Europe
and the civilized Eastern countries.
Yet,
there was an undercurrent of conflict between the emergence of these
stories and Christian theology and the dominance/control consciousness
of the propagandists of the early Church. It was during this conflict,
that a revival of Christian energy was focused on the Holy Land,
and the Arthurian myths of the Holy Grail were inspired. But, it
is not really that simple as we shall soon see.
Knowing what we do about the emerging literature of the Holy Grail,we think that there is more to the legend's enduring fascination than just the fad of the Middle ages. The story has appeared in different forms and times long before Geoffrey's Historia began the craze. As noted, Arthur represents something else; something other than just a British Dux Bellorum; he represents a long ago Golden Age, a time of social harmony and wise government, a time of ethics and morality, a time of the "Way of Former Kings." The theme of the "lost Golden Age" is so potent that when Geoffrey made Arthur a sort of Messiah, combining Welsh myth and tradition with genuine history, he touched something so deep in the human psyche that the Medieval Soul took flight in hopes of the restoration of the Kingdom on Earth which could only be restored by the discovery of the Grail. In a certain sense, we can think that the story of the Grail is the story of the creative potential of the human race in very real, though esoteric terms - the power to re-create the Golden Age - a pathway to knowledge of an Ancient Technology that gave rise to the great megalithic monuments for which no rational explanation exists - a power that has been hidden from us for ages past. In
discovering the True Grail, we may also find the source of the control
system that has operated on our planet for the past many thousands
of years, keeping mankind in bondage to time, history, misery, decay
and suffering.
Because,
after we ask the former question, we must then ask: WHO or WHAT
wants us to be powerless? Who or What force or group desires - or
needs - to control humanity? And then, of course, WHY? What great
secret lies hidden from us that we are not supposed to learn?
Further,
once we discover the hidden secret, how do we utilize it? It must
be unimaginably potent for so much effort and energy to have gone
into the cover-up over so many thousands of years.
I
want to warn the casual reader that this series is NOT "casual"
reading! It is long and complex and goes in many different directions
that seem, at first glance, to be unrelated. But, I will also make
a promise: it will be worth the reading because, in the end, it
will all be brought together and connected in a proper way that
will satisfy the most discriminating of Grail Questors.
Umberto Eco has written in his book The Search for the Perfect Language:
It
is in this sense that we must face The Terror of History.
I want to go in a different direction for a moment just to set the background for the discussion of "time," our next important topic. Time, of course, is what we talk about when we discuss history. The history of mankind, when considered objectively, is a terrible thing. Many people defend themselves from this terror by erecting elaborate defenses - "personal myths," so to speak - so that they can go on with the prosaic business of their lives without being paralyzed by the burden of the "cold hard facts of life." Dealing with this subject is difficult, but the Terror must be faced. I ask the reader to travel with me through this "haunted forest" of thorns and wild beasts because, only after such a "test" of strength and incorruptibility is one granted the gift of a glimpse of the Grail. Man, as a rule and in general, is powerless against cosmic catastrophes, military onslaughts, social injustice, personal and familial misfortunes, and a host of assaults against his existence too numerous to list. Death and destruction come to all, both rich and poor, free and slave, young and old, good and evil, with an arbitrariness and insouciance that, when contemplated even momentarily, can destroy the most carefully constructed "personal myth." This is a FACT, and, to quote don Juan, "a damn scary one!" Over and over again, man has seen his fields and cattle laid waste by drought and disease, his loved ones tormented and decimated by illness or human cruelty, his life's work reduced to nothing in an instant by events over which he has no control at all. The study of history through its various disciplines offers a view of mankind that is almost insupportable. The rapacious movements of hungry tribes, invading and conquering and destroying in the darkness of prehistory; the barbarian invaders of the civilized world during medieval times, the bloodbaths of the crusades of Catholic Europe against the "infidels" of the Middle East; the stalking "noonday terror" of the Inquisition where martyrs quenched the flames with their blood and the raging holocaust of modern genocide; wars, famine, pestilence; all produce an intolerable sense of indefensibility against what Mircea Eliade calls the Terror of History. There are those who will say that NOW this is all past; mankind has entered a new phase; science and technology have brought us to the brink of ending all this suffering. Many people believe in the myth of Science which postulates that man is evolving; society is evolving; and that we now have control over the arbitrary evil of our environment. That which does not support this idea is reinterpreted or ignored. It is assumed that not only have we evolved as human beings from some primate ancestor, but that we are evolving as a culture as well. Science has given us the space program, laser, television, penicillin, sulfa-drugs, and a host of other useful developments which would seem to make our lives more tolerable and fruitful. However, we can easily see that this is not the case. After three centuries of domination by science, it could be said that never before has man been so precariously poised on the brink of such total destruction. Our lives, as individuals and groups and cultures, are steadily deteriorating. The air we breathe and the water we drink is polluted almost beyond endurance. Our foods are loaded with substances which contribute very little to nourishment, and may, in fact, be injurious to our health. Stress and tension have become an accepted part of life and can be shown to have killed millions. Hatred, envy, greed and strife multiply exponentially. Crime increases nine times faster than the population. We swallow endless quantities of pills to wake up, go to sleep, get the job done, calm our nerves and make us feel good. The inhabitants of the earth spend more money on recreational drugs than they spend on housing, clothing, food, education or any other product or service. (This amounts to half a trillion dollars annually.) And, the ancient evils are still with us for those who emerge from their "personal myth" long enough to be in touch with reality. Drought, famine, plague and natural disasters still take a annual toll in lives and suffering. Combined with wars, insurrections, and political purges, this means that not only are great numbers of people killed each year for political reasons, but multiplied millions of people across the globe are without adequate food or shelter. Over one hundred million children have starved to death in the last decade of the 20th century. When man contemplates history, AS IT IS, he is forced to realize that he is in the iron grip of an existence that seems to have no real care or concern for his pain and suffering. Over and over again, the same sufferings fall upon mankind multiplied millions upon millions of times over millennia. The totality of human suffering is a dreadful thing. I could write until the end of the world using oceans of ink and forests of paper, and never fully convey this Terror. The beast of arbitrary calamity has always been with us. For as long as human hearts have pumped hot blood through their too-fragile bodies and glowed with the inexpressible sweetness of life and yearning for all that is good and right and loving, the sneering, stalking, drooling and scheming beast of unconscious evil has licked its lips in anticipation of its next feast of terror and suffering. Since the beginning of time, this mystery of the estate of man, this Curse of Cain has existed. And, since the Ancient of Days, the cry has been: "My punishment is greater than I can bear!" It is conjectured that, in ancient times, when man perceived this intolerable and incomprehensible condition in which he found his existence, that he created cosmogonies to justify all the "cruelties, aberrations, and tragedies of history." Mircea Eliade, who wrote extensively about "The Terror of History," asks:
Eliade's view is that the religious myths of man were created as a "defense against the Terror of History." And, at the deepest level, these defenses against history have to do with Time. The religious myths are numerous and varied, but, when all the trappings are stripped away, the chief point of argument is which conception of Time is being utilized as the foundation of the myth: cyclical or linear. There are those who say that the mythical/religious formulas and images through which the "primitives" expressed their reality seem childish and absurd. Eliade, however, sees in religious myths a "desperate effort not to lose contact with being" (justification of existence in the face of the cruel world) and to find meaning - an archaic ontology. I would like to suggest that this archaic ontology is a remnant of the high and different science and technology of man "before the fall." Jessie L. Weston writes:
I would like to suggest that the myths, rituals and ceremonies of the ancient religions are but surviving fragments of a technology from which the true significance has vanished. Further, I would like to suggest that it is in discovering the secrets of this "technology" that mankind has a chance to become free of the Terror of History. What is the secret technology? It is nothing less than the Holy Grail. References: Abehsera,
Abraham A. (1991):Babel: The Language of the 21st Century.
Jerusalem: EQEV Publishing House
Eco,
Umberto (1997): The
Search for the Perfect Language. Oxford: Blackwell
Fulcanelli
[1964, 1999] The
Dwellings of The Philosophers. Boulder: Archive Press &
Communications
Ginzburg,
Carlo (1990): Clues:
Roots of an Evidential Paradigm. trans. J. and A.C. Tedeschi.
London: Hutchinson Radius
Godwin,
Joscelyn (1996) Arktos: The Polar Myth. Kempton:Adventures
Unlimited Press
Muller,
Richard (1988): Nemesis,
The Death Star. New York: Weidenfeld & Nicolson
Rudgley,
Richard (1999): The
Lost Civilizations of the Stone Age. New York: The Free
Press
Sebeok, Thomas A. (1984): Communication Measures to Bridge Ten Millennia. Technical account for the Office of Nuclear Waste Isolation, Batelle Memorial Institute, Columbus. Eliade, Mircea: (1954) The Myth of The Eternal Return; New York: Bollingen Foundation, Princeton University Press Weston, Jesse L. (1920) From Ritual to Romance; London: Cambridge University Press
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